Ok, so there are intros and then they’re are great intros. What qualifies as great in my books? In this week’s playlist some songs feature opening segments that are totally independent from the rest of the track. Others just start with the main riff. Our opening song, INTRO/SWEET JANE is from Lou Reed’s live album Rock n Roll Animal, released in 1974, and it’s a terrific example of a great intro. The opening jam from guitarists Steve Hunter and Dick Wagner creates an air of anticipation for what is still to come. The quality of this video clip isn’t great but I had to include it because any chance to see Lou and the band performing in 1974 is worth the annoyance.
The Breeders, (what a brilliant name for an almost all girl band), was formed in 1988 by Kim Deal of The Pixies and Tanya Donnelly of Throwing Muses. Their most successful album Last Splash produced the hit single CANNONBALL and the outstanding part of that song’s intro is the bass line, performed by Josephine Wiggs. The music video was directed by Kim Gordon and Spike Jonze and its a doozy:
The opening salutation on Stevie Wonder’s SIR DUKE is not an introduction that blends into the song; those actual chords are never repeated. It’s a tribute to Duke Ellington and so the intro sets the tone for the piece as a whole, foreshadowing the looser, jazzier solos later in the song.
On Isaac Hayes’ brilliant funk version of the Dionne Warwick classic WALK ON BY the intro becomes a song within a song. On this clip Isaac performs live at Music Scene in 1969. OMG: Sex on a stick. But, about those girls dresses…..
The song ONE STEP BEYOND is from the Madness album of the same name. It was originally written and recorded by the Jamaican ska musician Prince Buster. The spoken line, “Don’t watch that, watch this” in the intro is from another Prince Buster song The Scorcher. Here they are at Glastonbury 2007 showing why they have such a great reputation for live performance:
One of the most recognisable intros in rock history is HOTEL CALIFORNIA from The Eagles. But when it comes to intros that get your attention and then drag you in, kicking and screaming, it has to be rock legends Led Zeppelin. IMMIGRANT SONG is famous for Robert Plant’s distinctive wailing cry at the beginning and the recurring staccato riff from Jimmy Page, John Paul Jones and, (sigh), John Bonham.
The Rolling Stones’ GIMME SHELTER starts rather timidly, with Keith Richards’ set of wavering chords, but it soon builds into a crescendo dominated by the lead guitar line. Here they are performing live in Amsterdam, 1995 with Lisa Fisher on back-up. Watch until the end and get a little bonus from Charlie Watts.
SMOKE ON THE WATER from Deep Purple is known for Ritchie Blackmore’s instantly recognisable opening riff. The lyrics of the song tell a true story: on 4 December 1971 Deep Purple had set up camp in Montreux Switzerland to record an album using a mobile recording studio at the entertainment complex that was part of the Montreux Casino. On the eve of the recording session a Frank Zappa and The Mothers of Invention concert was held in the casino’s theatre. In the middle of Don Preston’s synthesizer solo on “King Kong”, the place suddenly caught fire when somebody in the audience fired a flare gun into the rattan covered ceiling. The resulting fire destroyed the entire casino complex, along with all the Mothers’ equipment. The “smoke on the water” that became the title of the song referred to the smoke from the fire spreading over Lake Geneva from the burning casino as the members of Deep Purple watched the fire from their hotel across the lake.
It was difficult to pick from AC/DC’s repertoire of great introductions but I went with my all-time favourite, THUNDERSTRUCK. Angus Young gets the crowd going during this intro at Donnington 1991:
Derek & The Dominoes’ LAYLA has got to be one of rock’s definitive love songs. The introduction contains an overdub-heavy guitar solo, a duet of sorts between Duane Allman’s slide guitar and Eric Clapton’s bent notes.
A couple of controversial tracks followed, both with unique introductions. FIRESTARTER, by UK band The Prodigy, caught attention because the song was deemed, by some, to be violent. The video clip, directed by Walter Stern, further fueled these claims. Shot in stark black and white, in an used part of the London Underground, some television stations refused to air the clip. Which just makes me want to show it to you, even more! I think its brilliant.
The Prodigy are a hard act to follow but I think we succeeded with the compelling and dark Massive Attack track INTERTIA CREEPS. It’s from their excellent album Mezzanine.
