This week’s theme is inspired by the fact that Iggy Pop is headlining our major youth concert, The Big Day Out this month. And Bob Dylan, Elvis Costello and Jethro Tull will all be here in April for the Byron Blues Festival. I’m a baby boomer, so I’m ecstatic to be able to see all my heroes from the 60’s still performing. But, I have to ask: what is it about the first generation of rock n rollers – what keeps them going?
The reality is that from the moment rock music arrived on the scene it was a young person’s game: music made by young people for young people. It never intended to grow up or grow old. But it did. So what happens when rock’s youthful rebelliousness is delivered wrapped in wrinkles?
Lemmy from Motorhead has a formula for staying alive. He reckons you just breath (at all times). Lemmy, like Keith Richards, is one of the all time rock n roll survivors and therefore much revered by fans of a similar vintage.
Much to the dismay of our children, we baby boomers have carried on being the oldest swingers in town. We haven’t shown any sign of giving up on rock concerts, taking recreational drugs, (if we want to), and staying up all night. It’s why the biggest earners for rock concerts aren’t the Lady Gagas of the world, but veteran performers like AC/DC, The Eagles, Paul McCartney and The Who.
On MY GENERATION The Who were actually saying that they hoped they’d die before they got old. Hey, hold on a minute, they’re still singing it and they ARE old. What happened?
What happened started in the 50s when an entirely new species emerged with its very own music. They were called teenagers. And their music was called rock n roll:
Rock n roll created something special: The joy of hearing your parents shout out: “Turn that bloody racket down!” Because one of the social functions of rock has always been the defiance of the older generation. For performers like Elvis every gesture, every note was all about social disenfranchisement and rebellion. Elvis hit the scene wearing pink and black and leather outfits. He looked more like a pimp than a musician. “Outrageous!” reeled the grown-ups. But to the teenagers, he represented an escape from the stuffiness of the post-World War Two era.
No-one, even the musicians themselves, took rock and pop seriously, though. It was seen as a novelty, something that wasn’t meant to last. As the soundtrack to growing pains, it was temporary and disposable just like the people who made it.
By the early 60’s Beatlemania was gripping youth’s attention. The Establishment, however, remained doubtful that it was a fever that would last. Even the Beatles accepted the idea of their own inbuilt obsolescence.
With Beatlemania, and the British Invasion in general, many of the young established groups were being left behind. The tyranny of youth dictated that if you didn’t change with the times, you were old hat. One of the new incumbents was the band Manfred Mann.
In 1965 The Who recorded one of the ultimate anthems to youth, one that damned growing up and growing old. The young went on the offensive claiming their territory through guitar, bass and drums. The older generation were still recovering from a World War and all they wanted was some peace and quiet. To the younger generation old age just seemed really boring.
Ironically, the British Beat boom of the mid 60’s was based on music that was already old. Bands like the Stones, The Animals & Manfred Mann worshipped American Blues of the 20s 30s and 40s. Their recording heroes were still alive, but by rock roll’s new standards they were old men. Charlie Parker was born in 1920, Miles Davis in 1926 & Muddy Waters in 1913.
The self-absorbed rebelliousness of rock n roll gathered speed with the Rolling Stones. While the Who were busy burying the older generation, the Stones were singing about finding their satisfaction in sex.
The arrival of album culture in the late 60s proved that rock n roll was now thinking more in the long term. It didn’t sound disposable anymore. It was growing up, just like the people who made it. The Beatles Sgt Peppers album dared to imagine what life would be like at SIXTY FOUR. Up until now that was completely unthinkable for the baby boomer generation.
In the same year that the Beatles released the Sgt Peppers album, Procol Harum had a hit single with WHITER SHADE OF PALE. Things had started to get serious. The more experienced young musicians began wondering how far they could take their music. And they took their diehard fans with them. In many cases the fans had grown up with these bands and, along the way, they’d developed an appreciation of lyrics and music with more depth.
The end of the sixties saw the beginning of the rock n roll casualty list. The death of Brian Jones in 1969 seemed to crystalise a ‘live fast, die young’ attitude and brought a new reality to “I hope I die before I get old.” Janis Jopliin, Jim Morrison, Jimi Hendrix all died at 27, confirming the myth that if you wanted to be a rock legend you had to die young.
The Stones, however, seemed determined to mature. After the death of Brian Jones they picked themselves up and went back on the road. For the band, it wasn’t over yet.
By the end of the 60’s the Stones had discovered the secret of survival, at least for now. Unfortunately, the Beatles didn’t. As if to prove that longevity and rock n roll was difficult for a group of young guys growing up together, they split in 1970. The Fab Four would go on to enjoy successful solo careers for many years to come but the surge of creativity that fed them in their youth proved more elusive for them and their generation as they grew older.
Today, Mick Jagger, Paul McCartney and Pete Townsend can play arenas 45 years after they first had hits. Which is great. But the real question is: are they writing great songs? Or is the outpouring of creativity that launched their careers a factor of youth?
Herman’s Hermits got together in 1963 when lead singer Peter Noone was only 16. Their very first release, I’M INTO SOMETHING GOOD, was a #1 hit and although future recordings would get into the top ten, they were never to have a UK #1 again. The band, without Noone, continue to perform to this day and Peter Noone has gone on to have a successful career as both a singer and actor.
In the early 70’s, no performer demonstrated rock n roll’s reliance on youthful invention and raw power more than Iggy Pop. Here’s a great little doco that illustrates why he is known as the “Godfather of Punk”:
Not all rock n roll of the early 70’s was an expression of sexual energy and youthful physicality. By now prog rock was plundering the classical music collections so beloved of its middle class parents, as proof of its intention to last. It’s perpetrators, bands like Yes & Jethro Tull, seemed to be contemplating careers beyond the age of 30.
Performers found themselves living with their songs and growing into their material. One of the most requested songs from troops serving in Vietnam was I GOTTA GET OUT OF THIS PLACE by Eric Burdon & The Animals. Burdon continues to perform this song today when he entertains servicemen and women in Iraq and Afghanistan. In fact, it’s written into his contract. That’s what they call an anthem, folks.
In 1976, before the 60’s generation had a chance to mature, they were rudely cast aside by punk. It was a three-chord reign of terror, the ultimate Oedipal act. Snarling, spitting and clawing its way to the stage.
