Occasionally, a songwriter writes a tune that’s essentially a letter to a musical peer or fellow composer. Sometimes that message is delivered in the form of a tribute and sometimes it’s delivered as an angry diatribe. Our playlist today features both but, like our opening track JAZZ THING from Gang Starr, most of our songs are marks of respect.
I like to include a little country music every now and again, especially if its by the great Johnny Cash. As a contribution to this week’s playlist, he sings about his country music idol on THE NIGHT HANK WILLIAMS CAME TO TOWN. Punk rockers The Ramones praise the rock artists who preceded them on DO YOU REMEMBER ROCK N ROLL RADIO. And then it was UK group Television Personalities, who are obviously Pink Floyd fans with I KNOW WHERE SYD BARRETT LIVES.
The most familiar soul hit on the airwaves during 1967 was Arthur Conley’s SWEET SOUL MUSIC on which he paid tribute to other great soulmen like Otis Redding and James Brown:
When it comes to soul, Stevie Wonder knows how much is owed to our jazz legends. SIR DUKE is his tribute to Duke Ellington, the influential jazz legend who died in 1974. He also acknowledges Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald.
In 1980 Dexy’s Midnight Runners appeared out of nowhere, with a sound all their own. Nobody else at the time would have dreamt of producing an impassioned, brass-powered tribute to neglected 1960s soul singer Geno Washington, but they did and they took GENO to #1 in the UK.
Dexy’s Midnight Runners also recorded a version of JACKIE WILSON SAID, but I’m faithful to the original by Van Morrison which had to be part of the list too.
A little more country music was up next with the gorgeous Gillian Welch singing the ELVIS PRESLEY BLUES. This was followed closely by the one and only Ian Dury with his incredible piece of hero worship, SWEET GENE VINCENT. On this video Mick Jones of the Clash joins the band, The Blockheads. And as Dury quips to Jones: “Listen, we’ve got four chords on this one Michael!” Great band, great song. How does Mick Jones get through this number without once dropping the ciggie from his mouth? Hilarious.
Ian Hunter and Mott the Hoople’s reluctant youth anthem, ALL THE YOUNG DUDES was written by David Bowie. It namechecks T-Rex and references The Beatles and The Stones. Here they are, (with Bowie on back up!), performing at the Freddie Mercury tribute at Wembley Stadium:
The wonderful Jonathan Richman never disappoints me and he delivers again for this week’s playlist. On his song VELVET UNDERGROUND he even performs a few bars of the Velvet Underground’s Sister Ray in between dispensing eloquent insights into his heroes’ dark magic. How good is that!
Bono says that U2’s song STUCK IN A MOMENT YOU CAN’T GET OUT OF is a tribute to INXS singer Michael Hutchence. According to Bono it’s the conversation he wishes had actually taken place.
John Martyn, who died at a relatively early age himself, extends a concerned hand to a fading Nick Drake on the devastatingly tender SOLID AIR.
Canadian group Barenaked Ladies recorded a hit song about mental illness that references Beach Boy BRIAN WILSON. And just in case you’re wondering, Brian Wilson does do a version during his own live shows. And why wouldn’t he? It’s a great song. Fellow Canadian Allanah Myles also had a huge hit with my favourite of all the Elvis tribute songs: BLACK VELVET.
Paul Jones and Dave Kelly honour Blues legend SONNY BOY WILLIAMSON and Neil Young references Johnny Rotten of the Sex Pistols on HEY, HEY, MY MY (Into the Black). The line ‘It’s better to burn out than to fade away’ also became infamous in modern rock after being quoted in Kurt Cobain’s suicide note.
On a cheerier note, The Saw Doctors sing I’D LOVE TO BANG THE BANGLES, which pretty much speaks for itself. If you thought that was a wild proposition, you should take a listen to Bongwater’s NICK CAVE DOLLS. But hang in for the punchline on that one. A perfect follow up to that tune is Adam Ant’s GOODIE TWO SHOES, supposedly a critique of Cliff Richards virtuous and conservative image. “Don’t drink, don’t smoke… what do you do?”
A terrific song from Dory Previn is STONE FOR BESSIE SMITH. It isn’t just about the Blues singer Bessie Smith; it’s primarily about Janis Joplin who paid for Bessie Smith’s headstone but forgot to put anything aside for her own.
Early in his career, David Bowie often wrote about artists he admired, from Lou Reed to Andy Warhol to Iggy Pop. On SONG FOR BOB DYLAN a pre-Ziggy Bowie adopted Dylan’s nasal vocal style in order to pay tribute.
Down By Law also do an excellent tribute to the best rock band in the world: I WANNA BE IN AC/DC. Me too guys, me too.
It was hard choosing a song to go out on. Yes, of course there’s American Pie and Losing My Edge and the various spats between Paul McCartney and John Lennon, but in an effort not to be too predictable I’ve chose TUNIC (Song for Karen). Sonic Youth’s Kim Gordon does a beautiful job of casting herself as the tragic Karen Carpenter reporting back from heaven.
I’ve got a marathon effort lined up for the next couple of weeks and I need your help! The playlist next week will start with a song referencing Zero or less and I’ll progressively play songs in numerical order until I run out of ideas. For example I could start with Elvis Costello’s Less Than Zero progress to Yeah yeah yeah’s Zero then Bob Marley’s One Love … you get the idea. Let’s see how far I get. If you help me we could be doing this for weeks! To make it easy to participate I’ll be posting onto the Theme Park Radio Facebook page.
But in the meantime, here’s this week’s complete playlist to peruse:
Jazz Thing – Gang Starr – Moment of Truth
The Night Hank Williams Came To Town – Johnny Cash – The Best Of Johnny Cash
Do You Remember Rock ‘N’ Roll Radio – The Ramones Shrek OST
I Know Where Syd Barrett Lives – Television Personalities And Don’t The Kids Just Love It
Sweet Soul Music – Arthur Conley – 60’s Soul
Sir Duke – Stevie Wonder – Songs In The Key Of Life [Disc 1]
Jackie Wilson Said (I’m In Heaven When You Smile) – Van Morrison
Geno – Dexys Midnight Runners – Searching For The Young Soul Rebels
Elvis Presley Blues – Gillian Welch – Time (The Revelator)
Sweet Gene Vincent – Ian Dury and The Blockheads – The Very Best Of Ian Dury And The Blockheads
Blackbird, Bye Bye – Keith Jarrett, Gary Peacock, Jack DeJohnette – Bye Bye Blackbird
All The Young Dudes – Mott The Hoople – Rock Classics 60’s & 70’s Volume 2
Velvet Underground – Jonathan Richman – I, Jonathan
Stuck In A Moment You Can’t Get Out Of – U2 – The Best Of 1990-2000 & B-Sides CD1
Solid Air – John Martyn – No Little Boy
Brian Wilson – Barenaked Ladies – Barenaked Radio: Easter Special
Sonny Boy Williamson – Paul Jones & Dave Kelly – Live In London
Black Velvet – Alannah Myles – The Very Best of Alannah Myles
Hey Hey, My My (Into The Black) – Neil Young – Rust Never Sleeps (Live)
Goodbye Pork Pie Hat – Charles Mingus – Mingus Ah Um
I’d Love To Kiss The Bangles – The Saw Doctors – Play it Again Sham
Nick Cave Dolls – Bongwater – Box of Bongwater
Goody Two Shoes – Adam Ant – Antics In The Forbidden Zone
Stone For Bessie Smith – Dory Previn – Mythical Kings And Iguanas
Song For Bob Dylan – David Bowie – Hunky Dory
(I Wanna Be In) AC/DC – Down By Law – Windwardtidesandwaywardsails
Tunic (Song For Karen) – Sonic Youth – Goo (Deluxe Edition) [Disc 1]
Next week: NOUGHT TO WHATEVER (Part 1)
We’re well and truly into Summer and where are all those beautiful sunny days that this season promises? As I write this, I’m looking out at torrential rain. So, it was definitely wishful thinking that propelled me into this week’s playlist on THE SUN.
We opened the show with a song that radiates optimism, the Beatles GOOD DAY SUNSHINE, written by Paul McCartney and released on the 1966 album Revolver. A relatively new track comes from Michael Franti. I dedicated THE SOUND OF SUNSHINE to the lovely Suzie M. and her grandchildren, Reem & Aliyah who are huge Michael Franti fans.
Local lad Christian Pyle did a great job at the recent Mullumbimby Music Festival and although I played RAY OF YOUR SUNSHINE during my interview with him a couple of weeks ago, it such a great number I had to play it again. It’s from his Nothing Left to Burn album.
The Cream’s SUNSHINE OF YOUR LOVE is an absolute classic and is still their best-selling song of all time. Here’s Eric Clapton, Ginger Baker and Jack Bruce playing live circa 1968.
Beth Orton does a brilliant cover of The Ronettes I WISH I NEVER SAW THE SUNSHINE. I found it on the soundtrack to the film Twentyfourseven (brilliant film btw), but its also on her 1996 debut album ‘Trailer Park’. Here she performs live and is accompanied by the very talented Ted Barnes.
