The Royal Family have been attracting a fair bit of attention lately. Kate and Wills got married, Fergie is in detox and, according to her ex-chef, the Queen likes wholemeal toast for dessert. Riveting stuff.
All this just made me think about artists with a royal sounding name. Much more interesting, I’m sure you’ll agree. We opened the program with a track suggested by one of the Saturday Blues boys. Ken directed me to a fantastic album called The Duke Meets the Earl. It features two virtuoso blues guitarists, Duke Robillard and Ronnie Earl. The whole album is a cracker but I chose a track that’s indicative of how my week’s been going so far: LOOKIN’ FOR TROUBLE. I couldn’t find a clip of both artists performing the song together, but here’s Duke Robillard filmed at Callahan’s in November 2010:
Carol King has written a lot of great pop songs and she’s still going strong. Her 1962 hit IT MIGHT AS WELL RAIN UNTIL SEPTEMBER was originally a demo that turned out so well the record company decided to release it. Smart move.
Nat King Cole and Ella Fitzgerald do a great version of STORMY WEATHER. Ella was often referred to as “Lady Ella” and you can’t get a more royal sounding name than Nat King Cole, can you? And then it was something completely different. Princess Superstar with LIFE IS BUT A DREAM. And congrats to the Princess who this week gave birth to a baby girl! Happy Mother’s Day.
OK, he may not actually have King in his name, but we all know who we’re talking about when we refer to ‘The King’: Elvis Presley of course. BURNING LOVE went out to Faye. “Lord Almighty, I feel my temperature rising, higher higher, it’s burning through to my soul …”
Sharon Jones and the Dap Kings JUST DROPPED IN TO SEE WHAT CONDITION MY CONDITION WAS IN. Thanks Sharon. Doing fine. Considering all the trouble I’m in.
King Curtis’ MEMPHIS SOUL STEW is an ode to musicians of all kinds. Check out Jerry Jermott on bass. Amazing.
I like a bit of diversity in the playlist, so I included an indie pop group from Sweden called Acid House Kings with WOULD YOU SAY STOP? It’s from their latest album Music Sounds Better With You. What is it about the Swedes and their pop music?
My Kings of Leon pick was a great song: CALIFORNIA WAITING. Check out Caleb’s Prince Valentine hairdo on this live performance:
Another artist with a royal sounding name is Prince Rogers Nelson, better known simply as ‘Prince’ to us plebs. KISS was followed by another classic, a gorgeous piece of soul from Ben E King called STAND BY ME. Ben E King was one of the original Drifters and when he was only 9 years old he was a member of the group The Three Crowns, so there you go, another reason why he should be included as one of our artists with royal sounding names.
We went way back to 1932 with: IT DON’T MEAN A THING IF IT AIN’T GOT THAT SWING by Duke Ellington and his Orchestra with vocals by Ivie Anderson. If, like me, you love your nostalgia, then you must tune in to BayFM on Saturdays from 8am when Jill brings you a fantastic show called MUSICAL KALEIDIOSCOPE.
I went way out on a limb with my next choice: I reckon the inclusion of Jesus and Mary Chain was justified on the basis that Jesus was King of the Jews. Right? Their version of SURFIN’ USA went out to Charlotte.
Now I couldn’t do a show about musicians with royal names without including B.B.King. HAPPY BIRTHDAY BLUES went out to anyone who’s had a birthday recently, but in particular to my friend Cheryl who had a great birthday party on Saturday night (and I’m still recovering!), and David who was sick with the flu on his birthday. How unfair is that?
Our goodbye track was from a group that I consider rock royalty: Freddy Mercury and Queen with THESE ARE THE DAYS OF OUR LIVES.
Next week’s show will be on CONCERTS. It can be about attending a performance or actually being on stage. I’m thinking of songs like DAFT PUNK IS PLAYING AT MY HOUSE by LCD Soundsystem. See what you can come up with and get in touch!
Here’s this week’s complete playlist:
Lookin For Trouble – Ronnie Earl & Duke Robillard
It Might As Well Rain Until September – Carole King
Stormy Weather – Nat King Cole & Ella Fitzgerald
Life Is But A Dream – Princess Superstar
Burning Love – Elvis Presley
Just Dropped In To See What Condition My Condition Was In – Sharon Jones & The Dap-Kings
Memphis Soul Stew – King Curtis
Would you say stop? – Acid House Kings
California Waiting – Kings of Leon
Kiss – Prince
Stand By Me – Ben E. King
It Don’t Mean A Thing If It Ain’t Got That Swing – Duke Ellington & His Orchestra Feat. Ivie Anderson
Surfin’ USA – The Jesus & Mary Chain
Happy Birthday Blues – BB King
These Are The Days Of Our Lives – Queen
Next week: SONGS ABOUT CONCERTS
This week’s theme is inspired by the fact that Iggy Pop is headlining our major youth concert, The Big Day Out this month. And Bob Dylan, Elvis Costello and Jethro Tull will all be here in April for the Byron Blues Festival. I’m a baby boomer, so I’m ecstatic to be able to see all my heroes from the 60’s still performing. But, I have to ask: what is it about the first generation of rock n rollers – what keeps them going?
The reality is that from the moment rock music arrived on the scene it was a young person’s game: music made by young people for young people. It never intended to grow up or grow old. But it did. So what happens when rock’s youthful rebelliousness is delivered wrapped in wrinkles?
Lemmy from Motorhead has a formula for staying alive. He reckons you just breath (at all times). Lemmy, like Keith Richards, is one of the all time rock n roll survivors and therefore much revered by fans of a similar vintage.
Much to the dismay of our children, we baby boomers have carried on being the oldest swingers in town. We haven’t shown any sign of giving up on rock concerts, taking recreational drugs, (if we want to), and staying up all night. It’s why the biggest earners for rock concerts aren’t the Lady Gagas of the world, but veteran performers like AC/DC, The Eagles, Paul McCartney and The Who.
On MY GENERATION The Who were actually saying that they hoped they’d die before they got old. Hey, hold on a minute, they’re still singing it and they ARE old. What happened?
What happened started in the 50s when an entirely new species emerged with its very own music. They were called teenagers. And their music was called rock n roll:
Rock n roll created something special: The joy of hearing your parents shout out: “Turn that bloody racket down!” Because one of the social functions of rock has always been the defiance of the older generation. For performers like Elvis every gesture, every note was all about social disenfranchisement and rebellion. Elvis hit the scene wearing pink and black and leather outfits. He looked more like a pimp than a musician. “Outrageous!” reeled the grown-ups. But to the teenagers, he represented an escape from the stuffiness of the post-World War Two era.
No-one, even the musicians themselves, took rock and pop seriously, though. It was seen as a novelty, something that wasn’t meant to last. As the soundtrack to growing pains, it was temporary and disposable just like the people who made it.
By the early 60’s Beatlemania was gripping youth’s attention. The Establishment, however, remained doubtful that it was a fever that would last. Even the Beatles accepted the idea of their own inbuilt obsolescence.
With Beatlemania, and the British Invasion in general, many of the young established groups were being left behind. The tyranny of youth dictated that if you didn’t change with the times, you were old hat. One of the new incumbents was the band Manfred Mann.
In 1965 The Who recorded one of the ultimate anthems to youth, one that damned growing up and growing old. The young went on the offensive claiming their territory through guitar, bass and drums. The older generation were still recovering from a World War and all they wanted was some peace and quiet. To the younger generation old age just seemed really boring.
Ironically, the British Beat boom of the mid 60’s was based on music that was already old. Bands like the Stones, The Animals & Manfred Mann worshipped American Blues of the 20s 30s and 40s. Their recording heroes were still alive, but by rock roll’s new standards they were old men. Charlie Parker was born in 1920, Miles Davis in 1926 & Muddy Waters in 1913.
The self-absorbed rebelliousness of rock n roll gathered speed with the Rolling Stones. While the Who were busy burying the older generation, the Stones were singing about finding their satisfaction in sex.
The arrival of album culture in the late 60s proved that rock n roll was now thinking more in the long term. It didn’t sound disposable anymore. It was growing up, just like the people who made it. The Beatles Sgt Peppers album dared to imagine what life would be like at SIXTY FOUR. Up until now that was completely unthinkable for the baby boomer generation.
In the same year that the Beatles released the Sgt Peppers album, Procol Harum had a hit single with WHITER SHADE OF PALE. Things had started to get serious. The more experienced young musicians began wondering how far they could take their music. And they took their diehard fans with them. In many cases the fans had grown up with these bands and, along the way, they’d developed an appreciation of lyrics and music with more depth.