These weren’t the kids of the optimistic 60’s but a new young generation who felt abandoned. Everyone was in their way and, as always, no one understood them.
The bands of the post-punk era, like the Specials and Madness, while less dismissive of the past, still believed that rock and pop music were part of an essentially young experience.
In the early 80’s the Stones were back, yet again, having been absent from the stage for 6 years – while punk and its aftermath were the centre of attention. They were proving that they were in for the long haul.
In July 1985 the benefits of hanging in for the long term reached unexpected and unprecedented heights, with Live Aid. The international event sometimes looked like a version of Dad’s Army with acts like Paul McCartney, Bob Dylan, The Who, and the Beach Boys joining pop stars of the 80s on stage. Watched by more than 400 million viewers in 60 countries, this was the rock n roll survivor’s finest hour. Suddenly being 40 didn’t seem so uncool. These were the masters, the legends, the acts deemed capable of feeding the world.
A lot of young people heard some of the older bands for the first time, saying “These bands are fantastic.” And then, the most hated people in their musical vocabulary, their parents, responded with “Yeah, we know, we love them too!”
What had begun with Live Aid in the 80’s continued into the 90s with projects like War Child. Performers from three generations of rock n roll – Paul McCartney, Paul Weller and Noel Gallagher recorded COME TOGETHER, in the new spirit of multi-generational tolerance. It was no longer a case of ‘My Generation’ but ‘Your Generation too”. Just as importantly, audiences for the music also started to span generations.
The new millennium witnessed an entirely new phenomenon: the revival and the comeback. Leonard Cohen, already in his 70’s, had decided to stop performing and recording altogether. At least that was the plan. But after having all his money misappropriated by a crooked manager, he had to go back on the road. And guess what, he loves it!
Audiences who had grown up and grown old with their heroes wanted them back. Age had invested their favourite bands with a new authenticity. Performers couldn’t believe their luck. Even Brian Wilson returned from the wilderness to be a Beach Boy once again.
Rock n roll is now revelling in a long life. What was about risk and youth is now about enjoying a grand old age. It’s about longevity, survival, nostalgia. Refusing to grow up, give up or shut up. The whole point of the baby boomer generation is that we made it up from the beginning and we’ve been making it up ever since. We’ve been pushing the boundaries, and unlike our parents, we’ve refused to accept old age.
Many thanks to BBC and You Tube community for the wealth of material, without which this week’s show would not be possible.
Next week, my special guests will be The Fridays, performing live in the studio, plus lots of songs about RESOLUTIONS. Any suggestions/requests, please leave me a message here.
In the meantime, here’s this week’s complete playlist:
Lust For Life, Trainspotting soundtrack, Iggy Pop
My Generation, Austin Powers: The Spy Who Shagged Me soundtrack, The Who
Johnny B. Goode, Martin Scorsese Presents the Blues, Chuck Berry
Jailhouse Rock, Elvis Presley
Get A Job, Get a Job, The Silhouettes
Paul McCartney quote
Twist And Shout, Please Please Me, The Beatles
Paul Jones quote
Come Tomorrow, The Five Faces of Manfred Mann, Manfred Mann
(I’m Your) Hoochie Coochie Man, Martin Scorsese Presents the Blues, Muddy Waters
Let’s Spend The Night Together, Hot Rocks 1964-1971, The Rolling Stones
When I’m Sixty-Four, Sgt. Peppers Lonely Hearts Club Band, The Beatles
She’s Leaving Home, Sgt Peppers Lonely Hearts Club Band, The Beatles
A Whiter Shade Of Pale, The Big Chill soundtrack, Procol Harum
Brown Sugar, Sticky Fingers, The Rolling Stones
Peter Noone quote
I’m Into Something Good, The Original 60’s Summertime album, Herman’s Hermits
Iggy Pop i/view
Search And Destroy, Raw Power, Iggy Pop & The Stooges
Too Old To Rock ‘N’ Roll, Too Young To Die, Jethro Tull
We’ve Gotta Get Out Of This Place, The Most of the Animals, The Animals
God Save The Queen, Never Mind the Bollocks, The Sex Pistols
Too Much Too Young, The Singles Collection, The Specials
Baggy Trousers, Complete Madness, Madness
Mick Jagger quote
Start Me Up, Tattoo You, The Rolling Stones
Rockin’ All Over The World, Rockin’ All Over The World, Status Quo
Surfin’ USA, Endless Summer Legends, The Beach Boys
We Will Rock You, News of the World, Queen
Come Together, Help (War Child Benefit), Paul Weller & Friends
1969 (with i/view), Iggy Pop
In My Secret Life, Ten New Songs, Leonard Cohen
God Only Knows, Pet Sounds, The Beach Boys
Forever Young, Napolean Dynamite soundtrack, Alphaville
Next week: RESOLUTIONS
We’re well and truly into Summer and where are all those beautiful sunny days that this season promises? As I write this, I’m looking out at torrential rain. So, it was definitely wishful thinking that propelled me into this week’s playlist on THE SUN.
We opened the show with a song that radiates optimism, the Beatles GOOD DAY SUNSHINE, written by Paul McCartney and released on the 1966 album Revolver. A relatively new track comes from Michael Franti. I dedicated THE SOUND OF SUNSHINE to the lovely Suzie M. and her grandchildren, Reem & Aliyah who are huge Michael Franti fans.
Local lad Christian Pyle did a great job at the recent Mullumbimby Music Festival and although I played RAY OF YOUR SUNSHINE during my interview with him a couple of weeks ago, it such a great number I had to play it again. It’s from his Nothing Left to Burn album.
The Cream’s SUNSHINE OF YOUR LOVE is an absolute classic and is still their best-selling song of all time. Here’s Eric Clapton, Ginger Baker and Jack Bruce playing live circa 1968.
Beth Orton does a brilliant cover of The Ronettes I WISH I NEVER SAW THE SUNSHINE. I found it on the soundtrack to the film Twentyfourseven (brilliant film btw), but its also on her 1996 debut album ‘Trailer Park’. Here she performs live and is accompanied by the very talented Ted Barnes.
The wonderful Katie Noonan possibly does the best cover ever of Soundgarden’s BLACK HOLE SUN that I have ever heard. I usually don’t like to play videos that are simply photo montages, but I can’t give up the opportunity of putting her voice out there. Sublime.
