This week’s show is for all of you who like their sleep and also for those that have trouble sleeping, for one reason or another. Thankfully I’ve never been an insomniac. I hit that pillow and I’m a gonna and if you deprive me of my sleep its not safe to be around me, let me tell you.
The Beatles song I’M ONLY SLEEPING is a classic and it’s from, possibly, my favourite album of theirs, ‘Revolver’ so that had to make the mix. As did SOMEBODY’S BEEN SLEEPING from funky soul group 100 Proof (Aged in Soul). It’s inspired by the fairytale Goldilocks and the Three Bears.
Spiderman gets a mention on The Cure’s LULLABY, the only song of theirs to make the UK top 5 (can you believe it?) but the brilliant videoclip was voted the best of the year in 1989. Well deserved too. Check it out:
Three songs about sleep deprivation followed: the Eels who portray anxiety to perfection on I NEED SOME SLEEP; Peter Wolf with SLEEPLESS from his album of the same name, released in 2002. And rounding out the triple play, Craig David who’s love life is causing him to lose sleep on INSOMNIA.
Swedish band Acid House Kings do the twee-pop thing to perfection on SLEEPING. That was followed by Bobby Lewis who delivered a real blast from the past with the 60’s recording of TOSSIN’ AND TURNIN’. Then it was The Romantics with TALKING IN YOUR SLEEP from 1989. Viewing this clip of The Romantics, I think the 80’s have a lot to answer for, when it comes to fashion and hair.
Written by Ray Davies of The Kinks, I GO TO SLEEP was originally recorded by Peggy Lee on her 1965 album Then Was Then – Now Is Now!. Davies didn’t write many songs that weren’t specifically for The Kinks, but this one was widely covered. We played the only version to have chart success – The Pretenders who took it to #7 in the UK.
Talking of Peggy Lee, we had to play her version of BLACK COFFEE. There are lots of great versions of this standard, but for me Peggy Lee does it best. Sorry k.d.
Jody Reynolds uses sleep as a metaphor for death on ENDLESS SLEEP and the iconic Hank Williams Snr knows that you can’t sleep when you have a guilty conscience, on the country classic YOUR CHEATIN HEART.
More golden oldies with Frank Sinatra’s IN THE WEE SMALL HOURS OF THE MORNING and The Four Tops with SHAKE IT, WAKE IT.
Contemporary (and Australian) singer Sarah Blasko brought us back to the present with a beautiful song on the topic of sleep: SLEEPER AWAKE. We followed that with a great suggestion from Quentin: James Kahu with SLEEP. It’s from his 2010 album ‘Through Me’. Take a look:
The nostalgia bug still had me on The Everly Brothers’ WAKE UP LITTLE SUSIE, Berna Dean’s I WALK IN MY SLEEP and Sammy Myers SLEEPING IN THE GROUND.
And it was inevitable that I would play John Lennon’s little dig at Paul McCartney on HOW DO YOU SLEEP.
REM’s DAYSLEEPER is not only perfect for our theme, with its references to Circadian rhythms and all, but even the name of the band is a sleep reference. Did you know that REM sleep, or Rapid eye movement sleep, accounts for 20–25% of total sleep time in most human adults? And that most of our memorable dreaming occurs in this stage? True.
Edwyn Collins contributred LOSING SLEEP from his album of the same name and then it was The Smiths with quite a sad song where, once again sleep serves as a metaphor for death. The song is ASLEEP.
Then it was even further back in time for the sublime Julie London and her version of TWO SLEEPY PEOPLE, followed by SLEEP from Little Willie John and ROCK ME TO SLEEP from Little Miss Cornshucks.
We closed the show with a couple of my favourites: First up it was Tom Waits, who probably knows more about late nights than I’ve had hot breakfasts. MIDNIGHT LULLABY is from his Closing Time album. Then it was the always brilliant Ian Dury & the Blockheads with WAKE UP AND MAKE LOVE TO ME. Beats sleeping every time, or so they tell me.
I’m really going out on a limb for our Easter Show. The topic is RESURRECTION. And I’m talking about dying and coming back from the grave, literally. Come on, by now you’ll know that Theme Park will go where others fear to tread! Now we’re not talking musical comebacks – that’s a whole other theme altogether! Of course there will be lots of gospel and blues and I can see some rock and punk and even some songs about zombies on the list already. What do you have for me?
While you’re contemplating that, check out this week’s playlist:
A Man’s Best Friend Is A Bed – Louis Jordan
I’m Only Sleeping – The Beatles
Somebody’s Been Sleeping [UK Single Edit] – 100 Proof (Aged In Soul)
Lullaby – The Cure
I Need Some Sleep – Eels
Insomnia – Craig David
Sleepless – Peter Wolf
Sleeping – Acid House Kings
Tossin’ And Turnin’ – Bobby Lewis
Talking In Your Sleep – The Romantics
I Go To Sleep – The Pretenders
Black Coffee – Peggy Lee
Your Cheatin Heart – Hank Williams Snr
Endless Sleep – Jody Reynolds
In The Wee Small Hours Of The Morning – Frank Sinatra
Shake Me, Wake Me – The Four Tops
Sleeper Awake – Sarah Blasko
Sleep – James Kahu
Wake Up Little Susie – The Everly Brothers
I Walk In My Sleep – Berna Dean
Sleeping In The Ground – Sammy Myers
How Do You Sleep? – John Lennon
Sleep Walk – Santo and Johnny
Daysleeper – R.E.M.
Losing Sleep – Edwyn Collins
Asleep – The Smiths
Two Sleepy People – Julie London
Sleep – Little Willie John
Rock Me To Sleep – Little Miss Cornshucks (Mildred Cummings)
Midnight Lullaby – Tom Waits
Wake Up And Make Love With Me – Ian Dury and The Blockheads
Next week: RESURRECTION
I’ve been away in my home town of Sydney for a couple of weeks but you can’t keep me from Byron Bay for long, so I was all fired up for this week’s show on SONGS WITH SOUND FX in them. I’ve discovered that many a song has been enhanced by a clever piece of non-musical noise and our opening song, MY BROTHER MAKES THE NOISES FOR THE TALKIES summed up the program beautifully. It’s by the very entertaining UK group, the Bonzo Dog Doo Dah Band.
Sounds of thunder accompany a song that suits the weather we’re having up here at the moment. WALKING IN THE RAIN is by the Ronettes, best known for their work with Phil Spector. With their beehive hairdos and tight skirts, they were known as the ‘bad girls’ of rock n roll. And now you know where Amy Winehouse go her ‘look’.
The sound of lapping waves welcomes in Otis Redding’ standard, SITTIN’ ON THE DOCK OF THE BAY. Redding wrote this song while living on a houseboat in Sausalito on the San Francisco Bay. It was recorded shortly before his tragic death at the age 0f 26. Released posthumously, it is his biggest hit ever.
There’s lots of playground noise on Cat Steven’s (REMEMBER THE DAYS OF) THE OLD SCHOOL YARD. And The Beatles use all kinds of carnival noises on BEING FOR THE BENEFIT OF MR. KITE.
Jazz great Charles Mingus got his band to use their instruments to sound like foghorns and other harbour sounds on the remarkable A FOGGY DAY. In complete contrast, but somehow weirdly complementary, is M.I.A.’s PAPER PLANES. She utilizes the sounds of a cash register and heavy gunshot noise on this very provocative piece of hip-hop.
There were lots of requests for MONEY by Pink Floyd. And it had to be played, if not for the very good use of various sound effects, but because, well ….. it’s Pink Floyd!
