It’s Easter, so I set myself the challenge this week of compiling a list of songs about RESURRECTION. Yes, I know I could have looked at chocolate or bunny rabbits, but hey, you know I like to shake things up a bit! The meaning and long traditions behind the concept of resurrection make it a powerful device for the songwriter. It can be used in the biblical context, or figuratively to describe some sort of rebirth or re-emergence from darkness. Music fans, of course, will be familiar with musicians coming back from the dead, but we’re not dealing with comebacks here. We’ll keep that subject for another show.
Ashton, Gardner & Dyke’s one hit wonder, RESURRECTION SHUFFLE, delivered a terrifically upbeat start to the program. Here they are on Top of the Pops in the 70s:
The prince of darkness, Nick Cave, has the perfect resurrection song in DIG, LAZARUS, DIG!! Here he is with the Bad Seeds performing live on Jools Holland (I’ll say it again, what a brilliant, brilliant show!). The year was 2008 and that’s Jack White on the sidelines looking in absolute awe of the band.
Eric Burdon wrestles with doubt on his version of Blind Willie Johnson’s SOUL OF A MAN. Melbourne group The Temper Trap, now based in the U.K have a great song called RESURRECTION on their Aria Award winning album “Condition”. Then it was Ian Hunter and Mott the Hoople with ROLL AWAY THE STONE. This clips is from Top of the Pops 1973. Scary.
With possibly the longest name on our playlist, Sufjan Stevens contributed our first zombie song on the list. Come on, zombies were a given, surely, on a show about coming back from the dear. THEY ARE ZOMBIES!! THEY ARE NEIGHBORS. THEY HAVE COME BACK FROM THE DEAD, AHHHH! is, I think, absolutely brilliant.
What’s a show on the subject of resurrection without gospel singer Sister Rosetta Tharpe and her Easter song, CAN’T NO GRAVE HOLD MY BODY DOWN?. Sister Rosetta sings about rolling the stone away. Vic Chesnutt, on the other hand sings of leaving the stone in place. Apparently imagining himself as Jesus in his tomb, he’s also wracked by self-doubt on STAY INSIDE.
Dido and AR Rahman sing IF I RISE. It’s the beautiful theme to the film 127 Hours. Adore the film and the song.
Gil Scott-Heron is one of those performers that came back from the dead musically and aren’t we glad he did? On B MOVIE he suggests that this life is just a rehearsal of sorts and that there’s another life waiting for us when the great director in the sky calls cut. Well, I’m not sure I believe that. But who knows?
You know you’ve always got to have your sense of humour firmly intact at the Theme Park, because nothing is sacred. We had a chuckle with Spinal Tap and their 2009 release BACK FROM THE DEAD. That was followed by Nancy Sinatra and the Bond theme, YOU ONLY LIVE TWICE.
The Moody Blues gave us their ode to Timothy Leary: LEGEND OF A MIND. According to them, he’s not dead, he’s just astral travelling! But of course he is. It was the 70’s when this was recorded after all.
Single File gave us our second zombie song on the list with the very amusing ZOMBIES ATE MY NEIGHBOURS. And then it was Alison Moyet with LOVE RESURRECTION, from her 1983 album Alf. According to Alison, when it comes to love, everyone needs a little divine intervention.
Pink Floyd’s COMING BACK TO LIFE is from a live performance album they released in 2009. Then it was The Stone Roses with their anti-Christianity song I AM THE RESURRECTION. Feeling that we probably should show some impartiality on matters religious, we included Frightened Rabbit with HEAD ROLLS OFF. They seem to believe in God and an afterlife but nevertheless promote the idea that what you do while you’re alive is the most important thing. Can’t argue with that.
M. Ward gets a little help from Norah Jones on ONE LIFE AWAY where he imagines that, when you walk on peoples graves, they are “listening to the sound of the living people living their lives away”. Here’s the awesome Mark Lanegan performing on Irish TV in 2004. The track is RESURRECTION SONG. Brilliant as always.
