Category Archives: Electronica
Despite what some of our American cousins may think, America is not the centre of the Universe. But credit where credit is due: its influence on music cannot be challenged. So, falling on the 4th of July, it was only fitting that our show this week be dedicated to the ultimate musical melting pot – the old US of A.
The playlist is, I think, a balanced one. There are songs that celebrate America and some that are intent on a reality check. You can find that list and lots of links to further information at the BayFM site. Here’s one of my favourite tracks of the day:
Ah, bugger it, here’s another one!
Next week, the show will be on ARGUMENTS. Which means that the song could be about the subject or, more interesting of course, the song could take on the form of an argument. Love to see what you come up with. Get in contact!
Listen to Lyn McCarthy at the Theme Park on BayFM at the new time of Mondays 1–2pm, Sydney time
Also streaming via BayFM
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There’s something about seeing an act in concert that, (if they’re good that is), makes you a fan forever. One of the first concerts I ever attended was by The Beatles. I know, I know, I’m showing my age! I had to get my Mum’s permission to go and, to be honest, we couldn’t hear a thing for all the screaming, much of which came from my best friend Helen. But we thought we were the ants pants and I’ve never forgotten that day.
So, it was fitting that SGT PEPPERS LONELY HEARTS CLUB BAND opened our show on CONCERTS. Check out this clip from the movie ‘The Beatles Yellow Submarine’ and you’ll have to agree it was a perfect kick off to this week’s program:
Every concert is unique of course, but LCD Soundsystem reckon that DAFT PUNK IS PLAYING AT MY HOUSE. Oh, if only it were true!
Now, that would be a hard gig to follow. For something completely different, look no further than Bonzo Dog Doo Dah Band with THE BRIDE STRIPPED BARE BY THE ‘BACHELORS’, a great piece of satire about performing on the English club circuit.
STAGE FRIGHT by The Band is a song that just may resonate with some of you. It tells the story of a performer who sings just like a bird but is terrified every time he has to get up in front of an audience. Here’s a clip from the film The Last Waltz, directed by Martin Scorsese in 1978. Rick Danko R.I.P.
Not shy at all are Dire Straits. SULTANS OF SWING is about a band blowing Dixie in double four time. A perfect concert song, if ever there was one. And here they are performing it live. Excellent. It’s the seminal concert at which they recorded the album ‘Alchemy: Dire Straits Live’. The album cover, btw, was taken from a painting by Australian artist Brett Whitely.
Wild Cherry’s PLAY THAT FUNKY MUSIC is autobiographical. The group were a rock band, but in 1975 were competing with Disco for their loyal followers attention. So they wrote a song to suit the times and it’s probably the most recognised funk song there is.
The lyrics of SMOKE ON THE WATER, by Deep Purple, tell a true story too. It was December 1971 and Frank Zappa and the Mothers of Invention were performing in concert at the Montreux Casino Theatre. In the middle of Don Preston’s King Kong synthesizer solo the place suddenly caught alight. Deep Purple were staying on the other side of the lake and witnessed the fire and the smoke on the water and the rest, as they say, is history.
Arguably, the most famous outdoor concert is Woodstock. And one of the most famous songs about that concert is Joni Mitchell’s WOODSTOCK. She wrote the song after being told about it by her then boyfriend Graham Nash. She wasn’t actually there herself. I prefer Matthews Southern Comfort’s version, which is probably heresy to all you Joni fans. But take a listen. I think its got a really relaxed tone to it that suits the material well. Some cool images of the Woodstock concert in this clip too.
David Bowie’s ZIGGY STARDUST is from the album The Rise and Fall of Ziggy Stardust and the Spiders of Mars . A concert film of the same name was directed by D.A. Pennebaker in 1973. Here’s Bowie singing the song on the Jonathan Ross show in 2002. Is it just me, or does the Dude just get better and better?
Sadly all the soul legends referred to in Arthur Conley’s classic SWEET SOUL MUSIC are no longer with us. How good it would have been to see them all in concert. Arthur Conley passed away himself in 2003. Here he is, on the way to the Go-Go in 1966:
I do like to play a little country music now and again, and Johnny Cash’s song about THE NIGHT HANK WILLIAMS CAME TO TOWN fitted the playlist to a tee. As did Camera Obscura’s brilliant version of Abba’s SUPERTROUPER. But the finale of the show had to go to Jackson Browne’s ode to the hard-working roadie. THE LOAD OUT was a perfect finish to a show dedicated to concerts.