Another fantastic song with sound effects is NO TIENE BILLET from Fruko y Sus Tesos. The rifle fire that tears through this brilliant Colombian tune implies that the eruption of violence, in a very poor country especially, is almost inevitable. On NITE CLUB, by the Specials, the only aggression heard is raised voices and the clinking of glasses.
George Gershwin’s AN AMERICAN IN PARIS, written in 1928, is full of imagery gone wild. It’s a brilliant song and a brilliant film too. This was Gene Kelly’s magnum opus. His choreography was of such a standard that the Academy of Motion Picture Sciences created a special Oscar that year in recognition of his achievement. Dancing to a segment of George Gershin’s stunning music, here is Kelly’s duet with the beautiful Leslie Caron:
Michael Jackson uses sound effects to the hilt on THRILLER and the Doors gave us another perfect weather song, with its thunder and lighting sound effect: RIDERS ON A STORM.
There are some very suggestive street sounds on what happens to be one of my all time favourite songs: LOOKING FOR THE HEART OF SATURDAY NIGHT from the sublime Mr. Tom Waits. And then there’s a beautiful song that reminds me of my home town, Sydney: The Platters’ HARBOR LIGHTS.
Yep, that’s a baby gurgling throughout Stevie Wonder’s ISN’T SHE LOVELY. And as far as car sounds go, you can’t go past the highly influential electronic pioneers, Kraftwerk, with AUTOBAHN. Check this out:
Talking of road sounds, you didn’t actually think I was going to leave out LEADER OF THE PACK by the Shangri Las did you? This clip is from the television show ‘Ive Got a Secret’, recorded in 1964. The ‘bikie’ is Robert Goulet!
Dancehall queen, Lady Saw, inserts self-made creaking sounds on BED NOISE. They’re so convincing that I can hear the neighbours complaining already! Neo Ska group, The Specials, seem to put sound effects on most of their songs. This is one of their big hits: GHOST TOWN. These guys have been around for 30 years and still going strong. Here they are on Top of the Pops in 1981. Blast from the past. Love, love, love.
The Surfaris break a surfboard just to make a point on WIPEOUT. Creaking doors and other creepy sounds illustrate MONSTER MASH, by the marvellously named Boris Pickett and the Crypkickers. And crashing glass introduces Billy Joel’s YOU MAY BE RIGHT. How’s that for a trio of songs with sound effects? And just because I can, here’s a nice little clip with lots of fun horror film clips, backed up by MONSTER MASH. Do you see where Michael Jackson got his inspiration for Thriller?
Our last song went out to Des who so ably sat in for me while I was away for a few weeks. His favourite is Bob Dylan and it seems that Bob isn’t against using a sound effect either. There’s a mean sounding whistling siren on HIGHWAY 61 REVISITED.
Hopefully I won’t need to use any alarms to keep you awake during next week show on SLEEP AND INSOMNIA. Lots of great songs in this category so get your thinking caps on and send me your suggestions. But remember, we’ve done DREAMING and TIREDNESS, so the list has to be specifically about sleeping, or not.
Here’s this week’s complete playlist:
My Brother Makes The Noises For The Talkies – Bonzo Dog Doo-Dah Band
Walking In The Rain – The Ronettes
(Sittin’ On) The Dock Of The Bay – Otis Redding
(Remember The Days Of The) Old School Yard – Cat Stevens
Being For The Benefit Of Mr. Kite! – The Beatles
A Foggy Day – Charlie Mingus
Paper Planes – M.I.A.
Money – Pink Floyd
No Tiene Billete – Fruko y Sus Tesos
Nite Club – The Specials
An American In Paris – George Gershwin
Thriller – Michael Jackson
Riders on the Storm – The Doors
(Looking For) The Heart Of Saturday Night – Tom Waits
Harbor Lights – The Platters
Isn’t She Lovely – Stevie Wonder
Autobahn – Kraftwerk
Leader Of The Pack – The Shangri-Las
Bed Noise – Lady Saw
Ghost Town – The Specials
Wipe Out – The Surfaris
Monster Mash – Bobby (Boris) Pickett and the Crypt-kickers
You May Be Right – Billy Joel
Highway 61 Revisited – Bob Dylan
Next week: SLEEP AND INSOMNIA!
This week’s theme was motivated entirely by a need NOT to do a show full of Xmas tunes. And while I know it was a risk choosing DRINKING as a theme, you’d be surprised how few songs there are that actually praise boozing. So expect a few remorseful anecdotes, a couple of hangover songs and a precautionary tale or two. But, for those of us who don’t mind a tipple, not to worry – I included a few good old fashioned drinking songs as well. Hey, we couldn’t ignore Xmas altogether, could we?
We got the show rolling with the very upbeat WINE WINE WINE from the brilliant pioneers of electric blues and rock, Electric Flag featuring Mike Bloomfield on guitar and Buddy Miles on drums. Here they are in their heyday in 1967:
One of the great things about living in such a great area as Byron Bay is that we get all the best musical acts coming through here to perform. Recently Sharon Jones & The Dap Kings peformed at our local pub and consummate storyteller Mary Gauthier was here for the Mullumbimby Music Festival in November. Sharon contributed JUST DROPPED IN TO SEE WHAT CONDITION MY CONDITION WAS IN to the playlist and Mary gave us I DRINK, which has become a bit of a signature tune for her.
West Australian band Eskimo Joe’s album BLACK FINGERNAILS, RED WINE was released in 2006 and the single of the same name went on to win single of the year at that year’s Aria Awards.Here’s why:
When it comes to the Blues, up there with the best is the late great Luther Allison. Love his rendition of CHERRY RED WINE and then it was the ‘King of Soul’, Otis Redding, with CHAMPAGNE & WINE.
Tom Waits was in total denial about his drinking habits back in the late 70’s. He’d have you know that THE PIANO HAS BEEN DRINKING (NOT ME). David Crosby, also had his moments will alcohol and other substances. He wrote EVERYBODY’S BEEN BURNED for The Byrds and its a very telling, and quite melancholic take on self-control and trust.
LCD Soundsystem’s This Is Happening is one of the best albums of 2010 (so there!) and the video for DRUNK GIRLS is crazy. What’s with the Pandas – I have no clue!
I found Lonnie ‘The Cat’ on one of Bob Dylan’s Theme Time Hour compilations. His song I AIN’T DRUNK was recorded in 1954 with the Bobby Hines Band which included Ike Turner on piano. “I don’t care what the people are thinking. I ain’t drunk, I’m just drinking.” Brilliant.
Steve Earle’s signature tune is a story about a family who love their moonshine. Earle has been quoted as saying that COPPERHEAD ROAD is the world’s first blend of heavy metal and bluegrass. Not sure about that, but it’s certainly a great song.
ZZ Top’s contribution to this week’s show was BEER DRINKERS & HELL RAISERS. They’ll be making their way to the Byron Blues Fest in 2011, and I, for one, can’t wait. Here’s what we have in store for us:
We followed the absolutely crazy ALLIGATOR WINE from Screaming Jay Hawkins with a 1949 recording from Betty Hall Jones, BUDDY, STAY OFF THE WINE. And then it was AIN’T GOT THE MONEY TO PAY FOR THE DRINK from George Zimmerman & The Thrills with the Bubber Cyphers Band (Whew). That was recorded in 1956.
I don’t think any song in the playlist was as serious as Gil Scott-Heron’s story about the effect of alcohol on family and community: THE BOTTLE.
We can’t stay very serious for long on the Theme Park, so a couple of light-hearted songs about drinking followed: Monty Python’s BRUCE’S PHILOSOPHERS SONG and The Rovers, recalling what sounds like a pretty good get together, on WASN’T THAT A PARTY.
