Category Archives: Beach Boys
I’m extremely lucky because I live in an area where other people come to for their holidays. Here in Byron Bay, we’ve got it all – great all-year round weather, fabulous beaches, rainforest, great little hinterland villages. So where do I go on my holidays? To the city of course! I’m having a couple of weeks off to drive down the coast, visit friends and catch up with family. So I thought it appropriate that this week’s show featured a playlist of songs about holidays. And what better than to open the show with a Bing Crosby classic, HAPPY HOLIDAYS, the Beef Wellington Remix. Here’s a great clip with the scene from the 1942 film Holiday Inn, starring Crosby and Fred Astaire. Yes, I know it’s about Christmas but, hey wasn’t that just a minute ago? And besides, not only do you get to hear the song, you get to see Fred dance. How good is that!
For me holidays are more about changing your routine and catching up with people I love, more than, say, hanging poolside with masseur and daquiri at the ready. Nothing wrong with that of course. In fact the tropical island style of holiday appeals to many of the songwriters in this week’s show. A couple of examples: Typically Tropical with BARBADOS and 10cc with DREADLOCK HOLIDAY. Here’s 10CC:
Earth,Wind & Fire supplied a fine piece of R&B with GETAWAY and then it was Fiddlers Dram’s DAY TRIP TO BANGOR proving that even a short break constitutes a holiday in my books.
Next it was a classic – Connie Francis with VACATION – and then Lindsey Buckingham gave us HOLIDAY ROAD from the film National Lampoon’s Vacation.
Subway followed with the track HOLIDAY from their 2005 album Young For Eternity and then another perfect holiday song: LET’S GET AWAY FOR A WHILE from The Beach Boys.
In HOLIDAY, by the Happy Mondays, singer Shaun William Ryder is not a happy chappie. Doesn’t look like he’s going to get to his holiday destination if it’s up to the Customs officials. “I smell dope, I smell dope, I smell dope”. Careful folks.
The Go-Go’s bring things back to a less serious issue, holiday romance, in their 1982 hit, VACATION.
The Kinks had to face the culture shock of being English and taking a HOLIDAY IN WAIKIKI. The song is from their 1966 album ‘Face to Face’. Unfortunately couldn’t locate a decent clip of this track but here’s a cutie, also written by Ray Davies, HOLIDAY 1972:
I love Sky Edwards voice on the Morcheeba track THE SEA. So calming. Is it any wonder that the seaside is the number one holiday destination?
For those of us who live near the ocean, we need to look for something entirely different if the saying “a change is as good as a holiday” is going to ring true. The Gibson Brothers contributed a catchy piece of Latin Disco about a place I’ve always wanted to go to: CUBA. Here’s a rare video clip of the Gibsons from 1979:
Simple Plan are so keen to get a girl our of their life, they’ll even buy her the ticket so she can go on a long VACATION. A one way ticket out of their life. I should have included this one in my Unrequited Love show, obviously. Its from the movie NEW YORK MINUTE, but I probably didn’t need to mention that, as the band were the best thing in it.
Then it was another tale about holiday romance, except that this time it looks like it was all in Mike Skinner’s imagination. The song, FIT BUT YOU KNOW IT, from Mike’s alter-ego The Streets, tells a tale that could take place in any holiday town on a Friday night:
There was no way I was going to omit Madonna’s first hit single from 1983, HOLIDAY. While I’m not a mad fan, I do think the 80’s were her best period and this song shows her at her peak. Here she is performing during the Virgin Tour.
Weezer claimed that an ISLAND IN THE SUN is their ideal getaway. Then it was Scouting for Girls, with a song that all us workers will relate to: I NEED A HOLIDAY.
Canned Heat don’t need any tropical holiday. They’re perfectly happy GOING UP THE COUNTRY. The unofficial anthem of the Woodstock Music Festival of 1969, this one was requested by Judi, listening way up in Cairns, Northern Queensland – another great holiday destination and ironically the most tropical you can get here on the East Coast of Australia. Here’s a clip from the Woodstock film, as backdrop to Canned Heat’s iconic piece of music.
Another request: this time it’s from from Jack, who loves his Aerosmith. The song was PERMANENT VACATION. And then it was the most politically motivated song on our list, The Dead Kennedys with HOLIDAY IN CAMBODIA.
After that assault on the senses, it was time to bring it down a notch. And what better way than with the wistful pop sound of Belle & Sebastian with PIAZZA, NEW YORK CATCHER. Meanwhile, Blur were following the herd on holiday from London to Greece in GIRLS AND BOYS and the Stranglers were sounding very pervy indeed in PEACHES.