Next week’s show will be on SECRET VICES/GUILTY PLEASURES. I’ve been glued to the tele watching the Eurovision Song Contest this past weekend, so that’s my guilty pleasure at the moment. What’s yours? And have they written a song about it? Let me know!
Meanwhile, here’s this week’s complete playlist:
Sgt. Pepper’s Lonely Hearts Club Band – The Beatles
Daft Punk Is Playing At My House – LCD Soundsystem
The Bride Stripped Bare By ‘Bachelors’ – Bonzo Dog Doo-Dah Band
Stage Fright – The Band
Sultans Of Swing – Dire Straits
Play That Funky Music – Wild Cherry
Smoke On The Water – Deep Purple
Woodstock – Matthews’ Southern Comfort
Ziggy Stardust – David Bowie
Sweet Soul Music – Arthur Conley
The Night Hank Williams Came To Town – Johnny Cash
Super Trouper – Camera Obscura
The Load-Out – Jackson Browne
Next week: SECRET VICES
I’ve been away in my home town of Sydney for a couple of weeks but you can’t keep me from Byron Bay for long, so I was all fired up for this week’s show on SONGS WITH SOUND FX in them. I’ve discovered that many a song has been enhanced by a clever piece of non-musical noise and our opening song, MY BROTHER MAKES THE NOISES FOR THE TALKIES summed up the program beautifully. It’s by the very entertaining UK group, the Bonzo Dog Doo Dah Band.
Sounds of thunder accompany a song that suits the weather we’re having up here at the moment. WALKING IN THE RAIN is by the Ronettes, best known for their work with Phil Spector. With their beehive hairdos and tight skirts, they were known as the ‘bad girls’ of rock n roll. And now you know where Amy Winehouse go her ‘look’.
The sound of lapping waves welcomes in Otis Redding’ standard, SITTIN’ ON THE DOCK OF THE BAY. Redding wrote this song while living on a houseboat in Sausalito on the San Francisco Bay. It was recorded shortly before his tragic death at the age 0f 26. Released posthumously, it is his biggest hit ever.
There’s lots of playground noise on Cat Steven’s (REMEMBER THE DAYS OF) THE OLD SCHOOL YARD. And The Beatles use all kinds of carnival noises on BEING FOR THE BENEFIT OF MR. KITE.
Jazz great Charles Mingus got his band to use their instruments to sound like foghorns and other harbour sounds on the remarkable A FOGGY DAY. In complete contrast, but somehow weirdly complementary, is M.I.A.’s PAPER PLANES. She utilizes the sounds of a cash register and heavy gunshot noise on this very provocative piece of hip-hop.
There were lots of requests for MONEY by Pink Floyd. And it had to be played, if not for the very good use of various sound effects, but because, well ….. it’s Pink Floyd!
Another fantastic song with sound effects is NO TIENE BILLET from Fruko y Sus Tesos. The rifle fire that tears through this brilliant Colombian tune implies that the eruption of violence, in a very poor country especially, is almost inevitable. On NITE CLUB, by the Specials, the only aggression heard is raised voices and the clinking of glasses.
George Gershwin’s AN AMERICAN IN PARIS, written in 1928, is full of imagery gone wild. It’s a brilliant song and a brilliant film too. This was Gene Kelly’s magnum opus. His choreography was of such a standard that the Academy of Motion Picture Sciences created a special Oscar that year in recognition of his achievement. Dancing to a segment of George Gershin’s stunning music, here is Kelly’s duet with the beautiful Leslie Caron:
Michael Jackson uses sound effects to the hilt on THRILLER and the Doors gave us another perfect weather song, with its thunder and lighting sound effect: RIDERS ON A STORM.
There are some very suggestive street sounds on what happens to be one of my all time favourite songs: LOOKING FOR THE HEART OF SATURDAY NIGHT from the sublime Mr. Tom Waits. And then there’s a beautiful song that reminds me of my home town, Sydney: The Platters’ HARBOR LIGHTS.
Yep, that’s a baby gurgling throughout Stevie Wonder’s ISN’T SHE LOVELY. And as far as car sounds go, you can’t go past the highly influential electronic pioneers, Kraftwerk, with AUTOBAHN. Check this out:
Talking of road sounds, you didn’t actually think I was going to leave out LEADER OF THE PACK by the Shangri Las did you? This clip is from the television show ‘Ive Got a Secret’, recorded in 1964. The ‘bikie’ is Robert Goulet!