The end of the sixties saw the beginning of the rock n roll casualty list. The death of Brian Jones in 1969 seemed to crystalise a ‘live fast, die young’ attitude and brought a new reality to “I hope I die before I get old.” Janis Jopliin, Jim Morrison, Jimi Hendrix all died at 27, confirming the myth that if you wanted to be a rock legend you had to die young.
The Stones, however, seemed determined to mature. After the death of Brian Jones they picked themselves up and went back on the road. For the band, it wasn’t over yet.
By the end of the 60’s the Stones had discovered the secret of survival, at least for now. Unfortunately, the Beatles didn’t. As if to prove that longevity and rock n roll was difficult for a group of young guys growing up together, they split in 1970. The Fab Four would go on to enjoy successful solo careers for many years to come but the surge of creativity that fed them in their youth proved more elusive for them and their generation as they grew older.
Today, Mick Jagger, Paul McCartney and Pete Townsend can play arenas 45 years after they first had hits. Which is great. But the real question is: are they writing great songs? Or is the outpouring of creativity that launched their careers a factor of youth?
Herman’s Hermits got together in 1963 when lead singer Peter Noone was only 16. Their very first release, I’M INTO SOMETHING GOOD, was a #1 hit and although future recordings would get into the top ten, they were never to have a UK #1 again. The band, without Noone, continue to perform to this day and Peter Noone has gone on to have a successful career as both a singer and actor.
In the early 70’s, no performer demonstrated rock n roll’s reliance on youthful invention and raw power more than Iggy Pop. Here’s a great little doco that illustrates why he is known as the “Godfather of Punk”:
Not all rock n roll of the early 70’s was an expression of sexual energy and youthful physicality. By now prog rock was plundering the classical music collections so beloved of its middle class parents, as proof of its intention to last. It’s perpetrators, bands like Yes & Jethro Tull, seemed to be contemplating careers beyond the age of 30.
Performers found themselves living with their songs and growing into their material. One of the most requested songs from troops serving in Vietnam was I GOTTA GET OUT OF THIS PLACE by Eric Burdon & The Animals. Burdon continues to perform this song today when he entertains servicemen and women in Iraq and Afghanistan. In fact, it’s written into his contract. That’s what they call an anthem, folks.
In 1976, before the 60’s generation had a chance to mature, they were rudely cast aside by punk. It was a three-chord reign of terror, the ultimate Oedipal act. Snarling, spitting and clawing its way to the stage.
These weren’t the kids of the optimistic 60’s but a new young generation who felt abandoned. Everyone was in their way and, as always, no one understood them.
The bands of the post-punk era, like the Specials and Madness, while less dismissive of the past, still believed that rock and pop music were part of an essentially young experience.
In the early 80’s the Stones were back, yet again, having been absent from the stage for 6 years – while punk and its aftermath were the centre of attention. They were proving that they were in for the long haul.
In July 1985 the benefits of hanging in for the long term reached unexpected and unprecedented heights, with Live Aid. The international event sometimes looked like a version of Dad’s Army with acts like Paul McCartney, Bob Dylan, The Who, and the Beach Boys joining pop stars of the 80s on stage. Watched by more than 400 million viewers in 60 countries, this was the rock n roll survivor’s finest hour. Suddenly being 40 didn’t seem so uncool. These were the masters, the legends, the acts deemed capable of feeding the world.
A lot of young people heard some of the older bands for the first time, saying “These bands are fantastic.” And then, the most hated people in their musical vocabulary, their parents, responded with “Yeah, we know, we love them too!”
What had begun with Live Aid in the 80’s continued into the 90s with projects like War Child. Performers from three generations of rock n roll – Paul McCartney, Paul Weller and Noel Gallagher recorded COME TOGETHER, in the new spirit of multi-generational tolerance. It was no longer a case of ‘My Generation’ but ‘Your Generation too”. Just as importantly, audiences for the music also started to span generations.
The new millennium witnessed an entirely new phenomenon: the revival and the comeback. Leonard Cohen, already in his 70’s, had decided to stop performing and recording altogether. At least that was the plan. But after having all his money misappropriated by a crooked manager, he had to go back on the road. And guess what, he loves it!
Audiences who had grown up and grown old with their heroes wanted them back. Age had invested their favourite bands with a new authenticity. Performers couldn’t believe their luck. Even Brian Wilson returned from the wilderness to be a Beach Boy once again.
Rock n roll is now revelling in a long life. What was about risk and youth is now about enjoying a grand old age. It’s about longevity, survival, nostalgia. Refusing to grow up, give up or shut up. The whole point of the baby boomer generation is that we made it up from the beginning and we’ve been making it up ever since. We’ve been pushing the boundaries, and unlike our parents, we’ve refused to accept old age.
Many thanks to BBC and You Tube community for the wealth of material, without which this week’s show would not be possible.
Next week, my special guests will be The Fridays, performing live in the studio, plus lots of songs about RESOLUTIONS. Any suggestions/requests, please leave me a message here.
In the meantime, here’s this week’s complete playlist:
Lust For Life, Trainspotting soundtrack, Iggy Pop
My Generation, Austin Powers: The Spy Who Shagged Me soundtrack, The Who
Johnny B. Goode, Martin Scorsese Presents the Blues, Chuck Berry
Jailhouse Rock, Elvis Presley
Get A Job, Get a Job, The Silhouettes
Paul McCartney quote
Twist And Shout, Please Please Me, The Beatles
Paul Jones quote
Come Tomorrow, The Five Faces of Manfred Mann, Manfred Mann
(I’m Your) Hoochie Coochie Man, Martin Scorsese Presents the Blues, Muddy Waters
Let’s Spend The Night Together, Hot Rocks 1964-1971, The Rolling Stones
When I’m Sixty-Four, Sgt. Peppers Lonely Hearts Club Band, The Beatles
She’s Leaving Home, Sgt Peppers Lonely Hearts Club Band, The Beatles
A Whiter Shade Of Pale, The Big Chill soundtrack, Procol Harum
Brown Sugar, Sticky Fingers, The Rolling Stones
Peter Noone quote
I’m Into Something Good, The Original 60’s Summertime album, Herman’s Hermits
Iggy Pop i/view
Search And Destroy, Raw Power, Iggy Pop & The Stooges
Too Old To Rock ‘N’ Roll, Too Young To Die, Jethro Tull
We’ve Gotta Get Out Of This Place, The Most of the Animals, The Animals
God Save The Queen, Never Mind the Bollocks, The Sex Pistols
Too Much Too Young, The Singles Collection, The Specials
Baggy Trousers, Complete Madness, Madness
Mick Jagger quote
Start Me Up, Tattoo You, The Rolling Stones
Rockin’ All Over The World, Rockin’ All Over The World, Status Quo
Surfin’ USA, Endless Summer Legends, The Beach Boys
We Will Rock You, News of the World, Queen
Come Together, Help (War Child Benefit), Paul Weller & Friends
1969 (with i/view), Iggy Pop
In My Secret Life, Ten New Songs, Leonard Cohen
God Only Knows, Pet Sounds, The Beach Boys
Forever Young, Napolean Dynamite soundtrack, Alphaville
Next week: RESOLUTIONS
HANDCLAPPING is not only a very useful and easy accompaniment on a music track, it also nearly always signifies a certain level of enthusiasm and joy. And I reckon that’s exactly the kind of show we needed right now, with the weather being so dreary. Clapping is used as a percussion element in many forms of music including Gospel, flamenco, electronic and pop. Shirley Ellis’s 1965 soul hit THE CLAPPING SONG was our opener and it perfectly fitted my criterion for this week’s playlist, with its reference to a favourite childhood game full of happy memories.
Outkast’s song, about a relationship in denial, HEY YA! is a crazy mix of soul, rock and everything in-between, including a chorus of handclapping that recalls the girl groups of the 60’s, 70’s funk and even pop fare like Toni Basil’s Mickey. Check out the amazing Andre 3000 performing the song live at the Grammy Awards:
A couple of rock’n’roll icons who knew the value of a bit of handclapping were Eddie Cochran with his 1958 hit SUMMERTIME BLUES and Elvis Presley with RUBBERNECKIN’, released in 1969. Most songs written by the King of Rock n Roll had girls swooning and shaking and RUBBERNECKIN’ was no exception. A remix version, by Paul Oakenfield, was released in 2003 and managed to top the US charts. I chose to play the original, which also appeared in the King’s final feature film, Change of Habit. Here’s a clip from that film with loads of handclapping in evidence:
Contributing a little funk were The Meters with their HANDCLAPPING SONG and we followed with that great girl group, The Marvelettes, singing TOO MANY FISH IN THE SEA. The Marvelettes were Motown’s first successful singing girl group recording on the Tamla label. They set the precedent for Martha and the Vandellas and The Supremes.
