Category Archives: Australian Classic Rock
I’m excited. This week I introduced a little diversion to the usual Theme Park program. Every now and again, I’m going to invite one of our local or visiting musicians to come in and give me their GUEST LIST: Songs that have some significance for them; music that has created the soundscape to their life. My very first guest was that chilled out coastal cowgirl, with the heart of a rock chick, Kathryn Jones.
Kathryn’s created a fresh, new genre that she likes to call “Coastal Country” and she’s the East coast’s sassiest new artist, blending country roots with old world nostalgic charm. With a booty of ukuleles, acoustic guitars and cowboys galore, Kathryn’s debut album, Yesterday’s News is a fine collection of original songs influenced by early country roots music, the innocence of love and life in a small coastal village.
Most of Kathryn’s list came from the mid seventies, which is when she was growing up, and we opened the show with David Dundas’ one hit wonder JEANS ON, released in 1976. Kathryn explained that this was the first song she remembers hearing on the radio.
Kathryn was brought up in the country town of Kempsey and her Dad was the town’s panel beater. So it was inevitable that she became a bit of a tomboy, hanging around all the petrol heads of this typical Aussie country town. Her next two songs reflect that: The Ted Mulry Gang’s JUMP IN MY CAR and pocket rocket Suzie Quatro with DEVIL GATE DRIVE.
One of Kathryn’s idols is Olivia Newton John and she had a very funny story to tell about trying to cut and bleach her black hair to look like Liv, which of course was a disaster and horrified her parents. Olivia’s song YOU GOT TO ME had to make the list. Another idol is Neil Diamond and her pick for the list was YOU GOT TO ME.
The Australian Crawl track ERROL reminds Kathryn of heading off to Crescent Head for a surf, then getting in the back of someone’s ute and driving to see a pub band. Just a typical night out in a country town really!
Kathryn has been described as having a passionate, penetrating voice not unlike June Carter and Jeannie C. Riley. She’s been performing relentlessly since launching her debut EP OH BROTHER COME HOME in 2007. Nabbing the ‘Best Lyrics’ award and being nominated for “Best Female Vocalist” at the 2009 Dolphin Awards, Kathryn set about making her mark on the music industry after taking a 14 year hiatus to raise her family. Last year was a busy one for Kathryn: Writing, touring, and performing with country music star Celia Adams, as well as recording her independently produced album.
We were very fortunate to have guitar virtuoso Matt Hanley join Kathryn in the studio and they played both OH BROTHER COME HOME and the title track from her new album YESTERDAY’S NEWS. Absolutely beautiful. Get onto Kathryn’s site if you want to download a sample and/or buy yourself the album.
Kathryn’s married to Phil and has four sons, so she’s a busy gal! While she’s a country singer with a rock chick bursting to get out, Phil has influenced her towards Blues artists like Bonnie Raitt (onya Phil!). So Raitt’s LOVE ME LIKE A MAN was a dedication to Phil, who she obviously adores.
We closed the show with Kathryn’s single which is getting lots of airplay around the country, HELL OF A RIDE: a great way to finish a show about someone’s life.
Listen to some of Kathryn’s SAMPLE MP3 tracks here.
Next Monday it’s the Queens birthday holiday and I’ll be bringing you a show that every queen in the Byron Shire, and beyond, is sure to enjoy. We’re talking CLASSIC DISCO! So, get your glitter ball ready and join me then for a boogie.
Here’s Kathryn’s list:
Jeans On – David Dundas
Jump In My Car – Ted Mulry Gang
Devil Gate Drive – Suzi Quatro
Let Me Be There – Olivia Newton-John
You Got To Me – Neil Diamond
Errol – Australian Crawl
Yesterday’s News, performed live by Kathryn Jones and Matt Hanley
Love Me Like A Man – Bonnie Raitt
Oh Brother Come Home – performed live by Kathryn Jones and Matt Hanley
Hell of a Ride – Kathryn Jones
Next week: CLASSIC DISCO
This week we celebrated the centenary of International Women’s Day with a show dedicated to my favourite Aussie female singers. Some are solo performers and others front bands but the thing they all have in common is that they are strong, talented and inspiring women.