There was no way I was doing a show on THE SUN without playing Stevie Wonder’s YOU ARE THE SUNSHINE OF MY LIFE. Here he is giving a rare studio concert at London’s Teddington Studios following the release of his ‘Conversation Peace’ album. A sensual ride for an intimate audience of less than 200 fans. You get the bonus of SUPERSTITION on this clip too, which I have to admit is actually my favourite Stevie Wonder number.
Bobby Hebb’s SUNNY is another very optimistic song, considering that it was written in response to his brother’s violent death which occurred on the same day of JFK’s assassination.
Two great songs that were released in 1966 are Donovan’s SUNSHINE SUPERMAN and The Kinks’ SUNNY AFTERNOON. The Kink’s strong Music Hall flavour and lyrical focus was part of a stylistic departure for the band, who had risen to fame in 1964-65 with a series of hard-driving, power-chord rock hits. Ironically, the promotional video for the single featured the band performing in a cold, snowy environment:
Nina Simone’s cover of George Harrison’s HERE COMES THE SUN is an almost religious experience. Starting slowly at first it builds to a flood of warmth and wonder. Unlike the weather here at the moment, unfortunately.
For Ros, and all the other reggae fans, we played Bob Marley’s SUN IS SHINING and followed with the Bill Withers standard – a perfectly apt song for Byron Bay at the moment: AIN’T NO SUNSHINE.
Let’s don’t get too despondent about the weather. As Elaine Page suggests “the sun will come out TOMORROW“. From the musical Annie that song went out to BayFM’s Tommy T-Jet who hosts All Things Camp Friday’s at 1pm.
The Eagles song TEQUILA SUNRISE was written by Don Henley and Glenn Frey and is from the album Desperado. I’ve been meaning to do a show just on The Eagles and its certainly on the agenda.
A show on THE SUN wouldn’t be the same if it didn’t include the Beach Boys. I had lots of suggestions for various tunes but I chose the very evocative THE WARMTH OF THE SUN. It was the B-side to Dance, Dance, Dance released in 1964.
Violent Femmes released their debut album in 1982. The music was an innovative combination of American folk music and punk rock, which would much later come to be known as “folk punk”. The lyrics were the common themes of yearning for love, sex and affection. The group quickly gained a following that never veered into mainstream commercialism. One of the songs that gained recognition was A BLISTER IN THE SUN.
2010 is the 25th anniversary of the very infectious WALKING ON SUNSHINE released by Katrina and the Waves. Can you believe it?
I don’t think the The Beloved were getting up with the birds to see the SUN RISING. Somehow I imagine they were on their way home from a big night out.
Australian band The Waifs recorded their 2007 album SUN DIRT WATER in Nashville and it was released on Jarrah Records, a fully independent label they share with John Butler Trio and MGM Distribution.
A couple of oldies but goodies come in the shape of THE SUN AIN’T GONNA SHINE ANYMORE from The Walker Brothers and DON’T LET THE SUN CATCH YOU CRYING from Gerry & The Pacemakers.
A while back I put together a show of songs that ask questions. And here’s a couple more: The Velvet Underground want to know WHO LOVES THE SUN and They Might Be Giants ask WHY DOES THE SUN SHINE?
The Spazzys is an all girl punk band from Melbourne who are heavily influenced by the Ramones. They’ve even taken their band’s name as their surname – Kat Spazzy, Lucy Spazzy and Ally Spazzy. Cool. The song SUNSHINE DRIVE is on their Aloha! Go Bananas album released in 2004 but my copy came from the soundtrack of the very good Australian film Suburban Mayhem.
One of The Kinks best known and most acclaimed songs is WATERLOO SUNSET. Ray Davies says, in a 2008 interview, that the song was a fantasy about his sister going off with her boyfriend and emigrating to another country.
Little Village were a supergroup who only released one album. Band members included Ry Cooder, John Hiatt, Nick Lowe and Jim Keitner. Sung by John Hiatt, the track SOLAR SEX PANEL certainly suggests a good use for the sun’s rays!
We closed the show with Pink Floyds’s very trippy SET THE CONTROLS FOR THE HEART OF THE SUN.
Next week, I’m going to celebrate the Xmas Party season with SONGS ABOUT DRINKING. I’m looking for everything from rowdy singalongs to barfly melancholia and guilty hangover confessionals. That should cover everything! It will be the day after the BayFM Xmas party, so I should be suitably hungover!
Here’s this week’s complete playlist:
Good Day Sunshine – Revolver, The Beatles
The Sound Of Sunshine – The Sound Of Sunshine, Michael Franti and Spearhead
Ray of Your Sunshine – Nothing Left to Burn, Christian Pyle
Sunshine Of Your Love – Eric Clapton Story, Cream
I Wish I Never Saw The Sunshine – Twentyfourseven Soundtrack, Beth Orton
Black Hole Sun – Time To Begin, Katie Noonan
You Are The Sunshine Of My Life – Ballad Collection, Stevie Wonder
Sunny – Rhythm & Blues, Bobby Hebb
Sunshine Superman [Extended] – Try For The Sun, Donovan
Sunny Afternoon – Lost And Found 1962-1969, The Kinks
Solar – Chet In Chicago, Chet Baker
Here Comes The Sun – The Very Best Of Nina Simone, Nina Simone
Sun Is Shining – Bob Marley Collection, Bob Marley
Ain’t No Sunshine – Lean On Me: Priceless Collection, Bill Withers
Tomorrow – Elaine Paige LIVE , Elaine Paige
Tequila Sunrise – The Very Best Of The Eagles, The Eagles
The Warmth Of The Sun – Shut Down Volume 2, The Beach Boys
Blister In The Sun – Violent Femmes, Violent Femmes
Walking On Sunshine – Sounds Of The Eighties: 1985, Katrina and The Waves
The Sun Rising – Single File, The Beloved
Sun Dirt Water – Sun Dirt Water, The Waifs
The Sun Ain’t Gonna Shine Anymore – The Walker Brothers
Don’t Let The Sun Catch You Crying – Gerry & The Pacemakers, Gerry and The Pacemakers
Who Loves The Sun – High Fidelity [Bonus Tracks], The Velvet Underground
Why Does The Sun Shine? – Severe Tire Damage, They Might Be Giants
The Sunshine Drive – Suburban Mayhem Soundtrack, The Spazzys
Waterloo Sunset – The Ultimate Collection [Disc 1], The Kinks
Solar Sex Panel – Little Village, Little Village
Set The Controls For The Heart Of The Sun – A Saucerful Of Secrets, Pink Floyd
Next week: SONGS ABOUT DRINKING
Our theme this week was about a place that’s linked to money, sunshine, fame and freedom. It sounds a lot like my home town of Byron Bay, but no, this week’s program was about the equally tantalising American state of CALIFORNIA.