If you’re after some God-fearing, gospel style clapping then there’s arguably none better than the Abyssinian Baptist Choir and SAID I WASN’T GOING TO TELL NOBODY. Sheer ecstacy for some but I get my thrills from singers such as Jenny Lewis and her band Rilo Kiley. They have a very simple yet effective song featuring handclapping, THE FRUG.
I don’t think Peter Noonan sang any of Herman’s Hermit songs without clapping along and CAN’T YOU HEAR MY HEARTBEAT is no exception. Check out the Noonan’s facial expression at 1:24. Love it that they didn’t take themselves too seriously.
Two more songs that feature a good dose of handclapping are DON’T LET ME BE MISUNDERSTOOD by Santa Esmeralda and Rose Royce’s original version of CAR WASH. Scottish folk/rock group Stealers Wheel’s song, STUCK IN THE MIDDLE WITH YOU, found a whole new audience when it featured in the Quentin Tarantino film Reservoir Dogs. I’d love to include a clip from this film but it just so happens that the song is the backdrop for the most confronting scene in the movie and I did want to keep things cheerful!
The Cars emerged from the New Wave movement of the late 70’s with a blend of punk minimalism, synth-pop and art rock. It’s hard to believe that it’s now ten years since lead singer and bassist, Ben Orr, died of pancreatic cancer. Here he is looking smoking hot on their 1979 release, LET’S GO.
One of the most creative and idiosyncratic musicians of the 1990s and 2000s is Beck with his collage of musical styles, ironic lyrics and quirky arrangements. Check out this clip of his song CLAP HANDS. Now this is what I call good dinner conversation.
The late country crossover artist, Eddie Rabbitt, has a great clappiing song that also pays tribute to the clapping of thunder. I LOVE A RAINY NIGHT was a perfect track to accompany our weather report.
HANDCLAPPING is a very convenient piece of musical improvisation and it comes in useful across all musical genres. It also makes for a pretty cheerful playlist. To further prove my point we included two tracks from 1982: John Mellencamp’s HURTS SO GOOD and Prince’s LITTLE RED CORVETTE.
With a name like Clap Your Hands Say Yeah! it’s a given that this group would have to have a least one song with handclapping in their repertoire. The title CLAP YOUR HANDS has also been used by Aussie singer Sia. Here’s she is with her very quirky video clip:
When it comes to video clips, however, none does it better than Gorillaz. DIRTY HARRY is from their second album, Demon Days. Like the video for another of their tracks CLINT EASTWOOD, the video of DIRTY HARRY references the film of the same name. It’s the only Gorillaz music video, other than STYLO, to be filmed on location. For more info on Gorillaz go to: http://www.gorillaz.com For now, simply check out this brilliant piece of animation:
Canadian singer Feist had a huge hit with her handclapping song, 1234. It was actually written by Australian singer songwriter Sally Seltmann, who records under the name New Buffalo. They met while touring together in Canada.
The Romantics livened things up somewhat with WHAT I LIKE ABOUT YOU. It’s from their self titled album of 1980 and was also released as a single. Jimmy Marinos, the band’s drummer is the lead vocalist and it did particularly well in Australia, where it reached #2 on the Australian Singles Chart. A real party starter.
Mott the Hoople’s song, ALL THE YOUNG DUDES, was written for them by David Bowie and can be found on the 1972 album of the same name. It’s regarded as one of glam rock’s anthems. Despite this, it’s one of the few songs on the list whose lyrics aren’t upbeat. According to Bowie, the song wasn’t intended to be ‘glamorous’ at all and carries a darker message of apocalypse. See what handclapping does for a song? Changes the mood and therefore the intent of the song completely.
Massive Attack’s Heligoland LP boasts a huge slate of guest vocalists, none more sultry than Mazzy Star’s Hope Sandoval. “Sultry” is probably a nice way of describing the Toby Dye directed video clip of PARADISE CIRCUS. The clip is definitely for over 18s, so if you are interested I suggest you go to the Massive Attack Blog but this recommendation does come with a warning about explicit content. .
Less controversial were our next three songs starting with one of my favourites, Radiohead’s 15 STEP. We followed with The Clash and ROCK THE CASBAH and Queen with WE WILL ROCK YOU. Other than the last 30 seconds containing a guitar solo from Brian May, the song is generally set in a capella form, using only stamping and clapping as a rhythmic beat. Perfect for today’s theme.
We closed the show with one of the most inspirational songs that feature handclapping. GIVE PEACE A CHANCE celebrates what would have been John Lennon’s 70th birthday last Saturday.
If you would like to contribute to next week’s show, which will be on EYES AND SIGHT, I’d love to have your input. Just leave me a message in the comments area of this blog.
Here’s this week’s complete playlist:
The Clapping Song – The Best Of Shirley Ellis, Shirley Ellis
Hey Ya! – The Love Below, Outkast
Rubberneckin’ – Treasures 64 To 69 [Disc 1], Elvis Presley
Summertime Blues – Music From The Movies, Eddie Cochran
Hand Clapping Song – Struttin, The Meters
Too Many Fish In The Sea – The Big Chill, The Marvelettes
Said I Wasn’t Gonna Tell Nobody – Shakin’ The Rafters, The Abyssinian Baptist Gospel Choir
Frug – Rilo Kiley, Rilo Kiley
Can’t You Hear My Heartbeat – Their Greatest Hits, Herman’s Hermits
Don’t Let Me Be Misunderstood – Tarantino Experience Take II, Leroy Gomez and Santa Esmeralda
Car Wash – Greatest Hits, Rose Royce
Rebel Rouser – Forest Gump Soundtrack, Duane Eddy
Stuck In The Middle With You – Reservoir Dogs, Stealers Wheel
Let’s Go – The Cars Greatest Hits, The Cars
Clap Hands – Guerolito, Beck
I Love A Rainy Night – Kick It Up, Eddie Rabbitt
Hurts So Good – American Fool, John Mellencamp
Little Red Corvette – 1999, Prince
Clap Your Hands! – Clap Your Hands Say Yeah, Clap Your Hands Say Yeah
Clap Your Hands – Clap Your Hands, Sia
Dirty Harry – Dirty Harry (Single), Gorillaz
1234 – The Reminder [Bonus Track], Feist
What I Like About You – Top Hits Of The 80’s (1980 [Disc 2]), The Romantics
All The Young Dudes – Rock Classics 60’s & 70’s Volume 2, Mott The Hoople
Paradise Circus feat. Hope Sandoval – Heligoland, Massive Attack
15 Step – In Rainbows, Radiohead
Rock The Casbah – Story of the Clash, Volume 1 [Disc 1], The Clash
We Will Rock You – News Of The World, Queen
Give Peace A Chance – Lennon [Disc 1], John Lennon
We call them fibs, falsehoods, fish stories, tall tales, whoppers but what’s really true is that lies have become almost commonplace, and unfortunately we’ve come to expect them from our electioneering hopefuls. But I won’t lie to you: This week’s show was full of great music, all of it on the subject of Truth & Lies. And its a perfect topic for the lead up to our federal election here in Australia.
So, could I have chosen a better opening song than WOULD I LIE TO YOU from the Eurythmics?
The great Freddy Mercury kept the ball rolling with another song suitable for the upcoming election: THE GREAT PRETENDER:
Clarence Carter delivered a song about people who tell lies behind your back. The song’s called THE BACKSTABBERS. Another kind of liar that we seem to condone is THE CARD CHEAT. The Clash turn the concept of the poker face into a pretty good song.
Aretha Franklin begged us – DON’T PLAY THAT SONG, but we had to anyway. And Little Richard sang his 1967 hit DON’T DECEIVE ME.
Jack Johnson isn’t sure he has the answers or that he wants to know the reason we’re all here on ANYTHING BUT THE TRUTH. And from that we had nowhere else to go than some pure pop with The Go-Gos and their 1981 pop hit, OUR LIPS ARE SEALED.
Eric Clapton, who knows just a little bit about an addict’s self-denial, gave us COCAINE. And we followed with another piece of self-delusion: Mary Gauthier’s I DRINK.