When The Temptations’ PAPA WAS A ROLLING STONE was released in 1972 it was 12 minutes long! Thankfully there is a shorter version that’s suitable for radio that keeps that amazing intro intact. It begins with an extended instrumental starting with a solo plucked bass guitar, backed by hi-hat cymbals. Other instruments including a blues guitar, wah-wah guitar, Wurlitzer Electric Piano, handclaps, horns and strings gradually join in.
In 1974 David Bowie became obsessed with soul music and it resulted in the album YOUNG AMERICANS, which he created with the help of the great soul singer Luther Vandross. Here’s the Thin White Duke on the Dick Cavett Show in 1974 with, amongst others, Vandross singing back-up! Loving the shoulder pads.
The Beatles track I FEEL FINE was the first recorded song to feature guitar feedback. The story goes that, while recording, John Lennon accidentally left his guitar too close to his amp, producing the interesting whine that’s in tune with the riff’s opening note.
As an intro to our Gig Guide, I couldn’t resist playing some of Screamin’ Jay Hawkins’ I PUT A SPELL ON YOU. The demented opening and the cabaret style act, together with a cigarette smoking skull called ‘Henry’, laid the foundation for future ‘shock rock’ performers like Dr. John.
Another iconic opener belongs to the The Small Faces tune TIN SOLDIER. Here’s some rare coverage of the band with P.P.Arnold on Belgium TV in 1968. Go the Mods!
Quentin, from BayFM’s ‘Q’s Blues & Jazz’ suggested I do a show on Roads and Streets but I’d already done that quite a while ago. (I know, even I can’t remember what themes I’ve covered most of the time!). But she planted a seed that led me to Gerry Rafferty BAKER STREET and that consequently led to this week’s theme. So thank you Q! BAKER STREET has a stand-out opening with its prominent eight-bar saxophone hook, played by Raphael Ravenscroft.
As we headed for the close of the show, my favourite rock groups came to the fore. Pink Floyd’s MONEY had to be included for its distinctive opening of an impressive bass line and its seven-beat loop of money related sound effects.
While the Beatles may have been the first band to use feedback on a recording, the incredible Jimi Hendrix perfected the art. Again, which track to choose? FOXY LADY has always been a favourite and it does feature that almost excrutiating feedback at the beginning.
Our final track had me pushing up the sound and dancing out of the studio. Led Zeppelin seem to specialise in fantastic opening segments. A track that I absolutely adore is KASHMIR.
Next week we’ll be previewing the Mullumbimby Music Festival. Lots of great music and, I hope, an interview or two. Should be fun.
Here’s the complete playlist from this week’s show on Great Introductions:
Intro / Sweet Jane – Rock And Roll Animal, Lou Reed
Cannonball – Last Splash, The Breeders
Sir Duke – Songs In The Key Of Life [Disc 1], Stevie Wonder
Walk On By – Dead Presidents, Isaac Hayes
One Step Beyond – Total Madness: The Very Best Of Madness Madness
Hotel California – Hotel California, The Eagles
Immigrant Song – Rock 3, Led Zeppelin
Gimme Shelter – Hot Rocks, 1964-1971 [Disc 2], The Rolling Stones
Wipe Out – The Perfect Wave, The Surfaris
Smoke On The Water – Machine Head, Deep Purple
Thunderstruck – Razor’s Edge, AC/DC
Layla – Layla & Other Assorted Love Songs, Derek and The Dominos
Firestarter – Fat of the Land, The Prodigy
Inertia Creeps – Mezzanine, Massive Attack
Papa Was A Rollin’ Stone – Motown: The Classic Years [Disc 2], The Temptations
Young Americans – Young Americans [Bonus Tracks], David Bowie
I Put A Spell On You – Replay/Gold – Vol 1 No 5, Screamin’ Jay Hawkins
I Feel Fine – Beatles 1, The Beatles
Tin Soldier – The Best Sixties Album In The World Ever III-[Disc 2], The Small Faces
Baker Street – City To City, Gerry Rafferty
Money – Pink Floyd, Pink Floyd
Foxy Lady – Experience Hendrix: The Best Of Jimi Hendrix, Jimi Hendrix
Kashmir – Physical Graffiti, Led Zeppelin
Next week: MULLUMBIMBY MUSIC FESTIVAL PREVIEW
You’re born, you learn, you work, you may reproduce and then you die. That’s pretty much it. But being human, we’re designed to question, argue and seek meaning in our life. We don’t all want the same thing: the kind-hearted want an explanation for poverty and suffering; the ambitious try to rise above everyone else and if you’re depressed you may be looking for a reason to even get out of bed in the morning. Yes, life’s a puzzle and I’m not sure that there are any definite answers. But songwriters can’t help themselves. Like all artists they’re fascinated by life’s mysteries.