Now it would be a serious omission if I didn’t mention this weekend’s Byron Bay Blues Fest, so as a tribute to that we closed with songs on Resurrection from two of the icons appearing at the event: First up, the marvellous Mavis Staples with WILL THE CIRCLE BE UNBROKEN, which I dedicate to my Dad who died 20 years ago this week. And finally, it was ‘born again’ Bob Dylan with IN THE GARDEN. For my Dad, here’s Mavis on the Jools Holland show:
For next week’s show I’ve been inspired by the Royal Wedding (I kid you not) and the show will be on WEDDINGS AND MARRIAGE. I think we can have some fun with this. I’ll be transforming the BayFM studio into the Chapel of Love. And it will be my last show at this time slot. After that I’ll be presenting Theme Park in a shorter and sweeter one hour format on Monday’s 1-2pm, so I hope that you tune in then.
Have a great Easter! Here’s the complete playlist:
Resurrection Shuffle – Ashton, Gardner and Dyke
Dig, Lazarus, Dig!!! – Nick Cave and The Bad Seeds
Soul Of A Man – Eric Burdon
Resurrection – The Temper Trap
Roll Away The Stone – Mott The Hoople
They Are Night Zombies!! They Are Neighbors!! They Have Come Back from the Dead!! Ahhhh!! – Sufjan Stevens
Can’t No Grave Hold My Body Down – Sister Rosetta Tharpe
Stay Inside – Vic Chesnutt
If I Rise – A.R. Rahman
B Movie – Gil Scott-Heron
Back From The Dead – Spinal Tap
You Only Live Twice – Nancy Sinatra
Legend Of A Mind – The Moody Blues
Zombies Ate My Neighbors – Single File
Love Resurrection – Alison Moyet
Coming Back To Life – Pink Floyd
I Am The Resurrection – The Stone Roses
Head Rolls Off – Frightened Rabbit
One Life Away – M. Ward
Resurrection Song – Mark Lanegan
Will The Circle Be Unbroken – Mavis Staples
In The Garden – Bob Dylan
Next week: MARRIAGE
NIGHT is a time that’s often associated with danger and the fear of the unknown. Midnight, especially, has a particular importance in human imagination and culture. Seances, for instance, are usually conducted around this time. And then, of course there are the vampires and werewolves, who only come out at night. Yes, there’s lots happening out there in the dark! When it comes to song lyrics, however, night-time is a great time for love-making. As Ray Charles points out, NIGHT TIME IS THE RIGHT TIME. But I’m getting ahead of myself.
We opened the show with HERE COMES THE NIGHT. The song was originally recorded in 1964 by Lulu but the version we played was a huge hit for the band Them and their lead vocalist Van Morrison in 1965.
I’m pretty impressed by the very talented singer-songwriter Sufjan Stevens who contributed one of the few songs on the list that references the occult. THEY ARE NIGHT ZOMBIES! THEY ARE NEIGHBOURS! THEY HAVE COME BACK FROM THE DEAD! AHHH is from his 2005 album Illinois. Here he is performing live with the very cute Illnoisemakers:
We followed with supreme soul singer Marvin Gaye with IF I SHOULD DIE TONIGHT. It’s from his classic 1973 album Let’s Get It On. Serving as Gaye’s first venture into the funk genre and romance-themed music, Let’s Get It On incorporates smooth soul, doo-wop and quiet storm. It’s been noted by critics for its sexually-suggestive lyrics, and was cited by one writer as “one of the most sexually charged albums ever recorded”. Woohoo.
And talking of Woohoo, thanks to the Woohoo Review Band who donated their latest album, Dear Animals, for a giveaway on the show this week. They’re a Melbourne based, gypsy style band and the song we played from the album, MR 9 O’CLOCK was a good example of the madcap dance tunes that inhabit the album.
They say that Frank Sinatra was at his best vocally in the 1950’s and it’s hard to argue when you listen to IN THE WEE SMALL HOURS OF THE MORNING . That goes out to Inchie who does a great show on BayFM on Friday’s 4-6pm, called Strictly Vinyl.
Back to the 70’s. The Eagles were one of the most successful recording artists of the period. Their 1975 album, One of These Nights, was the last album to feature founding member Bernie Leadon, who left the band during the One of These Nights tour, disillusioned with the direction the band were going in. With the departure of Leadon, the Eagles’ early country sound almost completely disappeared and the band moved on to a harder sound. One Of These Nights would prove to be a breakthrough album for the band, making them international superstars.
You all know by now that I consider Roy Orbison the patron saint of Theme Park and I realise that I’ve played this song before, but hey, what the …. had to give Roy’s I DROVE ALL NIGHT another play. Jeff Lynne remixed Orbison’s 1987 recordings for the posthumous album King of Hearts of which I DROVE ALL NIGHT was one of the tracks.