Another change of pace and tone with Natalie Merchant, of 10,000 Maniacs, with a beautiful track about holiday memories, VERDI CRIES. Here she is performing on the Jonathan Ross show:
Squeeze are PULLING MUSSELS (from the shell). Like you do on holidays. The Radiators want to go on a SUMMER HOLIDAY. Ok, so we’re already into Autumn, here in the Southern Hemisphere, but it doesn’t matter what season it is, holidays are a good thing.
My idea of a great holiday is a road trip and that’s what I’ll be doing over the next couple of weeks. Driving down the coast and catching up with family and friends. My next track by The Cardigans tapped into my love of nostalgia. It’s a song that should bring back memories to all of us who, as kids, piled into DADDY’S CAR for that annual holiday trek.
We closed the show with a great song. You can’t go on a road trip without this on your compilation CD: Willy Nelson with ON THE ROAD AGAIN.
See you in a couple of weeks, when hopefully I’ll be inspired by all that driving because the theme will be ROADS AND STREETS. In the meantime, the show will continue same time, same space with Des in the chair. Next week, to celebrate International Women’s Day, he’ll be compiling a playlist dedicated to “all things feminine”. Ooh, that should be interesting. Make sure you listen in.
Here’s this week’s Holiday playlist:
If they can have Xmas in July then I reckon I can do a show about the sea in winter. And I did. It was never going to be the kind of breezy show I would do if it was summer, because, for me anyway, at this time of the year the ocean appears even more immense and overwhelming. Many of the songs in this week’s playlist reflected that.
Our magnificent opening track by the O’Jays, SHIP AHOY, was a perfect example. It’s introduced by the creak of timbers and the crack of slave-owners whips and is an angry tour de force that presents the ocean as a partner in crime.
And while there were other serious songs in the line-up, there were plenty of frivolous and joyful tunes as well. And nothing could be more joyful than the sound of the ukulele: It was fantastic to have some live music in the show today as Ben, Renee and Azo from the group Blue Hulas took over the studio for a segment. They are the Northern Rivers original, (and, as far as I know, only), Hawaiian style band and their cruisy, island style music – complete with ukulele – was just right for this week’s theme.
The Beach Boys recorded a version of UNDER THE BOARDWALK, but it was the Drifters original version that I chose to play this week and gave some time to the Beach Boys for SAIL ON SAILOR, which is quite a serious song that uses the sea as a metaphor for life. Another serious song about the ocean is reggae star Fred Locks’ BLACK STAR LINER. The title refers to the shipping line that was used to transport black Americans to Africa as part of the Back-to-Africa movement of the 19th century.
Some light relief came from Bobby Darin’s hit from 1959, BEYOND THE SEA. I tried unsuccessfully to get a copy of the original version for the show: LA MER by French singer Charles Trenet. I’ll track this down, hopefully, and play in a future show.
A big welcome back to Roy Orbison with one of his best, LEAH. Check out this clip from the DVD Black & White Night where Roy is supported by Jackson Browne, T Bone Burnett, Elvis Costello, k.d.Lang, Bonnie Raitt, J.D. Souther, Bruce Springsteen, Tom Waits and Jennifer Warnes. Nice group of friends!
SEVEN SEAS OF RHYE from Queen was worth including just for its ending: ‘We all like to be beside the Seaside’. Other personal favourites that I played included LIGHTHOUSE from The Waifs and FROM THE SEA by Eskimo Joe. Talking of favourites: I had to include the Marvelettes with TOO MANY FISH IN THE SEA and the gorgeous Blossom Dearie singing her version of BETWEEN THE DEVIL AND THE DEEP BLUE SEA.
How’s this for a diverse three in a row: An evocative piece of bubblegum from Aqua with WE BELONG TO THE SEA, a little reggae with ON THE BEACH IN HAWAI’I from Ziggy Marley and Led Zeppelin’s DOWN BY THE SEASIDE from their 1975 album Physical Graffiti. Whew. Here’s the beautiful lead singer of Aqua, Lene Nystrom Rasted, in the weird but wonderful video clip for WE BELONG TO THE SEA:
A request from Vanessa followed: Johnny Cash with SEA OF HEARTBREAK and I chose to follow that with Jenny Lewis singing BLACK SAND. For a little change of pace we played The Presets with GIRL AND THE SEA followed by Panic At The Disco’s BEHIND THE SEA. And then it was time for I’M THE OCEAN from the album Mirror Ball by Neil Young and featuring Pearl Jam.
Jason Mraz’s live rendition of WALK ON THE OCEAN was followed by the one and only Billy Holiday asking us HOW DEEP IS THE OCEAN? And then the Ramones contributed ROCKAWAY BEACH. I can’t quite get my head around the Ramones singing about the beach, but what the hell do I know – it was the highest charting single of their career. Go figure.