We started with Al Jolson’s CALIFORNIA HERE I COME. Written for the 1921 Broadway musical Bombo, it’s often called the unofficial state song of California. Another standard is the Mamas & The Papas’ love song to their home state: CALIFORNIA DREAMING. Bobby Womack’s version is, in my opinion, just sublime. Here’s some original footage and images of California in the 50’s, set against his music:
Chuck Berry wrote THE PROMISED LAND while in jail and, apparently, he used the prison library to plot his hero’s trip from Virginia to Los Angeles.
Train is a band that comes from San Francisco so their song, SAVE ME SAN FRANCISCO, is, we assume, straight from the heart. And like a lot of the tunes in today’s list, it’s really about missing someone you’ve left behind. The songs is from the album of the same name, released in 2009.
Led Zeppelin’s GOING TO CALIFORNIA is reportedly about Joni Mitchell. The story goes that Robert Plant and Jimmy Page were both infatuated with her at the time. They were all in their early 20’s and it was crazy days for all and sundry. Here’s Led Zepp. playing live at Earls Court in 1975:
Arlo Guthrie contributed a song that’s based on him going through LA airport with a couple of joints in his pocket. Not that I condone that kind of behaviour, of course (!) He performed COMING INTO LOS ANGELES live at Woodstock in 1969 where, it appears, it went down a treat:
Yes, Arlo Guthrie just wants to have some fun. I don’t think he’s the only one. Sheryl Crowe is in a similar state of mind on ALL I WANNA DO.
The Rivieras are also out there havin’ fun on CALIFORNIA SUN, a hit for them in 1964. Albert Hammond’s IT NEVER RAINS IN SOUTHERN CALIFORNIA also reminds me of Byron Bay. Must be the sub-tropical thing. Does this ring a bell? “It Doesn’t Rain in California but girl don’t they warn ya, it pours, it pours.” Sounds like Byron to me.
We followed with the Red Hot Chilli Peppers. The title of CALIFORNICATION was borrowed for the title of one of my favourite television shows.
Two of the best voices ever belong to Dionne Warwick and Roy Orbison. Warwick sings of being a deflated Hollywood hopeful heading home, on DO YOU KNOW THE WAY TO SAN JOSE? Orbison, who can’t wait to get back to where his lover is – and therefore where the sun always shines – is brilliant on CALIFORNIA BLUE. It’s from his comeback album, Mystery Girl, recorded just before he died in 1988.
I bet you were wondering how long it would take me to play HOTEL CALIFORNIA by The Eagles? Only an hour! Yes how could I not play this song on a show dedicated to songs about California?
Latest media favourite, pop-singer Kate Perry, gets a little bit of help from Snoop Dogg on CALIFORNIA GURLS. Can you believe that this video clip has racked up nearly 50 million hits? Sweet.
Unbelievably, I found a slice of hip-hop I could use with no swear words in it! 2PAC and Dr Dre are almost subdued on CALIFORNIA LOVE. We followed with some Thin Lizzy who know how hard it is to make it in HOLLYWOOD (When you’re down on your luck).
The Sir Douglas Quintet’s MENDOCINO is also a classic. It’s a song about a county in the north of California, renowned for distinctive Pacific Ocean coastline, old growth forests, wine production and liberal views on cannabis. Sounds like it should be Byron Shire’s sister state, doesn’t it?
Everclear do a song about my favourite part of Los Angeles, SANTA MONICA. It’s a place, also not unlike Byron, with a great beach, fantastic restaurants, farmers markets and a laid-back feel to it. The song was written by the band’s lead singer Art Alexakis and its actually quite a melancholy tune about suicide.
When Otis Redding sang about SITTIN’ ON THE DOCK OF THE BAY, it was the very groovy city of San Francisco he was referring to. We followed that with a piece of music that pays homage to the Mexican population of California: The brilliant Chicano rock band Thee Midniters with WHITTIER BOULEVARD.
The Red Hot Chilli Peppers seem to be obsessed with California as they have recorded quite a few tracks about the area. Our second Peppers track was DANI CALIFORNIA which we followed with a number by Tom Petty. FREE FALLING references areas of Los Angeles, from the San Fernando Valley to Ventura Boulevard and Mulholland Drive, all of which conjure up various movies out of Hollywood. Petty has been qouted as saying that the multitude of acoustic guitars on the track were used to create a dreamlke quality.
Now if you really want dreamy, then you can’t go past the epitome of Californian folk/rock, Joni Mitchell, with CALIFORNIA. You can sort of see what those bad boys from Crosby, Stills & Nash and Led Zeppelin saw in her, can’t you?
The song we had to have,of course, was CALIFORNIA GIRLS.When you think of California, you can’t help but think of surfing and, of course, The Beach Boys. They recorded the song in 1965 and it maintains its popularity today, simply because it sums up everything that is great about the beach lifestyle.
Even Kings of Leon do a song about this sunny state. However, CALIFORNIA WAITING doesn’t sound like too much fun somehow. Here they are performing on the Jonathan Ross show:
We finished the show with LA WOMAN, from the last studio album recorded by The Doors before Jim Morrison’s death in July 1971. It’s arguably the most blues/rock oriented tracks that the band recorded.
Now if you would like to contribute to next week’s show, and I hope you do, then the topic will be one that’s close to my heart: SHOPPING. Drop me a line if you have a suggestion or a request.
And as the governor of California would say….. I’LL BE BACK.
