The Melbourne Cup is Australia’s major thoroughbred horse race. Held since 1861, on the first Tuesday in November, it’s billed as The race that stops a nation. It’s the richest and most prestigious “two-mile” handicap, and one of the richest turf races, in the world. So, it was inevitable that this week’s theme would tie in with this iconic Australian event. GAMBLING, therefore, it was. We contemplated the repercussions of hedging your bets, whether it was on the ponies, at the poker table or simply as a result of playing that universal game of chance, love.
Bob Seger & The Silver Bullets opened the show with their highly energetic live rendition of RAMBLIN’ GAMBLIN’ MAN. We followed with a request from regular listener, Andy, who wanted to hear Ry Cooder’s I GOT MINE. It’s from the Chicken Skin Music album and, apparently it’s an old pop song from the minstrel and medicine show tradition. Cooder says that he learned this version from renowned Blues artist Pink Anderson, who followed tent shows in his early years.
Another regular contributor to the show, Robyn, asked for jazz-rock group Steely Dan’s DO IT AGAIN. The track features on their debut 1972 album Can’t Buy A Thrill and is the first in popular music to include an organ solo. Here they are live on the Midnight Special 1973:
Now if you want to hear a song or two about gambling guilt then you can’t go past the Blues. Lightnin’ Hopkins’ ONCE WAS A GAMBLER featured on the Crazy Heart soundtrack and it was a terrific suggestion from Des. And just to prove that gambling is not just a man’s preoccupation, pioneering singer and guitarist Memphis Minnie bemoaned the life of a GAMBLING WOMAN.
Could Lady GaGa be today’s version of Memphis Minnie? For all of you out there who may doubt this performer’s artistry, check out her acoustic and live version of POKER FACE on BBC Radio. Any doubts about her talent should now be dismissed, surely.
Ska revival band, The Specials, have to be one of the coolest bands on earth. Formed in 1977 and still going strong after a lengthy break between 1981 and 2008, we played their cover of the Pioneers race-track tune, LONGSHOT KICK DE BUCKET. Here they are in 1979:
Another of my fave bands is Wilco and they gave us their gambling track, CASINO QUEEN. Wendy contacted us and requested THE JOKER from The Steve Miller Band. Great choice. Here they are live on the Jools Holland show. Even Cee Lo Green was loving this peformance. Cool pink suit too, Cee Lo!
Big Audio Dynamite was formed in 1984 by the ex-guitarist and singer of The Clash, Mick Jones. The band was notable for their effective mixture of varied musical styles incorporating elements of punk rock, dance, hip-hop, reggae and funk. Here they are with THE BOTTOM LINE.
Melissa contacted me to say that she loves Ray Charles. Who doesn’t? He is a music legend. Frank Sinatra called Ray “the only real genius in show-business”. His song BLACKJACK was a perfect song for this week’s theme. A little less known is blues and sould singer Little Johnny Taylor. He recorded throughout the 60’s and 70’s and performed live throughout the 80’s and 90’s. His song YOU WIN, I LOSE is another of those tunes about hedging your bets on love and it’s a beauty.
Closer to home, The Little River Band have a number of tracks that suit this week’s topic but none better than LONESOME LOSER. And if you’re looking for some bellylaughs, then Melbourne group, Mic Conway and the National Junk Band’s RACE CALL OF LIFE TO DEATH should do the trick. It’s on their Corporate Chook album. As they so cleverly point out, our whole life is a gamble so we may as well just go for it!
The Animals’ HOUSE OF THE RISING SUN was a shoo-in, of course. As was The Rolling Stones with TUMBLING DICE, from their Exile on Main Street album.
I bet by now you were wondering whether I would play the absolutely predictable THE GAMBLER by Kenny Rogers?” Well, of course, yes. I have no shame. This is an absolute classic and couldn’t possibly be omitted: “You got to know when to hold em, know when to fold em, know when to walk away, know when to run.”
And talking of classics…..
Big Joe Turner was an American Blues “shouter” who came to fame in the 1950’s with his pioneering rock and roll recordings, particularly Shake Rattle & Roll. His unique voice was well served on our featured song this week, LIFE IS LIKE A CARD GAME.
The Band’s song about the dangers of drinking and gambling, UP ON CRIPPLE CREEK, features on their second self-titled album and was released as a single in 1969. They also perform the song on the live concert film The Last Waltz:
The hero of UP ON CRIPPLE CREEK gets into all kinds of trouble essentially because he’s looking for love. The great T-Bone Walker, the first Blues artist to use an electric guitar, also knows all about love gone wrong on LOVE IS JUST A GAMBLE. We followed with the legendary Stanley Brothers who contributed their thoughts on the matter with a great piece of bluegrass called IF I LOSE.