Okkervil River’s POP LIE was followed by a song that spoke to many during the Vietnam War. AMERICAN RUSE was recorded by MC5 in 1969 and it points out the American government’s grand deception during this time. Check out these early punk rockers. Excellent.
Lots of requests for Leonard Cohen this week. So IN MY SECRET LIFE made the list, especially for Robyn, Des, Julie & Waldo. I know its heresy to all you Cohen fans, but I haven’t been one of them. If any of his songs could convert me, however, it would be this one. And I’m a sucker for a quirky video clip:
The song LOLA is about someone who misrepresents their gender and gets the Kinks all in a lather. Better to do what Eric Clapton and Steve Winwood suggest and TELL THE TRUTH, I think.
Feist’s I FEEL IT ALL is the third single from her critically acclaimed 2007 album The Reminder. It’s basically a love song about how lies can divide. Matchbox 20’s song BED OF LIES can be interpreted as not being who you really are within a relationship, or, just leading a life that’s not true to who you really are.
Regular contributor Robyn suggested a few songs this week but one that I had forgotten and had to include was The Thompson Twins with LIES. Couldn’t help myself and had to follow with The Monkees and I’M A BELIEVER. Take me back to 1966!
John Lennon, and I, have a message for all you politicians: (Just) GIMME SOME TRUTH. Fleetwood Mac, on the other hand, only have love on their minds and they’d prefer that you TELL ME LIES. Depeche Mode have a similar opinion. They’re convinced that honesty’s not always the best policy on POLICY OF TRUTH. Released in 1990, its from their Violator album.
It was a toss up between The Who’s LA LA LIES and IT’S NOT TRUE for inclusion this week, but went with the latter. Both songs highly underrated I think.
Love the high-octante performance here from Blondie with LITTLE GIRL LIES. Watch for when Debbie shouts: “Hey I want some back up!” Check out this live performance:
We closed the show with the beautiful voice of up and coming musical star Megan Washington. The song I BELIEVE YOU LIAR is from the recently released album of the same name. Someone to watch for sure.
I’d love to have your suggestions for next week’s show, which will be on LIFE’S LESSONS. Songs that express what life is all about. They will have an element of advice about them, like “You Can’t Always Get What You Want” . Come on, you know you like a challenge.
Here’s this week’s complete playlist:
Would I Lie To You – Be Yourself Tonight, Eurythmics
The Great Pretender – The Very Best of Freddie Mercury Solo, Freddie Mercury
Backstabbers – Tarantino Experience II, Clarence Carter
The Card Cheat – London Calling, The Clash
Don’t Play That Song – Aretha Franklin
Don’t Deceive Me – The Explosive Little Richard, Little Richard
Anything But The Truth – To The Sea, Jack Johnson
Our Lips Are Sealed – Beauty and the Beat, The Go-Go’s
Cocaine – Eric Clapton
I Drink – Theme Time Radio Hour with Your Host Bob Dylan, Mary Gauthier
Pop Lie -The Stand Ins, Okkervil River
The American Ruse – Back In The USA, MC5
In My Secret Life – Ten New Songs, Leonard Cohen
Lola – Lola vs Powerman, The Kinks
Tell the Truth – Live from Madison Square Garden, Eric Clapton and Steve Winwood
I Feel It All – The Reminder, Feist
Bed of Lies – Mad Season, Matchbox 20
Lies – Classic MTV: Class of 1983, Thompson Twins
I’m A Believer – The Monkeys
Gimme Some Truth – Lennon Disc 2 John Lennon
Tell Me Lies – Fleetwood Mac
Policy of Truth – Depeche Mode
It’s Not True – My Generation Deluxe Edition (Extended Version), The Who
Little Girl Lies – Blondie, Blondie
Moment of Truth – Moment of Truth, Single, Blue King Brown
I Believe You Liar – I Believe You Liar, Washington
Next week: LIFE’S LESSONS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
A while back I did a show on ‘Covers That Are Better Than The Originals’ and I had so much fun with that. So this week it was UNLIKELY COVERS. Anything in the previous show was excluded, just to keep me on my toes. But have no fear, there were plenty more, and even quirkier versions, to choose from.
We opened the show with Peter Sellers’ hilarious version of the Beatles A HARD DAY’S NIGHT, in the style of Lawrence Olivier’s Richard 111. Thanks to Andrew for this request.
Andrew also requested the next track on our list: Hellsongs’ version of THUNDERSTRUCK. Hellsongs is an acoustic three-piece that plays what is best described as Lounge Metal. That means metal classics performed with surprisingly clear female vocals, soft guitars, an organ and two male choir-boys. They do a brilliant job of this AC/DC cover.
Stevie Wonder’s version of the Beatles classic WE CAN WORK IT OUT is a good example of what I think defines an UNLIKELEY COVER. Not only does he switch genre, he also reinterprets the emotions that underpin the track, taking it from melancholia to pure elation. So, here’s a treat: A clip from the recent 2010 Glastonbury Festival where Stevie sings both Master Blastin’ and We Can Work It Out. Enjoy.
I’LL BE MISSING YOU by P. Diddy, Faith Evans and 112, borrows the melody and arrangement of Police’s EVERY BREATH YOU TAKE to create a song that was recorded in memory of rap artist Notorious B.I.G., murdered in 1997. Thanks to Robyn for that suggestion.
Scottish alternative pop band Camera Obscura do a great version of the Abba hit SUPERTROUPER, so that had to be included. As did Nick Cave, with the very unlikely cover of Louis Armstrong’s WHAT A WONDERFUL WORLD.
Algerian musician Rachid Taha does an intriguing Arabic version of the Clash standard ROCK THE CASBAH. Check it out:
As someone who loves their Bluegrass and is a hardcore Queen fan, (what’s not to love?), Hayseed Dixie appealed with their cover of Queen’s BOHEMIAN RHAPSODY. Come on, you’ve got to get a chuckle out of this, surely:
We followed with a very gentle rendition of the Guns & Roses’ track SWEET CHILD OF MINE. It’s from Swedish singer Victoria Bergstrom, under her Taken By Trees moniker.
SWITCHED ON BACH is the name of an album by Walter (later to become Wendy) Carlos. Recorded in 1968, using the Moog synthesiser, it became the highest selling classical music recordings of its era. We played one of the best tracks from that album, SINFONIA 35. Carlos went on to make many more recordings, including scores for the Stanley Kubrick films A Clockwork Orange and The Shining.
Paul Kelly only needs his guitar, and his great voice, to create a knock-out acoustic version of the Amy Winehouse signature tune REHAB. I found this on one of the very excellent Triple J Like a Version albums.
One of my favourite films of all time is JUNO and one of the best songs on that soundtrack is Sonic Youth’s cover of The Carpenter’s SUPERSTAR. Karen would have been proud:
The phones ran hot when this next track was played: Legends Willie Nelson and Waylon Jennings gave Procol Harum’s A WHITER SHADE OF PALE a country voice. And then the totally indiosyncratic William Shatner covered Pulp’s COMMON PEOPLE.
But if you thought that was crazy, how about Ani DiFranco and Jackie Chan (yes, that’s correct, Jackie Chan the Hong Kong actor). They contributed a bizarre duet of Nat King Cole’s UNFORGETTABLE. Ani’s voice is great, but methinks that Jacki should just stick to acting (or maybe not!).
We followed with The Clash’s version of Junior Murvin’s reggae classic POLICE & THIEVES. While a punk rock group covering reggae does seem a bit unusual, Joe Strummer makes this great track his own.
Gee, it was hard choosing one of Johnny Cash’s covers. His album American IV: The Man Comes Around is particularly good for UNLIKELY COVERS. My favourite is his version of the Nine Inch Nails song HURT but I have played that before, so I thought I’d bring you his cover of Depeche Mode’s PERSONAL JESUS instead. This album is especially moving as Cash died soon after its release.
Lesley Gore, (that’s right, she of IT’S MY PARTY AND I’LL CRY IF I WANT TO), gave us a great version of AD/DC’s DIRTY DEEDS DONE DIRT CHEAP. Just to prove that she can sing anything she wants to!
R & B great Billy Preston does an interesting cover of pop band Duran Duran’s GIRLS ON FILM. As do the Ramones when they do a punk version of Creedence Clearwater Revival’s HAVE YOU EVER SEEN THE RAIN?
