Anyone who listens to the show on a regular basis knows that I adore Roy Orbison and this is why: First there’s the voice. It transcends generations by singing of universal longings that touch the heart. His voice sends quivers through my spine: part country, part rock and part pop, it’s a voice that reaches something approaching perfection.
Then there are the songs: a world defined by dreams yet rooted in reality, songs that teach us something about our own vulnerability. Songs of loss and desire and loneliness and, yes, songs about love.
Roy Orbison was born on April 23, 1936 in Vernon Texas, the middle son of Orbie Lee Orbison, an oil well driller and car mechanic, and Nadine Shultz, a nurse. He was creating music as young as 6 or 7. We played interviews throughout the program, many from Roy himself and he covered his childhood, learning guitar from his father and uncle, his time at Sun Records, why he started wearing sunglasses on stage and whether he was really lonely, amongst other things. Rather than repeat all that here, let me remind you that you can listen to the Theme Park wherever you are by using your internet connection. Go to http://www.bayfm.org and press the listen button. You should hear the show in real time via your iTunes or other media player. Theme Park airs on Tuesdays 2-4pm (that’s Sydney, Australia time).
So back to the music. First up it was OOBIE DOOBIE, recorded with the Teen Kings in 1956. We followed with CLAUDETTE, a song about Orbson’s first wife, Claudette Frady. The track was recorded in 1958. Claudette died tragically in a motocycle accident in 1966. We followed with ONLY THE LONELY written by Roy Orbison and Joe Melson and recorded by Orbison in 1960; it was his first major hit. Here he is performing in Australia in the 60’s:
Then it was a great triple play: BLUE ANGEL, I’M HURTIN’ and RUNNING SCARED. We also included the song LOVE HURTS, originally recorded by the Everly Brothers in 1960. Roy Orbison’s version was issued as the B-side to RUNNING SCARED which was a #1 hit, in 1961. Here’s a rare clip of Roy and his band, The Candymen, taken from a Dutch Tv Show from 1965. The concert was from the Singer Concert Zaal in Laren, Holland, during their European tour.
We had to include the next three songs from the early sixties: CANDY MAN, DREAM BABY, (about the birth of his second son with Claudette) and WORKING FOR THE MAN – a song about a Summer he worked in the Texan oil fields alongside his father.
By 1963 Orbison was touring extensively throughout the UK, Europe and Australia with The Beatles, The Stones and the Beach Boys. We played a couple of love ballads from that era: FALLING and IT’S OVER.
Roy also filled us in on his time, while on tour, with the Rolling Stones and how PRETTY WOMAN influenced them to write Satisfaction. PRETTY WOMAN, of course, went on to be a big hit and was destined to become Orbison’s signature song. Here’s a great piece of kitch from the 70’s: An American TV variety show called Pink Lady and Jeff. Pink Lady was a popular singing duo from Japan brought to America for the show. Comedian Jeff Altman was the cohost. Worth watching just to see Roy struggling to keep a straight face and also for the 70’s fashion.
I rarely dedicate a whole show to one performer. The only other time was a tribute to Michael Jackson. But, in my opinion, Orbison is one of the great rock and rollers: a forceful, yet gentle, voice capable of dynamic crescendos. He sang both heartbroken ballads and bluesy rock numbers, running up a formidable hit streak in the early Sixties. From the release of ONLY THE LONELY in 1960 to PRETTY WOMAN, a span of four years, Orbison cracked the Top Ten nine times.
Orbison’s most memorable performances were lovelorn melodramas, in which he emoted in a brooding tremulous voice. The melancholy in his songs resonated with listeners of all ages. IT’S OVER is one great example of that style. Another is CRYING. It was great to hear how he came to write that song and we listened to the version he re-recorded with kd lang in 1987. It went on to win them a Grammy Award.
After his first wife Claudette’s death in 1966, Orbison threw himself into work, which included starring in the film THE FASTEST GUITAR ALIVE, and he continued to tour. In the late 1960s, however, music was very much a part of the psychedelic movement. Orbison felt lost, later saying “[I] didn’t hear a lot I could relate to so I kind of stood there like a tree where the winds blow and the seasons change, and you’re still there and you bloom again.”
During a tour of England in 1968 he received news that his home in Tennessee had burned down and his two eldest sons had died. The property was sold to Johnny Cash, who planted an orchard on it. On March 25, 1969, Orbison married his second wife, Barbara Jacobs, and they had two children of their own.
During the 70’s several artists released covers of Orbison’s songs that performed very well. LOVE HURTS was remade by Gram Parsons and Emmylou Harris, and again by heavy metal band Nazareth and Sonny James sent ONLY THE LONELY to # 1 on the country music charts.