Three more recent recordings, that just might make you think twice about partying too much over the holidays, had to make the list: THE GOOD TIMES ARE KILLING ME from Modest Mouse, IT’S THE LITTLE THINGS WE DO from The Zutons and MY ALCOHOLIC FRIENDS from the very lovely Amanda Palmer and Dresden Dolls.
Personally, I never developed a taste for whiskey. And maybe that’s a good thing, according to Skip James who doled out a little advice about BAD WHISKEY. The Rakes then gave us, what they claim is a true story, with THE GUILT. And then it was drinking music from two of the greats: Nina Simone with a live version of GIN HOUSE BLUES and Billie Holiday with GIMME A PIGFOOT AND A BOTTLE OF BEER.
Before I knew it it was last call for our show on DRINKING and we finished on a very infectious note: Big Bad Voodoo Daddy reckon YOU AND ME AND THE BOTTLE MAKES THREE. And then it was the sublime Peggy Lee who doesn’t need alcohol at all. She says I GET A KICK OUT OF YOU. Awwww.
Next week is the last show of the year, so I thought I would bring you songs from my favourite albums of 2010. So no nostalgia next week, all new music and a look back at the year that was.
The week after, January 4, I’ll be welcoming members of Orkestra del Sol into the studio. They have wowed audiences at Glastonbury & Edinburgh and will be coming to Byron directly from their performances at Woodford. So make sure you tune in then. Oh, and the theme will be Multilingual songs, by which I mean any song which features two or more languages in the lyrics. Come on, its not fun if its not challenging, right?
As promised on my Facebook page (what? you didn’t know about Theme Park Radio’s Facebook page???), here’s my tried and true recipe for a champagne cocktail: It goes particularly well with hot jazz and good times:
Place a sugar cube in the bottom of a champagne flute, Saturate the cube with two dashes of Angostura bitters (don’t leave this bit out – essential). Then add 1 oz of brandy and then gently pour some very chilled champagne into the flute. Yum.
Have a safe and happy Xmas.
Here’s the playlist:
James Bond movie clip – Shaken Not Stirred (movie clip)
Wine, Wine, Wine – The Electric Flag
Just Dropped In To See What Condition My Condition Was In – The Dynamic Funk and Soul Sound of Daptone Records, Sharon Jones & The Dap-Kings
I Drink – Mary Gauthier
Black Fingernails, Red Wine – Black Fingernails, Red Wine, Eskimo Joe
Cherry Red Wine – Martin Scorsese Presents: The Blues [Disc 5], Luther Allison
Champagne & Wine – The Immortal Otis Redding, Otis Redding
The Piano Has Been Drinking (Not Me) – Small Change, Tom Waits
Everybody’s Been Burned – The Byrds Box Set (Disc 2 -Cruising Altitude), The Byrds
Drunk Girls – This Is Happening, LCD Soundsystem
I Ain’t Drunk – Lonnie ‘The Cat”
Copperhead Road – Essential Steve Earle, Steve Earle
Beer Drinkers & Hell Raisers – Tres Hombres, ZZ Top
Alligator Wine – Frenzy Screamin’ Jay Hawkins
Buddy, Stay Off The Wine – Betty Hall Jones
Ain’t Got The Money To Pay For The Drink – George Zimmerman & The Thrills
The Bottle – Winter In America, Gil Scott-Heron and Brian Jackson
Bruce’s Philosophers Song – Monty Python
Wasn’t That A Party – Cleveland International Records 1977-1983, The Rovers
The Good Times Are Killing Me – Good News For People Who Love Bad News, Modest Mouse
It’s The Little Things We Do – Tired Of Hanging Around, The Zutons
My Alcoholic Friends – Yes, Virginia…, The Dresden Dolls
Bad Whiskey – She Lyin’, Skip James
The Guilt – Capture/Release, The Rakes
Gin House Blues – Nina Simone: The Tomato Collection [Disc 2], Nina Simone
Gimme a Pigfoot and a Bottle of Beer – Sophisticated Ladies [Disc 3], Billie Holiday
You & Me & The Bottle Makes Three – Swingers, Big Bad Voodoo Daddy
I Get A Kick Out Of You – Sings For You, Peggy Lee
Next week: MY FAVOURITE ALBUMS OF 2010
NIGHT is a time that’s often associated with danger and the fear of the unknown. Midnight, especially, has a particular importance in human imagination and culture. Seances, for instance, are usually conducted around this time. And then, of course there are the vampires and werewolves, who only come out at night. Yes, there’s lots happening out there in the dark! When it comes to song lyrics, however, night-time is a great time for love-making. As Ray Charles points out, NIGHT TIME IS THE RIGHT TIME. But I’m getting ahead of myself.
We opened the show with HERE COMES THE NIGHT. The song was originally recorded in 1964 by Lulu but the version we played was a huge hit for the band Them and their lead vocalist Van Morrison in 1965.
I’m pretty impressed by the very talented singer-songwriter Sufjan Stevens who contributed one of the few songs on the list that references the occult. THEY ARE NIGHT ZOMBIES! THEY ARE NEIGHBOURS! THEY HAVE COME BACK FROM THE DEAD! AHHH is from his 2005 album Illinois. Here he is performing live with the very cute Illnoisemakers:
We followed with supreme soul singer Marvin Gaye with IF I SHOULD DIE TONIGHT. It’s from his classic 1973 album Let’s Get It On. Serving as Gaye’s first venture into the funk genre and romance-themed music, Let’s Get It On incorporates smooth soul, doo-wop and quiet storm. It’s been noted by critics for its sexually-suggestive lyrics, and was cited by one writer as “one of the most sexually charged albums ever recorded”. Woohoo.
And talking of Woohoo, thanks to the Woohoo Review Band who donated their latest album, Dear Animals, for a giveaway on the show this week. They’re a Melbourne based, gypsy style band and the song we played from the album, MR 9 O’CLOCK was a good example of the madcap dance tunes that inhabit the album.
They say that Frank Sinatra was at his best vocally in the 1950’s and it’s hard to argue when you listen to IN THE WEE SMALL HOURS OF THE MORNING . That goes out to Inchie who does a great show on BayFM on Friday’s 4-6pm, called Strictly Vinyl.
Back to the 70’s. The Eagles were one of the most successful recording artists of the period. Their 1975 album, One of These Nights, was the last album to feature founding member Bernie Leadon, who left the band during the One of These Nights tour, disillusioned with the direction the band were going in. With the departure of Leadon, the Eagles’ early country sound almost completely disappeared and the band moved on to a harder sound. One Of These Nights would prove to be a breakthrough album for the band, making them international superstars.
You all know by now that I consider Roy Orbison the patron saint of Theme Park and I realise that I’ve played this song before, but hey, what the …. had to give Roy’s I DROVE ALL NIGHT another play. Jeff Lynne remixed Orbison’s 1987 recordings for the posthumous album King of Hearts of which I DROVE ALL NIGHT was one of the tracks.
Brilliant reggae artist Gregory Isaacs passed away on October 25 after a long battle with lung cancer. So of course, I had to play his signature tune NIGHT NURSE.
I’m also a bit of a Tom Waits fan and his debut studio album, Closing Time, recorded in 1973 is an absolute classic. It was produced and arranged by Lovin’ Spoonful member Jerry Yester. The song we chose was MIDNIGHT LULLABY. Then it was time to go way back to 1953 and some New Orleans Blues with Professor Longhair singing IN THE NIGHT. I’m pretty sure Tom would have approved.