We opened the show with Christine Anu’s version of I’M A WOMAN. It’s from her Intimate and Deadly album, which was recorded live at the Sydney Opera House Studio and released in November 2010. Christine is presently performing in London with the production The Sapphires, the Australian play about a singing group of four Koori women who tour Vietnam in 1968, a year after the referendum expanding the rights of Aborigines.
It’s 100 years since the first International Women’s Day event was run. Did you know that in 1911 more than one million women and men attended rallies, campaigning for women’s rights to work, vote, be trained, to hold public office and end discrimination? Yes, we’ve come a long way baby, but there’s still work to be done.
Renee Geyer knows all about what it’s like to try and make it in a man’s world. She has long been regarded as one of the finest exponents of jazz, soul & R&B in this country and her version of James Brown’s IT’S A MAN’S WORLD brought her well-deserved commercial success in 1974:
Local girls Melia and Nerida Naughton are Scarlett Affection, a multi-talented duo with lots to say about love and life in their own unique folk/pop style. Their song ROMANTIC is one of my favourites; it’s from their album Our Sweet Ambush.
When it comes to Aussie rock, Suze De Marchi of The Baby Animals has to have one of the best voices out there. Here’s the band performing ONE WORD in 1991:
Another of the stars of the stage show The Sapphires, presently wowing them in London, is Casey Donovan. She was very young, only 16, when she won the Australian Idol competition a few years back, but she weathered the instant fame train and is now creating a substantial career in musical theatre. Here she is kicking off her BIG, BEAUTIFUL & SEXY tour, when she took to the stage of the famous Spiegel Tent in Adelaide SA, at the 2010 Fringe:
In China, Armenia, Russia, Vietnam, Bulgaria and many other countries International Women’s Day is an official holiday. The tradition sees men honouring their mothers, wives, girlfriends, colleagues etc. with flowers and small gifts. Gotta love that!
You’ve also gotta love Darwin singer Leah Flanagan. We played her very appropriate track, PRETTY GIRLS. And then it was pop/dance duo Madison Avenue, with Cheyne Coates on vocals. She does a great job on the wonderfully assertive WHO THE HELL ARE YOU. That girl knows how to put an outfit together too!
Deborah Conway has weathered the ups and downs of a fickle music industry and these days is finding happy harmony between family and fame. SPOKEN LIKE A MAN is from the album Half Man Half Woman.
The wonderful Christa Hughes, with her Dad Dick, blew everyone away at the last Mullumbimby Music Festival. Here they are on the ABCTV show ‘Spicks & Specks’ with a version of Memphis Slim’s BEER DRINKIN’ WOMAN. And as the clip shows, this girl could drink most of you under the table! (not sure if that’s a good thing though!)
Mama Kin sang I’M GONNA DO IT from her Beat and Holler album and then it was Tin Pan Orange with Emily Lubitz and her amazing lead vocals on THE BOTTOM OF THE LAKE.
The year 2010 was a busy one for Megan Washington and the album I Believe You, Liar. She picked up two ARIA awards – Best Female Artist and Best Breakthrough Artist, and broke records with sell out shows around the nation. Here she is with footage from her EPK, talking about her hit album I BELIEVE YOU LIAR, where she discusses the themes and style she pursues in her songwriting.
Another terrific singer/songwriter is local Byron girl Sarah McGregor. She may not be as recognised as others at the moment, but she has already produced a number of albums that I totally adore. One of my favourite songs is MORE TO LIFE.
A group which also established themselves here in Byron Bay, before knocking everyone out both in Australia and overseas is Blue King Brown with Natalie out front. This is the kind of music that gets you out of your seat and moving! And its political! Love them. And love the song COME AND CHECK YOUR HEAD.
Kasey Chambers’s song NOT PRETTY ENOUGH was released in 2001 and is from her album Barricades and Brickwalls. Chambers became the first country artist to have a #1 single and album on the charts simultaneously.
Back in 1985 the standout female artist was the iconic Ms Chrissie Amphlett of the Divinyls. Watch this video and you may understand why her aggressive, psycho-sexual persona freaked out US record label wowsers who wanted their women blonde, deferential and subservient. Yes, there’s a fine line between PLEASURE & PAIN.
A very different kind of performer, and a fantastic songwriter as well, is Little Birdy’s Katy Steele. She’s now living in New York and has gone solo, and there’s nothing but blue sky ahead for her. Here she is with Little Birdy’s HAIRDO:
Katy Noonan has a sublime voice and its demonstrated to perfection on her cover of Soundgarden’s BLACK HOLE SUN.