Here’s this week’s complete playlist:
California Here I Come – Al Jolson
California Dreaming – The Very Best of Bobby Womack, Bobby Womack
The Promised Land – Chuck Berry Greatest Hits, Chuck Berry
Save Me San Francisco – Save Me San Francisco, Train
Going to California – Led Zeppelin IV, Led Zeppelin
Coming into Los Angeles – Woodstock 1969, Arlo Guthrie
All I Wanna Do – Sheryl Crow
California Sun – The Rivieras
It Never Rains In Southern California – Albert Hammond
Californication – Californication, Red Hot Chili Peppers
Do You Know the Way to San Jose – Her All Time Greatest Hits, Dionne Warwick
California Blue – Mystery Girl, Roy Orbison
Hotel California – Hotel California, Eagles
California Gurls – California Gurls, Kate Perry ft. Snoop Dogg
California Love – All Eyez On Me, 2pac ft. Dr.Dre
Hollywood (Down On Your Luck) – Renegade, Thin Lizzy
Mendocino – Sir Douglas Quintet
California – Orange County Soundtrack, Phantom Planet
Santa Monica – Everclear
Sittin’ On The Dock Of The Bay – Otis Redding
Whittier Blvd. – Latin Oldies, Thee Midniters
Dani California – Stadium Arcadium, Red Hot Chili Peppers
Free Falling – Tom Petty
California – Joni Mitchell, Joni Mitchell
California Girls – Made in U.S.A., The Beach Boys
California Waiting – Holy Roller Novocaine, Kings of Leon
LA Woman – Legacy: The Absolute Best, The Doors
I love the major prize in BayFM‘s Subscriber Drive this year. It’s a trip to Broome and the Kimberley, in conjunction with the Save The Kimberley action group. So I thought it was a great opportunity to create a playlist on THE ENVIRONMENT.
We opened the show with a locally produced track from a group of young people who are concerned about climate change. They came together at a hip-hop recording workshop in the country town of Kyogle in 2007. The result: PROTECT THE WORLD. The kids were aged between 11 and 17 and wrote the words on the spot and played all the instruments. Check it out:
Another song about the environment that really hits home is GASOLINE from Sheryl Crow. She’s so great when she’s singing about something substantial, isn’t she?
The Cranberries tell us that TIME IS TICKING OUT: “We’d better think about the consequences, We’d better think about the global senses, The time went out, the time went out.”
Cerrone’s song SUPERNATURE was released in 1977 and crossed over to both pop and soul charts. An interesting bit of trivia: the lyrics were written by a young Lene Lovich, although she wasn’t credited.
Gorillaz is a band that fascinates me with its merge of music and art. They have a brilliant site, so rather than me babble on here about them, go to www.gorillaz.com. Right now I’m listening to their PLASTIC BEACH album. The track of the same name features Mick Jones & Paul Simonon from The Clash. Say no more.
Way back in 1971 Marvin Gaye broke ground with his song MERCY MERCY ME (the Ecology). It’s from his album, What’s Goin’ On and features The Funk Brothers on instrumentals and a leading sax solo by Wild Bill Moore. Brilliant stuff. Here’s Gaye at the Montreux Festival, 1980:
The John Butler Trio’s song SOMETHING’S GOTTA GIVE was only released in Australia. It came out in 2004 and is an interesting blend of funk, rock, blues, roots and the traditional sound of a jam band.
An absolute classic is Joni Mitchell’s BIG YELLOW TAXI: “They paved paradise/And put up a parking lot.” With that one line, Joni Mitchell created an everlasting metaphor for the ongoing effects of industrial development on the natural world. Big Yellow Taxi is one of the great environmental laments of the modern age, a breezy little tune that describes a world where DDT is used freely and trees are relegated to a museum.
I thought I might include some Kraftwerk for all the techheads and others (like me) who love this highly influential band from Germany. RADIOACTIVITY is perfect for this week’s theme:
Neko Case suggests that you NEVER TURN YOUR BACK ON MOTHER EARTH. It’s from her Middle Cyclone album. A prophetic follow up came from The Beach Boys with DON’T GO NEAR THE WATER:
Tegan and Sara are a Canadian duo (they’re actually identical twins). I love their song OUR TREES. A perfect follow up to that was Jack Johnson’s ANYTHING BUT THE TRUTH.
Despite what Michael Stipe says about this song being about oppression, I always thought that the R.E.M. song, FALL ON ME, was about acid rain and it’s effect on the environment. Well I suppose you have a right to feel oppressed when governments keep refusing to do anything substantial about climate change.
Singer songwriter Missy Higgins is politically pro-active and it was great to air an interview with her during the show about Broome and the Kimberley. Here’s an extended version of that interview from the Save the Kimberley site:
Another activist/musician is, of course, Ben Harper. His song EXCUSE ME MISTER is just so relevant right now, with its mention of pollution of our waterways. Are you listening BP?
John Mayer is WAITING ON THE WORLD TO CHANGE. Me too John, me too.
Massive Attack were encouraged to get into the recording studio in 1991 to record their debut album Blue Lines, by Nenah Cherry. She consequently sang back up on our pick from this album, HYMN OF THE BIG WHEEL. In this clip Deborah Miller, who tours with Massive Attack on a regular basis, does a brilliant job of back-up/support.
MONKEY GONE TO HEAVEN, is a song by the American alternative rock band, the Pixies. It’s from their 1989 album Doolittle. The song references environmentalism and biblical numerology and was the first Pixies song to feature guest musicians: two cellists, Arthur Fiacco and Ann Rorich, and two violinists, Karen Karlsrud and Corine Metter.
Our final song of the day was one I’d like to dedicate to all those lost in Pakistan’s devastating floods: Jackson Browne with BEFORE THE DELUGE.
I’d like to thank everyone who subscribed during Theme Park over the last two shows. Thank you so much! We’ll be drawing a winner for our Camp Quality holiday at Possum Creek Eco Lodge on next Tuesday’s show, so tune in then. And if you want to go into that draw, and you haven’t subscribed yet, that’s Ok. When you do subscribe just say that Theme Park is the show you want to be acknowledged on. We’ll give you a shout out next week. Good luck to all of you. I hope that you are lucky enough to win one of the daily prizes, the additional prize for business subscribers of 30 radio spots, or the major prize of the trip to the Kimberley.
I’d love to hear from you with your requests for next week’s show when the topic will be SPRINGTIME. Can you believe its almost here? Yay!