Opening the second hour of the show was Gladys Knight & the Pips with their 1973 number one hit single, MIDNIGHT TRAIN TO GEORGIA. Oh my God, The Pips, the moves! Check it out:
Two goodies from 1965 followed. Maryanne Faithful sang of SUMMER NIGHTS and The Strangeloves did a great version of NIGHT TIME. The Strangeloves were a New York garage band who created a false back-story that they were Australian sheep farmers. I don’t think it helped their record sales somehow, so not sure what that was all about!
Here’s a quirky Blues number for you: Zulu Bollin with WHY DON’T YOU EAT WHERE YOU SLEPT LAST NIGHT? Reasonable question, surely.
The 85 year old B.B. King is still going strong and, in fact, will be here next April for the Byron Blues Festival. I, for one, can’t wait. We played the sublime NIGHT LIFE with King and Willie Nelson. How great would it be to see Willie Nelson at the Festival? One can only hope and pray I ‘spose.
Another of my faves is Bob Seger. You can’t sit still to anything he plays and that includes NIGHT MOVES.
I also can’t get enough of Tom Waits so we had to play LOOKING FOR THE HEART OF SATURDAY NIGHT from the album of the same name, released in 1974. The album cover is based on THE WEE SMALL HOURS by Frank Sinatra, which we had played earlier in the show.
Van Morrison thinks he knows how to have a WILD NIGHT. But I have a feeling that The Rolling Stones might know a thing or two about that too. LET’S SPEND THE NIGHT TOGETHER was written by bad boys Mick Jagger and Keith Richards and was originally released as a single in 1967. Here’s a clip from Top of the Pops from that same year:
NIGHT TIME IS THE RIGHT TIME is a blues standard that has been interpreted and recorded by a variety of music artists. Ray Charles’ hit version was released in 1958 and is featured on the soundtrack to the film Ray.
I almost didn’t include The Moody Blues’ classic anthem, NIGHTS IN WHITE SATIN, simply because it might seem just so predictable. But, let’s face it, that hasn’t stopped me in the past! Here they are at The Montreaux Festival in 1997, still going strong.
As a prelude to the end of the show, could I find anything better than the beautiful sound of The Spaniels with GOOD NIGHT SWEETHEART. It’s a great piece of doo-wop from 1953.
I closed the show with a great double. Eric Clapton’s AFTER MIDNIGHT got the ball rolling and it was taken up with a vengeance by AC/DC. This time it was YOU SHOOK ME ALL NIGHT LONG from the 1980 album Back to Black. Here they are performing live at Donington in 1991:
For next week’s show I’m looking for songs that announce themselves in style, so start nominating your FAVOURITE SONG INTRODUCTIONS. Leave me a message on the blog or at the Theme Park page on Facebook. I’d love to hear from you.
Until then, here’s this week’s complete playlist:
Here Comes The Night – The Best Of Van Morrison, Them
They Are Night Zombies!! They Are Neighbours!! – Illinois, Sufjan Stevens
If I Should Die Tonight – Let’s Get It On, Marvin Gaye
Mr 9 O’Clock – Dear Animals, The Woohoo Revue
Nighthawkin’ – Greetings From L.A., Tim Buckley
December 1963 (Oh What a Night) – Oh What a Night, Four Seasons
In the Wee Small Hours of the Morning – In the Wee Small Hours, Frank Sinatra
One Of These Nights – One Of These Nights, The Eagles
I Drove All Night – The Soul of Rock And Roll, Roy Orbison
All Night Long – The R&B Years – 1954 [Disc 4], Joe Houston
Night Nurse – Night Nurse, Gregory Isaacs
Midnight Lullaby – Closing Time, Tom Waits
In The Night – Martin Scorsese Presents: The Blues, Professor Longhair
Midnight Train To Georgia – Mellow Moods [Disc 2], Gladys Knight and The Pips
Summer Nights – Marianne Faithfull, Marianne Faithfull
Night Time – Nuggets: Original Artyfacts From The First…., The Strangeloves
Why Don’t You Eat Where You Slept Las Night – Hot Rhythm And Cool Blues, Zulu Bollin
Night Life – Deuces Wild, B.B. King With Willie Nelson
Night Moves – Greatest Hits, Bob Seger
(Looking For) The Heart Of Saturday Night – The Heart Of Saturday Night, Tom Waits
Night Train – Sex Machine, James Brown
Wild Night – Twentyfourseven, Van Morrison
Let’s Spend The Night Together – Hot Rocks, 1964-1971 [Disc 1], The Rolling Stones
(Night Tiime Is) The Right Time – Ray, Movie Soundtrack, Ray Charles
Nights In White Satin – The Moody Blues
Goodnight Sweetheart, Goodnight – Earth Angel – Doo Wop Classics, The Spaniels
After Midnight – The Cream Of Clapton, Eric Clapton
You Shook Me All Night Long – Back In Black, AC/DC
Let me ask you this: who else has known you your entire life and witnessed your family’s capacity for love and/or dysfunction? Brothers and Sisters! Sibling relationships run deep, that’s for sure. Maybe it’s because of this that the chemistry between siblings can be quite complex, sometimes verging on the volatile. They don’t call it sibling rivalry for nothing. I can remember having actual fisty cuffs with my sister who is only 18months younger than me, but if anyone else threatened her, they had hell to pay.
So, lots of reason to pay tribute to our brothers and sisters. We started the show with a request from the lovely Nicky from Fridays breakfast program ‘That Friday Feeling’: Sister Sledge with WE ARE FAMILY. We followed with a request from Judi – The Hollies and HE AIN’T HEAVY HE’S MY BROTHER.
Robyn is a regular contributor to the show and she always has great suggestions. One of the best from her this week was JJ Cale and Eric Clapton’s DON’T CRY SISTER. It’s rare that the distinctive quality of sibling relationships is captured so well in song. Here’s a couple more that do it for me: In This Mortal Coil’s YOU AND YOUR SISTER, the lover’s sister is of the overprotective variety. Being the eldest of three kids, I can’t help but think this was written for me. Another is from brother and sister duo, The Knife, with PASS THIS ON. Their tense, steel drum electro adds a whole other dimension to the lyrics. ‘I’m in love with your brother’, Karin Dreijer urgently confides. “You’ll pass this on, wont you?”. Oooh, risky request that one. I really love this video clip though:
Des from BayFM’s Colours of Byron program suggested an oldie but a goodie, Elvis Presley with one for all the younger sisters out there: LITTLE SISTER.
When choosing music for our show about Brothers and Sisters I tried to choose songs that were about the biological kind over those about the brotherhood of man but songs like Tom Waits version of BROTHER CAN YOU SPARE ME A DIME, had to be included. I just love Tom’s idiosyncratic style.
Robyn could program this show all on her own, so prolific is she with her suggestions each week. Thanks Rob! Two more of Rob’s requests were Patti Labelle with LADY MARMALADE and Terence Trent D’Arby’s DANCE LITTLE SISTER. What ever happened to him? Come back wherever you are!
Switching genres, it was time for some southern rock, with a song from Johnny Van Zant, lead singer of Lynyrd Skynyrd and younger brother of Lynyrd Skynyrd co-founder, and former lead vocalist, Ronnie Van Zant. The song, BRICKYARD ROAD, is about Ronnie who was killed in a plane crash in 1977.
DANIEL is a song written by Elton John and Bernie Taupin, and recorded by John for his album Don’t Shoot Me I’m Just the Piano Player. The song tells the story of a returning Vietnam vet, from his brother’s point of view. Another great song about a brother was written by Billy Corgan of the Smashing Pumpkins. SPACEBOY is about his younger brother who has a rare genetic chromosomal disorder.