Dancehall queen, Lady Saw, inserts self-made creaking sounds on BED NOISE. They’re so convincing that I can hear the neighbours complaining already! Neo Ska group, The Specials, seem to put sound effects on most of their songs. This is one of their big hits: GHOST TOWN. These guys have been around for 30 years and still going strong. Here they are on Top of the Pops in 1981. Blast from the past. Love, love, love.
The Surfaris break a surfboard just to make a point on WIPEOUT. Creaking doors and other creepy sounds illustrate MONSTER MASH, by the marvellously named Boris Pickett and the Crypkickers. And crashing glass introduces Billy Joel’s YOU MAY BE RIGHT. How’s that for a trio of songs with sound effects? And just because I can, here’s a nice little clip with lots of fun horror film clips, backed up by MONSTER MASH. Do you see where Michael Jackson got his inspiration for Thriller?
Our last song went out to Des who so ably sat in for me while I was away for a few weeks. His favourite is Bob Dylan and it seems that Bob isn’t against using a sound effect either. There’s a mean sounding whistling siren on HIGHWAY 61 REVISITED.
Hopefully I won’t need to use any alarms to keep you awake during next week show on SLEEP AND INSOMNIA. Lots of great songs in this category so get your thinking caps on and send me your suggestions. But remember, we’ve done DREAMING and TIREDNESS, so the list has to be specifically about sleeping, or not.
Here’s this week’s complete playlist:
My Brother Makes The Noises For The Talkies – Bonzo Dog Doo-Dah Band
Walking In The Rain – The Ronettes
(Sittin’ On) The Dock Of The Bay – Otis Redding
(Remember The Days Of The) Old School Yard – Cat Stevens
Being For The Benefit Of Mr. Kite! – The Beatles
A Foggy Day – Charlie Mingus
Paper Planes – M.I.A.
Money – Pink Floyd
No Tiene Billete – Fruko y Sus Tesos
Nite Club – The Specials
An American In Paris – George Gershwin
Thriller – Michael Jackson
Riders on the Storm – The Doors
(Looking For) The Heart Of Saturday Night – Tom Waits
Harbor Lights – The Platters
Isn’t She Lovely – Stevie Wonder
Autobahn – Kraftwerk
Leader Of The Pack – The Shangri-Las
Bed Noise – Lady Saw
Ghost Town – The Specials
Wipe Out – The Surfaris
Monster Mash – Bobby (Boris) Pickett and the Crypt-kickers
You May Be Right – Billy Joel
Highway 61 Revisited – Bob Dylan
Next week: SLEEP AND INSOMNIA!
I’ve been on a mission to play as many songs as I can with numbers in the title. But the real challenge has been to play them in numerical sequence. Last week we successfully navigated our way from Elvis Costello’s Less Than Zero all the way to Edwin Starr’s Twenty Five Miles . So, this week we were off again, starting with our opening number, OCTOBER 26 (REVOLUTION) from The Pretty Things. This is a great track from what I consider a grossly under recognised band of the 60’s. It’s from their 1970 album Parachute.
TWENTY SEVEN STRANGERS is from The Villagers, who put out one of the best albums of last year – Becoming A Jackal. Here’s the band’s singer and songwriter, Conor J O’Brien, performing solo. Beautiful song. Perfect in its simplicity.
A band called Why? gave us our #28 song, (called exactly that, 28). Ryan Adams’ contribution was the track TWENTYNINE from the album 29 and the #30 spot was filled by Aussie band The Lucksmiths. The song, $30 is a very cute proposition: They know that they owe you $30 but how about they write you a song instead? Cheeky!
Aimee Mann thought her life would be different somehow, when she turned 31. Check out this live performance of 31 TODAY in Studio Q.
Another brilliant singer/songwirter is Ani DiFranco . Here she is performing live in 1997. The song: 32 FLAVOURS.
We don’t often play instrumental tracks but funky jazz outfit The New Mastersounds certainly livened things up with THIRTY THREE. We followed with little known, (well to me anyway), American band Promenade with 34 from their Save the Radio album. Then it was Joe Pug with a decent Bob Dylan impression on HYMN #35 and Bobby “Blue” Bland with his favourite numbers 35:22:36.
Then another excellent double : STRAIGHT IN AT 37 from The Beautiful South, now called simply South, and 38 YEARS OLD from Canadian band The Tragically Hip.