Here’s a combination I really love: C.W. Stoneking, with another track from Triple J’s Like a Version compilation: the White Stripes SEVEN NATION ARMY. Two of my favourite artists, Stoneking and Jack White. I think what makes this so good is that Stoneking hadn’t even heard the song before it was suggested that he do a cover, so it has this incredible freshness to the interpretation. Here’s an interview and his performance live in the studio. So jealous of that presenter!
We followed that with a great pairing: Jim Morrison and The Doors with their version of Howlin Wolf’s BACK DOOR MAN and Patti Smith’s amazing cover of Prince’s WHEN DOVES CRY. Thanks again to Rob for suggesting that one.
How perfect is Sid Vicious’s punk version of MY WAY, made famous originally by Frank Sinatra? Let’s face it, he couldn’t sing, couldn’t play but gee he knew how to take the piss out of society. Miss that.
What to finish the show with? Well, a cover of Led Zeppelin’s STAIRWAY TO HEAVEN seemed an obvious choice but which version? Rolf Harris came to mind, especially after his recent appearance at Glastonbury but I’m not a big fan. Instead, the honour went to one of the best musicians in rock history, Frank Zappa.
Next week the theme is a staple of pop music: SWEETS, all those yummy sugary foods that symbolise so much about personal relationships. Let me know if you have any good suggestions. Love having your input.
For now, here’s this week’s complete playlist:
A Hard Day’s Night (Beatles cover) – Time To Remember 1965, Peter Sellers
Thunderstruck (AC/DC cover) – Hymns In The Key Of 666, Hellsongs
We Can Work It Out (Beatles) – Greatest Hits, Vol. 2, Stevie Wonder
I’ll Be Missing You (Police) – P. Diddy
Super Trouper (Abba cover) – Tears For Affairs, Camera Obscura
What a Wonderful World (Louis Armstrong cover) – B-Sides & Rarities, Nick Cave/The Bad Seeds
Rock el Casbah (Clash cover) – Arabian 2000 & 1 Nights, Rachid Taha
Bohemian Rhapsody (Queen cover) – Killer Grass, Hayseed Dixie
Sweet Child Of Mine (Guns & Roses cover) – Taken By Trees (Victoria Bergsman)
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Rehab (Amy Winehouse cover) – Like A Version Four, Paul Kelly
Superstar (Carpenters Cover) – Juno Soundtrack, Sonic Youth
A Whiter Shade of Pale (Procol Harum cover) – Always On My Mind, Willie Nelson & Waylon Jennings
Common People (Pulp) – Triple J Hottest 100: Volume 12 William Shatner/Joe Jackson
Unforgettable (Nat King Cole)- When Pigs Fly: Songs You Never Thought You’d Hear, Ani DiFranco & Jackie Chan
Police & Thieves (Junior Murvin) – The Clash, The Clash
Personal Jesus (Depeche Mode) – American IV: The Man Comes Around, Johnny Cash
Dirty Deeds Done Dirt Cheap (AC/DC cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Lesley Gore
Girls on Film (Duran Duran cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Billy Preston
Have You Ever Seen the Rain (Creedence Clearwater) – The Ramones
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Seven Nation Army (White Stripes cover) – Like A Version Four, C.W. Stoneking
Back Door Man (Howlin Wolf cover)- The Doors, Jim Morisson/The Doors
When Doves Cry (Prince cover) – When Doves Cry, Patti Smith
Surﬁn’ USA (Beach Boys) – The Jesus & Mary Chain
My Way (Frank Sinatra) – The Great Rock ‘N’ Roll Swindle, Sid Vicious
Stairway To Heaven (Led Zepelin Cover) – Frank Zappa
Next week: SWEETS (Yummy, yummy, yummy I’ve got love in my tummy!)
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
This week we’re celebrating that Australia finally has a female PrimeMinister in Julia Gillard – it only took 109 years! The show was on the F word, no not THAT word – I’m talking FEMINIST SONGS, GRRRL POWER. It’s a complex topic and I had to have a criterion for the list, otherwise I would have gone absolutely nuts trying to make a selection. So it came down to the lyrics. Obviously what I think makes a feminist song is totally subjective, but hopefully my choices made for an interesting and fun couple of hours.
Le Tigre kicked the show off with HOT TOPIC, a song that pays tribute to dozens of female visual artists, musicians, writers and feminists who have inspired them, including Yoko Ono, Aretha Franklin, The Slits and others. Le Tigre was founded by Kathleen Hanna. She’d previously fronted the band Bikini Kill, a leading light in the Gen X Riot Grrrl movement of the early 90’s. Riot Grrrls didn’t just create music. They published zines, produced their artwork and group exhibitions. The movement spawned current performance artists like Amanda Palmer, Peaches and M.I.A. Have a peek at Le Tigre:
Moving into the show proper, we travelled back in time to 1963 when Peggy Lee recorded I’M A WOMAN. This was at a time when multi-tasking meant being able to do all the housework andpowder your nose at the same time. By 1975 Loretta Lyn had released the first song about birth control, called THE PILL, about a little dose of hormones that would change society and history forever. Can you believe that it was banned from radio? In 1975! We have come a long way baby.
Now you were probably wondering whether any songs about women, written by men, met with my approval. Well, there were a few, (not many mind you). Here’s one: In 1978, Queen speculated that it wasn’t gravity but, in fact, FAT BOTTOMED GIRLS that made the earth go round. Fascinating. Thirty years later the scientific community is still to respond, even though Queen’s guitarist Brian May (who wrote this track) was studying for a PhD in astronomy at the time, which lends some sort of credibility to the argument don’t you think? Over the years this song has proved a useful rebuff to the portrayal of women in popular culture as little more than skinny minnies. And, at the very least, you have to congratulate a song with the lyrics, “Take me to them lardy ladies every time!”.
Keeping to the theme, let’s talk about an artist who has the sisterhood in a quandry. Beyonce sings all about being an independent woman and, yet, she still wants her fella to put a ring on it. But I must admit a liking for Destiny’s Child and especially the track BOOTYLICIOUS. Here are women in possession of their own bodies, their own sexuality and their own lives. When they solemnly announce “I don’t think you’re ready for this jelly” in their ode to the joys of shakeable bottoms, the cheering from millions of pear-shaped women world-wide is deafening.
We followed with a song by the Scissor Sisters called SHE’S MY MAN, a song that tells of a woman who “takes her drinks with dust and rusty razor blades”. It then goes on to assert that “She’s my man and we got all the balls we need”. Not sure if this is a tribute to a transvestite or a particularly gutsy woman, but I’m somewhat encouraged by the fact, that in this age of sexual equality, it doesn’t really matter.
A couple of great duets were lined up next: Aretha Franklin and Annie Lennox with the 1985 anthem SISTERS ARE DOING IT FOR THEMSELVES and the 2003 release of CAN’T HOLD US DOWN by Christina Aguilerra and Lil Kim.
An artist who must surely qualify for our pro-feminist list is Peaches. She writes provocative lyrics that challenge traditional notions of gender. Her songs are nearly always sexually explicit which means that I can’t always include her in my playlists but there is one that did get away with playing this week, as it’s quite tame, for her anyway. Here she is with BOYS WANNA BE HER. Kick-ass band too.
The fight for sexual equality has always been one of the cornerstones of the feminist movement but back in the 40’s, way before we burnt our bras, the early Blues and jazz singers got away with murder with their proudly promiscuous and highly enjoyable music. You just heard Big Mama Thornton with her twist on the Sonny Boy Williamson song Good Mornin’ Little School Girl. Her version is called, what else, SCHOOL BOY. And then it was Julia and Her Boyfriends who know exactly what they want in GOTTA GIMME WATCHA GOT.
At the show’s half way mark Lesley Gore belted out YOU DON’T OWN ME, recorded in 1964 and covered later by Dusty Springfield and Joan Jett, among others. It also featured on the soundtrack of the film THE FIRST WIVES CLUB, a nice little revenge flick about three divorced women whose husbands have left them for younger models. It does happen you know! Here’s Lesley:
Next up it was a suggestion from Cath: Bluegrass duo Truckstop Honeymoon with BAD ATTITUDE. And to follow I chose an artist who has attitude with a capital ‘A’, M.I.A. with PAPER PLANES, on which she samples The Clash’s STRAIGHT TO HELL.
Had to include the wonderful Neko Case with PRETTY GIRLS, a song about abortion and the guilt-trip that’s put on women, particularly if they’re good looking. A nice pairing in tone, for this one, was WOMAN from John Lennon, a bloke who towards the end of his short life at least was very much the feminist.