The Jerry Garcia Band performed DEAL live at Shoreline Ampitheatre California on September 1, 1990. A Grateful Dead concert was to have occurred at the venue on this date but was cancelled due to the untimely death of Dead keyboard player Brent Mydland. That one was for Hudson who follows The Theme Park with an excellent BayFM program, Post Modern Backlash.
I’m sure that there would be no argument if I asserted that Jimmie Rodgers is the godfather of Country music. His deceptively simple delivery of a song like GAMBLING ROOM BLUES, with his distinctive yodelling added for good measure, is just so evocative. He performed in the 1920’s and 1930’s.
Big jump to 1979, (a very good year btw), with The Clash and THE CARD CHEAT from their 3rd album, London Calling.
Tim Freedman of Australian group The Whitlams knows a thing or two about telling a story in song. And, as we headed for Theme Park’s finishing post, what better way to comment on this country’s obsession with gambling than to play The Whitlams’ BLOW UP THE POKIES? Here’s Tim on the SBS program Insight explaining the meaning of the song and doing a beautiful solo performance.
Just to lift the mood, our closing double appealed to the rock chick in me: Everclear with BLACKJACK and the one and only AC/DC with a song that has a couple of versions, and is rife with double meaning. Of course I choose to interpret THE JACK as being about gambling. What they’re gambling on, of course, is up for discussion.
Thanks too to Melissa, Robyn, Des, Andy & Wendy for your suggestions for this week’s show. Much appreciated.
Next week’s theme, is on NIGHT which has been inspired by last week’s RECLAIM THE NIGHT women’s march. I’d like to thank all the women, young and old, who marched together in Byron Bay, and the men who supported us. It was inspirational, empowering and a heap of fun. If you weren’t there, make sure that you get involved next year. Violence against women is prevalent and shoudn’t be accepted. (End of community service announcement!)
Here’s this week’s complete playlist:
Ramblin’ Gamblin’ Man – Live Bullet, Bob Seger and The Silver Bullet Band
I Got Mine – Chicken Skin Music, Ry Cooder
Do It Again – Can’t Buy A Thrill, Steely Dan
Once Was A Gambler – The Best Of Lightning Hopkins, Lightnin’ Hopkins
Gambling Woman – High Rollers – Vintage Gambling, Memphis Minnie
Poker Face – The Fame, Lady Gaga
Longshot Kick De Bucket – 1992 – Live: Too Much Too Young, The Specials
Casino Queen – A.M., Wilco
The Joker – Groovin’ 70’s [Disc 10], The Steve Miller Band
The Bottom Line – Planet BAD: Greatest Hits, Big Audio Dynamite
Blackjack – Pure Genius, Ray Charles
You Win, I Lose – Mo’ Mod Jazz, Little Johnny Taylor
Lonesome Loser – Greatest Hits, Little River Band
Race Call Of Life To Death – Corporate Chook, Mic Conway’s National Junk Band
House Of The Rising Sun – Time Life: Sound Of The Sixties, The Animals
Tumbling Dice – Exile On Main Street, The Rolling Stones
The Gambler – Greatest Hits, Kenny Rogers
Viva Las Vegas – Command Performances: The Essential Elvis Presley, Elvis Presley
Life Is Like A Card Game – High Rollers – Vintage Gambling, Big Joe Turner
Up On Cripple Creek – Anthology, Vol. 1, The Band
Love Is Just A Gamble – 50s R&B Classics, T-Bone Walker
If I Lose – Theme Time Radio Hour, The Stanley Brothers
Deal – Garcia, Jerry Garcia
Gambling Bar Room Blues – High Rollers – Vintage Gambling, Jimmie Rodgers
The Card Cheat – London Calling, The Clash
Blow Up The Pokies – Take 40 Australia, The Whitlams
Blackjack – Slow Motion Daydream, Everclear
The Jack – High Voltage, AC/DC
This week’s theme was a toughie: SONGS TO MAKE SANDWICHES TO was inspired by a forum on music mag Word’s site. While Word readers couldn’t take the subject seriously I figured there was room for someone who did. And who better than little ol’ obsessive me? So sandwiches it was, but I made it easier by also including hamburgers, hot-dogs and the like. I even allowed songs about stuff that goes into a sandwich, like honey, tomatoes, chicken. Still I suffered some abuse. Impossible, you emailed. Why not make it broader and include all food pleaded Lynden. Crap theme, too hard, moaned Zoe. Oh you listeners of little faith.