Hip Hop producer Re-animator has a great track called SYMPHONY NUMBER THIRTY-NINE on his album, evocatively titled Music to Slit Wrists. Dido has got to have one of the most beautiful voices of recent times, and she uses it to perfection on SEE YOU WHEN YOU’RE 40:
Gregory Hoskins gave us his track 41 and then it was Aussie and, Hunters & Collectors with 42 WHEELS. On 43 Mary Lou Lord justifies seeing a younger man by the fact that he’s 17, going on 43. And talking of excuses, I love any reason to go back to the 60’s so the Zombies were in with CARE OF CELL 44. Terrific band, still performing too.
An artist I’ve only just discovered, but like very much is Todd Snider . Here he is performing FORTY FIVE MILES in December 2010 in Tampa, to a very appreciative audience I might add. It’s an amateur video, but worth watching. He’s supported by Will Kimbrough.
If you’re after some good old fashioned Blues then check out Memphis Slim, Jump Jackson and Arbee Stidham. They gave us a fast version of 46TH STREET BOOGIE to fill our #46 spot. Number 47 was looking tough until I found a real cutie: Andy Kirk & His Orchestra, featuring June Richmond on vocals. She was one of the first black women to front an all white band. The song is 47th STREET JIVE.
Enough with songs named after New York streets (surely that’s another show!). A complete change of tone followed with the amazing, enduring, Suzi Quatro with 48 CRASH. I had to play this original clip from 1973, as she looks so great (still does actually). The ultimate rock chick.
Our number 49 song was for Des who presents BayFM’s Colours of Byron every Sunday morning. He’s a big Dylan fan, so DAYS OF 49 was especially for him and all the other Dylan fans. Number 50 couldn’t be anything but Simon & Garfunkle’s FIFTY WAYS TO LEAVE YOUR LOVER, which wasn’t dedicated to anyone in particular, because I don’t want to get myself in any trouble in that department! Here’s a live performance by Paul Simon with legendary drummer Steve Gadd:
Well we got all the way to #50 with time to spare. We closed the show with a #51 song that also previews next week’s show: Pink Floyd’s COME IN NUMBER 51, YOU’RE TIME IS UP from the soundtrack to the film Zabriskie Point. As one of the comments on YouTube states: it’s the film that inspired countless people to lose their virginity to Pink Floyd. (The music that is, not the actual band members). Here’s the trailer, featuring that music, with some of the worst promotional jargon I’ve ever heard!
So, next week I’ll be hosting an Oscars special. I’ll be playing lots of songs that were recorded especially for films. Some will have won Oscars, some should have but didn’t. I’d love to have your suggestions and requests. And, of course, your company 4-6pm Tuesdays on www.bayfm.org.
Here’s this week’s full playlist:
October 26 (Revolution) – The Pretty Things, Unrepentant [Disc 1]
Twenty Seven Strangers – Villagers, Becoming A Jackal
Twenty Eight – Why? Alopecia
Twentynine – Ryan Adams, 29
$30 – The Lucksmiths, Spring a Leak
31 Today – Aimee Mann, Smilers
32 Flavors – Ani DiFranco
Thirty Three – The New Mastersounds, 102% Funk
34 – Promenade, Save the Radio
Hymn 35 – Joe Pug, Nation of Heat EP
36-22-36 – Bobby “Blue” Bland, Bobby “Blue” Bland: The Anthology
Straight In At 37 – The Beautiful South, Welcome to the Beautiful South
38 Years Old – The Tragically Hip, Up to Here
Symphony Number Thirty-nine – Reanimator, Music To Slit Wrists By
See You When You’re 40 – Dido, Life For Rent
41 – Gregory Hoskins, The Beggar Heart
42 Wheels – Hunters & Collectors, Under One Roof
43 – Mary Lou Lord, Baby Blue
Care of Cell 44 – The Zombies, Odessey and Oracle
Forty Five Miles – Todd Snider, Happy to Be Here
46th Street Boogie (Fast Boogie) – Memphis Slim, Jump Jackson and Arbee Stidham
47th St Jive – Andy Kirk & His Clouds of Joy, Jukebox Hits 1936-1949
48 Crash – Suzi Quatro, Suzi Quatro: Greatest Hits
Days of 49 – Bob Dylan, Self Portrait
Fifty Ways To Leave Your Lover – Simon & Garfunkel , The Concert in Central Park
Number 51, Your Time Is Up – Pink Floyd, Zabriskie Point (Soundtrack from the Motion Picture)
Next week: SONGS RECORDED FOR FILM
If you’re a regular Theme Park listener you’ll know that I have what they call an ‘eclectic’ taste in music. And it comes in handy when you’re putting together a show each week on random themes, I tell you! This week, just to prove that I do listen to new music, I decided that I would bring you songs from my favourite albums of 2010. So no nostalgia this week, all new music and a look-see at what arrived in my Xmas stocking, all 23 albums! Thank you Santa!