If you’re looking for opinionated, then you can’t go past the next two tracks: First up, the great Patti Labelle with NEW ATTITUDE and Madison Avenue with WHO THE HELL ARE YOU?
Just saw the new film RUNAWAYS which I thought was going to be about Joan Jet but its not. It’s based on Cherry Bomb, the vocalist with the band, played to perfection by Dakota Fanning. Couldn’t help but be disappointed however with Kristin Stewart’s depiction of Joan. So, let’s make up for it with the stand out ‘up yours’ track, BAD REPUTATION. Here’s Joan Jett & The Blackhearts:
This one was a given: Aretha Franklin with a song that served both the Women’s Liberation & Civil Rights movements equally well. It is, of course, her cover of Otis Redding’s RESPECT.
Ani DiFranco is certainly no damsel in distress on NOT A PRETTY GIRL from the album of the same name, released in 1995 on her own record label with the fabulous name of Righteous Babe Records. Way to go: control the means of production!
Had to include another John Lennon track because he really was a card-carrying feminist. Here’s a clip of him performing WOMAN IS THE NIGGER OF THE WORLD on the Dick Cavett show. Having said all that, it does disturb me somewhat how submissive Yoko appears to be. Hmmmm. And, like, what’s with the drumming?
Heading towards the end of the show, there was just time to play Jeannie C. Riley’s HARPER VALLEY PTA about the struggles of a single mum in a small town, recorded in 1968. Riley was the first women ever to top the US pop and country singles charts with this song. The achievement would not be repeated until 1981 when Dolly Parton topped the same charts with the song you heard next – 9 to 5 – from the movie of the same name, about equality in the workplace.
Who better to close the show than Janis Joplin? This song was originally recorded by Big Mama Thornton and covered to perfection by Janis and Big Brother and the Holding Company in 1967. Here they are performing in Germany, 1969. The song: BALL & CHAIN.
Next week the theme will be UNLIKELY COVERS. Think Johnny Cash covering the Nine Inch Nails track HURT or Sonic Youth’s version of the Carpenters SUPERSTAR, that kind of thing. I’d love to hear from you with your own suggestions.
Here’s this week’s full playlist:
Hot Topic – Le Tigre
I’m A Woman – Peggy Lee
The Pill – Loretta Lynn
Fat Bottomed Girls – Queen
Bootylicious – Survivor, Destiny’s Child
She’s My Man, Ta-Dah, Scissor Sisters
Courtship of Eddie’s Father – Movie clip
Sisters Are Doin’ It For Themselves, Aretha Franklin/Annie Lennox
Can’t Hold Us Down – Stripped, Christina Aguilera and Lil Kim
Boys Wanna Be Her, Impeach My Bush, Peaches
Don’t Call Me Baby, Madison Avenue
School Boy – Ball n Chain, Big Mama Thornton
Gotta Gimme Watcha Got – Sugar in My Bowl, Julia & Her Boyfriends
You Don’t Own Me, Billboard Top 100 of 1964, Lesley Gore
Bad Attitude – Diamohds in the Asphalt, Truckstop Honeymoon
Paper Planes – Kala, M.I.A.
Pretty Girls – Blacklisted, Neko Case
Woman – Double Fantasy, John Lennon
New Attitude – Patti Labelle
Who The Hell Are You? – Madison Avenue
Women Know Your Limits – Harry Enfield BBC (Comedy Clip)
Bad Reputation – Joan Jett & The Blackhearts
Respect – Aretha Franklin
Not A Pretty Girl – Not A Pretty Girl, Ani DiFranco
Woman Is The Nigger of the World, The John Lennon Collection, John Lennon
Harper Valley P.T.A. – 60 Number One Hits of the 60’s, Jeannie C. Riley
9-5 – The Essential Dolly Parton, Dolly Parton
Ball & Chain – Cheap Thrills, Janis Joplin/Big Brother & the Holding Company
Next week: UNLIKELY COVERS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Memories can haunt us, no matter how much we want to escape them. There are false memories, conflicting memories of the same event and memories that clash with the reality of the present. Thanks to mass media, memory isn’t something that only belongs to us as individuals. When we see scenes at the cinema or television or on DVDs over and over again, they become part of our collective memory. Even if you’ve never seen the film King Kong you know that there’s a scene where a big gorilla climbs up the Empire State Building with a human girl in his hand. And whenever a comedy show or film features a scene where someone is killed or threatened in a shower most people understand it’s a parody of Psycho. So mass media, film and television in particular, have contributed hugely to a memory that we share with millions of other people.
Unfortunately, we remember melancholy and pleasure in equal measure. The concept of looking back in hindsight is also a bit complicated. It’s easy to write off youthful idealism as simply being naïve as Stevie Wonder did in our opening number YESTERME, YESTERYOU, YESTERDAY. According to Stevie it was all “a cruel and foolish game we used to play”. Well that’s how he remembers it anyway.
And talking of cruel, I can’t imagine anything worse than getting Alzheimer’s disease and Elvis Costello’s song VERONICA is all about that. It tells the story of an old lady who lives in a nursing home and is gradually losing her memory. It was inspired by Costello’s grandmother.
The Ramones want to know DO YOU REMEMBER ROCK ‘N’ ROLL RADIO? Has it ever gone away?
Collecting objects that remind us of old times should bring back good memories, but that’s not always the case as Soft Cell tell it in MEMORABILIA. Sarah Vaughan would rather experience something that didn’t work out than never do anything at all in I’D RATHER HAVE A MEMORY THAN A DREAM. The real classic of this triple play, however, was the Shangri-Las with their ode to a lost love affair: REMEMBER (WALKIN IN THE SAND). Here’s a great clip from the excellent “Songmakers Collection” DVD, with interviews with Mary Weiss and writer producer George ‘Shadow’ Morton about this track and their other hit, LEADER OF THE PACK.
Jurassic 5 dug deep into their memory banks for REMEMBER HIS NAME. As did Fall Out Boy for THNKS FR TH MMRS . The Zutons, REMEMBER ME is about those kind of friends who seem to forget you once they are entrenched in a romantic relationship. Don’t you just hate that!
THOSE WERE THE DAYS is from Cream’s 1968 album Wheels of Fire. The album cover was designed by Australian artist Martin Sharpe and it won the the New York Art Directors Prize for best album cover in 1969. The sound on the album was characterised by a hybrid of blues, hard rock and psychdelic rock, combined with Eric Clapton’s blues guitar, Ginger Baker’s jazz-influenced drumming and the basslines and voice of Jack Bruce.
One of the most beautiful voices I’ve heard belongs to Sarah McLachlan. And one of my favourite songs of hers is one that I first heard on the soundtrack to the film The Brothers McMullen. It’s called I WILL REMEMBER YOU.
Otis Redding’s name is synonymous with the term ‘soul’ and we had to include his classic with I’VE GOT DREAMS TO REMEMBER. Redding died at the very early age of 26 but his memory is kept alive with the Youth Educational Dream Foundation and a very good website. Go to: http://www.otisredding.com/
British group Bloc Party look back regretfully on an opportunity for love that wasn’t realised in I STILL REMEMBER:
The Kinks wonder what ever happened to their childhood friend in DO YOU REMEMBER WALTER? It’s from their album The Kinks Are the Village Green Preservation Society.
The Supremes reflected on the good and bad memories of a love that used to be in REFLECTIONS while Jimi Hendrix had only good memories of a past love, (he even wants her back!), in REMEMBER.
Relationships that survive depend partly on shared memories, but those memories need constant topping up. Indie rockers, Yo La Tengo document this well in OUR WAY TO FALL.
There was a fair bit of nostalgia in this week’s show, (well what did you expect?) and one of my faves was The Platters with REMEMBER WHEN. Also fitting the bill was Elvis Presley who seems somewhat confused in I FORGOT TO REMEMBER TO FORGET.
Memories, daydreams, disconnected thoughts – they fill our minds in a never-ending rush. Our next song, THE WINDMILLS OF YOUR MIND, evoked this beautifully, conveying the incredible weirdness of our thought processes. If you’re after nostalgia then what about Noel Harrison with the original version of the song that served the film The Thomas Crown Affair so well.
Ok back to recent memories. Jack Johnson wonders DO YOU REMEMBER? and P.M. Dawn are SET ADRIFT ON A MEMORY. Thanks to Lynden for suggesting that one and several others on our list today.
One of my favourite films deals with amnesia. Memento, starring Guy Pearce, and directed by Christopher Nolan, is a fascinating story about someone who can’t store new memories. A song about about the subject is I DON’T REMEMBER by Peter Gabriel.