We finished the show with Getaway Plan’s WHERE THE CITY MEETS THE SEA and the wonderful Cat Power with SEA OF LOVE.
Next week, I’m celebrating the SPLENDOUR IN THE GRASS Music Festival being held here in Byron Bay. The show’s theme will be GRASS – no, not THAT grass – well maybe there will be some songs about THAT grass. And if I can’t find enough songs about grass I’ll move onto trees and flowers. I’d love to hear from you with your suggestions.
Here’s this week’s playlist on the SEA:
Ship Ahoy (2008 Single Version) – The O’Jays
Under The Boardwalk – The Drifters
Sail on Sailor – The Beach Boys
Beyond The Sea – Bobby Darin
Black Star Liner – Fred Locks
Leah – Roy Orbison
A Salty Dog – Procol Harum
A Drop In The Ocean – Moloko
Seven Seas Of Rhye – Queen
Lighthouse – The Waifs
From the Sea – Eskimo Joe
Too Many Fish In The Sea – The Marvelettes
Between The Devil And The Deep Blue Sea – Blossom Dearie
We Belong to the Sea – Aqua
On the Beach In Hawai’i – Ziggy Marley
Down By The Seaside – Led Zeppelin
Sea Of Heartbreak – Johnny Cash
Black Sand – Jenny Lewis
Girl And The Sea – The Presets
Behind The Sea – Panic At The Disco
I’m the Ocean – Neil Young/Pearl Jam
Walk on the Ocean – Jason Mraz
How Deep Is The Ocean – Billie Holiday
Rockaway Beach – The Ramones
Oceans Away – The Fray
Where The City Meets The Sea – The Getaway Plan
Sea Of Love [Remastered Version] – Cat Power
Next week: GRASS (+ trees, flowers).
Listen to Lyn McCarthy on BayFM99.9 Tuesdays 2-4pm (Sydney time).
Also streaming on http://www.bayfm.org.
Tragically, also on Facebook: http://www.facebook.com/maccalyn
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Our theme this week was the 60’s and, more specifically, the music that made up the playlists of Britain’s Pirate Radio Stations. There’s a fantastic new film being released this week, called The Boat That Rocked, about this era – and BayFM is hosting the premiere here in Byron Bay. So, yes, a blatant promotion for this film by Richard Curtis, the creator of Four Weddings and a Funeral, and the writer of the majority of the Blackadder series. But more importantly, a great excuse to play all those songs that made the Top 4o lists in the mid to late 60s, not just in Britain but quite often here in Australia as well.
We opened the show with the Kinks hit, ‘All Day and All Of The Night’ and then it was onto The Turtles with ‘Eleanor’, The Beach Boys with ‘Wouldn’t It Be Nice’ and John Fred & His Playboys with ‘Judy in Disguise’. That pretty much set the mood for two hours of nostalgia par excellence!
During this period, the Motown label proved that it could hold its own amongst the pop and the rock that made up the so-called ‘British Invasion’. Three of the best were represented here with ‘Dancing in the Street’ by Martha & The Vandellas, The Isley Brothers with ‘This Old Heart of Mine’ and Smokey Robinson and the Miracles with ‘Ooo Baby, Baby’.
Tommy James and the Shondells made one of the biggest hits of the 60’s: ‘Crimson and Clover’. The song is famous for a unique “wobbly” vocal effect near the end of the song. To produce this effect, Tommy James plugged his microphone into a guitar amplifier, flipped the tremolo switch, and repeatedly sang the line “crimson and clover, over and over”. As it was released in November, a lot of listeners thought he was singing ‘Christmas is Over’.
As well as ‘My Generation’, I also played The Who’s ‘I Can See for Miles’ from their album The Who Sell Out. Released in 1967, it’s an interesting one. A concept album, it’s formatted as a collection of unrelated songs interspersed with fake commercials and public service announcements. The album purports to be a broadcast by pirate radio station Radio London and the release was reportedly followed by a bevy of lawsuits due to the mention of real-world commercial interests in the fake commercials and also by the makers of the real Radio London jingles. We listened to ‘Heinz Baked Beans’ which was a bit of a hoot (and obviously influenced by Monty Python and The Goons). I also played a few sound grabs from the film, ‘The Boat That Rocked’ and gave away tickets to the film.