HAPPY TALK, by jazz greats Nancy Wilson and Cannonball Adderley, is a great example of a Life Lesson song. Yeah, if you don’t have a dream, how are you going to make a dream come true? My dream for the next two weeks, at least, is that our wonderful community radio station, BayFM 99.9, gets as many annual subscriptions as possible because we’re in full Major Subscriber Drive mode at the moment. It made for a really busy show which was also loads of fun.
We got the show moving with one of my favourite artists. It’s a song that has one of the best messages, especially for an optimist like me: YOU CAN GET IT IF YOU REALLY WANT by Jimmy Cliff. Here he is perfoming the song with the Jools Holland Rythymn & Blues Band:
My choice of a Bob Marley song, and there were a few with life lesson lyrics to choose from, was his energetic attack on religions – the ones that neglect to preach “what life is worth”. The song, of course, is GET UP STAND UP.
Bob Dylan has a great life lesson song: DON’T THINK TWICE, IT’S ALRIGHT. Something I didn’t have to thinktwice about was the opportunity to work with Camp Quality over the next two weeks of BayFM’s Subscriber Drive. Camp Quality is a fantastic organisation that supports children suffering from cancer. They believe that laughter is the best medicine and so they aim to bring optimism and happiness to these children and their families. Jana Ayre, who volunteers for Camp Quality in the Northern Rivers co-hosted the show with me this week, because we had a very special prize for Theme Park listeners who subscribe to the station before August 29th.
Thanks to Possum Creek Eco Lodge in the hinterland of Byron Bay, we are offering a Camp Quality family a respite break. This holiday will be donated in one lucky subscriber’s name and that subscriber then receives the tax deduction for the donation. It’s a fantastic prize, based on kindness and community spirit – and you can’t get better than that! If you’re reading this and are inspired to subscribe and help keep community radio alive, whether you live in the Northern Rivers or not, just go online to http://www.bayfm.org and follow the prompts. Don’t forget to cite Theme Park as your favourite program!
Someone who did call in during the show to subscribe was a new resident in Byron, David Bridge. And he gets a special mention here because he also requested a terrific life lesson song for the show: UP THE JUNCTION from Squeeze. Thank you David! Now, this is how to write a complete story about everyone’s life in a little over 3 minutes:
Another goodie from our British songwriters is ON THE EDGE OF A CLIFF from The Streets, known to his Mum as Mike Skinner. Check it out:
I became a big fan of The Drive By Truckers when they appeared at the Byron Blues Festival a couple of years back. I even bought the t-shirt (now that’s commitment!). They do a great Life Lesson song – most people share the experience described by singer Patterson Hood and his 83-year-old friend on WORLD OF HURT: “To love is to feel pain.” The lesson here, I think, is to accept that pain can also be a positive thing.
De La Soul have a different kind of lesson. They reckon that sometimes you just have to TREAD WATER. They use cartoon creatures to get the message across. Very cute.
SO YOU WANT TO BE A ROCK N ROLL STAR? Well, the Byrds have some advice for you: All you have to do is get an electric guitar, take some time and learn how to play? Sounds easy enough. But maybe life is like that: Practice makes perfect.
Midway through the show the lovely Gaudi from a new restaurant in Byron, Italian at the Pacific, came in to draw the daily prize for one lucky subscriber. The prize, a day with the chef of the restaurant and dinner for 8 people was won by Craig McGregor whose daughter Claire is a regular contributor to the show (sorry couldn’t fit in Coward of the Country this week Claire!) and another daughter Sarah, a fantastic musician. So I know that this big family will absolutely love this brilliant prize.