Linda Ronstadt covered BLUE BAYOU in 1977, which went to No. 3 and stayed on the charts for 24 weeks. And later that year, Orbison and Emmylou Harris won a Grammy Award for their duet THAT LOVIN’ YOU FEELIN’ AGAIN. WAYMORES BLUES is from the Class of 55 album with Roy Orbison, Johnny Cash, Jerry Lee Lewis and Carl Perkins. While the album was in part a tribute to Elvis Presley, it was mainly a commemoration of those young performing hopefuls who came to Sun Records in 1955 to make music in the new era o Rock and Roll.
During the 80’s Orbison participated in a number of movie soundtracks. We played two of the most prominent: LIFE FADES AWAY from the film Less Than Zero, starring Robert Downie Jnr and IN DREAMS, from the controversial film by David Lynch, BLUE VELVET.
Orbison’s return to the public eye really began in earnest in 1987 with his induction into the Rock and Roll Hall of Fame and the taping of a tribute concert, Black and White Night. The concert featured such disciples as Bruce Springsteen, Elvis Costello, kd lang and Bonnie Raitt and was produced by T. Bone Burnett. Here’s a clip from the DVD. The song is UPTOWN.
It was a great pleasure to include a 7 minute interview with members of the supergroup of all supergroups: THE TRAVELLING WILBURYS: Roy Orbison, Bob Dylan, Tom Petty, Jeff Lynne and George Harrison. The year was 1988. We also included the song, HANDLE WITH CARE, from the album The Travelling Wilburys Vol 1.
In the same year Orbison was recording a major comeback album, Mystery Girl. It was awaiting release when Orbison suddenly died of a heart attack on December 6, 1988. The album was finalized for release in the weeks following his death through the collaborative efforts of several artists who were all friends and admirers. The album, MYSTERY GIRL, was named after the chorus from the track SHE’S A MYSTERY TO ME, written for Orbison by U2’s Bono and The Edge.
The album was released posthumously in 1989 and would join Travelling Wilburys Vol 1 on the Billboard chart. The dual success meant that Roy Orbison joined Elvis Presley as the only two singers to simultaneously have two Top 5 albums on the Billboard chart posthumously, at that time. (This record has now been smashed by Michael Jackson who dominated the Billboard Top 10 albums when he passed away this year).
But back to Roy: Mystery Girl was extremely well received and went on to become the highest-charting album of his career. We took a listen to SHE’S A MYSTERY TO ME and YOU’VE GOT IT from that album. Rather than show a performance clip, take a look at Bono and others talking about the writing and recording process of the album. Roy sings SHE’S A MYSTERY TO ME as background to the story.
There was time for more of Roy commenting on how he would like to be remembered: “I’d just like to be remembered. If my contribution to the music scene brought someone some happiness or helped them keep things together, then that would be great.” A medley of some of Roy’s best loved tunes then closed the show: I DROVE ALL NIGHT, OH PRETTY WOMAN, LANA and HEARTBREAK RADIO.
When Elvis Presley stated that Roy Orbison is “The world’s greatest singer”, we know that he wasn’t kidding, that’s for sure.
Next week: We’re going back to THE SUMMER OF LOVE. Yes, its all love beads, incense, tambourines and the great music of the Summer of 67. Peace man.Contact me if you have any suggestions. Meanwhile, here is this week’s playlist:
Childhood – Roy Orbison Interview
Ooby Dooby – Roy Orbison Interview
Ooby Dooby – Roy Orbison
Claudette – Roy Orbison
Only The Lonely – Roy Orbison
Loneliness – Roy Orbison Interview
Blue Angel – Roy Orbison
I’m Hurtin’ – Roy Orbison
Running Scared – Roy Orbison
Love Hurts – Roy Orbison
Candy Man – Roy Orbison
Dream Baby – Roy Orbison
Working For The Man – Roy Orbison
Leah – Roy Orbison
Sunglasses – Roy Orbison
Mean Woman Blues – Roy Orbison
Falling – Roy Orbison
It’s Over – Roy Orbison
Oh, Pretty Woman – Roy Orbison
Crying – Roy Orbison interview
Crying – Roy Orbison & kd lang
Blue Bayou – Linda Ronstadt
That Lovin’ You Feelin’ Again – Roy Orbison with Emmylou Harris
Waymore’s Blues – Roy Orbison with Johnny Cash, Jerry Lee Lewis and Carl Perkins (Class of 55)
Life Fades Away – Roy Orbison
In Dreams – Roy Orbison
Uptown – Roy Orbison
Travelling Wilburys interview
Handle With Care -Traveling Wilburys
She’s A Mystery To Me – Roy Orbison
You Got It – Roy Orbison
Being Remembered – Roy Orbison interview
Medley: I Drove All Night/Oh, Pretty Woman/Lana/Heartbreak Radio – Roy Orbison
Next week: SUMMER OF LOVE (1967)
Throughout the world, since 1975, we have set aside the 8th of March as a day to inspire women and celebrate their achievements. So a radio show airing on March 10, hosted by a pretty feisty woman at that, had a fairly predictable theme begging. I roped in young Zoe to help give the show a wider perspective and we got stuck into presenting some of our favourite female artists. That’s both of us at the end of the show, about to down a well earned shot of caffeine!