“Hey Little Sister What have you done?” asks Billy Idol on WHITE WEDDING. Yet, another great suggestion from Robyn:
Our next song touched a nerve because it’s a saying that my daughter used to say to me when she started kindergarden, although in this case its about a sibling asserting himself. It’s They Might Be Giants with YOU’RE NOT THE BOSS OF ME NOW. We’ll follow with a great song from The Kinks: COME DANCING. It’s a fond tribute to Ray Davies’ older sister and the demise of the local dance hall. We followed with a little samba from Brazilian Jorge Benjor, TAKE IT EASY MY BROTHER CHARLES.
Bobby Hebb wrote SUNNY after President Kennedy was assassinated and his own brother was killed in a knife fight outside a Nashville nightclub on the same day: November 22, 1963. Considering the circumstances its a beautifully optimistic piece of music.
Funnily enough, so is Bruce Springsteen’s HIGHWAY PATROLMAN. The song recounts how lawman Joe Roberts runs into his black-sheep brother, only to find that blood is thicker than water. I like the sentiment expressed in this one: “a man turns his back on his family, he just ain’t no good.” Johnny Cash also does a brilliant version of this track, but I rarely play Springsteen, so he got a run this week. We followed with a great piece of country, Steve Earle’s TELEPHONE ROAD.
Marvyn Gaye’s WHAT’S HAPPENING BROTHER is about Gaye’s brother who was serving in Vietnam at the time. The song is a precursor to WHAT’S GOING ON which was based on the same brothers letters. We followed with real life siblings, The Neville Brothers, and BROTHER JOHN.
It was good to be able to include something local: Sarah McGregor’s GOODNIGHT SISTERS is a gorgeous ode to her two sisters. And then it was the incredibly versatile group The Arcade Fire with NEIGHBORHOOD #2.
John Fogarty has said in interviews that Creedence Clearwater Revival’s HAVE YOU SEEN THE RAIN is about rising tensions within CCR and the imminent departure of his brother Tom from the band. See, and you thought it was about the Vietnam War didn’t you. Me too!
Lily Allen has a brother, not unlike my own, so her song ALFIE was dedicated to my younger brother who isn’t well at the moment. Keep smiling Pete.
Our final choice was a beautiful song, suggested by Des. It’s by Antony & The Johnsons with some help from Boy George. It’s called YOU ARE MY SISTER and I dedicated this one to my sister who celebrated her birthday on July 27.
Next week, its a subject that all of us in the Northern Rivers area of New South Wales are familiar with: INSECTS AND SPIDERS. I’ll need some help on this one, so get in touch!
Here’s this week’s complete playlist:
We Are Family – The Full Monty Soundtrack, Sister Sledge
He Ain’t Heavy He’s My Brother -The Hollys
Don’t Cry Sister – JJ Cale & Eric Clapton
You and Your Sister – Blood, This Mortal Coil
Pass this On – Deep Cuts, The Knife
Little Sister – Rare Elvis, Vol. 3, Elvis Presley
Brother Can You Spare A Dime? – Brother, Can You Spare a Dime, Tom Waits
Lady Marmalade – Best of Patti Labelle, Patti Labelle
Dance Little Sister – Terence Trent Darby
Brickyard Road – Brickyard Road, Johnny Van Zant
Daniel – Don’t Shoot Me, I’m Just the Piano Player, Elton John
Spaceboy – Siamese Dream, The Smashing Pumpkins
White Wedding – Wedding Singer, Billy Idol
Boss Of Me – They Might Be Giants
Come dancing – The Kinks
Take It Easy My Brother Charles – Pure Brazil: Electric Samba Groove, Jorge Benjor
Sunny – Bobby Hebb
Highway Patrolman – Nebraska, Bruce Springsteen
Telephone Road – Steve Earle
What’s Happening Brother – What’s Going On, Marvin Gaye
Brother John – The Very Best of the Neville Brothers, The Neville Brothers
Goodnight Sisters – Beautiful Thing, Sarah McGregor
Neighborhood #2 (Laika) – Funeral, The Arcade Fire
Have You Ever Seen The Rain – Creedence Clearwater Revival
Alﬁe – Lily Allen
You Are My Sister (feat. Boy George) – I Am A Bird Now, Antony & The Johnsons
Next week: INSECTS & SPIDERS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
The weather has been in the news, more than usual of late, what with hurricanes, tornadoes and our own Lennox Head being declared a national disaster area after a mini tornado destroyed homes and caused chaos to this beautiful little coastal town. What’s a girl to do but to create a playlist around BAD WEATHER?
We opened the show with a request from Robyn: the incredibly seductive BABY ITS COLD OUTSIDE by Ray Charles and Betty Carter. The song could just as easily fitted into our Sexy Songs list for last week, but glad we held it over.
Now when it comes to songs about the weather, rain seems to be the metaphor of choice. It can describe heartache or happiness, and lots more in-between. The Ronettes daydream about the qualities that make up the perfect boyfriend on WALKING IN THE RAIN. However, the Walker Brothers – with their remake of Frankie Valli’s THE SUN AIN’T GONNA SHINE ANYMORE – see bad weather as a symbol of loneliness. Either way, two great songs. Here’s a blast from the past for all you baby boomers, the Walker Brothers on Ready, Steady, Go in 1966:
Next it was Status Quo with RAIN from their Blue for You album, released in 1976. The track was originally intended for the album On The Level, but at the time of the recording sessions Rick Parfitt had not completed the song and so it was held over to the band’s next release.
Shirley Manson only seems to be happy when she’s miserable in the Garbage song I’M ONLY HAPPY WHEN IT RAINS. Fitting then that we followed with the Prince of Darkness himself, Nick Cave. The song TUPELO, with its great sound effects and talk of black clouds, was also a perfect fit for a show on Bad Weather.
A great song that carries an emotional whallop is LOUISIANA 1927, a devastating account of the great Mississippi floods, which has become identified with the more recent Hurricane Katrina. Written, and originally recorded by Randy Newman, Aaron Neville’s version is sublime. Here he is performing at the Concert for Hurricane Relief in 2008:
We followed with the great Muddy Waters and BLOW WIND BLOW and then it was Leon Russell with a cover of the Bob Dylan classic, A HARD RAINS A GONNA FALL. This track was requested by for Judi, listening in Cairns, where they know a little bit about a rainy season. The song STORMY WEATHER is one of my favourites. Written and originally recorded in 1933, its been covered by all the greats, but I do particularly like the Etta James version that we played this week.
The inspiration for RAIN, by the Beatles – according to Neil Aspinall, the Beatles roadie, and John Lennon – was Australia’s own weather. Apparently when they arrived here to tour, the weather was so bad that Lennon was quoted as saying that: “I’ve never seen rain as hard as that.” He went on to say that RAIN was “about people moaning about the weather all the time”. Three promotional films were made for the song. These videos, along with other Beatles videos at the time, sparked George Harrison to say during the Beatles Anthology, “So I suppose, in a way, we invented MTV”.
The Red Hot Chilli Peppers track SNOW may not be about the kind of snow that makes cute little snowmen, but it is a great song in any case. Its from the Stadium Arcadium album. And while we’re talking of metaphor, Tom Waits has a lot to say about the weather on EMOTIONAL WEATHER REPORT. The track is featured on the album Nighthawks at the Diner, recorded in 1975. The title was inspired by Edward Hopper’s 1942 painting Nighthawks. Here’s Tom performing the song at the Rockpalast in Koln, West Germany in 1977:
Irma Thomas is quite rightfully called “the Soul Queen of New Orleans” and she has several songs about the weather that fitted the bill, but none better, in my opinion, than ITS RAINING SO HARD. We followed with Bill Withers and AIN’T NO SUNSHINE WHEN SHE’S GONE. Neil Young was lucky enough to get some help on harmonies from the wonderful Nicolette Larsen on FOUR STRONG WINDS. Larsen, who died in 1997, had a big hit with a cover of Young’s LOTTA LOVE in 1978.