Here’s my rationale for how I devised my list: It’s the age of the singles download, but there are just some albums that you can’t cherry pick from. My list represents those albums: the ones that work best when listened to as a whole experience. Having said that, it is only a two hour program, so a choice had to be made about what singles to play from those albums. So, here goes:
Caribou, otherwise known to his Mama as Daniel Victor Snaith, is a mathematician by trade who, in his spare time, delivers beautiful and captivating electronic music. His 2010 album Swim is the first of my favourites and we opened the show with the track ODESSA. Even if you’re not an electronica fan, (and I’m not particularly), this album successfully crosses over and appeals to almost everyone who listens to it.
Next on my list the album Plastic Beach by the Gorillaz. Hard to pick one track from this incredibly diverse album. It was a toss-up between MELANCHOLY HILL and SUPERFAST JELLYFISH, featuring Gruff Rhys and De La Soul. The chance to also play some De La Soul put the latter track on the list in the end. And, I’ve got to say, I’m very jealous of anyone who saw Gorillaz on their recent Plastic Beach tour!
One of the most beautiful songs of the year is PIECES by the Irish band Villagers. Singer Conor O’Brien totally rocks. The song is from their debut album Becoming a Jackal. Check out this live performance from their very first headline show in 2009. Amazing.
My favourite video clip of the year goes to Janelle Monae for TIGHTROPE. It’s from the album The ArchAndroid which is nothing if not ambitious. The album was a very nice surprise indeed. Featuring everything from power ballads right through to the ferocious energy of her signature dance tracks, this is one hot album. Here’s the clip that has garnered so much YouTube attention:
Another surprise favourite for me was Kanye West’s album My Beautiful Dark Twisted Fantasy. It finally convinced me of this guy’s talent. I’ll try and overlook his arrogance for the sake of the music and some of his fine collaborators. One of the best tracks features Ben Iver and its called LOST IN THE WORLD.
Down the Way by Angus & Julia Stone was the biggest-selling Australian album of 2010, and it certainly shows the growing maturity of this brother and sister duo. BIG JET PLANE is the standout track from this album.
Another great Aussie group is You Am I. Their best record in more than a decade is self titled. My favourite track is the second single of that album, TRIGGER FINGER. The clip features Lanie Lane who also supplied backing vocals.
I’m a big fan of the soulful voice of Ray LaMontagne. His 2010 album with the Prairie Dogs, God Willin’ & the Creek Don’t Rise has a number of great tracks on it. Here he performs BEG STEAL OR BORROW in the studios of Oui FM in France.
Another exquisite song is RUBY from the album Ali and Toumani, released in February 2010. It’s a series of duets from two of Africa’s most distinguished musicians, the late guitarist Ali Farka Toure and kora player Toumani Diabate.
The same kind of purity can be found in a completely different genre by a group called Mountain Man. They’re actually an all girl trio from Vermont who recorded their album Made the Harbor in a disused ice-cream parlour. The whole album is mostly a capella, which just goes to show that the voice really is the ultimate instrument. We played their sublime version of HOW’M I DOIN’.
I’m sure that I’m not the only one who thinks that Neil Hannon of The Divine Comedy is completely underrated as a singer and a songwriter. This band has been around for about 20 years and yet we’re almost a secret society of fans. Hopefully their latest album Bang Goes the Knighthood will get them the recognition they deserve.
The Roots have also been around a while, 1987 to be exact, and HOW I GOT OVER is their 11th album. They’re all great albums, but this one is possibly their best:
Despite already declaring that I’m not a big electronica fan, here’s another electronica album in my 2010 faves: LCD Soundsystem’s This Is Happening album can’t be overlooked. I CAN CHANGE is one of the best tracks from the album. Thank God for Jools Holland (what a great show btw). Here’s a great clip from that show:
The Vampire Weekend’s album Contra came out just in time for my birthday in January 2010. Here’s the very energetic track COUSINS from that album:
Tom Petty & The Heartbreakers released a very Bluesy album called Mojo this year which I really love. I particularly like their version of the old standard CANDY.