The wonderful Katie Noonan possibly does the best cover ever of Soundgarden’s BLACK HOLE SUN that I have ever heard. I usually don’t like to play videos that are simply photo montages, but I can’t give up the opportunity of putting her voice out there. Sublime.
There was no way I was doing a show on THE SUN without playing Stevie Wonder’s YOU ARE THE SUNSHINE OF MY LIFE. Here he is giving a rare studio concert at London’s Teddington Studios following the release of his ‘Conversation Peace’ album. A sensual ride for an intimate audience of less than 200 fans. You get the bonus of SUPERSTITION on this clip too, which I have to admit is actually my favourite Stevie Wonder number.
Bobby Hebb’s SUNNY is another very optimistic song, considering that it was written in response to his brother’s violent death which occurred on the same day of JFK’s assassination.
Two great songs that were released in 1966 are Donovan’s SUNSHINE SUPERMAN and The Kinks’ SUNNY AFTERNOON. The Kink’s strong Music Hall flavour and lyrical focus was part of a stylistic departure for the band, who had risen to fame in 1964-65 with a series of hard-driving, power-chord rock hits. Ironically, the promotional video for the single featured the band performing in a cold, snowy environment:
Nina Simone’s cover of George Harrison’s HERE COMES THE SUN is an almost religious experience. Starting slowly at first it builds to a flood of warmth and wonder. Unlike the weather here at the moment, unfortunately.
For Ros, and all the other reggae fans, we played Bob Marley’s SUN IS SHINING and followed with the Bill Withers standard – a perfectly apt song for Byron Bay at the moment: AIN’T NO SUNSHINE.
Let’s don’t get too despondent about the weather. As Elaine Page suggests “the sun will come out TOMORROW“. From the musical Annie that song went out to BayFM’s Tommy T-Jet who hosts All Things Camp Friday’s at 1pm.
The Eagles song TEQUILA SUNRISE was written by Don Henley and Glenn Frey and is from the album Desperado. I’ve been meaning to do a show just on The Eagles and its certainly on the agenda.
A show on THE SUN wouldn’t be the same if it didn’t include the Beach Boys. I had lots of suggestions for various tunes but I chose the very evocative THE WARMTH OF THE SUN. It was the B-side to Dance, Dance, Dance released in 1964.
Violent Femmes released their debut album in 1982. The music was an innovative combination of American folk music and punk rock, which would much later come to be known as “folk punk”. The lyrics were the common themes of yearning for love, sex and affection. The group quickly gained a following that never veered into mainstream commercialism. One of the songs that gained recognition was A BLISTER IN THE SUN.
2010 is the 25th anniversary of the very infectious WALKING ON SUNSHINE released by Katrina and the Waves. Can you believe it?
I don’t think the The Beloved were getting up with the birds to see the SUN RISING. Somehow I imagine they were on their way home from a big night out.
Australian band The Waifs recorded their 2007 album SUN DIRT WATER in Nashville and it was released on Jarrah Records, a fully independent label they share with John Butler Trio and MGM Distribution.
A couple of oldies but goodies come in the shape of THE SUN AIN’T GONNA SHINE ANYMORE from The Walker Brothers and DON’T LET THE SUN CATCH YOU CRYING from Gerry & The Pacemakers.
A while back I put together a show of songs that ask questions. And here’s a couple more: The Velvet Underground want to know WHO LOVES THE SUN and They Might Be Giants ask WHY DOES THE SUN SHINE?
The Spazzys is an all girl punk band from Melbourne who are heavily influenced by the Ramones. They’ve even taken their band’s name as their surname – Kat Spazzy, Lucy Spazzy and Ally Spazzy. Cool. The song SUNSHINE DRIVE is on their Aloha! Go Bananas album released in 2004 but my copy came from the soundtrack of the very good Australian film Suburban Mayhem.
One of The Kinks best known and most acclaimed songs is WATERLOO SUNSET. Ray Davies says, in a 2008 interview, that the song was a fantasy about his sister going off with her boyfriend and emigrating to another country.
Little Village were a supergroup who only released one album. Band members included Ry Cooder, John Hiatt, Nick Lowe and Jim Keitner. Sung by John Hiatt, the track SOLAR SEX PANEL certainly suggests a good use for the sun’s rays!
We closed the show with Pink Floyds’s very trippy SET THE CONTROLS FOR THE HEART OF THE SUN.
Next week, I’m going to celebrate the Xmas Party season with SONGS ABOUT DRINKING. I’m looking for everything from rowdy singalongs to barfly melancholia and guilty hangover confessionals. That should cover everything! It will be the day after the BayFM Xmas party, so I should be suitably hungover!
Here’s this week’s complete playlist:
Good Day Sunshine – Revolver, The Beatles
The Sound Of Sunshine – The Sound Of Sunshine, Michael Franti and Spearhead
Ray of Your Sunshine – Nothing Left to Burn, Christian Pyle
Sunshine Of Your Love – Eric Clapton Story, Cream
I Wish I Never Saw The Sunshine – Twentyfourseven Soundtrack, Beth Orton
Black Hole Sun – Time To Begin, Katie Noonan
You Are The Sunshine Of My Life – Ballad Collection, Stevie Wonder
Sunny – Rhythm & Blues, Bobby Hebb
Sunshine Superman [Extended] – Try For The Sun, Donovan
Sunny Afternoon – Lost And Found 1962-1969, The Kinks
Solar – Chet In Chicago, Chet Baker
Here Comes The Sun – The Very Best Of Nina Simone, Nina Simone
Sun Is Shining – Bob Marley Collection, Bob Marley
Ain’t No Sunshine – Lean On Me: Priceless Collection, Bill Withers
Tomorrow – Elaine Paige LIVE , Elaine Paige
Tequila Sunrise – The Very Best Of The Eagles, The Eagles
The Warmth Of The Sun – Shut Down Volume 2, The Beach Boys
Blister In The Sun – Violent Femmes, Violent Femmes
Walking On Sunshine – Sounds Of The Eighties: 1985, Katrina and The Waves
The Sun Rising – Single File, The Beloved
Sun Dirt Water – Sun Dirt Water, The Waifs
The Sun Ain’t Gonna Shine Anymore – The Walker Brothers
Don’t Let The Sun Catch You Crying – Gerry & The Pacemakers, Gerry and The Pacemakers
Who Loves The Sun – High Fidelity [Bonus Tracks], The Velvet Underground
Why Does The Sun Shine? – Severe Tire Damage, They Might Be Giants
The Sunshine Drive – Suburban Mayhem Soundtrack, The Spazzys
Waterloo Sunset – The Ultimate Collection [Disc 1], The Kinks
Solar Sex Panel – Little Village, Little Village
Set The Controls For The Heart Of The Sun – A Saucerful Of Secrets, Pink Floyd
Next week: SONGS ABOUT DRINKING
As someone who relies on trying to create a diverse playlist, week after week, the topic of MUSIC GENRES is one that’s dear to my heart. Useful as they are though, identifying genres is a murky and nebulous exercise, open to countless individual interpretations. Just go into any music store and try to establish why Ian Dury’s Sex & Drugs & Rock & Roll can find itself in pop, rock and alternative, all at the same time, and you’ll know what I mean.
In 1979 Malcolm McLaren’s art school classmate Robin Scott had a one hit wonder with POP MUZIK, an ironic and mischievous little tune, under his pseudonym, M: “New York, London, Paris, Munich…. everybody’s talking ’bout pop music.”
According to Bob Seger, today’s music doesn’t have the same soul. He’s feeling nostalgic for some OLD TIME ROCK N ROLL. Sugarhill Gang, on the other hand, are more interested in hip-hop. Their song, RAPPERS DELIGHT, while not the first single to feature rapping, is generally considered to be the song that first made hip hop popular.
Wild Cherry’s song PLAY THAT FUNKY MUSIC is autobiographical in that Wild Cherry was mostly a hard rock outfit. In 1976, however, the Disco era was all the rage and many of the group’s loyal followers were asking for more dance songs. And so was born the request: “play that funky music, white boy”:
Back in 1970, Lou Reed and the Velvet Underground celebrated ROCK & ROLL with their hit song of the same name. By 1977, Bob Marley – together with Steve Tyler & Joe Perry – were giving us three genres for the price of one on ROOTS, ROCK AND REGGAE.
Punk rocker Wreckless Eric took a swipe at the record companies, for the pressure they put on artists to produce a hit single, on POP SONG: “Just a two minute song with a snazzy middle eight.” Yeah, that’s all they wanted.
The Bonzo Dog Doo-Dah Band refuse to take anything too seriously, even the blues. So if you merge music hall and blues, it begs the question: CAN BLUE MEN SING THE WHITES? Our girl Joan Jett is nothing but a rock chick so of course she’s going to sing, I LOVE ROCK N ROLL.