I couldn’t do a show on Bad Weather and not include AC/DC’s THUNDERSTRUCK. Rumour is that the song was inspired by Angus Young’s hair-raising experience when a plane he was on was struck by lightning. Not sure if that’s true or not.
What I do know is that Natalie Merchant and the 10,000 Maniacs “get a shiver in their bones” just thinking about the climate conditions on LIKE THE WEATHER. We followed with Blur and THIS IS A LOW, which was inspired by, of all things, a shipping forecast.
Back to some rock with Creedence Clearwater Revival’s HAVE YOU SEEN THE RAIN and a song for Alex in Sydney, and all the other Deep Purple fans, STORMBRINGER.
When it comes to R&B, The Temptations just want the weather to match their mood on I WISH IT WOULD RAIN but Anne Peebles finds the weather brings back unwanted memories of a past love on I CAN’T STAND THE RAIN.
I love the infectious tone of Bob Dylan’s RAINY DAY WOMEN, which is matched by the very excellent COLD COLD FEELING from T-Bone Walker. As much as I was enjoying myself, we closed the show with The Doors and RIDERS ON THE STORM. The song was inspired by the song “Ghost Riders in the Sky: A Cowboy Legend”. It incorporates real sound effects of thunder and rain, along with Ray Manzarek’s Fender Rhodes electric piano playing, which emulates the sound of rain. Good stuff.
The topic for next week’s show is a doozy. They say success is the best revenge, but, when it comes to musos a bitchy payback song seems to fit the bill. I thing we’ll have a lot of fun with our playlist of REVENGE SONGS, so I hope you’ll join me then. And if you have any suggestions for the playlist please get in touch. It’s always great to have your input.
Here’s this week’s playlist:
Baby, It’s Cold Outside – Soulful Christmas, Ray Charles & Betty Carter
Walking In The Rain – Phil Spector Wall of Sound Vol. 1 – The Ronettes
The Sun Ain’t Gonna Shine Anymore – Walker Brothers
Rain – Blue For You, Status Quo
I’m Only Happy When It Rains – Garbage, Garbage
Tupelo – The Best Of Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds
Louisiana 1927 – Warm Your Heart, Aaron Neville
Blow Wind Blow – Baby Please Don’t Go, Muddy Waters
A Hard Rains A-Gonna Fall – Remember the Titans (Movie Soundtrack), Leon Russell
Frosty – Martin Scorsese Presents The Blues – A Musical Journey, Albert Collins
Stormy Weather – At Last!, Etta James
Rain – Past Masters Volume Two, The Beatles
Snow ((Hey Oh)) – Stadium Arcadium, Red Hot Chili Peppers
Emotional Weather Report – Nighthawks at the Diner, Tom Waits
It’s Raining So Hard – Irma Thomas
Ain’t no Sunshine – Bill Withers
Four Strong Winds – Comes a Time, Neil Young
Thunderstruck – The Razors Edge, ACDC
Like The Weather – MTV Unplugged, 10,000 Maniacs
This Is A Low – Parklife, Blur
Have You Ever Seen The Rain – Creedence Clearwater Revival
Stormbringer – Deepest Purple: The Very Best of Deep Purple, Deep Purple
I Wish It Would Rain – My Girl: The Very Best Of The Tempations [Disc 1], The Temptations
I Can’t Stand The Rain – I Can’t Stand The Rain, Ann Peebles
Rainy Day Women – Forrest Gump (Movie Soundtrack), Bob Dylan
Cold Cold Feeling – The Talkin Guitar (The Best Of), T-Bone Walker
Riders on the storm – The Doors (movie soundtrack), The Doors
Next week: REVENGE SONGS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Our playlist this week was dedicated to SONGS WITH MEANINGLESS WORDS. We’re talking Na-na-na songs, obla-di songs, even la-la-la songs. Because, let’s face it, without meaningless words we may have missed out on some of our favourite pop anthems.
So WHO PUT THE BOMP IN THE BOMP, BOMP, BOMP, BOMP, BOMP? Well the original was recorded by Barry Mann in 1961. It parodied the nonsense words of the doo-wop songs that were popular during that period. Two that he refers to are the Marcels’ BLUE MOON and The Edsels’ RAMA LAMA DING DONG, which had both charted earlier that same year.
Ella Fitzgerald’s HOW HIGH THE MOON is a great example of scat singing, where the vocals are improvised using random and nonsense syllables. Fitzgerald is generally considered to be one of the greatest scat singers in jazz history. Pioneering Jamaican DJ and singer, Sister Nancy, also incorporates some scat into her chat with BAM BAM. Don’t ask me, I have no idea what BAM BAM means. And I’m not sure what BOM BOM means either. That was the title of our very own Daddy Cool’s contribution to this week’s list.
Time then for a counterpoint to all the merriment. There aren’t too many performers who could turn a “sha la la la” song” into one of romantic longing, but Tom Waits does so briliantly in JERSEY GIRL. And yes, I know that Bruce Springsteen does a version of this too, but it’s got to be Tom’s original version for me.
Way back in the 50’s The Gladiolas recorded LITTLE DARLIN’ in which they used their voices as instruments (adding an extra layer to the already full-on percussion). Their main aim wasn’t to experiment, however. All they wanted to do was to get you up dancing. As did The Crystals in 1963 with DA DO RON RON.
Yes, songs with MEANINGLESS WORDS have served generations of American black music very well indeed. And today, it seems it’s still all about the moves, baby. You only have to check out Beyonce’s SINGLE LADIES and my point is proven.
What I love about a show on SONGS WITH MEANINGLESS WORDS is that it gives me a great opportunity to play some comedy. Spike Milligan claimed that he wrote the YING TONG SONG as a bet with his brother, who claimed that Spike couldn’t get a song into the hit parade that only had two chords (in this case G and D7th). And Spike won!
We followed with punk group The Dickies with their version of BANANA SPLITS (The Tra-La La Song), from the soundtrack to the film Kick Arse and to round out the set, another fruit related song with some meaningless words, the wonderful Little Richard with TUTTI FRUTTI. I’m not sure where or when this concert took place, but I wish I’d been there!
Is there anyone in the world that doesn’t know the refrain from HEY JUDE by The Beatles? Na, Na, Na, Na- Na- Na. I don’t think so. That one was for Judi who listens via the Internet from Far North Queensland and who has sent me a very nice email. So big shout out to Jude!
It’s true that you can’t help but sing along to SONGS WITH MEANINGLESS WORDS isn’t it? Even Mr. Grumpy himself, Van Morrison, can’t help but deliver a song that, ironically, has made a lot of people very happy over the years: BROWN EYED GIRL.
Donna Summer’s version of STATE OF INDEPENDENCE was released in 1982 and featured a choir that included Michael Jackson, Dionne Warwick, Kenny Liggins, Lionel Richie, Stevie Wonder and others. She’s always been known for her powerhouse vocal delivery and she’s one of the most successful recording artists of the 1970s. Her website states that she has sold more than 130 million records worldwide. One of today’s most fascinating artists is Lady Gaga and we played BAD ROMANCE from her Fame Monster album which also has a few meaningless words in it. As of April 16, 2010, her music videos gained over one billion viral views, becoming the first artist to reach this milestone. So she obviously doesn’t need any help from me so I’m going to get you to have a peek at Donna Summer instead!