Brilliant reggae artist Gregory Isaacs passed away on October 25 after a long battle with lung cancer. So of course, I had to play his signature tune NIGHT NURSE.
I’m also a bit of a Tom Waits fan and his debut studio album, Closing Time, recorded in 1973 is an absolute classic. It was produced and arranged by Lovin’ Spoonful member Jerry Yester. The song we chose was MIDNIGHT LULLABY. Then it was time to go way back to 1953 and some New Orleans Blues with Professor Longhair singing IN THE NIGHT. I’m pretty sure Tom would have approved.
Opening the second hour of the show was Gladys Knight & the Pips with their 1973 number one hit single, MIDNIGHT TRAIN TO GEORGIA. Oh my God, The Pips, the moves! Check it out:
Two goodies from 1965 followed. Maryanne Faithful sang of SUMMER NIGHTS and The Strangeloves did a great version of NIGHT TIME. The Strangeloves were a New York garage band who created a false back-story that they were Australian sheep farmers. I don’t think it helped their record sales somehow, so not sure what that was all about!
Here’s a quirky Blues number for you: Zulu Bollin with WHY DON’T YOU EAT WHERE YOU SLEPT LAST NIGHT? Reasonable question, surely.
The 85 year old B.B. King is still going strong and, in fact, will be here next April for the Byron Blues Festival. I, for one, can’t wait. We played the sublime NIGHT LIFE with King and Willie Nelson. How great would it be to see Willie Nelson at the Festival? One can only hope and pray I ‘spose.
Another of my faves is Bob Seger. You can’t sit still to anything he plays and that includes NIGHT MOVES.
I also can’t get enough of Tom Waits so we had to play LOOKING FOR THE HEART OF SATURDAY NIGHT from the album of the same name, released in 1974. The album cover is based on THE WEE SMALL HOURS by Frank Sinatra, which we had played earlier in the show.
Van Morrison thinks he knows how to have a WILD NIGHT. But I have a feeling that The Rolling Stones might know a thing or two about that too. LET’S SPEND THE NIGHT TOGETHER was written by bad boys Mick Jagger and Keith Richards and was originally released as a single in 1967. Here’s a clip from Top of the Pops from that same year:
NIGHT TIME IS THE RIGHT TIME is a blues standard that has been interpreted and recorded by a variety of music artists. Ray Charles’ hit version was released in 1958 and is featured on the soundtrack to the film Ray.
I almost didn’t include The Moody Blues’ classic anthem, NIGHTS IN WHITE SATIN, simply because it might seem just so predictable. But, let’s face it, that hasn’t stopped me in the past! Here they are at The Montreaux Festival in 1997, still going strong.
As a prelude to the end of the show, could I find anything better than the beautiful sound of The Spaniels with GOOD NIGHT SWEETHEART. It’s a great piece of doo-wop from 1953.
I closed the show with a great double. Eric Clapton’s AFTER MIDNIGHT got the ball rolling and it was taken up with a vengeance by AC/DC. This time it was YOU SHOOK ME ALL NIGHT LONG from the 1980 album Back to Black. Here they are performing live at Donington in 1991:
For next week’s show I’m looking for songs that announce themselves in style, so start nominating your FAVOURITE SONG INTRODUCTIONS. Leave me a message on the blog or at the Theme Park page on Facebook. I’d love to hear from you.