Brooklyn rappers Stetsasonic responded to early criticisms of their sampling by releasing TALKIN’ ALL THAT JAZZ which used a clever collage of borrowings from the likes of Lonnie Liston Smith and Donald Byrd.
I think Lynyrd Skynyrd may know a little bit about the track, SWAMP MUSIC. This style of music is particular to America’s south, particularly Louisiana and Southeastern Texas but it’s developed a worldwide following and I, for one, love it.
It’s both funny and revealing that The Killers wrote INDIE ROCK N ROLL to poke fun at the pretentious and sterile independent scene in their native Las Vegas, only to find that the song was embraced world-wide as a cheerfully un-ironic anthem. Here they are playing live and sounding great:
The Beatles take Chuck Berry’s ROCK N ROLL MUSIC and attack it with such intensity that it seems to symbolise what became known as the British Invasion of the 60’s. In total contrast is Wilco’s wistful ode to youth on HEAVY METAL DRUMMER, from the album Yankee Hotel Foxtrot:
Stevie Wonder ‘s contribution to this week’s topic came in the form of his dedication to Duke Ellington and other jazz greats on SIR DUKE. Arthur Conley did something similar, with his shout out to all the soul icons, on SWEET SOUL MUSIC:
Time for some blues, Creole style, with BOOGIE WOOGIE ZYDECO from Chubby Carrier & the Bayou Swamp Band. Then it was a great piece of music, that recognises the enormous influence of Jazz on all kinds of music: JAZZ THING from Gang Starr. It’s from the soundtrack to the Spike Lee film MO BETTER BLUES, starring Denzel Washington. Absolutely brilliant clip.
There are so many songs that pay tribute to rock n roll that I had to be careful to not let them dominate. But there’s one that I couldn’t leave out – Ian Dury and the Blockheads with the rock n roll anthem, SEX & DRUGS & ROCK N ROLL. I hate the overuse of the word ‘awesome’ but in this case, it’s warranted – AWESOME!!
A song that merges soul and reggae is the very appropriately named REGGAE GOT SOUL from Toots and the Maytals. There are also loads of songs with Blues in the title, so many in fact that I had to restrain myself in this department too. But if you’re going to play one of them, you can’t get better than Buddy Guy with THE FIRST TIME I MET THE BLUES. In this clip he performs with bass player David Myers. It’s from the film CHICAGO BLUES, made in 1970. Now that’s what I call real music.
Bet you thought I wouldn’t give classical a mention. Well, Chuck Berry helped me out there with ROLL OVER BEETHOVEN. Here he expresses the desire for rhythm and blues to replace classical music on his local radio station. On this video clip he’s having a little bit of fun on a French TV show. Not sure of the year, but the song was recorded in 1956:
Couldn’t let disco get away with just a passing mention, so space was made for FRENCH DISKO by Stereolab. The Ramones rescue their disco queen and introduce her to something a bit more rebellious. Now, SHEENA IS A PUNK ROCKER.
We closed the show with a classic from Dire Straits – a song about a jazz band called SULTANS OF SWING.
Love to have your input for next week’s show. The theme is FUNNY SONGS: Songs that make you laugh or at least smirk because they are clever and witty. Ooh I’m looking forward to seeing what you send me.
Meanwhile, here’s this week’s complete playlist:
Pop Muzik – Pop Muzik, M
Old Time Rock N’ Roll – Bob Seger
Rappers Delight – Sugarhill Gang
Play That Funky Music – Those Fabulous ’70s, Wild Cherry
Rock and Roll – Velvet Underground
Roots, Rock, Reggae – Chant Down Babylon, Bob Marley + Steven Tyler + Joe Perry
A Pop Song – Big Smash, Wreckless Eric
Can Blue Men Sing The Whites? – Cornology [Disc 1], Bonzo Dog Doo-Dah Band
I Love Rock and Roll – Joan Jett
Mambo Italiano – Latin Fever [Disc 1], Shaft
Talkin’ All That Jazz – Hed Kandi: Back to Love, Vol. 4 Disc 2, Stetsasonic
Swamp Music – Lynyrd Skynyrd
Indie RnR – Demo, The Killers
Rock And Roll Music – Live At The BBC [Disc 2], The Beatles
Heavy Metal Drummer – Yankee Hotel Foxtrot, Wilco
Sir Duke (Duke Ellington) – Songs In The Key Of Life, Stevie Wonder
Sweet Soul Music – 60’s Soul, Arthur Conley
Boogie Woogie Zydeco – Boogie Woogie Zydeco, Chubby Carrier & the Bayou Swamp Band
Jazz Thing – Moment of Truth, Gang Starr
Sex & Drugs & Rock & Roll – No Thanks! – The ’70s Punk Rebellion (Disc 3), Ian Dury
Soul Makossa – Makossa Man: The Very Best Of Manu Dibango, Manu Dibango
Reggae Got Soul – True Love, Toots & The Maytals
First Time I Met The Blues – Martin Scorsese Presents The Blues – A Musical Journey, Buddy Guy
Roll Over Beethoven – 1956-Rock & Roll Era, Chuck Berry
French Disko – Refried Ectoplasm, Stereolab
Sheena Is A Punk Rocker – All The Stuff (And More), The Ramones
Sultans of Swing – Dire Straits
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
A while back I did a show on ‘Covers That Are Better Than The Originals’ and I had so much fun with that. So this week it was UNLIKELY COVERS. Anything in the previous show was excluded, just to keep me on my toes. But have no fear, there were plenty more, and even quirkier versions, to choose from.
We opened the show with Peter Sellers’ hilarious version of the Beatles A HARD DAY’S NIGHT, in the style of Lawrence Olivier’s Richard 111. Thanks to Andrew for this request.
Andrew also requested the next track on our list: Hellsongs’ version of THUNDERSTRUCK. Hellsongs is an acoustic three-piece that plays what is best described as Lounge Metal. That means metal classics performed with surprisingly clear female vocals, soft guitars, an organ and two male choir-boys. They do a brilliant job of this AC/DC cover.
Stevie Wonder’s version of the Beatles classic WE CAN WORK IT OUT is a good example of what I think defines an UNLIKELEY COVER. Not only does he switch genre, he also reinterprets the emotions that underpin the track, taking it from melancholia to pure elation. So, here’s a treat: A clip from the recent 2010 Glastonbury Festival where Stevie sings both Master Blastin’ and We Can Work It Out. Enjoy.
I’LL BE MISSING YOU by P. Diddy, Faith Evans and 112, borrows the melody and arrangement of Police’s EVERY BREATH YOU TAKE to create a song that was recorded in memory of rap artist Notorious B.I.G., murdered in 1997. Thanks to Robyn for that suggestion.
Scottish alternative pop band Camera Obscura do a great version of the Abba hit SUPERTROUPER, so that had to be included. As did Nick Cave, with the very unlikely cover of Louis Armstrong’s WHAT A WONDERFUL WORLD.
Algerian musician Rachid Taha does an intriguing Arabic version of the Clash standard ROCK THE CASBAH. Check it out:
As someone who loves their Bluegrass and is a hardcore Queen fan, (what’s not to love?), Hayseed Dixie appealed with their cover of Queen’s BOHEMIAN RHAPSODY. Come on, you’ve got to get a chuckle out of this, surely:
We followed with a very gentle rendition of the Guns & Roses’ track SWEET CHILD OF MINE. It’s from Swedish singer Victoria Bergstrom, under her Taken By Trees moniker.
SWITCHED ON BACH is the name of an album by Walter (later to become Wendy) Carlos. Recorded in 1968, using the Moog synthesiser, it became the highest selling classical music recordings of its era. We played one of the best tracks from that album, SINFONIA 35. Carlos went on to make many more recordings, including scores for the Stanley Kubrick films A Clockwork Orange and The Shining.
Paul Kelly only needs his guitar, and his great voice, to create a knock-out acoustic version of the Amy Winehouse signature tune REHAB. I found this on one of the very excellent Triple J Like a Version albums.
One of my favourite films of all time is JUNO and one of the best songs on that soundtrack is Sonic Youth’s cover of The Carpenter’s SUPERSTAR. Karen would have been proud:
The phones ran hot when this next track was played: Legends Willie Nelson and Waylon Jennings gave Procol Harum’s A WHITER SHADE OF PALE a country voice. And then the totally indiosyncratic William Shatner covered Pulp’s COMMON PEOPLE.
But if you thought that was crazy, how about Ani DiFranco and Jackie Chan (yes, that’s correct, Jackie Chan the Hong Kong actor). They contributed a bizarre duet of Nat King Cole’s UNFORGETTABLE. Ani’s voice is great, but methinks that Jacki should just stick to acting (or maybe not!).
We followed with The Clash’s version of Junior Murvin’s reggae classic POLICE & THIEVES. While a punk rock group covering reggae does seem a bit unusual, Joe Strummer makes this great track his own.