Its been mooted that catchy songs are just that because they’re easy to sing along to. Meaningless words seem to help that process. Here’s another example for you: The J. Geils Band with CENTERFOLD. We played this one in our ‘Fashion’ show, but its such a good example of meaningless words in a song, it had to be included here too. Na, na, na, na, na,
A great triple play of classics followed: Reggae artist Barrington Levy with HERE I COME, the great Otis Redding with FA-FA-FA-FA-FA (SAD SONG) and Major Lance with UM, UM, UM, UM, UM. Another classic that wouldn’t be the same without its meaningless words is NA NA HEY HEY KISS HIM GOODBYE from Steam. It may have been a bit of a one-hit wonder but its served sports fans very well, ever since it was recorded in 1969.
All girl Aussie band, The Spazzys, offered up SUNSHINE DRIVE, which first appeared on their Aloha Go Bananas! album. I found my copy on the soundtrack to the film Suburban Mayhem. Its easy to see that they’re influenced by The Ramones who had a song of their own called PINHEAD that produced their concert catch-cry “Gabba, Gabba, Hey!”. For some reason that I can’t fathom, I didn’t actually play this song but, as penance, here’s a clip to satisfy all you Ramones fans. Who said punk was dead?
Back to some Pommy classics: the Kinks with DAVID WATTS, the Beatles with OB-LA-DI, OB-LA-DA and Manfred Mann with DO WAH DIDDY DIDDY. How upbeat is this little ditty? Check it out:
Pocket rocket, Brenda Lee recorded a very catchy tune that uses meaningless words, DUM DUM. No idea what the words mean and I’m not sure that Sting and the Police have a clue what they’re singing about when they declare DE DO DO DO, DE DA DA DA.
Another couple of classic tunes with meaningless words came from The Drifters with I COUNT THE TEARS and the Delfonics with LA LA MEANS I LOVE YOU. Does that mean that if you go to local club La La Land you’ll find love? Hmmmmm, don’t think so somehow.
We signed off with a doozy: GOOD MORNING STARSHINE by Oliver. Impossible not to singalong to this one.
Next week’s show will be on SHELTER. I’m thinking of both interpretations of the word. It could be a building or it could be the protection or refuge you find in something or someone. So get those suggestions in and, yes of course, the Stones GIMME SHELTER is a given!
Here’s this week’s playlist:
Who Put the Bomp (In the Bomp, Bomp, Bomp) – #1 Hits of the ’50s Volume 4, Barry Mann
Rama Lama Ding Dong – The Rama Lama Ding Dong EP, The Edsels
Blue Moon – The Original 60’s Summer Album, The Marcels
How High The Moon – Conﬁrmation, Ella Fitzgerald
Bam Bam – One Two, Sister Nancy
Bom Bom – The Essential Daddy Cool [Disc 1], Daddy Cool
Jersey Girl – Heartattack And Vine, Tom Waits
Little Darlin’ – Rock n’ Roll Boogie Hits Of ’57, The Gladiolas
Da Do Ron Ron (Re-Recorded / Remastered) – – Soundtrack To The ’60s (Re-Recorded / Remastered, The Crystals
Single Ladies (Put A Ring On It) – Beyoncé
Ying Tong Song – Let’s All Sing Along With The Goons, The Goons
Banana Splits (The Tra La La Song) – Dickies
Tutti Frutti – Little Richard, Little Richard
Hey Jude – The Beatles
Brown Eyed Girl – Van Morrison
Bad Romance (Album Version) – Lady Gaga
State of independence – Donna Summer, Donna Summer
Centerfold – Best Of The J Geils Band, The J Geils Band
Here I Come – Here I Come, Barrington Levy
Fa-Fa-Fa-Fa-Fa (Sad Song) – Otis Redding
Um Um Um Um Um – Soul Masters: Um Um Um Um Um, Major Lance
Na Na Hey Hey Kiss Him Goodbye – ’60s: Gold, Steam
Heebie Jeebies – A Portrait Of New Orleans Jazz CD1, Louis Armstrong
The Sunshine Drive – Suburban Mayhem Soundtrack, The Spazzys
Do Wah Diddy Diddy – The British Invasion: History of British Rock, Vol. 2, Manfred Mann
Ob-La-Di, Ob-La-Da – The Beatles (White Album) [Disc 1], The Beatles
David Watts – Greatest Hits, The Kinks
Dum Dum – Sweet Nothin’s, Brenda Lee
de do do do, de da da da – The Very Best, Sting & The Police
I Count The Tears – Greatest Hits, The Drifters
La La Means I Love You – The Legend of The Delfonics, The Delfonics
Good Morning Starshine – Billboard Top 100 Of 1969, Oliver
Next week: SHELTER
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
As a penance for my birthday indulgence last week, our theme this time was WALKING & RUNNING. ‘Cause a little bit of exercise never hurt anyone, now did it? Still, I think painting the town red must have still been on my mind as we opened the program with Lou Reed’s WALK ON THE WILD SIDE, from the 1972 album Transformer. It was produced by David Bowie who also sang backing vocals.
Here in Byron Bay, ‘doing the lighthouse walk’ is a daily excursion for some people. So, Kate Bush’s RUNNING UP THAT HILL was dedicated to them. It’s a great one to put on your iPod if you’re one of those mad people who walk or run as your preferred form of exercise.
Now you all know I love my Motown. So, WALK AWAY RENEE, released in 1968 by the Four Tops, was a given. As was NOWHERE TO RUN, a signature tune for Martha Reeves & The Vandellas, that was released way back in 1965. Check out this video clip from the same year. What to say about the back up dancers? OMG, the outfits, the dance moves!!!
Annie Lennox contributed WALKING ON BROKEN GLASS (ouch!) and then it was another true classic: Johnny Cash singing I WALK THE LINE and to round out the triple play beautifully, it was Fats Domino with I’M WALKING. Although it’s not the version we played on the show, take a look at this great clip of Fats Domino performing the song with Ricky Nelson. A great combination. And who is that saxophone player? Brilliant.
A little bit of UB40 followed with DON’T WALK ON THE GRASS and then it was Rufus Thomas with one of his biggest hits, WALKING THE DOG.
Empire of the Sun walked away with lots of awards for their debut album, WALKING ON A DREAM and the song of the same name was perfect for our show this week. As was Raphael Saadiq’s very suggestive, LET’S TAKE A WALK. Believe it or not this video, (like the song) was created in 2008. I’m loving the retro feel.
One for all the sleepwalkers – the brilliant R&B voice of Berna Dean singing I WALK IN MY SLEEP. Then it was Jimmy Rogers with WALKING BY MYSELF and a request from Judi, listening in Cairns: Patsy Cline’s I GO WALKING AFTER MIDNIGHT.
Did you know that John Lennon disowned the song RUN FOR YOUR LIFE from the Rubber Soul album? He eventually wrote a much more politically correct tune called JEALOUS GUY. But hey, we live dangerously at the Theme Park, so RUN FOR YOUR LIFE it was. We followed with Steve Winwood and the Spencer Davis Group’s very appropriate, (if you were one of the Beatles’ girlfriends anyway), KEEP ON RUNNING. Check out the very young Steve Winwood in this clip. So cute.
It’s impossible NOT to sing along to WALKING ON SUNSHINE by Katrina and the Waves. It’s such an optimistic, sunny song that suits the fabulous Summer weather we are having here in beautiful Byron Bay.
WALK A MILE IN MY SHOES by Joe South and The Believers is a great song as is WALK ON from, none other than, Mr Roy Orbison. Then it was the incorrigible Tom Waits with WALKING SPANISH from my favourite album of his, Rain Dogs.
More R&B was on the agenda with the great Sam Cooke and I’LL COME RUNNING BACK TO YOU. He would have been 79 this week (January 22). Sadly he died at 33 years of age, in a shooting incident. He is quite rightly considered one of the pioneers and founders of soul music.