We opened the show with ‘Sisters Are Doing It For Themselves’, from Aretha Franklin and Annie Lennox. A great feminist anthem, the tune was recorded in 1985 – the year that Zoe was born! Feeling more than a little ancient, I squeezed in my favourite Blues singers – Billie Holiday and Janis Joplin – before handing over the program to Zoe’s first three choices – The Yeah, Yeah, Yeahs, Feist and Robots in Disguise (‘their song La Nuit’ is great – I never thought I could be converted to Electro! Go figure). The video clip is mad, mad, mad…..
When I was putting together my choice for ‘rock chicks’, Zoe suggested Stevie Nicks (much to my surprise), and who was I to argue? The title of ‘Edge of Seventeen’ was inspired by Tom Petty’s wife Jane who has a strong Southern accent. When Nicks misheard her say ‘the age of seventeen’ as ‘edge of seventeen’ she swore that she would write a song with the latter as the title. The song’s lyrics came about as a direct result of the grief she felt over the death of both an uncle and John Lennon’s death in the same week of December 1980. The track became the 3rd single from her hit album Bella Donna. It was used in the film ‘School of Rock’ with Jack Black which brought the song, and Stevie, to the attention of a whole new generation.
I also totally approved of Zoe’s next three selections: M.I.A., Soko and Cat Power. M.I.A. is an interesting singer. We all know who she is now because of her Academy Award nomination (with A.R. Rahman) for ‘O…Saya’ as Best Song, from the film ‘Slumdog Millionaire’. It didn’t win but now my generation is aware of this precocious young performer. An accomplished visual artist by 2002, she came to prominence in early 2004 through file-sharing of her singles ‘Galang’ and ‘Sunshower’s on the Internet.
But I have to say that Soko is my favourite of this bunch. She may turn out to be a one-hit wonder with her very cute and controversial song ‘I’ll Kill Her’ but if you keep your sense of humour intact, she is a rare and refreshing new talent. Here’s hoping that we hear more of her. She was supposed to have released an album in February of 2009 but her MySpace page, as of January, insists that she has quit singing. Hope not! Check out the video: http://www.youtube.com/watch?v=25AsfkriHQc
There are so many other great female artists. My selection included the original rock chick – Joan Jett – more blues and r&b with Dinah Washington and Etta James and I even got in some country with Linda Ronstadt singing her version of Roy Orbison’s ‘Blue Bayou’ (and you were wondering how I was going to fit a Roy Orbison song into a show about women! No worries).
Zoe and I both wanted Nina Simone in there and what better song to showcase that amazing voice than ‘I Put A Spell On You’, originally recorded by Screamin’ Jay Hawkins in 1957. And then, of course, there was Amy Winehouse, P.J.Harvey, Shirley Manson, Aretha Franklin and we finished the show with Regina Spektor’s fantastic version of John Lennon’s song ‘Real Love’. This is a song that Spektor contributed to the Amnesty International album to save Darfur. So many of the artists we showcased today are not only strong women artists but they are politically aware and contributing positively to change, not just for women but for all mankind. Respect indeed. Have a look at Regina Spektor at the Bonnaroo Festival in 2007:
Here’s the complete playlist:
Sisters Are Doin It For Themselves (1985) – Aretha Franklin/Annie Lennox
Billie’s Blues (1936) – Billie Holiday
One Good Man (1969) – Janis Joplin
Rich (2003) – Yeah Yeah Yeahs
Mushaboom (2004) – Feist
La Nuit (2005) – Robots In Disguise
Up The Neck (1980) – The Pretenders/Chrissie Hynde
Edge of Seventeen (1981) – Stevie Nicks
Bad Reputation (1981) – Joan Jett & the Blackhearts
Paper Planes (2007) – M.I.A.
I’ll Kill Her (2008) – SoKo
Sea Of Love (2008) [Remastered Version] – Cat Power
Crazy (1962) – Patsy Cline
Jolene (1973) – Dolly Parton
Blue Bayou (1977) – Linda Ronstadt (Roy Orbison cover)
Glory Box (1994) – Portishead
Bachelorette (1997) – Bjork
Big Long Slidin’ Thing (1954) – Dinah Washington
Tell Mama (1968) – Etta James
Push It (1986) – Salt N Peppa
I Put A Spell On You (1968) – -Nina Simone
Cupid (2006) – Amy Winehouse
Cry Baby (1971) – Janis Joplin (With Full Tilt Boogie)
C’mon Billy (1995) – PJ Harvey
Stupid Girl (1996) – Garbage (Shirley Manson)
Respect (1967) – Aretha Franklin
Real Love (2007) – Regina Spektor
Next week: Inspired by the this week’s leaping of generations, the theme next Tuesday will be ‘Age’ – young, old and in-between.
Tune into the Theme Park with Lyn at BayFM 99.9 each Tuesday 2-4pm (Sydney time), or streaming at http://www.bayfm.org.