Until then, here’s this week’s complete playlist:
Here Comes The Night – The Best Of Van Morrison, Them
They Are Night Zombies!! They Are Neighbours!! – Illinois, Sufjan Stevens
If I Should Die Tonight – Let’s Get It On, Marvin Gaye
Mr 9 O’Clock – Dear Animals, The Woohoo Revue
Nighthawkin’ – Greetings From L.A., Tim Buckley
December 1963 (Oh What a Night) – Oh What a Night, Four Seasons
In the Wee Small Hours of the Morning – In the Wee Small Hours, Frank Sinatra
One Of These Nights – One Of These Nights, The Eagles
I Drove All Night – The Soul of Rock And Roll, Roy Orbison
All Night Long – The R&B Years – 1954 [Disc 4], Joe Houston
Night Nurse – Night Nurse, Gregory Isaacs
Midnight Lullaby – Closing Time, Tom Waits
In The Night – Martin Scorsese Presents: The Blues, Professor Longhair
Midnight Train To Georgia – Mellow Moods [Disc 2], Gladys Knight and The Pips
Summer Nights – Marianne Faithfull, Marianne Faithfull
Night Time – Nuggets: Original Artyfacts From The First…., The Strangeloves
Why Don’t You Eat Where You Slept Las Night – Hot Rhythm And Cool Blues, Zulu Bollin
Night Life – Deuces Wild, B.B. King With Willie Nelson
Night Moves – Greatest Hits, Bob Seger
(Looking For) The Heart Of Saturday Night – The Heart Of Saturday Night, Tom Waits
Night Train – Sex Machine, James Brown
Wild Night – Twentyfourseven, Van Morrison
Let’s Spend The Night Together – Hot Rocks, 1964-1971 [Disc 1], The Rolling Stones
(Night Tiime Is) The Right Time – Ray, Movie Soundtrack, Ray Charles
Nights In White Satin – The Moody Blues
Goodnight Sweetheart, Goodnight – Earth Angel – Doo Wop Classics, The Spaniels
After Midnight – The Cream Of Clapton, Eric Clapton
You Shook Me All Night Long – Back In Black, AC/DC
I purchased my first Apple Computer in 1984 and have been a faithful user ever since. Personal computers were still fairly uncommon then even though, in 1982, Time magazine had declared them the first non-human recipient of its “person of the year” award. “The ‘information revolution’ that futurists have long predicted has arrived”, declared the magazine, “bringing with it the promise of dramatic changes in the way people live and work, perhaps even in the way they think. The world will never be the same.” How right they were.
But everything Time magazine said, in hundreds of words, had already been expressed the year before in the song that opened our program: HOME COMPUTER by Kraftwerk, and in just two lines of lyrics too! “I program my home computer, beam myself into the future.” The group has been incredibly influential ever since. Am I the only one to recognize the theme to Six Feet Under in there somewhere?
Music’s relationship with intelligent machines has been a mass of contradiction. On the one hand, there are songs that express a fear of technology – the harshness the unreliability and the lack of humanity. And on the other, there are songs that yearn for the simple life that machines seem to offer, especially when it comes to your love life. Way back in the 60’s Connie Francis was of the opinion that a ROBOT MAN would solve all her problems. Years later, in 2004, Amanda Palmer of The Dresden Dolls also thought that an artificial partner could possibly have its advantages. The song was COIN OPERATED BOY.
YOSHIMI BATTLES THE PINK ROBOTS Pt 1 is from The Flaming Lips’ high concept album Yoshimi Battles the Pink Robots. The Lips were in top form in 2002 when this track was released. Apparently, the total destruction of evil robots is the name of the game here. More from the mighty Kraftwerk in the form of POCKET CALCULATOR: “By pressing down a special key, it plays a little melody”. That one was for all the book-keepers and accountants out there.
On a show about machines we had to have a song about a Juke Box and what better than Joan Jett, with I LOVE ROCK N ROLL: Yeah, “Put another dime in the jukebox baby”. Other machines included a TIME MACHINE from Grand Funk Railroad and a FRUIT MACHINE from the Tings Tings. As Katie White tells it, she’s fed up with being treated like a gambling device.
Gary Numan and Tubeway Army recorded DOWN IN THE PARK in 1979. It was Numan’s first composition on keyboards and his first release to feature the electronic sound that would become his tradmark. The theme of the song is typical of Numan’s work at the time as it both embraced and feared technology. Here’s a clip from the DVD Urgh! A Music War (1981). Lady Gaga, eat your heart out:
Sufjan Stevens’ contribution to our theme was DEAR MR. SUPERCOMPUTER, from his Avalanche album, and we followed with Electric Light Orchestra and YOURS TRULY 2095 where we are asked to pity the “cold as ice” IBM that must tolerate a two-timing user.
Melbourne based, Swedish artist Jens Lekman’s A POSTCARD TO NINA has a shaky connection to this weeks theme. It’s really about him acting as a cover for a friend who is a lesbian but she doesn’t want her family to know. There is a mention of emails, and – wait for it – a lie detector – so hey, how could I leave it out? It’s also quite a nice song. Here’s a clip from a concert he did in Melbourne in 2006. His guitar died, so he played on the uke. Gorgeous. And love the reference to cult film ‘Buffalo 66″.