A couple of ballads that couldn’t be omitted from our show on WALKING & RUNNING are YOU’LL NEVER WALK ALONE by Gerry & The Pacemakers, (remember them?) and Dionne Warwick’s WALK ON BY.
Jack, in Sydney, requested WALK THIS WAY, from Run DMC and Aerosmith. Excellent choice. Love the combination of hard rock and hip-hop. There should be more of it, I say.
Then it was time for some Blues: One of my favourites from last year’s Byron Bay Blues Festival was Seasick Steve, so I was happy to play WALKING MAN from his album, I Started Out With Nothin’ And I Still Got Most Of It Left. Then it was John Lee Hooker with RUN ON and James Taylor covering Jnr Walker and the Allstars’ I’M A ROAD RUNNER.
Grace Jones is unique. She does an amazing version of WALKING IN THE RAIN, originally recorded by Australian band Flash and the Pan. You’ll find it on her Nightclubbing album, released in 1981.
A show on WALKING & RUNNING wouldn’t be the same without Creedence Clearwater Revival’s hit, RUN THROUGH THE JUNGLE. Or The Modern Lovers’ ROADRUNNER. Or The Bangles’ WALK LIKE AN EGYPTIAN. But my favourite from this week’s show has to be an oldie but a goodie, Helen Shapiro’s WALKING BACK TO HAPPINESS. Can you believe that she was only 14 when she recorded this in 1961? Wow.
Next week, the show falls on Australia Day so I have no choice but to play some of my favourite Australian tracks. Tune in then if you like your music homegrown or are hoping for some appropriate tunes to compliment your Australia Day party.
And in signing off, I offer you this wonderful piece of graffiti that came to my attention this week: “Be happy today. Why wait?”
Here’s this week’s playlist:
Mistress Lyn at your service with a few songs to scare the hell out of you, some that are just plain silly and all of which celebrate Halloween. Welcome to the dark side.
We opened the show with THE GRAVEYARD BY MOONLIGHT, a spine-chilling instrumental piece from one of the most commercial goth bands out there, Cradle of Filth. Then it was a track that can either be seen as very creepy or extremely silly (or both): HOUSE OF 1,000 CORPSES, from Rob Zombie’s album The Sinister Urge. Named after Ed Wood’s 1961 film of the same name, Rob used the track as the opening credits for his own horror flick, made in 2003, also called HOUSE OF 1,000 CORPSES. Check out the trailer for the film which looks like my favourite kind of horror film – very dark and extremely camp.
We caught our breath with Talking Heads’ deceptively funky PSYCHO KILLER, with lyrics that get into the head of a serial murderer. And then it was The Specials with GHOST TRAIN. More a political statement than anything, but still very creepy.
Nox Arcana’s BRIDES TO DARKNESS is from their Transylvania album and is the band’s tribute to the most famous and influential of all vampire novels, Bram Stoker’s Dracula.
Screamin Jay Hawkins is absolutely hilarious when he splutters out I PUT A SPELL ON YOU. Recorded in 1956, Hawkins has been reported as saying that he was so drunk when he recorded the song, that he can’t remember doing so. I believe him. Then it was a more controlled Bo Diddley with BO MEETS THE MONSTER, followed by Jazz singer, Herb Jeffries with THE DEVIL IS A WOMAN. Jeffries sang for many years with Duke Ellingon and this track, which was recorded in 1953, is on that crazy list of songs that was banned by the BBC. Go Figure.
We couldn’t leave out MONSTER MASH by Boris Pickett and the Cryptkickers, now could we? But the need for real Goth was overwhelming and who better than Concrete Blonde with BLOODLETTING (THE VAMPIRE SONG) from their Still in Hollywood album. Excellent.
There’s lots of spooky music associated with the Blues: Howlin’ Wolf warned us about all the EVIL that’s goin’ on out there and Blind Willie Johnson condenses all of human misery into a wordless, incomprehensible moan in DARK WAS THE NIGHT, COLD WAS THE GROUND. It was up to Otis Spann to elevate our mood with IT MUST HAVE BEEN THE DEVIL followed by the equally rockin’ Leon Redbone with THE WITCH QUEEN OF NEW ORLEANS.
I resisted the urge to play Michael Jackson’s THRILLER because I think we’ve all heard a lot of it lately. But there’s one of his that doesn’t get as much airplay and that’s GHOSTS. As usual, he knew how to make a great video:
More silly than sinister is David Bowie’s SCARY MONSTERS AND SUPER CREEPS and The Who’s BORIS THE SPIDER. I reckon only the Cure know how to frighten the bejezzes out of us when it comes to spiders though. Take a look at LULLABY. Haunting and beautifully dark.
Only Nick Cave can possibly surpass The Cure’s Robert Smith when it comes to Goth. Here’s Nick and the Bad Seeds performing THE CARNY from the album Your Funeral…My Trial, originally released in 1986, and recently remastered and re-released as a CD/DVD set. The clip was filmed for Live and Loud on MTV on 18 May 1997 after Cave had been nominated for the best 1996 male artist and refused the honor (see his letter to MTV on www.nick-cave.com).
I love Tom Waits album Rain Dogs and the track, SINGAPORE, from that album is a fitting song for this show, with its sinister warning to those setting sail for unknown places. Can’t wait to see Terry Gilliam’s latest film, THE IMAGINARIUM OF DR. PARNASSUS, starring the late Heath Ledger and featuring Toms Waits as, (what else?), the Devil. Check out the trailer:
Perfect follow up to that was Robert Palmer’s CASTING A SPELL from his Heavy Nova album of 1988. And to close the show, a beautifully benign tune, after all those scary songs, Bonzo Dog Doo Dah Band’s take on the Frankenstein myth: LOOK OUT THERE’S A MONSTER COMING.
I’m happy to say that Theme Park will be back for another season on BayFM so next Tuesday wlll be our first anniversary and it’s also the day that Australia’s biggest horse race takes place: the Melbourne Cup. Like last year there will be a sweep, lots of prizes and we’ll cross to Flemington for the big race. And the music? I’ve decided that as last year’s was HORSES, this year it will be LUCK. Wishing you all good fortune.
Here’s this week’s playlist:
The Graveyard By Moonlight – Cradle of Filth
House of 1000 Corpses – Rob Zombie
Psycho Killer – Talking Heads
Ghost Town – The Specials
Brides to Darkness – Nox Arcana
I Put A Spell On You – Screamin’ Jay Hawkins
Bo Meets the Monster – Bo Diddley
The Devil Is A Woman – Herb Jeffries
Monster Mash- Bobby (Boris) Pickett And The Crypt-Kickers
Bloodletting (The Vampire Song) – Concrete Blonde
Evil – Howlin’ Wolf
Little Red Riding Hood – Sam the Sham
Plan 9 From Outer Space – Movie Clip
Ghosts – Michael Jackson
Dark Was The Night, Cold Was The Ground – Blind Willie Johnson The Blues – A Musical
It Must Have Been The Devil – Otis Spann
The Witch Queen of New Orleans – Leon Redbone
Scary Monsters (and Super Creeps) – David Bowie
Boris the Spider – The Who
Lullaby – The Cure
Jeepers Creepers – Siouxie and the Banshees
The Carny – Nick Cave & The Bad Seeds
Abbott and Costello Meet the Wolfman – Movie Clip
Hells Bells – ACDC
Singapore – Tom Waits
Casting A Spell – Robert Palmer
Look Out, There’s A Monster Coming – Bonzo Dog Doo-Dah Band
Next Week: LUCK (Suggestions always very welcome!)
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
Tragically also on Facebook: http://www.facebook.com/maccalyn