Gee, it was hard choosing one of Johnny Cash’s covers. His album American IV: The Man Comes Around is particularly good for UNLIKELY COVERS. My favourite is his version of the Nine Inch Nails song HURT but I have played that before, so I thought I’d bring you his cover of Depeche Mode’s PERSONAL JESUS instead. This album is especially moving as Cash died soon after its release.
Lesley Gore, (that’s right, she of IT’S MY PARTY AND I’LL CRY IF I WANT TO), gave us a great version of AD/DC’s DIRTY DEEDS DONE DIRT CHEAP. Just to prove that she can sing anything she wants to!
R & B great Billy Preston does an interesting cover of pop band Duran Duran’s GIRLS ON FILM. As do the Ramones when they do a punk version of Creedence Clearwater Revival’s HAVE YOU EVER SEEN THE RAIN?
Here’s a combination I really love: C.W. Stoneking, with another track from Triple J’s Like a Version compilation: the White Stripes SEVEN NATION ARMY. Two of my favourite artists, Stoneking and Jack White. I think what makes this so good is that Stoneking hadn’t even heard the song before it was suggested that he do a cover, so it has this incredible freshness to the interpretation. Here’s an interview and his performance live in the studio. So jealous of that presenter!
We followed that with a great pairing: Jim Morrison and The Doors with their version of Howlin Wolf’s BACK DOOR MAN and Patti Smith’s amazing cover of Prince’s WHEN DOVES CRY. Thanks again to Rob for suggesting that one.
How perfect is Sid Vicious’s punk version of MY WAY, made famous originally by Frank Sinatra? Let’s face it, he couldn’t sing, couldn’t play but gee he knew how to take the piss out of society. Miss that.
What to finish the show with? Well, a cover of Led Zeppelin’s STAIRWAY TO HEAVEN seemed an obvious choice but which version? Rolf Harris came to mind, especially after his recent appearance at Glastonbury but I’m not a big fan. Instead, the honour went to one of the best musicians in rock history, Frank Zappa.
Next week the theme is a staple of pop music: SWEETS, all those yummy sugary foods that symbolise so much about personal relationships. Let me know if you have any good suggestions. Love having your input.
For now, here’s this week’s complete playlist:
A Hard Day’s Night (Beatles cover) – Time To Remember 1965, Peter Sellers
Thunderstruck (AC/DC cover) – Hymns In The Key Of 666, Hellsongs
We Can Work It Out (Beatles) – Greatest Hits, Vol. 2, Stevie Wonder
I’ll Be Missing You (Police) – P. Diddy
Super Trouper (Abba cover) – Tears For Affairs, Camera Obscura
What a Wonderful World (Louis Armstrong cover) – B-Sides & Rarities, Nick Cave/The Bad Seeds
Rock el Casbah (Clash cover) – Arabian 2000 & 1 Nights, Rachid Taha
Bohemian Rhapsody (Queen cover) – Killer Grass, Hayseed Dixie
Sweet Child Of Mine (Guns & Roses cover) – Taken By Trees (Victoria Bergsman)
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Rehab (Amy Winehouse cover) – Like A Version Four, Paul Kelly
Superstar (Carpenters Cover) – Juno Soundtrack, Sonic Youth
A Whiter Shade of Pale (Procol Harum cover) – Always On My Mind, Willie Nelson & Waylon Jennings
Common People (Pulp) – Triple J Hottest 100: Volume 12 William Shatner/Joe Jackson
Unforgettable (Nat King Cole)- When Pigs Fly: Songs You Never Thought You’d Hear, Ani DiFranco & Jackie Chan
Police & Thieves (Junior Murvin) – The Clash, The Clash
Personal Jesus (Depeche Mode) – American IV: The Man Comes Around, Johnny Cash
Dirty Deeds Done Dirt Cheap (AC/DC cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Lesley Gore
Girls on Film (Duran Duran cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Billy Preston
Have You Ever Seen the Rain (Creedence Clearwater) – The Ramones
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Seven Nation Army (White Stripes cover) – Like A Version Four, C.W. Stoneking
Back Door Man (Howlin Wolf cover)- The Doors, Jim Morisson/The Doors
When Doves Cry (Prince cover) – When Doves Cry, Patti Smith
Surﬁn’ USA (Beach Boys) – The Jesus & Mary Chain
My Way (Frank Sinatra) – The Great Rock ‘N’ Roll Swindle, Sid Vicious
Stairway To Heaven (Led Zepelin Cover) – Frank Zappa
Next week: SWEETS (Yummy, yummy, yummy I’ve got love in my tummy!)
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
When it comes to popular music, there’s crazy and then there’s CRAZY. According to a lot of the songs in our play-list today, crazy is how you feel when you’re infatuated with someone and hey, while that can be confusing, its also a lot of fun. Even Sigmund Freud acknowledged: “one is very crazy when in love”.
The good thing about being a bit loopy is that it can produce some great songwriting. And while we included a lot of “crazy in love” type tunes in the show this week, we also entered into some heavy territory with material written by a few of our tortured souls. The truth is that any song about mental illness can make you uncomfortable to some extent, either because its too frivolous or because its too close to the bone. But you know that here at the Theme Park we like to live dangerously.
We opened the show with Gary Jules’ cover of the Tears for Fears song MAD WORLD. I first heard this version on the brilliantly eccentric movie Donnie Darko. Requested by Clare, it proved to be a great start to a show full of songs about trying to stay sane in this crazy, crazy world.
We moved on with a couple of fairly harmless tunes about losing your marbles – and from completley different ends of the musical spectrum: I THINK I’M PARANOID from Garbage and TWISTED from jazz legend Annie Ross, with help from Dave Lambert and Jon Hendricks.
A country tune that regards the issue of mental health very seriously indeed is called PSYCHO. The version we played was by Jack Kittel and, to be honest, it really creeped me out. So I was happy to follow with the more innocent NERVOUS BREAKDOWN, essentially an upbeat love song from the great Eddie Cochran.
Let’s get the Australian attitude to insanity into perspective: I had an email during the week from Sue, asking me for the origin of the expression ‘mad as a meat axe’, meaning ‘nuts, crazy or insane’. Here’s what I discovered: this is a uniquely Australian expression that you won’t find anywhere else in the world. It joins a whole group of expressions that start with the words ‘as mad as’ such as ‘mad as a beetle’ (the insect that is), ‘mad as a dingbat’, ‘mad as a gum tree full of galahs’ and ‘mad as a cut snake’. These expressions are recorded as far back as 1910 and are nothing more than verbal creativity gone wild.
And talking of wild, we had to include James Brown’s song about his fear that, if his girlfriend leaves him, he’ll GO CRAZY. And then it was one of the craziest songs (and videos) ever: The Avalanches with FRONTIER PSYCHIATRIST:
Had to include Gnarls Barkley’s hit CRAZY because, not only is it pop perfection, it was requested by both Lynden and Robyn. Al Royal from BayFM’s Friday 10pm slot, asked for INSANE IN THE BRAIN from Cypress Hill. And how could I refuse?
There’s always room for a great jazz standard and this week we included Peggy Lee with YOU’RE DRIVING ME CRAZY. Judi tells me she’s a huge Patsy Cline fan and so, as predictable as it might be, there was no way we were leaving out the queen of country’s signature tune, CRAZY.
Changing the tone somewhat, it was time for a track from someone who knows just a little bit about crazy behaviour: Ozzy Osbourne and Black Sabbath with PARANOID. And you’ve got to love Goldie Lookin’ Chain’s YOUR MISSUS IS A NUTTER, supposedly about Posh & Becks.
According to The Pixies songwriter, Black Francis, WAVE OF MUTILATION is about “Japanese businessmen doing murder-suicides with their families because they’d failed in business, and they’re driving off a pier into the ocean.” Wild concepts like this make The Pixies a hard act to follow, but Beth Hart gives it a good shot with a cover of Belinda Carlisle’s LEAVE THE LIGHT ON:
The novelty song, HOORAY, HOORAY, I’M GOING AWAY was recorded in 1947, by Beatrice Kay, and it’s an obvious forerunner to Napolean 14th’s 60’s hit, THEY’RE COMING TO TAKE ME AWAY, HA HA. Born in 1907, Beatrice was a singer, vaudevillian, stage and film actress and she even hosted her own radio show. She died in 1979.
Still alive and kicking is the wonderful Mose Allison who gave us one of the ‘crazy in love’ songs that make up a lot of this week’s show: LOST MIND. But if you’re looking for authenticity in your songs about madness, then country singer Porter Wagoner is your man. He wrote THE RUBBER ROOM after spending some time in a mental hospital for a little R&R.
Which brings us to 19th NERVOUS BREAKDOWN from the Rolling Stones. Released in 1966 on the Aftermath album, it’s well known for Bill Wyman’s dive-bombing bass line at the end of the song:
But if you want to talk scary mad, then it has to be the brilliant PSYCHO KILLER from the one and only Talking Heads.
Whew, I was feeling the need for a little more lightness in the list. Relief came with one of the great Blues artists, Little Walter, with CRAZY MIXED UP WORLD. And despite the title of the song, there is nothing but pure joy in the song that gave a certain Ska group their name: from Prince Buster it is, of course, MADNESS. Here he is performing alongside Suggs and Georgie Fame. How good is that?
Green Day’s contribution to our line-up of loony tunes was BASKET CASE and we followed with one of the first grunge/garage bands, The Sonics, with PSYCHO. Love that band! Kurt Cobain cited them as a great influence, so it was fitting that we included a track from the group whose lead singer and songwriter suffered from manic depression and drug dependency that, unfortunately, led to his suicide. I chose the Nirvana song they wrote about another tragic public figure: FRANCES FARMER WILL HAVE HER REVENGE ON SEATTLE.
But if you want to talk influential then The Ramones are on everyone’s list. So much to choose from with these guys and requests by multiple listeners, but for me it had to be I WANNA BE SEDATED.
Bruce Hornsby is a versatile and prolific artist. Known for the spontaneity and creativity of his live performances, Hornsby draws frequently from classical, jazz, bluegrass, folk, Motown, rock, blues and jam band musical traditions with his songwriting. But we didn’t play one of his originals today but instead it was a great version he does of Elton John’s MADMAN ACROSS THE WATER.
Theme Park is followed by a great show called Postmodern Backlash, (still not quite sure what that means!), and its hosted by Hudson. So because I know that he loves his calypso music I also included The Mighty Sparrow with MAD BOMBER.
We finished the show with Pink Floyd’s SHINE ON YOU CRAZY DIAMOND. The song is their tribute to former band member Syd Barrett who left the band in 1968 amidst speculation of mental illness aggravated by heavy drug use. As gloomy as that sounds it’s a beautiful piece of music and a fitting end to the program.
Next week I’ll be celebrating Australia’s first female Prime Minister (go Julia!) with a show on WOMEN. I’d love to receive your requests and suggestions.
And here’s my final word on madness: Remember what Hunter S Thompson had to say: “I wouldn’t recommend sex, drugs or insanity for everyone, but they’ve always worked for me.”
Here’s this week full list:
Mad World – Donnie Darko Soundtrack, Gary Jules
I Think I´m Paranoid – Version 2.0, Garbage
Twisted – Jazz Legends: Divas (Disc 2), Annie Ross +Lambert/Hendricks
Movie Clip – Insane Asylum
Psycho – Jack Kittel
Nervous Breakdown – Eddie Cochran
I’ll Go Crazy – Try Me, James Brown
Frontier Psychiatrist – Frontier Psychiatrist, The Avalanches
Crazy – Gnarls Barkley
Insane in the Brain – Black Sunday, Cypress Hill
You’re Driving Me Crazy – While We’re Young, Peggy Lee
Crazy – Patsy Cline
Paranoid – Paranoid, Black Sabbath
Mad Lad – You Never Can Tell (His Complete Chess Recordings, Chuck Berry
Your Missus Is A Nutter – Goldie Lookin’ Chain
Wave of Mutilation – Pump up the Volume [Motion Picture Soundtrack], The Pixies
Leave The Light On – Leave the Light On, Beth Hart
Hooray Hooray I’m Going Away – Beatrice Kay
Lost Mind – Promised Land, Mose Allison
The Rubber Room – Porter Wagoner
19th Nervous Breakdown – Hot Rocks, 1964-1971 [Disc 1], The Rolling Stones
Clockwork Orange clip
Psycho Killer – Talking Heads
Crazy Mixed Up World – Rock N’ Roll ’50s Blues Essentials, Little Walter
Madness – Prince Buster
Basket Case – Dookie, Green Day
Sound grab: Psycho/The Murder – Psycho/Hitchock, Composer Bernard Hermann/Los Angeles Philharmonic
Psycho – Maintaining My Cool, The Sonics
Frances Farmer Will Have Her Revenge on Seattle – In Utero, Nirvana
I Wanna Be Sedated – The Ramones
Madman Across the Water – Two Rooms: Celebrating the Songs of Elton John, Bruce Hornsby
Mad Bomber – King Sparrow’s Calypso Carnival, The Mighty Sparrow
Shine On You Crazy Diamond – Wish You Were Here, Pink Floyd
Next week: WOMEN
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Our playlist this week was dedicated to SONGS WITH MEANINGLESS WORDS. We’re talking Na-na-na songs, obla-di songs, even la-la-la songs. Because, let’s face it, without meaningless words we may have missed out on some of our favourite pop anthems.
So WHO PUT THE BOMP IN THE BOMP, BOMP, BOMP, BOMP, BOMP? Well the original was recorded by Barry Mann in 1961. It parodied the nonsense words of the doo-wop songs that were popular during that period. Two that he refers to are the Marcels’ BLUE MOON and The Edsels’ RAMA LAMA DING DONG, which had both charted earlier that same year.
Ella Fitzgerald’s HOW HIGH THE MOON is a great example of scat singing, where the vocals are improvised using random and nonsense syllables. Fitzgerald is generally considered to be one of the greatest scat singers in jazz history. Pioneering Jamaican DJ and singer, Sister Nancy, also incorporates some scat into her chat with BAM BAM. Don’t ask me, I have no idea what BAM BAM means. And I’m not sure what BOM BOM means either. That was the title of our very own Daddy Cool’s contribution to this week’s list.
Time then for a counterpoint to all the merriment. There aren’t too many performers who could turn a “sha la la la” song” into one of romantic longing, but Tom Waits does so briliantly in JERSEY GIRL. And yes, I know that Bruce Springsteen does a version of this too, but it’s got to be Tom’s original version for me.
Way back in the 50’s The Gladiolas recorded LITTLE DARLIN’ in which they used their voices as instruments (adding an extra layer to the already full-on percussion). Their main aim wasn’t to experiment, however. All they wanted to do was to get you up dancing. As did The Crystals in 1963 with DA DO RON RON.
Yes, songs with MEANINGLESS WORDS have served generations of American black music very well indeed. And today, it seems it’s still all about the moves, baby. You only have to check out Beyonce’s SINGLE LADIES and my point is proven.
What I love about a show on SONGS WITH MEANINGLESS WORDS is that it gives me a great opportunity to play some comedy. Spike Milligan claimed that he wrote the YING TONG SONG as a bet with his brother, who claimed that Spike couldn’t get a song into the hit parade that only had two chords (in this case G and D7th). And Spike won!
We followed with punk group The Dickies with their version of BANANA SPLITS (The Tra-La La Song), from the soundtrack to the film Kick Arse and to round out the set, another fruit related song with some meaningless words, the wonderful Little Richard with TUTTI FRUTTI. I’m not sure where or when this concert took place, but I wish I’d been there!
Is there anyone in the world that doesn’t know the refrain from HEY JUDE by The Beatles? Na, Na, Na, Na- Na- Na. I don’t think so. That one was for Judi who listens via the Internet from Far North Queensland and who has sent me a very nice email. So big shout out to Jude!
It’s true that you can’t help but sing along to SONGS WITH MEANINGLESS WORDS isn’t it? Even Mr. Grumpy himself, Van Morrison, can’t help but deliver a song that, ironically, has made a lot of people very happy over the years: BROWN EYED GIRL.
Donna Summer’s version of STATE OF INDEPENDENCE was released in 1982 and featured a choir that included Michael Jackson, Dionne Warwick, Kenny Liggins, Lionel Richie, Stevie Wonder and others. She’s always been known for her powerhouse vocal delivery and she’s one of the most successful recording artists of the 1970s. Her website states that she has sold more than 130 million records worldwide. One of today’s most fascinating artists is Lady Gaga and we played BAD ROMANCE from her Fame Monster album which also has a few meaningless words in it. As of April 16, 2010, her music videos gained over one billion viral views, becoming the first artist to reach this milestone. So she obviously doesn’t need any help from me so I’m going to get you to have a peek at Donna Summer instead!
Its been mooted that catchy songs are just that because they’re easy to sing along to. Meaningless words seem to help that process. Here’s another example for you: The J. Geils Band with CENTERFOLD. We played this one in our ‘Fashion’ show, but its such a good example of meaningless words in a song, it had to be included here too. Na, na, na, na, na,
A great triple play of classics followed: Reggae artist Barrington Levy with HERE I COME, the great Otis Redding with FA-FA-FA-FA-FA (SAD SONG) and Major Lance with UM, UM, UM, UM, UM. Another classic that wouldn’t be the same without its meaningless words is NA NA HEY HEY KISS HIM GOODBYE from Steam. It may have been a bit of a one-hit wonder but its served sports fans very well, ever since it was recorded in 1969.
All girl Aussie band, The Spazzys, offered up SUNSHINE DRIVE, which first appeared on their Aloha Go Bananas! album. I found my copy on the soundtrack to the film Suburban Mayhem. Its easy to see that they’re influenced by The Ramones who had a song of their own called PINHEAD that produced their concert catch-cry “Gabba, Gabba, Hey!”. For some reason that I can’t fathom, I didn’t actually play this song but, as penance, here’s a clip to satisfy all you Ramones fans. Who said punk was dead?
Back to some Pommy classics: the Kinks with DAVID WATTS, the Beatles with OB-LA-DI, OB-LA-DA and Manfred Mann with DO WAH DIDDY DIDDY. How upbeat is this little ditty? Check it out:
Pocket rocket, Brenda Lee recorded a very catchy tune that uses meaningless words, DUM DUM. No idea what the words mean and I’m not sure that Sting and the Police have a clue what they’re singing about when they declare DE DO DO DO, DE DA DA DA.
Another couple of classic tunes with meaningless words came from The Drifters with I COUNT THE TEARS and the Delfonics with LA LA MEANS I LOVE YOU. Does that mean that if you go to local club La La Land you’ll find love? Hmmmmm, don’t think so somehow.
We signed off with a doozy: GOOD MORNING STARSHINE by Oliver. Impossible not to singalong to this one.
Next week’s show will be on SHELTER. I’m thinking of both interpretations of the word. It could be a building or it could be the protection or refuge you find in something or someone. So get those suggestions in and, yes of course, the Stones GIMME SHELTER is a given!
Here’s this week’s playlist:
Who Put the Bomp (In the Bomp, Bomp, Bomp) – #1 Hits of the ’50s Volume 4, Barry Mann
Rama Lama Ding Dong – The Rama Lama Ding Dong EP, The Edsels
Blue Moon – The Original 60’s Summer Album, The Marcels
How High The Moon – Conﬁrmation, Ella Fitzgerald
Bam Bam – One Two, Sister Nancy
Bom Bom – The Essential Daddy Cool [Disc 1], Daddy Cool
Jersey Girl – Heartattack And Vine, Tom Waits
Little Darlin’ – Rock n’ Roll Boogie Hits Of ’57, The Gladiolas
Da Do Ron Ron (Re-Recorded / Remastered) – – Soundtrack To The ’60s (Re-Recorded / Remastered, The Crystals
Single Ladies (Put A Ring On It) – Beyoncé
Ying Tong Song – Let’s All Sing Along With The Goons, The Goons
Banana Splits (The Tra La La Song) – Dickies
Tutti Frutti – Little Richard, Little Richard
Hey Jude – The Beatles
Brown Eyed Girl – Van Morrison
Bad Romance (Album Version) – Lady Gaga
State of independence – Donna Summer, Donna Summer
Centerfold – Best Of The J Geils Band, The J Geils Band
Here I Come – Here I Come, Barrington Levy
Fa-Fa-Fa-Fa-Fa (Sad Song) – Otis Redding
Um Um Um Um Um – Soul Masters: Um Um Um Um Um, Major Lance
Na Na Hey Hey Kiss Him Goodbye – ’60s: Gold, Steam
Heebie Jeebies – A Portrait Of New Orleans Jazz CD1, Louis Armstrong
The Sunshine Drive – Suburban Mayhem Soundtrack, The Spazzys
Do Wah Diddy Diddy – The British Invasion: History of British Rock, Vol. 2, Manfred Mann
Ob-La-Di, Ob-La-Da – The Beatles (White Album) [Disc 1], The Beatles
David Watts – Greatest Hits, The Kinks
Dum Dum – Sweet Nothin’s, Brenda Lee
de do do do, de da da da – The Very Best, Sting & The Police
I Count The Tears – Greatest Hits, The Drifters
La La Means I Love You – The Legend of The Delfonics, The Delfonics
Good Morning Starshine – Billboard Top 100 Of 1969, Oliver
Next week: SHELTER
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Memories can haunt us, no matter how much we want to escape them. There are false memories, conflicting memories of the same event and memories that clash with the reality of the present. Thanks to mass media, memory isn’t something that only belongs to us as individuals. When we see scenes at the cinema or television or on DVDs over and over again, they become part of our collective memory. Even if you’ve never seen the film King Kong you know that there’s a scene where a big gorilla climbs up the Empire State Building with a human girl in his hand. And whenever a comedy show or film features a scene where someone is killed or threatened in a shower most people understand it’s a parody of Psycho. So mass media, film and television in particular, have contributed hugely to a memory that we share with millions of other people.
Unfortunately, we remember melancholy and pleasure in equal measure. The concept of looking back in hindsight is also a bit complicated. It’s easy to write off youthful idealism as simply being naïve as Stevie Wonder did in our opening number YESTERME, YESTERYOU, YESTERDAY. According to Stevie it was all “a cruel and foolish game we used to play”. Well that’s how he remembers it anyway.
And talking of cruel, I can’t imagine anything worse than getting Alzheimer’s disease and Elvis Costello’s song VERONICA is all about that. It tells the story of an old lady who lives in a nursing home and is gradually losing her memory. It was inspired by Costello’s grandmother.
The Ramones want to know DO YOU REMEMBER ROCK ‘N’ ROLL RADIO? Has it ever gone away?
Collecting objects that remind us of old times should bring back good memories, but that’s not always the case as Soft Cell tell it in MEMORABILIA. Sarah Vaughan would rather experience something that didn’t work out than never do anything at all in I’D RATHER HAVE A MEMORY THAN A DREAM. The real classic of this triple play, however, was the Shangri-Las with their ode to a lost love affair: REMEMBER (WALKIN IN THE SAND). Here’s a great clip from the excellent “Songmakers Collection” DVD, with interviews with Mary Weiss and writer producer George ‘Shadow’ Morton about this track and their other hit, LEADER OF THE PACK.
Jurassic 5 dug deep into their memory banks for REMEMBER HIS NAME. As did Fall Out Boy for THNKS FR TH MMRS . The Zutons, REMEMBER ME is about those kind of friends who seem to forget you once they are entrenched in a romantic relationship. Don’t you just hate that!
THOSE WERE THE DAYS is from Cream’s 1968 album Wheels of Fire. The album cover was designed by Australian artist Martin Sharpe and it won the the New York Art Directors Prize for best album cover in 1969. The sound on the album was characterised by a hybrid of blues, hard rock and psychdelic rock, combined with Eric Clapton’s blues guitar, Ginger Baker’s jazz-influenced drumming and the basslines and voice of Jack Bruce.
One of the most beautiful voices I’ve heard belongs to Sarah McLachlan. And one of my favourite songs of hers is one that I first heard on the soundtrack to the film The Brothers McMullen. It’s called I WILL REMEMBER YOU.
Otis Redding’s name is synonymous with the term ‘soul’ and we had to include his classic with I’VE GOT DREAMS TO REMEMBER. Redding died at the very early age of 26 but his memory is kept alive with the Youth Educational Dream Foundation and a very good website. Go to: http://www.otisredding.com/
British group Bloc Party look back regretfully on an opportunity for love that wasn’t realised in I STILL REMEMBER:
The Kinks wonder what ever happened to their childhood friend in DO YOU REMEMBER WALTER? It’s from their album The Kinks Are the Village Green Preservation Society.
The Supremes reflected on the good and bad memories of a love that used to be in REFLECTIONS while Jimi Hendrix had only good memories of a past love, (he even wants her back!), in REMEMBER.
Relationships that survive depend partly on shared memories, but those memories need constant topping up. Indie rockers, Yo La Tengo document this well in OUR WAY TO FALL.
There was a fair bit of nostalgia in this week’s show, (well what did you expect?) and one of my faves was The Platters with REMEMBER WHEN. Also fitting the bill was Elvis Presley who seems somewhat confused in I FORGOT TO REMEMBER TO FORGET.
Memories, daydreams, disconnected thoughts – they fill our minds in a never-ending rush. Our next song, THE WINDMILLS OF YOUR MIND, evoked this beautifully, conveying the incredible weirdness of our thought processes. If you’re after nostalgia then what about Noel Harrison with the original version of the song that served the film The Thomas Crown Affair so well.
Ok back to recent memories. Jack Johnson wonders DO YOU REMEMBER? and P.M. Dawn are SET ADRIFT ON A MEMORY. Thanks to Lynden for suggesting that one and several others on our list today.
One of my favourite films deals with amnesia. Memento, starring Guy Pearce, and directed by Christopher Nolan, is a fascinating story about someone who can’t store new memories. A song about about the subject is I DON’T REMEMBER by Peter Gabriel.
Bob Dylan’s memory song is a love ballad from the Empire Burlesque album: I’LL REMEMBER YOU. And if its nostalgia that you’re after, consider MEMORIES ARE MADE OF THIS from Dean Martin. An oldie but a goodie, as they say.
I’ll never forget Michael Jackson with REMEMBER THE TIME from the Dangerous album. Another sad memory for me is Freddy Mercury singing THOSE WERE THE DAYS OF OUR LIVES which many think was the song he dedicated to his fellow Queen members when he knew that he was dying.
Back to the 70’s and some Aussie based punk rock: remember The Saints and MEMORIES ARE MADE OF THIS?
We closed the show with a cover of a song that I swore I wouldn’t play this week, but this version is so sweet it had to make the cut: The Waifs with a little help from Clare Bowditch. They’re singing Frank Ifields I REMEMBER YOU.
This week’s theme on MEMORY segues nicely into next week’s topic. My computer crashed last week and I had to invest in a drive with a lot more memory to cope with all the songs that I collect for these shows. So next week its MACHINES, ROBOTS AND COMPUTERS. No Television or Radio songs please because you know they are a whole theme to themselves. and no modes of transport, for the same reason. But any other gadget or gizmo is up for grabs.
Here’s this week’s complete playlist. All songs available on iTunes.
Yesterme Yesteryou Yesterday – Stevie Wonder
Veronica – Elvis Costello
Do You Remember Rock ‘N’ Roll Radio – The Ramones
Memorabilia – Soft Cell
I’d Rather Have a Memory Than a Dream – Sarah Vaughan
Remember (Walkin’ in the Sand) – The Shangri-Las
Remember his name – Jurassic 5
Thnks fr th Mmrs – Fall Out Boy
Remember Me – The Zutons
Those Were The Days – Cream
I Will Remember You – Sarah Mclachlan
I’ve Got Dreams To Remember – Otis Redding
I Still Remember – Bloc Party
Do You Remember Walter – The Kinks
Reﬂections – Diana Ross & the Supremes
Remember – The Jimi Hendrix Experience
Our Way to Fall – Yo La Tengo
Remember When – The Platters
I Forgot to Remember to Forget – Elvis Presley
Do You Remember – Jack Johnson
The Windmills Of Your Mind – Noel Harrison
Set Adrift On Memory Bliss – P.M. Dawn
I Don’t Remember – Peter Gabriel
I’ll Remember You – Bob Dylan
Memories Are Made Of This – Dean Martin
Remember The Time – Michael Jackson
Memories Are Made of This – The Saints
Those Were The Days Of Our Lives – Queen
Remember You (feat. Clare Bowditch) – The Waifs
How come every songwriter hasn’t written at least one song about schooldays? Come on, it has all the vital ingredients for a hit: that age-old conflict between discipline and rebellion, close friendships, sexual awakenings and enough traumatic experiences to feed a healthy persecution complex for the rest of your life. Mind you, while every songwriter may not have taken up the opportunity to reveal all about their schooldays, those that did contributed to a pretty good playlist this week.
We opened the show with SCHOOL DAYS by Chuck Berry who turns the joy of hearing the final bell into some hot rock’n’roll. Then it was Young MC who seems well versed in being sent to the PRINCIPAL’S OFFICE, while the Pipettes LIKE A BOY IN UNIFORM. Don’t we all?
Belle & Sebastian could pretty much compile an album of songs about classroom politics but the pick of the bunch is EXPECTATIONS, from the soundtrack to Juno. The song’s misfit heroine wins the heart of every indie boy by “making life-size models of the Velvet Underground from clay”. Now why didn’t I go to that school?
Jack White is a bit of a hero of mine, so I had to include The White Stripes with WE’RE GOING TO BE FRIENDS. Everyone needs a best buddie at school that’s for sure.
A couple of real classics followed. I would have been sent to detention if I hadn’t included ANOTHER BRICK IN THE WALL from Pink Floyd or Ian Dury and the Blockheads’ fantastic diss on school, JACK SHIT GEORGE.
Steely Dan had us bopping along to the fact that they are “never going back to” MY OLD SCHOOL. And then it was Sam Cooke with WHAT A WONDERFUL WORLD.
Sonny Boy Williamson contributed one of the most provocative tracks on the playlist this week, GOOD MORNIN’ LITTLE SCHOOLGIRL. This blues classic was written about the schoolgirl as sexual fantasy. It’s since been covered by every classic-rock band under the sun, but I think the original is still the best.
ME AND JULIO DOWN BY THE SCHOOL YARD is a song performed by Paul Simon from his 1972 self-titled album. In my opinion he’s one of the best contemporary songwriters we have. Here he is performing the song live:
The music video of BAGGY TROUSERS, by Madness, was shot in an English school and park. The band’s saxophone player, Lee Thompson, decided he wanted to fly through the air for his solo, with the use of wires hanging from a crane. The resulting shot is one of the most popular of any of the Madness music videos.
ROCK N ROLL HIGH SCHOOL by The Ramones was followed by a personal pick: CATHOLIC SCHOOL GIRLS RULE, by the Red Hot Chilli Peppers. Yes, being an old tyke, or as they say in the trade a “lapsed Catholic”, I have to agree that Catholic Schoolgirls do rule!
A couple of little morality tales followed. James Brown warned DON’T BE A DROPOUT and then it was the wonderful Brenda Holloway performing with the Supremes, as back-up (how’s that!). The song was PLAY IT COOL, STAY IN SCHOOL. All good advice of course.
Cat Stevens took a trip down memory lane with OLD SCHOOL YARD and Busted revealed, THAT’S WHAT I GO TO SCHOOL FOR, a disarmingly frank pop tune about having a crush on a teacher.
Babs Gonzalez taught us a bit about Bebop with PROFESSOR BOP while Nat King Cole favours all things extra-curricular in YOU DON’T LEARN THAT IN SCHOOL.
Boomtown Rats followed with I DON’T LIKE MONDAYS and then it was Billy Bragg with the brilliant, THE SATURDAY BOY which I’ve played before, but with its school setting was a certainty to be played again this week.
Like most of The Coaster’s songs, CHARLIE BROWN was written by the songwriting team of Leiber And Stoller. They wrote hits for many artists, including Elvis Presley, The Drifters, and Ben E. King. The songs they wrote for The Coasters were usually more comical. In this case, the song is about a kid who is always getting in trouble and asks “why is everyone always picking on me?”
A nice piece of reggae followed, suggested by Lynden in Sydney: Dennis Alcapone with TEACH THE CHILDREN.
Otis Rush’s distinctive guitar style features a slow burning sound and long bent notes. With similar qualities to Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and is cited as an influence on many musicians, including Eric Clapton. Rush is left-handed and, unlike many left-handed guitarists, plays a left-handed instrument strung upside-down with the low E string at the bottom. He played often with the little finger of his pick hand curled under the low E for positioning . It is widely believed that this contributes to his distinctive sound. Check it out on this video where he performs HOMEWORK:
A little change of pace then with The Smiths and THE HEADMASTER RITUAL followed by Graham Parker & The Rumour with BACK TO SCHOOLDAYS.
Jerry Lee Lewis uses high school as a setting, rather than a storyline, in HIGH SCHOOL CONFIDENTIAL. This would have been his fourth consecutive hit in a row, if controversy hadn’t raged about the fact that his new wife was hardly old enough to be in high school. Oops. Doesn’t seem to bother the audience at this concert in London in the 60’s:
It was nearly time for the final bell, but we still squeezed in another triple play: The Hollies with CARRIE ANNE, N.R.B.Q. with STILL IN SCHOOL and WAITIN’ IN SCHOOL from Ricky Nelson.
Our finale was reserved for a song that divides people. Personally I have a bit of a soft spot for TO SIR WITH LOVE, from the film of the same name. How gorgeous was Sidney Poitier? Here’s a clip of Lulu performing the song very recently, (I think it may have been 2008). And how good does she look?
Next week, I’m going to go against the grain. Yes I know that Valentines Day is coming up soon but the cynic in me has decided to mount an ANTI LOVE show. So, if you have any suggestions drop me a line.
Here’s the complete playlist from this week:
Next week: ANTI-LOVE
Bette Midler opened the show with COOL YULE and that set the mood for what followed. I never thought I would see the day that Bob Dylan recorded a Christmas album, and isn’t he collecting some flak for doing so? But I, for one, happen to love the album Christmas in the Heart and appreciate the guts it took to release it. We played a couple of songs from the album. First up it was MUST BE SANTA. Check out the clip. Gotta love a guy with a sense of humour!
Now if you’re talking cool, there is no cooler, in my opinion, than ‘Keef’ Richards. My favourite Rolling Stone gave us RUN RUDOLPH RUN and then it was Patsy Raye & The Beatniks with BEATNIK’S WISH. All Patsy wants for Christmas is a man. Tall order Pats, especially here in Byron Bay!
I’ve got a question for you. Who’s feeling a bit grumpy this Xmas? Go on hands up… Well if you’re feeling a little down in the dumps, the perfect song for you is the Staple Singers with WHO TOOK THE MERRY OUT OF XMAS? Another for you mopers is Charles Brown and PLEASE COME HOME FOR XMAS. What you all need is the optimism of Darlene Love’s ALL ALONE ON CHRISTMAS. Lifted from the soundtrack to the film Home Alone, the famous sound of the legendary E Street Band and Love’s voice make being alone at Christmas almost OK. Check out the video if you don’t believe me:
Next up in our Cool Yule show was Bob Seger and The Last Heard with SOCK IT TO ME SANTA. And then it was The Kinks with FATHER CHRISTMAS and The Ramones with MERRY CHRISTMAS (I DON’T WANT TO FIGHT TONIGHT). Whew, that was a rockin’ set of Chrissie tunes. The three tracks came from a compilation album called Christmas A Go-Go, put together by Steven Van Zandt who also goes by the name Little Steven. As well as playing in Bruce Springsteen’s band and acting in the hit series The Sopranos, he also hosts an American radio program called the Underground Garage . Check out the website where you can listen to archived programs.
Tina Sugandh is also known as TablaGirl. Originally from India, now resident in the US, I love her version of WHITE CHRISTMAS with its Bollywood undertones. We followed with an oldie but a goodie, by Little Esther Phillips and the Johnny Otis Orchestra, FAR AWAY CHRISTMAS BLUES.
I had to include the 80’s New Wave group the Waitresses in the show because they recorded a song about something I really do loath: CHRISTMAS WRAPPIING. Yeah, yeah, bah humbug.
Something most of us have to be careful about over the holiday period is drinking and driving. A great song that deals with the repercussions of doing so is The Youngsters with CHRISTMAS IN JAIL from an album entitled Doo Wop Christmas. It wasn’t as serious as it sounds, honestly. And neither was the very funny version of JINGLE BELLS from the Electric Prunes, another great track from Little Stevie’s Christmas A Go-G0 album.
Rufus Thomas makes this rather scary offer: I’LL BE YOUR SANTA. And then it was time for a little Latin in our Christmas show. First up, The Enchanters with MAMBO SANTA MAMBO and the wonderful Celia Cruz with some salsa, FIESTA DE NAVIDAD.
A complete change of tone followed: Clarence Carter with the brilliantly bawdy BACK DOOR SANTA. This Santa makes all the girls happy while the boys are out to play. Naughty Santa.
Roy Woods was one of the founding members of Electric Light Orchestra and left to form Wizzard. Their song I WISH IT COULD BE CHRISTMAS EVERY DAY was a huge hit for them. Check out the video, with lead singer Mike Morley looking rather like Kris Kringle himself:
The great James Brown injected a little politics into the show with SANTA CLAUSE GO STRAIGHT TO THE GHETTO and then it was the extremely excited Jamaican DJ King Stitt with a little reggae. The song was CHRISTMAS TREE.
For all the cynics listening I had to include I DON’T BELIEVE IN CHRISTMAS from the Sonics. And I’m sure all the rodders would have appreciated SANTA DRIVES A HOT ROD from The Brian Setzer Orchestra.
Were any of you born on Xmas Day? My birthday is in January and that’s bad enough, but I’ve always felt sorry for people born on Xmas Day itself. Like here’s your Christmas and your birthday present. Gee thanks. But at least you don’t get everyone’s Xmas rejects as birthday presents as I do in January. Yeah, yeah, cry me a river. For all of you born on Xmas Day, we played I WAS BORN ON CHRISTMAS DAY from St. Etienne. It’s a nice piece of disco-pop, although I do worry about a band that named itself after a footie team.
The Cocktail Slippers, an all girl band from Norway, have been called “The 60’s Shangri Las meet the 70s Stooges meet the 80s Go Gos”. Loved their Christmas song, SANTA’S COMING HOME. I also don’t mind the occasional tribute band as long as they do it well. The Chesterfield Kings heavily mine The Rolling Stones for their garage sound and they do a great job with HEY SANTA CLAUSE.
Here’s the delicious Eartha Kitt, with the help of three ‘friends’ singing her hit of 1953 SANTA BABY. Hilarious.
We closed the show with the amazing Darlene Love with CHRISTMAS, (Baby, Please Come Home). The clip is from the David Letterman show of a couple of years ago. What a voice. Merry Xmas everyone!
Here’s this week’s playlist:
If they can have Xmas in July then I reckon I can do a show about the sea in winter. And I did. It was never going to be the kind of breezy show I would do if it was summer, because, for me anyway, at this time of the year the ocean appears even more immense and overwhelming. Many of the songs in this week’s playlist reflected that.
Our magnificent opening track by the O’Jays, SHIP AHOY, was a perfect example. It’s introduced by the creak of timbers and the crack of slave-owners whips and is an angry tour de force that presents the ocean as a partner in crime.
And while there were other serious songs in the line-up, there were plenty of frivolous and joyful tunes as well. And nothing could be more joyful than the sound of the ukulele: It was fantastic to have some live music in the show today as Ben, Renee and Azo from the group Blue Hulas took over the studio for a segment. They are the Northern Rivers original, (and, as far as I know, only), Hawaiian style band and their cruisy, island style music – complete with ukulele – was just right for this week’s theme.
The Beach Boys recorded a version of UNDER THE BOARDWALK, but it was the Drifters original version that I chose to play this week and gave some time to the Beach Boys for SAIL ON SAILOR, which is quite a serious song that uses the sea as a metaphor for life. Another serious song about the ocean is reggae star Fred Locks’ BLACK STAR LINER. The title refers to the shipping line that was used to transport black Americans to Africa as part of the Back-to-Africa movement of the 19th century.
Some light relief came from Bobby Darin’s hit from 1959, BEYOND THE SEA. I tried unsuccessfully to get a copy of the original version for the show: LA MER by French singer Charles Trenet. I’ll track this down, hopefully, and play in a future show.
A big welcome back to Roy Orbison with one of his best, LEAH. Check out this clip from the DVD Black & White Night where Roy is supported by Jackson Browne, T Bone Burnett, Elvis Costello, k.d.Lang, Bonnie Raitt, J.D. Souther, Bruce Springsteen, Tom Waits and Jennifer Warnes. Nice group of friends!
SEVEN SEAS OF RHYE from Queen was worth including just for its ending: ‘We all like to be beside the Seaside’. Other personal favourites that I played included LIGHTHOUSE from The Waifs and FROM THE SEA by Eskimo Joe. Talking of favourites: I had to include the Marvelettes with TOO MANY FISH IN THE SEA and the gorgeous Blossom Dearie singing her version of BETWEEN THE DEVIL AND THE DEEP BLUE SEA.
How’s this for a diverse three in a row: An evocative piece of bubblegum from Aqua with WE BELONG TO THE SEA, a little reggae with ON THE BEACH IN HAWAI’I from Ziggy Marley and Led Zeppelin’s DOWN BY THE SEASIDE from their 1975 album Physical Graffiti. Whew. Here’s the beautiful lead singer of Aqua, Lene Nystrom Rasted, in the weird but wonderful video clip for WE BELONG TO THE SEA:
A request from Vanessa followed: Johnny Cash with SEA OF HEARTBREAK and I chose to follow that with Jenny Lewis singing BLACK SAND. For a little change of pace we played The Presets with GIRL AND THE SEA followed by Panic At The Disco’s BEHIND THE SEA. And then it was time for I’M THE OCEAN from the album Mirror Ball by Neil Young and featuring Pearl Jam.
Jason Mraz’s live rendition of WALK ON THE OCEAN was followed by the one and only Billy Holiday asking us HOW DEEP IS THE OCEAN? And then the Ramones contributed ROCKAWAY BEACH. I can’t quite get my head around the Ramones singing about the beach, but what the hell do I know – it was the highest charting single of their career. Go figure.
We finished the show with Getaway Plan’s WHERE THE CITY MEETS THE SEA and the wonderful Cat Power with SEA OF LOVE.
Next week, I’m celebrating the SPLENDOUR IN THE GRASS Music Festival being held here in Byron Bay. The show’s theme will be GRASS – no, not THAT grass – well maybe there will be some songs about THAT grass. And if I can’t find enough songs about grass I’ll move onto trees and flowers. I’d love to hear from you with your suggestions.
Here’s this week’s playlist on the SEA:
Ship Ahoy (2008 Single Version) – The O’Jays
Under The Boardwalk – The Drifters
Sail on Sailor – The Beach Boys
Beyond The Sea – Bobby Darin
Black Star Liner – Fred Locks
Leah – Roy Orbison
A Salty Dog – Procol Harum
A Drop In The Ocean – Moloko
Seven Seas Of Rhye – Queen
Lighthouse – The Waifs
From the Sea – Eskimo Joe
Too Many Fish In The Sea – The Marvelettes
Between The Devil And The Deep Blue Sea – Blossom Dearie
We Belong to the Sea – Aqua
On the Beach In Hawai’i – Ziggy Marley
Down By The Seaside – Led Zeppelin
Sea Of Heartbreak – Johnny Cash
Black Sand – Jenny Lewis
Girl And The Sea – The Presets
Behind The Sea – Panic At The Disco
I’m the Ocean – Neil Young/Pearl Jam
Walk on the Ocean – Jason Mraz
How Deep Is The Ocean – Billie Holiday
Rockaway Beach – The Ramones
Oceans Away – The Fray
Where The City Meets The Sea – The Getaway Plan
Sea Of Love [Remastered Version] – Cat Power
Next week: GRASS (+ trees, flowers).
Listen to Lyn McCarthy on BayFM99.9 Tuesdays 2-4pm (Sydney time).
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