Here’s Vanessa Amorosi’s #1 single and neo-feminist anthem, THIS IS WHO I AM. “I don’t care if I’m fat or if you think my clothes are bad. I can go to sleep at night. I’m a good person and I’ll get by.” You go girl!
There were lots of requests for Sarah Blasko and it was difficult to choose just one song from her repertoire but I do love ALL I WANT. It’s from her album As Day Follows Night.
Two great groups with amazing female singers are The Waifs and The Audreys. The Waifs are a folk rock band from Western Australia which includes sisters Vikki Thorn (hamonica, guitar, vocals) and Donna Simpson (guitar, vocals), The Audreys line-up includes the very talented Taasha Coates on vocals (and a variety of instruments). So, it was FISHERMAN’S DAUGHTER from the Waifs and the very funny NOTHING WRONG WITH ME from The Audreys
I’m gong to be away for a couple of weeks so I thought it was fitting to include Julia & Angus Stone’s song BIG JET PLANE. Yes, I know that Angus is quite dominant on this one, but it just goes to show that men and women can collaborate and produce some very beautiful music!
I know that many of the younger generation feel that ‘all the battles have been won for women’ but us old feminists know that there is still a lot of work to be done. Yes, there are more women in the boardroom, there is greater equality and we have some impressive role models in all walks of life. But the unfortunate fact is that women are still not paid equally to that of their male counterparts, women are still not present in equal numbers in business or politics and, globally, women’s education, health and the violence against them is worse than that of men. However, great improvements have been made and today women do have real choices, so let’s celebrate the positive and, here’s an idea, let’s make every day International Women’s Day. Let’s all do our bit to ensure that the future for girls is bright, equal, safe and rewarding.
Although I won’t be here for the next two weeks, fear not as Theme Park will continue with the lovely Des in the hotseat. Who knows what fabulous themes he’ll be bringing you because I’m giving him a free hand! Could be scary!
No blogs for that period, but make sure you listen in on http://www.bayfm.org
Here’s this week’s playlist:
I’m A Woman – Christine Anu, Intimate And Deadly
It’s A Man’s Man’s World – Renée Geyer, The Ultimate Collection
Romantic – Scarlett Affection, Our Sweet Ambush
One Word – Baby Animals, Baby Animals
Big, Beautiful & Sexy – Casey Donovan, Big, Beautiful & Sexy
Pretty Girls – Leah Flanagan, Leah Flanagan Band
Who The Hell Are You – Madison Avenue
Spoken Like A Man – Deborah Conway, Half Man Half Woman
Beer Drinkin’ Woman – Dick and Christa Hughes, 21st Century Blues
I’m Gonna Do It – Mama Kin, Beat And Holler
The Bottom Of The Lake – Tinpan Orange, The Bottom Of The Lake
Down On Love – Sarah Blasko, As Day Follows Night
I Believe You Liar – Washington, I Believe You Liar
More To Life – Sarah McGregor, More To Life
Come And Check Your Head – Blue King Brown
Not Pretty Enough – Kasey Chambers, Barricades & Brickwalls
Pleasure And Pain – Divinyls, Make You Happy 1981-93
Hairdo – Little Birdy, Never Mind The Lipstick
Black Hole Sun – Katie Noonan, Time To Begin
This Is Who I Am – Vanessa Amorosi, Hazardous
All I Want – Sarah Blasko, As Day Follows Night
Fisherman’s Daughter – The Waifs,
Nothing Wrong With Me – The Audreys, Between Last Night and Us
Big Jet Plane, Angus & Julia Stone
Next 3 weeks: DES IS IN THE HOTSEAT WHILE I’M AWAY
I’ve been on a mission to play as many songs as I can with numbers in the title. But the real challenge has been to play them in numerical sequence. Last week we successfully navigated our way from Elvis Costello’s Less Than Zero all the way to Edwin Starr’s Twenty Five Miles . So, this week we were off again, starting with our opening number, OCTOBER 26 (REVOLUTION) from The Pretty Things. This is a great track from what I consider a grossly under recognised band of the 60’s. It’s from their 1970 album Parachute.