Now, how can you think about the music of the 60s and not play Roy Orbison? Orbison was a powerful influence on contemporaries such as The Beatles and The Rolling Stones. In 1963, he headlined a British tour with The Beatles, but by the end of the tour he was playing second fiddle to the Fab Four, as Beatlemania gathered pace. John Lennon later claimed that he had joked to Orbison that the Beatles were tiring of opening for him so Orbison agreed to switch, but the audience greeted Orbison with such enthusiasm that the Beatles became concerned that they would not get to perform, and called out to him from backstage, “Yankee, go home.”
He became lifelong friends with the band, especially John Lennon and George Harrison. Orbison would later record with Harrison in the Travelling Wilburys. During their UK tour together, Orbison encouraged the Beatles to come to the United States. When they toured America in the summer of 1964, they asked Orbison to appear with them, but his schedule forced him to decline. Check out these photos to the left. That’s Macca and Orbison doing a ‘separated at birth’ moment.
Unlike many artists, Orbison maintained his success as the British Invasion swept America in 1964. His single, “Oh, Pretty Woman”, broke the Beatles’ stranglehold on the Top 10, soaring to No. 1 on the Billboard charts and No. 1 on the British charts. The record sold more copies in its first ten days of release than any single up to that time, and eventually sold over seven million copies.
Orbison toured with The Beach Boys in 1964, and with The Rolling Stones in Australia in 1965. He was arguably more successful in Britain than his home country, especially from 1963 onwards, logging three No. 1 hit singles and being voted top male vocalist of the year several times there. The song we chose to play in this show was ‘It’s Over’, a UK #1 single in June 1964. Look at this video and share my enthusiasm for one of the greatest voices of all time.
After I played Procol Harum’s ‘A Whiter Shade of Pale’, one of our listeners called in (sorry didn’t get the name) to let us know that the song was all about virgin soldiers going off to Vietnam. There are soooooo many theories about what this song is about and if you go to the Procol Harum fan site http://www.procolharum.com you’ll be able to read some of them. Here’s what Matthew Fisher had to say on BBC Radio 2 in 2000:
” I don’t know what they mean. It’s never bothered me that I don’t know what they mean. This is what I find rather hard, that, especially in America, people are terribly hung up about lyrics and they’ve got to know what they mean, and they say, “I know, I’ve figured out what these lyrics mean.” I don’t give a damn what they mean. You know, they sound great… that’s all they have to do.”
A prominent Aussie band during this period was The Easybeats, with their single ‘Friday On My Mind’. This British Invasion style number was a huge worldwide hit for the group in 1966, making #1 in Australia and #6 in the UK and #16 in the USA. So, of course, it had to be played. Have a look at this video and the very young, fresh-faced Stevie Wright. Not to mention the outfits! And check out the dancers! Great stuff.
Next it was Savoy Brown with ‘Stay With Me Baby’. And then it was onto the Rolling Stones with ‘Get Off Of My Cloud’ and we finished with one of my favourites from the period – ‘Hang On Sloopy’ by The McCoys.
Whew. Great show, if I do say so myself. Here’s the complete playlist:
All Day And All Of The Night – The Kinks
Eleanor – The Turtles Blues
Wouldn’t It Be Nice – The Beach Boys
Judy in Disguise – John Fred & His Playboy Band
Dancing In The Street – Martha Reeves & The Vandellas
This Old Heart Of Mine – Isley Brothers
Ooo Baby Baby – Smokey Robinson/The Miracles
Crimson And Clover – Tommy James & The Shondells
I Can See for Miles – The Who
Black Is Black – Los Bravos
With A Girl Like You – The Troggs
Heinz Baked Beans – The Who
Lady Godiva – Peter & Gordon
Yellow Submarine – The Beatles
She’d Rather Be With Me – The Turtles
Got to Get You Into My Life – Cliff Bennett & The Rebel Rousers
Yesterday Man – Chris Andrews
I’ve Been A Bad Bad Boy – Paul Jones
I Feel Free – Cream
My Generation – The Who
It’s Over – Roy Orbison
The Wind Cries Mary – Jimi Hendrix
A Whiter Shade Of Pale – Procol Harum
Friday On My Mind – The Easybeats
Sunny Afternoon – The Kinks
Nights In White Satin – Moody Blues
These Arms Of Mine – Otis Redding
Sunny – Bobby Hebb
I’m Alive – The Hollies The Hollies
Itchycoo Park – Small Faces
Summer in the City – The Lovin Spoonful
Stay With Me Baby – Savoy Brown
Get Off Of My Cloud – The Rolling Stones
Hang on Sloopy – The McCoys
Next week, to celebrate a great weekend of Blues at the Byron Bay Blues Festival – I’ll be doing Musical Instruments.
Listen to Lyn at the Theme Park Tuesdays 2-4pm, Sydney time, on BayFM 99.9 or streaming at http://www.bayfm.org