At the other end of the spectrum, Danger Mouse got together with James Mercer to invent a new group called Broken Bells. They released their first album together in 2010. Here they are performing THE HIGH ROAD, from that self-titled album, at Lowlands 2010.
Two more albums that I’ve been listening to non-stop this year are Arcade Fire’s THE SUBURBS and The Black Keys album BROTHERS. Here are the Black Keys performing I’M HOWLIN FOR YOU from that album, on Jools Holland:
A new discovery for me late in the year was Diane Birch. She released her first album, Bible Belt, in 2009 and the EP Velveteen Age just before Xmas this year. She’s only in her mid twenties but wow, what a voice.
And talking of great voices, soul/gospel legend Mavis Staples released a wonderful album this year called YOU ARE NOT ALONE. It was produced by Wilco’s Jeff Tweedy who also wrote two of the songs on the album. Two of my all time favourite artists on one album. Heaven. Here’s a sample of what we’ll be seeing at the upcoming Byron Blues Fest in April. I, for one, cannot wait!
Ex Czars frontman, John Grant, gives a substantial nod to Supertramp and Bread on his debut album, Queen of Denmark. But hey, who else is doing that kind of material these days? The track I WANNA GO TO MARZ features the band Midlake and its a beautiful song based on Grant’s own childhood experience of escaping to the local sweet shop. In his own words, the song “is a gateway back to childhood and innocence before things have become complicated.”
A band that also sounds a lot like a few bands of the 70’s is The Russians. But gee, what a great job they do of it. Their album Crashing The Party is full of retro power pop/rock melodies. Sort of like Big Star, but , (dare I say it?) better.
We finished up with the song that’s been on everyone’s lips this year, Cee-Lo Green’s F**CK YOU. I had to play the clean version for radio, of course, which he conveniently included on his Lady Killer album as FORGET YOU. This album is more than the sum of its parts, that’s for sure. With its deliberate nods to Motown, 80’s soul and classic pop, its right up my alley. Hey, you’ve seen the official F**CK YOU clip a million times, (well, actually 33 million hits on YouTube!). So here he is, with his rockin’ all girl band on Later with Jools Holland (have I said already that I absolutely love this show?).
Next week will be the first show of the new year! I’ll be welcoming band Orkestra del Sol into the studio. They’re from the UK and are touring Australia. Think big band with lotsa high energy swinging sounds with flavours from the Balkans, Oompah, Gypsy and New Orleans. Should be fun. AND the theme will be the show will be MULTILINGUAL SONGS, by which I mean songs that have at least two languages in the lyrics. Any suggestions? Then leave me a message here!
Here’s the playlist, and accordingly, my favourite albums of 2010 (in no particular order):
Odessa – Swim, Caribou
Superfast Jellyﬁsh Ft. Gruff Rhys & De La Soul – Plastic Beach, Gorillaz
Pieces – Becoming A Jackal, Villagers
Tightrope (feat. Big Boi) – The ArchAndroid (Deluxe), Janelle Monáe
Lost In The World (feat. Bon Iver) – My Beautiful Dark Twisted Fantasy, Kanye West
Big Jet Plane – Down The Way, Angus & Julia Stone
Trigger Finger – You Am I, You Am I
Beg Steal or Borrow – God Willin’ & The Creek Don’t Rise, Ray LaMontagne/Pariah Dogs
Ruby – Ali & Toumani, Ali Farka Touré and Toumani Diabaté
How’m I Doin – Made the Harbor, Mountain Man
The Lost Art Of Conversation – Bang Goes The Knighthood, The Divine Comedy
How I Got Over – How I Got Over, The Roots Feat. Dice Raw
I Can Change – This Is Happening, LCD Soundsystem
Cousins – Contra [Bonus Tracks], Vampire Weekend
Candy – Mojo, Tom Petty and The Heartbreakers
The High Road – Broken Bells, Broken Bells
The Suburbs – The Suburbs, Arcade Fire
Howlin’ for You – Brothers, The Black Keys
This Corrosion – The Velveteen Age, Diane Birch
You Are Not Alone – You Are Not Alone, Mavis Staples
I Wanna Go to Marz – Queen of Denmark, John Grant
Sober and Un-upsetting – Crashing the Party, The Russians
Forget You – The Lady Killer, Cee Lo Green
Next week: MULTILINGUAL SONGS