TWENTY SEVEN STRANGERS is from The Villagers, who put out one of the best albums of last year – Becoming A Jackal. Here’s the band’s singer and songwriter, Conor J O’Brien, performing solo. Beautiful song. Perfect in its simplicity.
A band called Why? gave us our #28 song, (called exactly that, 28). Ryan Adams’ contribution was the track TWENTYNINE from the album 29 and the #30 spot was filled by Aussie band The Lucksmiths. The song, $30 is a very cute proposition: They know that they owe you $30 but how about they write you a song instead? Cheeky!
Aimee Mann thought her life would be different somehow, when she turned 31. Check out this live performance of 31 TODAY in Studio Q.
Another brilliant singer/songwirter is Ani DiFranco . Here she is performing live in 1997. The song: 32 FLAVOURS.
We don’t often play instrumental tracks but funky jazz outfit The New Mastersounds certainly livened things up with THIRTY THREE. We followed with little known, (well to me anyway), American band Promenade with 34 from their Save the Radio album. Then it was Joe Pug with a decent Bob Dylan impression on HYMN #35 and Bobby “Blue” Bland with his favourite numbers 35:22:36.
Then another excellent double : STRAIGHT IN AT 37 from The Beautiful South, now called simply South, and 38 YEARS OLD from Canadian band The Tragically Hip.
Hip Hop producer Re-animator has a great track called SYMPHONY NUMBER THIRTY-NINE on his album, evocatively titled Music to Slit Wrists. Dido has got to have one of the most beautiful voices of recent times, and she uses it to perfection on SEE YOU WHEN YOU’RE 40:
Gregory Hoskins gave us his track 41 and then it was Aussie and, Hunters & Collectors with 42 WHEELS. On 43 Mary Lou Lord justifies seeing a younger man by the fact that he’s 17, going on 43. And talking of excuses, I love any reason to go back to the 60’s so the Zombies were in with CARE OF CELL 44. Terrific band, still performing too.
An artist I’ve only just discovered, but like very much is Todd Snider . Here he is performing FORTY FIVE MILES in December 2010 in Tampa, to a very appreciative audience I might add. It’s an amateur video, but worth watching. He’s supported by Will Kimbrough.
If you’re after some good old fashioned Blues then check out Memphis Slim, Jump Jackson and Arbee Stidham. They gave us a fast version of 46TH STREET BOOGIE to fill our #46 spot. Number 47 was looking tough until I found a real cutie: Andy Kirk & His Orchestra, featuring June Richmond on vocals. She was one of the first black women to front an all white band. The song is 47th STREET JIVE.
Enough with songs named after New York streets (surely that’s another show!). A complete change of tone followed with the amazing, enduring, Suzi Quatro with 48 CRASH. I had to play this original clip from 1973, as she looks so great (still does actually). The ultimate rock chick.
Our number 49 song was for Des who presents BayFM’s Colours of Byron every Sunday morning. He’s a big Dylan fan, so DAYS OF 49 was especially for him and all the other Dylan fans. Number 50 couldn’t be anything but Simon & Garfunkle’s FIFTY WAYS TO LEAVE YOUR LOVER, which wasn’t dedicated to anyone in particular, because I don’t want to get myself in any trouble in that department! Here’s a live performance by Paul Simon with legendary drummer Steve Gadd:
Well we got all the way to #50 with time to spare. We closed the show with a #51 song that also previews next week’s show: Pink Floyd’s COME IN NUMBER 51, YOU’RE TIME IS UP from the soundtrack to the film Zabriskie Point. As one of the comments on YouTube states: it’s the film that inspired countless people to lose their virginity to Pink Floyd. (The music that is, not the actual band members). Here’s the trailer, featuring that music, with some of the worst promotional jargon I’ve ever heard!
So, next week I’ll be hosting an Oscars special. I’ll be playing lots of songs that were recorded especially for films. Some will have won Oscars, some should have but didn’t. I’d love to have your suggestions and requests. And, of course, your company 4-6pm Tuesdays on www.bayfm.org.
Here’s this week’s full playlist:
October 26 (Revolution) – The Pretty Things, Unrepentant [Disc 1]
Twenty Seven Strangers – Villagers, Becoming A Jackal
Twenty Eight – Why? Alopecia
Twentynine – Ryan Adams, 29
$30 – The Lucksmiths, Spring a Leak
31 Today – Aimee Mann, Smilers
32 Flavors – Ani DiFranco
Thirty Three – The New Mastersounds, 102% Funk
34 – Promenade, Save the Radio
Hymn 35 – Joe Pug, Nation of Heat EP
36-22-36 – Bobby “Blue” Bland, Bobby “Blue” Bland: The Anthology
Straight In At 37 – The Beautiful South, Welcome to the Beautiful South
38 Years Old – The Tragically Hip, Up to Here
Symphony Number Thirty-nine – Reanimator, Music To Slit Wrists By
See You When You’re 40 – Dido, Life For Rent
41 – Gregory Hoskins, The Beggar Heart
42 Wheels – Hunters & Collectors, Under One Roof
43 – Mary Lou Lord, Baby Blue
Care of Cell 44 – The Zombies, Odessey and Oracle
Forty Five Miles – Todd Snider, Happy to Be Here
46th Street Boogie (Fast Boogie) – Memphis Slim, Jump Jackson and Arbee Stidham
47th St Jive – Andy Kirk & His Clouds of Joy, Jukebox Hits 1936-1949
48 Crash – Suzi Quatro, Suzi Quatro: Greatest Hits
Days of 49 – Bob Dylan, Self Portrait
Fifty Ways To Leave Your Lover – Simon & Garfunkel , The Concert in Central Park
Number 51, Your Time Is Up – Pink Floyd, Zabriskie Point (Soundtrack from the Motion Picture)
Next week: SONGS RECORDED FOR FILM
TURN UP YOUR RADIO, the Master’s Apprentices 1970 declaration that they were now a rock band rather than a teeny bopper sensation, opened our Australia Day show, featuring 40 years of Australian Classic Rock. They quite rightly remind us that rock n roll started a good 15 years before this but there was no way that we were going to fit 55 years of rock into a two hour show, so 1970 seemed a fitting start. Check out this video when Glenn Wheatley was still working the bass guitar:
Daddy Cool’s EAGLE ROCK was recorded in 1971 and went onto become the best selling Australian single of the year. According to songwriter and singer, Ross Wilson, he was inspired by the popular 1920s black dance performed with the arms outstretched and the body rocking from side to side which was called the Eagle Rock. ‘Doing the eagle rock’ is also a metaphor for sexual intercourse.The accompanying promotional video was put together quickly for $300 and shows the band in some old Melbourne haunts including the Dolphin Café in Clarendon St., South Melbourne and St. Kilda’s Aussie Burger Bar opposite Luna Park as well as live shots from the 1971 Myponga Festival held in South Australia.
In early 1972 Billy Thorpe & The Aztecs released what became their biggest hit, and Thorpe’s signature tune – MOST PEOPLE I KNOW (THINK THAT I’M CRAZY), a song now widely regarded as one of the classics of Australian rock. It was a huge hit for the Aztecs, propelled to the top of charts by the band’s triumphant appearance at the 1972 Sunbury Music Festival. Thorpe himself claimed this as a pivotal moment in the development of Australian music, thanks to the promoters’ decision to feature an all-Australian lineup, rather than relying on imported stars.
And here’s an interview with the late great Billy Thorpe at Sunbury:
After the demise of the Easybeats in 1969, Stevie Wright embarked on a successful solo career. In 1974 he released the epic EVIE, an 11-minute 3-part classic, which to this day remains the longest song ever to reach #1 on any chart in the world.
In 1975 AC/DC released the album T.N.T. with the iconic track IT’S A LONG WAY TO THE TOP (IF YOU WANNA ROCK N ROLL). Written by Angus Young, Malcolm Young and Bon Scott, its notable for combining bagpipes with hard rock, electric guitars, drums and bass. In the mid-part of the song there is a duet between the bagpipes and the electric guitar.
Two very influential Australian bands that were at their best in the mid 70’s were The Angels and The Saints. The Saints, in particular, are considered to be one of the first and most influential punk rock groups. By 1975, The Saints were employing the fast tempos, raucous vocals and “buzzsaw” guitar that characterised early punk rock. With their first single, I’M STRANDED, in late 1976, they became the first punk band outside the United States to release a record, ahead of better-known punk acts like the Sex Pistols and The Clash. According to Bob Geldof, “Rock music in the seventies was changed by three bands – the Sex Pistols, the Ramones and The Saints”.
Meanwhile Cold Chisel were about to record the song that quite frequently tops those ‘best of’ lists, so it couldn’t be left out of this playlist: KHE SANH. I’ll dedicate this one to Chisel drummer Steve Prestwich who passed away last week at the very young age of 56.
Midnight Oil and Men at Work released songs like THE POWER AND THE PASSION and DOWN UNDER, that have become Aussie anthems. And then in 1983 The Choirboys came into their own with their first single NEVER GONNA DIE .
By 1984 INXS were breaking out internationally with songs like ORIGINAL SIN and Chrissie Amphlett and The Divinyls proved that a female lead singer could rock it out as well as the boys on songs like PLEASURE & PAIN:
In the mid 80’s Paul Kelly & The Coloured Girls released the Gossip album and proved that there was a place for consummate storytelling in Australian rock music. The hit single from the album was BEFORE TOO LONG:
Hunters & Collectors came together in the early 80’s and were a blend of pub rock and art-funk. While they attracted a growing fan base both here and overseas, their first real recording success was with the 1989 album Ghost Nation which featured the hit single WHEN THE RIVER RUNS DRY.
The most successful Australian rock band ever, though, continued to be AC/DC. Unfortunately Bon Scott passed away in 1980 but the band bounced back and found a worthy replacement for Scott in Brian Johnson. They kept performing and releasing albums throughout the 80’s and in 1990 they released what was considered their major comeback album The Razors Edge. Here they are performing my favourite track from that album, THUNDERSTRUCK. Go Angus!
Also in the 90’s bands like The Screaming Jets and the Baby Animals were making an impact on the local scene.
Killing Heidi’s first single WEIR was released in August 1999 and reached #6 on the Aria charts (and Platinum sales) by the end of 1999. The band’s debut album Reflector was released in early 2000 and debuted at #1, quickly becoming the fastest-selling album in Australian music history. Here are Ella and Jesse Hooper performing live on TV show The Panel around that time:
Also around that time Powderfinger were emerging as a force to be reckoned with. As was Spiderbait who had a #1 hit with their terrific version of BLACK BETTY in 2004.
But the standout band of the new millenium has to be Silverchair who have received the industry’s flagship gongs, the Aria Awards, a record 21 times as well as six APRA Awards. They’ve sold over 6 million albums. Here’s STRAIGHT LINES from the 2007 album Young Modern:
We finished the show with some hard rock: Wolfmother performed here in Byron this week and were amazing. Their song NEW MOON RISING was released in 2009 and its still one of my faves. And the perfect finale followed: AC/DC with HIGHWAY TO HELL. Here’s Wolfmother performing live on Jools Holland Later in October 2009.
Next week’s show has been suggested by the lovely Ros, and I can’t resist because its a goodie: SONGS ABOUT OTHER MUSICIANS. If you have any suggestions for tracks to include, leave me a message here. Meanwhile here’s the complete playlist from this week:
Turn Up Your Radio (1970) – Masters Apprentices
Eagle Rock (1971) – Daddy Cool
Most People I Know Think That I’m Crazy (1972) – Billy Thorpe and The Aztecs
Evie – Let Your Hair Hang Down, Pt. 1 (1974) – Stevie Wright
It’s A Long Way To The Top (If You Wanna Rock ‘N’ Roll) (1975) – AC/DC
(I’m) Stranded (1976) – The Saints
Am I Ever Gonna See Your Face Again (1977) – The Angels
Khe Sanh (1978) – Cold Chisel
Down Under (1981) – Men At Work
Power And The Passion (1982) – Midnight Oil 2
Never Gonna Die (1983) – Choirboys
Original Sin (1984) – INXS
Pleasure & Pain (1985) – The Divinyls
Before Too Long – Paul Kelly and The Coloured Girls
When The River Runs Dry (1989) – Hunters and Collectors
Thunderstruck (1990) – AC/DC
Better (1991) – Screaming Jets
One Word (1992) – Baby Animals
My Happiness (2001) – Powderfinger
Weir (2000) – Killing Heidi
Black Betty (2004) – Spiderbait
Straight Lines (2007) – Silverchair
New Moon Rising (2009) – Wolfmother
Highway To Hell (1979) – AC/DC
Next week: SONGS ABOUT OTHER MUSICIANS