Bob Dylan’s memory song is a love ballad from the Empire Burlesque album: I’LL REMEMBER YOU. And if its nostalgia that you’re after, consider MEMORIES ARE MADE OF THIS from Dean Martin. An oldie but a goodie, as they say.
I’ll never forget Michael Jackson with REMEMBER THE TIME from the Dangerous album. Another sad memory for me is Freddy Mercury singing THOSE WERE THE DAYS OF OUR LIVES which many think was the song he dedicated to his fellow Queen members when he knew that he was dying.
Back to the 70’s and some Aussie based punk rock: remember The Saints and MEMORIES ARE MADE OF THIS?
We closed the show with a cover of a song that I swore I wouldn’t play this week, but this version is so sweet it had to make the cut: The Waifs with a little help from Clare Bowditch. They’re singing Frank Ifields I REMEMBER YOU.
This week’s theme on MEMORY segues nicely into next week’s topic. My computer crashed last week and I had to invest in a drive with a lot more memory to cope with all the songs that I collect for these shows. So next week its MACHINES, ROBOTS AND COMPUTERS. No Television or Radio songs please because you know they are a whole theme to themselves. and no modes of transport, for the same reason. But any other gadget or gizmo is up for grabs.
Here’s this week’s complete playlist. All songs available on iTunes.
Yesterme Yesteryou Yesterday – Stevie Wonder
Veronica – Elvis Costello
Do You Remember Rock ‘N’ Roll Radio – The Ramones
Memorabilia – Soft Cell
I’d Rather Have a Memory Than a Dream – Sarah Vaughan
Remember (Walkin’ in the Sand) – The Shangri-Las
Remember his name – Jurassic 5
Thnks fr th Mmrs – Fall Out Boy
Remember Me – The Zutons
Those Were The Days – Cream
I Will Remember You – Sarah Mclachlan
I’ve Got Dreams To Remember – Otis Redding
I Still Remember – Bloc Party
Do You Remember Walter – The Kinks
Reﬂections – Diana Ross & the Supremes
Remember – The Jimi Hendrix Experience
Our Way to Fall – Yo La Tengo
Remember When – The Platters
I Forgot to Remember to Forget – Elvis Presley
Do You Remember – Jack Johnson
The Windmills Of Your Mind – Noel Harrison
Set Adrift On Memory Bliss – P.M. Dawn
I Don’t Remember – Peter Gabriel
I’ll Remember You – Bob Dylan
Memories Are Made Of This – Dean Martin
Remember The Time – Michael Jackson
Memories Are Made of This – The Saints
Those Were The Days Of Our Lives – Queen
Remember You (feat. Clare Bowditch) – The Waifs
Figuring out who your friends are used to be pretty straight forward. Rarely did anyone I know have more than a handful of best buddies, but in the age of Facebook there’s nowhere to hide and in ten seconds flat you’ve got yourself hundreds of so-called ‘friends’ in your cyber-social network. At least with neighbours there’s no ambiguity. They either live next door to you or they don’t. Except in Byron Bay where, if you live in a holiday rental area, it’s a traveling circus. But that’s another story.
The risk with doing a show with this theme,of course, is that the songs tend to lean towards the warm and fuzzy, so I’ve made sure that if I have included a little bit of cheese, then its good cheese! The brie of pop, in fact. Personally, I prefer a gritty, more realistic look at friendships, so it was a diverse range of viewpoints that we presented in this week’s show. I also went out of my way to exclude any song that’s been used as a theme for a sit-com or reality tv series. And that was hard I tell you. Goodbye Dandy Warhols, The Rembrandts, Stevie Wonder and others.
We opened the show with some pure pop – the Spice Girls, way back when they really were friends, with WANNABE. Yeah, if you wannabe my lover, you better get on with my friends. Well, it’s a given isn’t it? The official video of the song isn’t that great, but you have to give them credit for a clip made with one continuous shot. Check it out:
The uncomplicated friendships formed at school are the source of a number of songs. The White Stripes with, most possibly, their gentlest track, WE ARE GOING TO BE FRIENDS, was followed by The Clash’s wonderful, yet underrated, STAY FREE – a song written by guitarist Mick Jones about his best mate at school who ended up in prison.
Bill Withers’ LEAN ON ME is a genuine heart-warmer. Some may think its cheesy, but to me it transcends that label and represents one of the classic friendship songs. Corrine Bailey Rae gives a nod to Bob Marley in PUT YOUR RECORDS ON: “three little birds sat on my window and they told me that I don’t need to worry.” A beautiful song about the supportive nature of friendship.
Michelle Shocked song ANCHORAGE is about friendship that’s expressed in letters going back and forth. The song touchingly and poignantly captures the pleasure of discovering a friend’s new life while realizing that life moves on and different paths must be followed.
There were at least three songs from The Beatles that fitted the theme but I chose IN MY LIFE, over the more obvious I GET BY WITH A LITTLE HELP FROM MY FRIENDS. Because I can.
BAD NEIGHBOURHOOD by Ronny & The Delinquents is notable for the fact that the band included Dr John before he became Dr. John. Malcolm Rebennack (his real name), was a guitarist in that band but his career almost came to an end when his left ring finger was injured by a gunshot while he was defending singer/keyboardist Ronnie Barron. After the injury, Rebennack concentrated on bass guitar before making piano his main instrument; pianist Professor Longhair was an important influence on Rebennack’s style.
Pioneering gospel and blues singer Sister Rosetta Tharpe had some good advice: DON’T TAKE EVERYBODY TO BE YOUR FRIEND. While Jerry McCain and His Upstarts had a whinge: MY NEXT DOOR NEIGHBOUR is a very amusing song about a neighbour that can’t stop borrowing stuff.
Not all companionship is welcome. Morrissey comments on the Manchester music scene in WE HATE IT WHEN OUR FRIENDS BECOME SUCCESSFUL. And in ARE ‘FRIENDS’ ELECTRIC? Gary Numan mixes genuine feelings of alienation with Philip K. Dick’s sci-fi fantasies to create a story of a man whose robot buddy has broken down. Awwww.
The Arcade Fire gave us NEIGHBORHOOD #2 from their Funeral album. The song is actually about Laika the first dog to have been sent into outer space, as the song goes, “for the good of the neighborhood”. Hey, isn’t the dog supposed to be man’s best friend? Quite a sad song, really.
Feeling the the need for some R&B to cheer me up so it was the Four Tops with a message that everyone needs to hear every now and again: REACH OUT I’LL BE THERE. And I never tire of the beautiful voice of Dido singing THANK YOU. Here she is with a fantastic acoustic performance of the song:
Country singers George Jones and Melba Montgomery take neighbourly love to a whole new level with LET’S INVITE THEM OVER. I must admit that today’s show throws a whole new light on our country cousins, doesn’t it?
War wanted to know WHY CAN’T WE BE FRIENDS? and The Lemonheads delivered a brutally honest song about a certain kind of dependent relationship: MY DRUG BUDDY. Here’s Evan Dando performing the track live with Chris Brokaw:
Sheryl Crowe’s song THERE GOES THE NEIGHBOURHOOD won a Grammy award in 2001 for Best Female Rock Performance but failed to chart in America. Go figure.
The Cars got all sooky on us with MY BEST FRIENDS GIRL. Yeah, she used to be mine. Oh well thems the breaks guys. Love and friendship is a complex mix. REO Speedwagon told us (they) HEARD IT FROM MY BEST FRIEND. Oh Oh. Can’t be good news. But we had a solution that may interest some: Rachel Yamagata tackled the the concept of bonk buddies in SIDEDISH FRIEND. Here she is performing the song on KCRW radio in 2008:
Even our country singer friends like the idea of a bit on the side. Conway Twitty & Loretta Lyn asked WHAT’S A LITTLE LOVE BETWEEN FRIENDS? Indeedy.
The Grateful Dead’s song FRIEND OF THE DEVIL is from their American Beauty album and the song, like most of the album, is acoustic. It is known for the riff lead guitarist Jerry Garcia plays and it’s the most covered of the Dead’s songlist.
Patti Labelle is at her best when she sings YOU ARE MY FRIEND. Great song, great voice, simple as that. Here she is in her very first live video with the bonus of an amazing intro from Debbie Henry. The year was 1991.
Now how many times have you heard someone say, after they’ve broken up with someone, that not only were they losing a lover they were losing their best friend? Blues artist Little Walter bemoaned the fact in LAST NIGHT.
It was time for a mood lifter and a couple of songs about Neighbours gave us just that. The Small Faces song LAZY SUNDAY (“Wouldn’t it be nice to get on wiv me neighbours) was suggested by Beck. Great. A perfect companion piece was the Rolling Stones, who also don’t seem to be getting on with their NEIGHBOURS. Do you think it might have something to do with them being rock bands? Here are the Stones performing live in Tempe Arizona during their 1981 tour:
Love, love, love DEAD END FRIENDS from Them Crooked Vultures, the rock supergroup formed in 2009 by John Paul Jones, (Led Zeppelin), Dave Grohl (Nirvana/Foo Fighters) and Josh Homme (Queens of the Stone Age). Go Dave!
It always make me a little sad to listen to Freddie Mercury who died way too young but I had to include Queen’s YOU’RE MY BEST FRIEND:
Herman’s Hermits song MY SENTIMENTAL FRIEND sums up a lot of the material in today’s show including our very last song YOU’VE GOT A FRIEND, from Dusty Springfield covering the Carole King standard. That one was for Victoria.
A big thank you to Zoe for helping out with this week’s show.
Next week in the lead up to Anzac Day and the Australian Day of Remembrance, I’m dedicating the show to MEMORY. So, get your thinking caps on and send my your suggestions.
Here’s the playlist:
Wannabe – Spice Girls
We Are Going To Be Friends – The White Stripes
Stay Free – The Clash
Put Your Records On – Corrine Bailey Rae
Lean On Me – Bill Withers
Anchorage – Michelle Shocked
In My Life – The Beatles
Bad Neighbourhood – Ronny & the Delinquents
Don’t Take Everybody To Be Your Friend- Sister Rosetta Tharpe
My Next Door Neighbour – Jerry McCain And His Upstarts
We Hate It When Our Become Successful – Morrissey
Are ‘Friends’ Electric -Gary Numan + Tubeway Army
Neighborhood #2 (Laika) – The Arcade Fire
Reach Out I’ll Be There – The Four Tops
Thank You – Dido
Let’s Invite Them Over – George Jones & Melba Montgomery
Why Can’t We Be Friends – War
My Drug Buddy – The Lemonheads
There Goes The Neighbourhood – Sheryl Crow
My Best Friends Girl – The Cars
Heard It From A Friend – REO Speedwagon
Sidedish Friend – Rachael Yamagata
What’s A Little Love Between Friends – Conway Twitty & Lorretta Lyn
Friend of the Devil – Grateful Dead
You Are My Friend – Patti Labelle
Last Night – Little Walter
Lazy Sunday – The Small Faces
Neighbours – The Rolling Stones
Dead End Friends – Them Crooked Vultures
You’re My Best Friend – Queen
My Sentimental Friend – Herman’s Hermits
You’ve Got A Friend – Dusty Springfield
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time
What I love about radio is the notion that while I’m listening to a song, whether its old or new, there are thousands of other listeners out there having the same experience. We probably don’t know each other but we’re connected on an intimate level.
So this week at the Theme Park we honoured RADIO. I reckon that most of the great radio songs were recorded when radio ruled supreme, (you know, way back then). As one of my favourite New Zealand bands, Everclear, note: There was no VCR or DVD or World Wide Web dominating our attention and radio played a really important part in people’s lives. Even though the role of radio may be somewhat diminished today, one thing’s for sure: video did not kill the radio star! And as I was the one in charge, I allowed the Buggles to have their say, anyway.
The Ramones opened the show with DO YOU REMEMBER ROCK N ROLL. We kept the nostalgia and the party going with a great trio of oldies: THOSE DJ SHOWS was written by the one and only Smokey Robinson for Patrice Holloway; Sam Cooke sang WE’RE HAVING A PARTY and Chuck Berry told us that he loved listening to ROLL OVER BEETHOVEN on his radio. The Ramones were the precursors of punk and were incredibly influential. Take a look at them performing DO YOU REMEMBER ROCK N ROLL, live:
Everclear really appeal to me with their longing for the past on AM RADIO. The Selector offered up a nice piece of Ska revival with ON MY RADIO and then it was one for all the lovers tuning in. Regina Spektor’s ON THE RADIO is spine-tingling stuff. The unlikely epiphany that takes place while she’s listening to Guns & Roses ‘November Rain’ on the radio is worth the price of the album Begin To Hope. This clip is from the Jonathon Ross Show, from the UK. A very funny guy, btw, worth catching his show as it is now screening in Australia.
The Buggles claimed that VIDEO KILLED THE RADIO STAR. Not true of course, we’re still here and going strong! LL COOL J knows that because, as he says, he CAN’T LIVE WITHOUT MY RADIO.
Harry Chapin is the king of schmaltz and W.O.L.D is no exception. That one was dedicated to all the morning announcers at BayFM. Charlie Dore was a bit of a one-hit wonder with PILOT OF THE AIRWAVES and then it was the Patron Saint of BayFMs Theme Park, Roy Orbison, with HEARTBREAK RADIO from his King of Hearts album.
The Grandpa Jones track TURN YOUR RADIO ON, was recorded in the mid 60’s by Louis Marshall Jones. He adopted his nickname Grandpa when he was performing at a radio station in the 30’s and an announcer told him that he was like a grouchy old grandpa first thing in the morning. The name stuck. Ah the power of the radio announcer. And then in complete contrast it was The Clash with THIS IS RADIO CLASH and Wall of Voodoo with MEXICAN RADIO.
What better way to follow a God-fearing classic, some timeless punk and a dose of new wave than with a cheeky number from the very eclectic Scissor Sisters? The song? TITS ON THE RADIO. (Oops did I day that. Oh well. The Devil made me do it).
The Band and Van Morrison performed CARAVAN from the soundtrack to The Last Waltz. The documentary of The Band’s last concert in 1978 was filmed by Martin Scorsese and is considered one of the greatest concert films ever. And if you’ve never seen it, the DVD should be readily available. Highly recommended.
Whatever happened to Autograph? Loved their 1984 hit, TURN UP THE RADIO. That catchy bit of rock was followed by Elvis Costello bemoaning the corporate beast that is commercial radio with RADIO, RADIO and The Modern Lovers with ROADRUNNER.
Warren Zevon got a little help from Stevie Nicks with MOHAMMED’S RADIO and then it was Queen with the classic RADIO GA GA. The brilliant clip features scenes from Fritz Lang’s 1927 film Metropolis. Freddie Mercury’s solo song ‘Love Kills’ was used in Giorgio Moroder’s restored version of the film, and in exchange Queen were granted the rights to use footage from it in their ‘Radio Ga Ga’ video. However, Queen had to buy performance rights to the film from the communist East German government, which was the copyright holder at the time. Take a look:
I thought I’d go out on a rather melancholy note, just because its a beautiful song, and I do have a soft spot for the Carpenters: YESTERDAY ONCE MORE.
Next week get ready to Accentuate the Positive in a show dedicated to OPTIMISM! I went to a party the other night and this was a challenge put to me by my friend Susie D. So Susie, next week’s show is for you. Everyone else: Get your thinking caps on and send some suggestions.
Meanwhile here is this week’s complete playlist:
Do You Remember Rock ‘N’ Roll Radio – The Ramones
Those DJ Shows – Patrice Holloway
We’re Having A Party – Sam Cooke
Roll Over Beethoven – Chuck Berry
AM Radio – Everclear
On My Radio – The Selector
On The Radio – Regina Spektor
Radio – The Corrs
Video Killed the Radio Star – The Buggles
i can’t live without my radio – LL Cool J
W.O.L.D. (Original Studio Version) – Harry Chapin
Pilot Of The Airwaves – Charlie Dore
On the Radio – Donna Summer
Turn Your Radio On – Grandpa Jones
This Is Radio Clash – The Clash
Mexican Radio – Wall of Voodoo
Tits On The Radio – Scissor Sisters
Caravan (live – The Last Waltz) – The Band & Van Morrison
You Turn Me On (I’m A Radio) (1972) – Joni Mitchell
FM (No Static At All) – Steely Dan
Radio Radio – Elvis Costello
Roadrunner – The Modern Lovers
Turn Up The Radio – Autograph
Mohammed’s Radio – Warren Zevon (and Stevie Nicks)
Radio Ga Ga – Queen
Yesterday Once More – The Carpenters
Next week: OPTIMISTIC SONGS
Listen to Lyn McCarthy on BayFM’s Theme Park, Tuesdays 2-4pm, (Sydney Time). Also streaming on http://www.bayfm.org