Here’s this week’s complete playlist:
Protect the World – Kyogle Kids
Gasoline – Detours, Sheryl Crow
Time Is Ticking Out – Wake Up And Smell The Coffee, The Cranberries
Supernature – Cerrone
Plastic Beach Ft. Mick Jones & Paul Simonon – Plastic Beach, Gorillaz
Mercy Mercy Me (The Ecology) – What’s Going On, Marvin Gaye
Something’s Gotta Give – Triple J’s Hottest 100 Volume 12, The John Butler Trio
Big Yellow Taxi – Ladies of the Canyon, Joni Mitchell
Radioactivity – The Mix, Kraftwerk
Never Turn Your Back On Mother Earth – Middle Cyclone, Neko Case
Don’t Go Near The Water – Surf’s Up, The Beach Boys
Like The Weather – MTV Unplugged, 10,000 Maniacs
Our Trees – Tegan & Sara
Anything But The Truth – To The Sea, Jack Johnson
Fall on Me – Lifes Rich Pageant, R.E.M.
Going North – Missy Higgins
Excuse Me Mister – Fight for Your Mind, Ben Harper
Waiting on the World to Change – Continuum, John Mayer
Hymn Of The Big Wheel – Blue Lines, Massive Attack
Monkey Gone to Heaven – Wave of Mutilation: The Best of Pixies, The Pixies
Before The Deluge – Late For The Sky (Gold Disc), Jackson Browne
Next week: SPRINGTIME
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
I’m extremely lucky because I live in an area where other people come to for their holidays. Here in Byron Bay, we’ve got it all – great all-year round weather, fabulous beaches, rainforest, great little hinterland villages. So where do I go on my holidays? To the city of course! I’m having a couple of weeks off to drive down the coast, visit friends and catch up with family. So I thought it appropriate that this week’s show featured a playlist of songs about holidays. And what better than to open the show with a Bing Crosby classic, HAPPY HOLIDAYS, the Beef Wellington Remix. Here’s a great clip with the scene from the 1942 film Holiday Inn, starring Crosby and Fred Astaire. Yes, I know it’s about Christmas but, hey wasn’t that just a minute ago? And besides, not only do you get to hear the song, you get to see Fred dance. How good is that!
For me holidays are more about changing your routine and catching up with people I love, more than, say, hanging poolside with masseur and daquiri at the ready. Nothing wrong with that of course. In fact the tropical island style of holiday appeals to many of the songwriters in this week’s show. A couple of examples: Typically Tropical with BARBADOS and 10cc with DREADLOCK HOLIDAY. Here’s 10CC:
Earth,Wind & Fire supplied a fine piece of R&B with GETAWAY and then it was Fiddlers Dram’s DAY TRIP TO BANGOR proving that even a short break constitutes a holiday in my books.
Next it was a classic – Connie Francis with VACATION – and then Lindsey Buckingham gave us HOLIDAY ROAD from the film National Lampoon’s Vacation.
Subway followed with the track HOLIDAY from their 2005 album Young For Eternity and then another perfect holiday song: LET’S GET AWAY FOR A WHILE from The Beach Boys.
In HOLIDAY, by the Happy Mondays, singer Shaun William Ryder is not a happy chappie. Doesn’t look like he’s going to get to his holiday destination if it’s up to the Customs officials. “I smell dope, I smell dope, I smell dope”. Careful folks.
The Go-Go’s bring things back to a less serious issue, holiday romance, in their 1982 hit, VACATION.
The Kinks had to face the culture shock of being English and taking a HOLIDAY IN WAIKIKI. The song is from their 1966 album ‘Face to Face’. Unfortunately couldn’t locate a decent clip of this track but here’s a cutie, also written by Ray Davies, HOLIDAY 1972:
I love Sky Edwards voice on the Morcheeba track THE SEA. So calming. Is it any wonder that the seaside is the number one holiday destination?
For those of us who live near the ocean, we need to look for something entirely different if the saying “a change is as good as a holiday” is going to ring true. The Gibson Brothers contributed a catchy piece of Latin Disco about a place I’ve always wanted to go to: CUBA. Here’s a rare video clip of the Gibsons from 1979:
Simple Plan are so keen to get a girl our of their life, they’ll even buy her the ticket so she can go on a long VACATION. A one way ticket out of their life. I should have included this one in my Unrequited Love show, obviously. Its from the movie NEW YORK MINUTE, but I probably didn’t need to mention that, as the band were the best thing in it.
Then it was another tale about holiday romance, except that this time it looks like it was all in Mike Skinner’s imagination. The song, FIT BUT YOU KNOW IT, from Mike’s alter-ego The Streets, tells a tale that could take place in any holiday town on a Friday night:
There was no way I was going to omit Madonna’s first hit single from 1983, HOLIDAY. While I’m not a mad fan, I do think the 80’s were her best period and this song shows her at her peak. Here she is performing during the Virgin Tour.
Weezer claimed that an ISLAND IN THE SUN is their ideal getaway. Then it was Scouting for Girls, with a song that all us workers will relate to: I NEED A HOLIDAY.
Canned Heat don’t need any tropical holiday. They’re perfectly happy GOING UP THE COUNTRY. The unofficial anthem of the Woodstock Music Festival of 1969, this one was requested by Judi, listening way up in Cairns, Northern Queensland – another great holiday destination and ironically the most tropical you can get here on the East Coast of Australia. Here’s a clip from the Woodstock film, as backdrop to Canned Heat’s iconic piece of music.
Another request: this time it’s from from Jack, who loves his Aerosmith. The song was PERMANENT VACATION. And then it was the most politically motivated song on our list, The Dead Kennedys with HOLIDAY IN CAMBODIA.
After that assault on the senses, it was time to bring it down a notch. And what better way than with the wistful pop sound of Belle & Sebastian with PIAZZA, NEW YORK CATCHER. Meanwhile, Blur were following the herd on holiday from London to Greece in GIRLS AND BOYS and the Stranglers were sounding very pervy indeed in PEACHES.
Another change of pace and tone with Natalie Merchant, of 10,000 Maniacs, with a beautiful track about holiday memories, VERDI CRIES. Here she is performing on the Jonathan Ross show:
Squeeze are PULLING MUSSELS (from the shell). Like you do on holidays. The Radiators want to go on a SUMMER HOLIDAY. Ok, so we’re already into Autumn, here in the Southern Hemisphere, but it doesn’t matter what season it is, holidays are a good thing.