We opened with a novelty song: SANDWICHES ARE BEAUTIFUL from Bob King, but in case you’re worried about this setting a tone for the rest of the show, be assured – rockers, r&b artists and especially the alternative pop singers all delivered some edgy songs on sandwiches.
Do you know where the word sandwich was born? London. 1762. An English nobleman, John Montagu, the Fourth Earl of Sandwich was too busy gambling to stop for a meal even though he was hungry for some food. The legend goes that he ordered a waiter to bring him roast-beef between two slices of bread. The Earl was able to continue his gambling while eating his snack; and from that incident, we have inherited the fast-food product that we now know as the sandwich.
Today, our favourite version of meat between bread is called a hamburger. So we got the show rolling with the Whitlams’ brilliant I MAKE HAMBURGERS followed by The Flaming Lips and SHE DON’T USE JELLY. New York based, Japanese duo Cibo Matto were next with LE PAIN PERDU. The name of the band is Italian for crazy food and the title of the song is French for Toast. The lyrics in their songs are all primarily concerned with food, well seemingly anyway, and I liked them so much I also played another of their tunes, KNOW YOUR CHICKEN later in the program. Here’s the crazy video clip of that track and, although he doesn’t appear in the clip, that’s Sean Lennon on bass.
Two items that elevate ordinary old toast to dessert status are marmalade and honey. So any excuse to play Patti Labelle’s LADY MARMALADE and Aretha Franklin’s HONEY and I’m there. Yum yum.
Louis Jordan loves his BEANS AND CORNBREAD while Lil Johnson pushes metaphor to it’s limits with SAM THE HOT DOG MAN. Neil Young is partial to TUPELO HONEY on his sandwich, while Jimmy Buffet can’t stop singing about a CHEESEBURGER IN PARADISE.
When it comes to cheeseburgers, whether we like it or not, the burger with the highest profile has got to be MacDonald’s. Hell, there was a whole conversation about their burgers in the film PULP FICTION. Ah yes, how could we not include that iconic scene where John Travolta and Samuel Jackson discuss the merits of the French McDonald’s – ROYALE WITH CHEESE?
Two tunes that pay homage to the fact that a good cuppa is needed to wash down a sandwich or piece of toast were next. Canadian Jeff Healey, gave Gertrude Lawrence’s A CUP OF COFFEE, A SANDWICH, AND YOU a burl and then it was TOAST AND MARMALADE FOR TEA, a nice piece of bubblegum from the band Tin Tin.
Kaiser Cheifs reminded us of that vital sandwich ingredient – tomatoes – with TOMATO IN THE RAIN. And then it was the hilarious TOAST from Paul Young and the Streetband. Classic. Take a look at this clip from 1978.
In Mexican cuisine, a sandwich is either a taco or a burrito. Beck didn’t sound too happy when he sang SATAN GAVE ME A TACO. It seems taking delivery of that snack had all kinds of repercussions. Meanwhile, Frank Zappa and the Mothers of Invention went CRUISING FOR BURGERS. As you do.
All girl group Care Bears on Fire let loose with the precautionary BARBIE EAT A SANDWICH. Nice animated clip too. Check it out:
Let’s talk chicken. Here’s a question: What’s a chicken sandwich without MAYONNAISE? Smashing Pumpkins offered up a track dedicated to the condiment of all condiments. Mmmmm mmmmm: chicken, lettuce and mayo on white bread – can’t get better than that. The Detroit Grand Pubahs reinforced the fact that all songs, but especially those about food, are really about sex. The tune? The very cheeky WE CAN MAKE SANDWICHES. Here we go: another crazy video clip:
Out of the disco and out on the road: Little Feat are sang all about HAMBURGER MIDNIGHT and then John Mellencamp reckons that life is like choosing between HOTDOGS AND HAMBURGERS, (not sure what he’s getting at there).
Comedian Mitch Hedberg does a great skit on sandwiches and I particularly liked the bit about the Club Sandwich. We followed that with a dangerous piece of radio: Metal band Psychostick with THIS IS NOT A SONG, IT’S A SANDWICH!
After Psychostick we needed to calm down and what better way than with Feist and a song about the calming qualities of HONEY? You wouldn’t exactly call The Sugarcubes, (with Bjork), a calming influence. They can’t decide what to put on their sandwich and are threatening to EAT THE MENU. Check out the very young Bjork and a fabulous floating burger, all in one clip!
We closed the show with an oldie but a goodie: I LIKE BREAD AND BUTTER by the New Beats. Check out the clip from 1964:
Next week the show will feature Songs about Elvis; not by Elvis – although that would be good too – Songs about Elvis. Come on this one is easy, so start sending those requests in.
But for now, here’s this week’s playlist: