I’ve been on a mission to play as many songs as I can with numbers in the title. But the real challenge has been to play them in numerical sequence. Last week we successfully navigated our way from Elvis Costello’s Less Than Zero all the way to Edwin Starr’s Twenty Five Miles . So, this week we were off again, starting with our opening number, OCTOBER 26 (REVOLUTION) from The Pretty Things. This is a great track from what I consider a grossly under recognised band of the 60’s. It’s from their 1970 album Parachute.
TWENTY SEVEN STRANGERS is from The Villagers, who put out one of the best albums of last year – Becoming A Jackal. Here’s the band’s singer and songwriter, Conor J O’Brien, performing solo. Beautiful song. Perfect in its simplicity.
A band called Why? gave us our #28 song, (called exactly that, 28). Ryan Adams’ contribution was the track TWENTYNINE from the album 29 and the #30 spot was filled by Aussie band The Lucksmiths. The song, $30 is a very cute proposition: They know that they owe you $30 but how about they write you a song instead? Cheeky!
Aimee Mann thought her life would be different somehow, when she turned 31. Check out this live performance of 31 TODAY in Studio Q.
Another brilliant singer/songwirter is Ani DiFranco . Here she is performing live in 1997. The song: 32 FLAVOURS.
We don’t often play instrumental tracks but funky jazz outfit The New Mastersounds certainly livened things up with THIRTY THREE. We followed with little known, (well to me anyway), American band Promenade with 34 from their Save the Radio album. Then it was Joe Pug with a decent Bob Dylan impression on HYMN #35 and Bobby “Blue” Bland with his favourite numbers 35:22:36.
Then another excellent double : STRAIGHT IN AT 37 from The Beautiful South, now called simply South, and 38 YEARS OLD from Canadian band The Tragically Hip.
Hip Hop producer Re-animator has a great track called SYMPHONY NUMBER THIRTY-NINE on his album, evocatively titled Music to Slit Wrists. Dido has got to have one of the most beautiful voices of recent times, and she uses it to perfection on SEE YOU WHEN YOU’RE 40:
Gregory Hoskins gave us his track 41 and then it was Aussie and, Hunters & Collectors with 42 WHEELS. On 43 Mary Lou Lord justifies seeing a younger man by the fact that he’s 17, going on 43. And talking of excuses, I love any reason to go back to the 60’s so the Zombies were in with CARE OF CELL 44. Terrific band, still performing too.
An artist I’ve only just discovered, but like very much is Todd Snider . Here he is performing FORTY FIVE MILES in December 2010 in Tampa, to a very appreciative audience I might add. It’s an amateur video, but worth watching. He’s supported by Will Kimbrough.
If you’re after some good old fashioned Blues then check out Memphis Slim, Jump Jackson and Arbee Stidham. They gave us a fast version of 46TH STREET BOOGIE to fill our #46 spot. Number 47 was looking tough until I found a real cutie: Andy Kirk & His Orchestra, featuring June Richmond on vocals. She was one of the first black women to front an all white band. The song is 47th STREET JIVE.
Enough with songs named after New York streets (surely that’s another show!). A complete change of tone followed with the amazing, enduring, Suzi Quatro with 48 CRASH. I had to play this original clip from 1973, as she looks so great (still does actually). The ultimate rock chick.
Our number 49 song was for Des who presents BayFM’s Colours of Byron every Sunday morning. He’s a big Dylan fan, so DAYS OF 49 was especially for him and all the other Dylan fans. Number 50 couldn’t be anything but Simon & Garfunkle’s FIFTY WAYS TO LEAVE YOUR LOVER, which wasn’t dedicated to anyone in particular, because I don’t want to get myself in any trouble in that department! Here’s a live performance by Paul Simon with legendary drummer Steve Gadd:
Well we got all the way to #50 with time to spare. We closed the show with a #51 song that also previews next week’s show: Pink Floyd’s COME IN NUMBER 51, YOU’RE TIME IS UP from the soundtrack to the film Zabriskie Point. As one of the comments on YouTube states: it’s the film that inspired countless people to lose their virginity to Pink Floyd. (The music that is, not the actual band members). Here’s the trailer, featuring that music, with some of the worst promotional jargon I’ve ever heard!
So, next week I’ll be hosting an Oscars special. I’ll be playing lots of songs that were recorded especially for films. Some will have won Oscars, some should have but didn’t. I’d love to have your suggestions and requests. And, of course, your company 4-6pm Tuesdays on www.bayfm.org.
Here’s this week’s full playlist:
October 26 (Revolution) – The Pretty Things, Unrepentant [Disc 1]
Twenty Seven Strangers – Villagers, Becoming A Jackal
Twenty Eight – Why? Alopecia
Twentynine – Ryan Adams, 29
$30 – The Lucksmiths, Spring a Leak
31 Today – Aimee Mann, Smilers
32 Flavors – Ani DiFranco
Thirty Three – The New Mastersounds, 102% Funk
34 – Promenade, Save the Radio
Hymn 35 – Joe Pug, Nation of Heat EP
36-22-36 – Bobby “Blue” Bland, Bobby “Blue” Bland: The Anthology
Straight In At 37 – The Beautiful South, Welcome to the Beautiful South
38 Years Old – The Tragically Hip, Up to Here
Symphony Number Thirty-nine – Reanimator, Music To Slit Wrists By
See You When You’re 40 – Dido, Life For Rent
41 – Gregory Hoskins, The Beggar Heart
42 Wheels – Hunters & Collectors, Under One Roof
43 – Mary Lou Lord, Baby Blue
Care of Cell 44 – The Zombies, Odessey and Oracle
Forty Five Miles – Todd Snider, Happy to Be Here
46th Street Boogie (Fast Boogie) – Memphis Slim, Jump Jackson and Arbee Stidham
47th St Jive – Andy Kirk & His Clouds of Joy, Jukebox Hits 1936-1949
48 Crash – Suzi Quatro, Suzi Quatro: Greatest Hits
Days of 49 – Bob Dylan, Self Portrait
Fifty Ways To Leave Your Lover – Simon & Garfunkel , The Concert in Central Park
Number 51, Your Time Is Up – Pink Floyd, Zabriskie Point (Soundtrack from the Motion Picture)
Next week: SONGS RECORDED FOR FILM