Are you a fan of Flight of the Conchords? I am. The song ROBOTS, also known as “Humans Are Dead”, is sung by both Bret and Jermaine. It’s set in a post-apocalyptic “distant future” where all humans are dead and robots have taken over the world. Within the context of the plot of the show, it’s the band’s first music video. Since the band has very limited funds, Murray constructs the robot costumes himself, (“they don’t look like Daft Punk -we wanted ones like Daft Punk”), and films the video using a mobile phone. Crazy stuff.
Hip-hop trio Deltron 3030 gave us a cartoon villain who loves the idea of creating a “VIRUS to bring dire straits to your environment”. It’s from their debut album Deltron 3030, released in 2000.
The only cover of a Who song to reach the Top 10, anywhere, is Elton John’s version of PINBALL WIZARD. It was featured in Ken Russell’s film version of the Tommy opera. The lyrics are forever planted in every baby boomer’s consciousness: “that deaf, dumb and blind kid sure plays a mean pinball.” Here’s an outtake from the film. Makes me want to play pinball again!
James Brown reckons he’s a SEX MACHINE and who am I to argue? Well we had to have at least one song about man as machine didn’t we? And James Brown is the bomb.
I had to play, not one, but, two tracks from Radiohead’s OK COMPUTER ALBUM. First up it was FITTER, HAPPIER. It consists of samples of music, background sound and lyrics recited by a synthesized voice from the Macintosh Simple Text application. Written after a period of writer’s block, FITTER HAPPIER was described by Thom Yorke as a checklist of slogans for the 1990s, which he considered, the most upsetting thing he’s ever written. We followed with one of their biggest hits, PARANOID ANDROID. This clip was filmed at the 2003 Glastonbury Festival. I so wished I’d been there!
A nice piece of R&B followed with COMPUTER LOVE by Zapp Roger, featuring vocals by Shirley Murdock and Charlie Wilson of the Gap Band. And then it was Robin Gibb’s interesting attempt at reinventing himself in the 80’s with ROBOT. Sort of a techno/reggae/disco sound. Not sure what I think of it.
Swedish pop star Robyn contributed ROBOT BOY and then it was back to some electro with Daft Punk’s ROBOT ROCK. I’m not crazy about this French duo but of all their releases ROBOT ROCK is one of their best.
More to my liking is the theme to ROBOT CHICKEN, from the cult stop motion animated television series. Brilliant stuff. It was written by Primus lead man Les Claypool.
Styx contributed their classic ROBOTO, from their concept album Kilroy Was Here. The lines in the chorus DOMO ARIGATO, MR ROBOTO have become a catchprase and mean ‘
thank you very much’ in Japanese.
Kraftwerk deserved another outing. This German band came to prominence in the 70’s and 80’s and their distinctive sound was revolutionary then and continues to be highly influential across many genres of music today. We closed the show with COMPUTER WORLD.
This was my last week in the 2-4pm time slot. I’ll still be broadcasting on Tuesdays but I’m very happy to be moving to Drive Time 4-6pm. I hope you’ll continue to tune in to find out what crazy themes I get up to. I’ve been influenced by the move to create a playlist next week based on CHANGE. So if you have any requests, please get in touch. I’d love to hear from you.
Here’s this week’s complete playlist:
Home Computer – Kraftwerk
Robot Man – Connie Francis
Coin Operated Boy – The Dresden Dolls
Yoshimi Battles the Pink Robots pt. 1 – The Flaming Lips
Pocket Calculator – Kraftwerk
Percolator – The Ventures
I Love Rock and Roll – Joan Jett
Time Machine – Grand Funk Railroad
Fruit Machine – The Ting Tings
Down In The Park – Gary Numan
Dear Mr. Super Computer – Sufjan Stevens
Yours Truly, 2095 – Electric Light Orchestra
A Postcard To Nina – Jens Lekman
Danger Will Robinson! (Sound grab from Lost in Space)
Robots – Flight Of The Conchords
Virus – Deltron 3030
Pinball Wizard – Elton John
Sex Machine – James Brown
Fitter Happier – Radiohead
Paranoid Android – Radiohead
Computer Love – Zapp & Roger
Robot – Robin Gibb
Robotboy – Robyn
Robot Rock – Daft Punk
Robot Chicken Theme – Les Claypool
Mr. Roboto – Styx
Computer World – Kraftwerk
All tracks available on iTunes.
Next week: CHANGE
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Tragically also on Facebook: http://www.facebook.com/maccalyn