My idea of a great holiday is a road trip and that’s what I’ll be doing over the next couple of weeks. Driving down the coast and catching up with family and friends. My next track by The Cardigans tapped into my love of nostalgia. It’s a song that should bring back memories to all of us who, as kids, piled into DADDY’S CAR for that annual holiday trek.
We closed the show with a great song. You can’t go on a road trip without this on your compilation CD: Willy Nelson with ON THE ROAD AGAIN.
See you in a couple of weeks, when hopefully I’ll be inspired by all that driving because the theme will be ROADS AND STREETS. In the meantime, the show will continue same time, same space with Des in the chair. Next week, to celebrate International Women’s Day, he’ll be compiling a playlist dedicated to “all things feminine”. Ooh, that should be interesting. Make sure you listen in.
Here’s this week’s Holiday playlist:
FRUIT AND VEGETABLES, those health inducing, anti-oxidising good guys of our diet, provided the theme for this week. Lots of songs, across quite a few genres, so it was a lot of fun. We opened the show with Liz Phair and Material Issue singing THE TRA LA LA SONG from a very cute album Saturday Morning Cartoons’ Greatest Hits.
The great Nina Simone got all educational on us with the story of Adam and Eve and their taste for FORBIDDEN FRUIT and then The Paul Butterfield Blues Band kept things moving along with DIGGIN’ MY POTATOES.
Then it was the late Nick Drake with a beautiful meditation on the effect of fame: FRUIT TREE. So sad that he died at the very young age of 26.
K.T. Tunstall raised the mood with BLACK HORSE & THE CHERRY TREE. Here she is at her first U.K. television performance. The show is ‘Later with Jools Holland’.
Junior Brown loves a woman who’s good in the kitchen and he sings all ab0ut it in CATFISH AND COLLARD GREENS while Lynyrd Skynyrd are totally seduced by GEORGIA PEACHES. But if you want to talk sexy, you can’t go past the gorgeous Julie London as she relates how she feels about WATERMELON MAN.
I didn’t think it was possible for a white boy to sing reggae, but UK band UB40 proved me wrong with CHERRY OH BABY. Check out the video clip and see what you think:
And here’s proof positive that the 70’s was a decade to be reckoned with – it’s The Brothers Johnson with STRAWBERRY LETTER 23. And did you know that the strawberry is the only fruit that has its seeds on the outside? True.
Ray Charles’ Genius Likes Company album has supplied a number of tracks for me over the time that I’ve been presenting Theme Park and that’s because it’s a great album. This week it was SWEET POTATO PIE where Charles is joined by James Taylor.
An interesting combination in a triple play followed starting out with Goldfrapp and BLACK CHERRY, followed by The Beach Boys with VEGETABLES and The Ting Tings with FRUIT MACHINE, which I think might really be about a certain gaming device which is in turn a metaphor for something else, anyway, so what the hell. Check out the Ting Tings, another great indie duo. It seems to be the thing these days.
A couple of blasts from the past rocked us into the second half of the show: Little Richard explained what he meant by TUTTI FRUTTI, (I think), and Dee Dee Sharp got everyone up dancing to MASH POTATO TIME. I love this older stuff so much, I’m going to put both clips up. Little Richard’s is actually a performance he did in 1995 but Dee Dee Sharp’s is pure 60’s.
I love the occasional piece of comedy so was really happy to have stumbled across Stan Freberg’s version of the BANANA BOAT SONG. And just as funny, in their own strange way, are The Presidents of the United States who claim to be moving to the country where they’re going to eat a lot of PEACHES.
I was accused of stretching the topic a bit when I included Marvin Gaye’s I HEARD IT THROUGH THE GRAPEVINE, but hey, grapes are fruits – right? And besides, it’s a classic.
Talking of classics, Ella Fitzgerald and Louis Armstrong’s CALL THE WHOLE THING OFF is a fabulous tune about opposites attracting. “You say tomato…..”. Love it. Ageless.
In complete contrast, we followed with The Kills and SOUR CHERRY from their 2008 album, Midnight Boom. Check them out on this clip:
Couldn’t leave out BANANA PANCAKES by Jack Johnson. Yummy. And the banana pancakes aren’t bad either.
Next up it was PINEAPPLE EXPRESS from Huey Lewis and the News and we followed with the ultimate Tex-Mex supergroup, The Texas Tornados, singing GUACAMOLE.
Billy Holiday gave us, possibly, her most famous recording, STRANGE FRUIT, released in 1939. The song condems the lynchings of African Americans that occurred mainly in the South, but throughout the United States, during this time. Here’s some rare footage of one of the first anti-racism songs ever:
Difficult to know how to follow such a powerful song, but couldn’t go too far wrong with a great piece of instrumental jazz: Dizzie Gillespie’s PICKIN’ THE CABBAGE. And then it was JJ Cale with CHERRY STREET and the wonderful Tony Joe White with POLK SALAD ANNIE.
Before I knew it, the two hours was all up and it was time to sign off with E.G. Daily’s version of LIFE IS JUST A BOWL OF CHERRIES, which apparently means that life is meant to be simple and pleasant.
Next week, is my last show before I take a 2-week break so the theme will be HOLIDAYS. Let me know if you have any favourites you’d like me to play.
Here’s this week’s complete playlist:
Most love stories are about people who fall in love with each other. But what about the one-sided love affair? If we were rational we’d acknowledge that its simply addictive emotional masochism; the more unsuitable or unattainable the object of desire, the stronger the fascination. But when you’re madly in love with someone who doesn’t know you exist, being rational is the furthest thing from your mind. We’ve all been there. You feel like the walking wounded, the unloved one, the handicapped without the advantage of a great parking space! Charlie Brown says it best: “Nothing takes the taste out of peanut butter like UNREQUITED LOVE.”
We opened the show with THE GIRL FROM IPANEMA from one of the best bossa nova singers ever, Astrud Gilberto, performing with Joao Gilberto and Stan Getz. There really was a girl from Ipanema – a 15 year old called Heloisa Pinto who used to walk past the Rio bar frequented by the songwriters,Vinicius Morais and Antonio Jobim. The song is a sweet tribute to the totally unattainable as well as an ode to youth. This music video is from the 1964 film “Get Yourself a College Girl”:
KILLING ME SOFTLY WITH HIS SONG has been covered by many artists, most notably by Roberta Flack, whose 1973 version topped the U.S. pop singles charts and won a Grammy Award. We opted to play the equally successful 1996 version, simply called KILLING ME SOFTLY, by Hip-Hop group The Fugees with Lauryn Hill on lead vocals.
Whitney Houston’s version of I WILL ALWAYS LOVE YOU, released in 1992, became one of the best-selling singles of all time. It was written and originally recorded by Dolly Parton and her poignant and bittersweet version, with Parton’s trademark twang, was my choice this week.
I had to include Billy Bragg’s gentle, yet disturbing, song about a classroom crush, THE SATURDAY BOY, even if it was just for the line: ”I had to look in the dictionary/ To find out the meaning of unrequited.” The Violent Femmes’ upped the ante with a song about repressed lust. ADD IT UP has Gordon Gano promising himself, ‘the day after today I will stop’, but the music’s pent-up passion suggests otherwise.
When I announced this week’s theme there was lots of correspondence regarding which genre of music does ‘unrequited love’ best. Yes, I agree with BayFM’s Cowboy Sweetheart that country singers have it pretty much all sewn up, but you can’t go past a little soul music when it comes to love songs, requited or not. A couple of examples: JUST MY IMAGINATION from the Temptations and CUPID from Sam Cooke. And I didn’t forget the soulful sound of Ray Charles with YOU DON’T KNOW ME, delivering a duet with Diana Krall, from his Genius Loves Company album.
Joe Jackson is wonderfully incredulous when he asks: IS SHE REALLY GOING OUT WITH HIM? The Cars, on the other hand, are obsessed with their BEST FRIEND’S GIRL while Bowling For Soup are going nuts over the GIRL ALL THE BAD BOYS WANT. I love a band with a sense of humour. Check out the video from Bowling For Soup. By the way, the band’s name was derived from a comedy act by Steve Martin.
Now if you need convincing that country singers are the kings and queens of the lovelorn, here’s Patsy Cline with I FALL TO PIECES, from the Glenn Reeves Show, February 23, 1963.
LAYLA by the Eric Clapton’s group, Derek & The Dominos, is a tale of unrequited love inspired by Clapton’s relationship with his friend George Harrison’s then wife, Pattie Boyd Harrison. Here’s a video clip from 1984 of Eric Clapton peforming the song live with Bill Wyman on bass, Charlie Watts on drums, Jeff Beck on guitar, Stevie Winwood on piano …. have I died and gone to heaven?
A song that elevates lovelorn moping to operatic heights is Ben E King’s I WHO HAVE NOTHING and another, possibly, is Dionne Warwick’s WALK ON BY, written by Burt Bacharach and David Hal. It was recorded by Warwick in 1964 and became a landmark single for her.
A year later Donovan released his first single, CATCH THE WIND, and in 1967 The Small Faces recorded TIN SOLDIER, a song Steve Marriott wrote to his first wife Jenny. The song signalled a return to the band’s R&B roots after their previous forays into psychedelic rock and other musical experiments. P.P. Arnold can be heard singing back up vocals. Here’s some rare footage of The Small Faces with P.P. Arnold performing on Belgium television. The year was 1968. Go the Mods!
Written by the Bee Gees, IF I CAN’T HAVE YOU was given to Yvonne Elliman when the group became involved in the soundtrack for the 1977 film Saturday Night Fever. She scored a #1 hit in the US with the track.
Going a bit further back in time is the Everly Brothers version of ALL I HAVE TO DO IS DREAM. Recorded in 1958, it was recorded in just two takes and features Chet Atkins on guitar. The B side “Claudette” was the first major songwriting success for Roy Orbison. Two years later, Orbison recorded ONLY THE LONELY, his first major hit. An operatic rock ballad, it was a sound unheard of at the time, described by the New York Times as expressing “a clenchied, driven urgency.” Here’s Roy performing the song during the Black & White Night concert. No-one does it like the Big O.
From the sublime to the ridiculous: a teenager falls in love with a pin-up girl, in a picture dated 1929, in The Who’s PICTURES OF LILY and Fountains of Wayne sing about a schoolboy’s lust for his friends mother in STACEY’S MUM.
And then it was a couple of classics: FOR NO ONE from The Beatles Revolver album, written by Paul McCartney and a track from one of my all-time favourite albums, I’M WAITING FOR THE DAY from the Beach Boys Pet Sounds album.
In an effort to shake the lovelorn out of the doldrums, we closed the show with Radiohead’s masterpiece of poetic self-loathing, CREEP.
Here’s the complete playlist:
The Girl from Ipanema – Astrud Gilberto / João Gilberto / Stan Getz
Killing Me Softly – The Fugees
I Will Always Love You – Dolly Parton
Diary – Bread
The Saturday Boy – Billy Bragg
Add It Up – Violent Femmes
Cupid – Sam Cooke
Just My Imagination – The Temptations
You Don’t Know Me – Ray Charles & Diana Krall
Strange And Beautiful (I’ll Put A Spell On You) – Aqualung
Is She Really Going Out With Him – Joe Jackson
My Best Friend’s Girl – The Cars
Girl All the Bad Boys Want – Bowling For Soup
White Flag – Dido
My Eyes Adored You – Frankie Valli & the Four Seasons
I Fall To Pieces – Patsy Cline
Layla – Derek & The Dominos
I’ll Kill Her – SoKo
I Who Have Nothing – Ben E. King
Walk On By – Dionne Warwick
Catch The Wind – Donovan
Tin Soldier – The Small Faces
If I Can’t Have You – Yvonne Elliman
All I Have To Do Is Dream – The Everly Brothers
Only The Lonely – Roy Orbison
Pictures Of Lily – The Who
Stacey’s Mom – Fountains of Wayne
For No One – The Beatles
I’m Waiting For The Day – The Beach Boys
Creep – Radiohead
Next week, we’re celebrating Halloween with SCARY SONGS FOR SILLY PEOPLE (or is that SILLY SONGS FOR SCARY PEOPLE?). Suggestions welcome.
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
Tragically also on Facebook: http://www.facebook.com/maccalyn