THAT LUCKY OLD SUN, by Dean Martin, our weather song for today was suggested by Andrew who also subscribed again this year on Theme Park, so thank you so much for supporting BayFM Andy.
Next up it was a double dose of Ska: Jools Holland and Prince Buster with ENJOY YOURSELF and Dandy Livingstone with RUDY, A MESSAGE TO YOU.
Lots of subscribers ringing in by this stage (thank you one and all!), so I thought a great piece of disco was appropriate ’cause my spirit was uplifted by all the support. The song is one that really speaks to me: YOUNG HEARTS RUN FREE from Candi Staton. Here she is with a 1999 re-recording and video of her 1976 classic:
I think that QUE SERA, SERA (“whatever will be, will be”) has to be the ultimate Life Lesson song, don’t you? Look, I know that Doris Day pretty much owns this tune but the version we played this week was by Sly & The Family Stone. I was feeling in a funky mood, you see.
One of many suggestions from regular contributor Robyn had to be included, if only because it’s title was perfect: LIFE’S LESSONS from Lynyrd Skynyrd. And then it was one for Frank Zappa fanatic, Hudson: COSMIK DEBRIS:
Our major prize for those subscribing this year is an amazing trip to Broome and the Kimberley region of Western Australia. It’s in conjunction with the environmental group, Save The Kimberley. A great supporter of this cause is musician Xavier Rudd. And a great song with a life lesson, that he does so well, is BETTER PEOPLE.
Robyn had another request for a perfect Life Lesson song: DON’T STOP BELIEVING from Journey. So the least I can do is upload the video clip:
We closed the show with a classic: “You have to know when to hold em, you have to know when to fold em, know when to walk away, know when to run”. Yep, Kenny Rogers with THE GAMBLER. There was just a little bit of time, too, for a snatch of the Stones with YOU CAN’T ALWAYS GET WHAT YOU WANT. So because we didn’t get to play it all the way through, I’ll give them their due here. Check out a very young David Frost and an even younger Rolling Stones performing live in 1969:
Thanks to Jana from Camp Quality for coming in and helping host the show this week and to the many listeners who rang to subscribe. Thank you for your support of BayFM, Theme Park and Camp Quality. And if you haven’t subscribed yet, there is still time to get involved in this particular promotion. Just go to the BayFM website at: http://www.bayfm.org and follow the prompts to subscribe. You can also listen to the show online, there, as well.
I’d also love to hear from you with your requests for next week’s show when the topic will be THE ENVIRONMENT. You may be surprised at how many great songs there are on this topic, from all genres. I think this is going to be a very special show.
Here’s this week’s full playlist:
Happy Talk – Nancy Wilson & Cannonball Adderley,
You Can Get It If You Really Want – The Harder They Come, Soundtrack, Jimmy Cliff
Get Up Stand Up – Back To Zion, Bob Marley & The Wailers (incl. Peter Tosh)
Don’t Think Twice, It’s Alright – Best Of Bob Dylan
You’ve Got To Learn – Family/Friends/French Lesson, Nina Simone
Up The Junction – Singles, Squeeze
On The Edge Of A Cliff – Everything Is Borrowed, The Streets
A World Of Hurt – A Blessing And A Curse, Drive By Truckers
Tread Water – Feet High And Rising, De La Soul
So You Want To Be A Rock ‘n’ Roll Star – Byrds/20 Essentia,l The Byrds
That Lucky Old Sun – All Time Greats Vol 3 – The People, Dean Martin (Weather song for this week)
Enjoy yourself – Best Sellers, Jools Holland & Prince Buster
Rudy, A Message To You – This Is Ska!: 16 Original Ska Classics, Dandy Livingstone
Young Hearts Run Free – 54, Vol. 1, Candi Staton
Que Sera Sera (Whatever Will Be Will Be) – Take The Lead (Soundtrack), Sly And The Family Stone
Life’s Lessons – Vicious Cycle, Lynyrd Skynyrd
Cosmik Debris – Apostrophe, Frank Zappa
Better People – White Moth, Xavier Rudd
Don’t Stop Believing – Journey
The Gambler – Kenny Rogers
You Can’t Always Get What You Want – Hot Rocks, 1964-1971 [Disc 2] The Rolling Stones
Next week: THE ENVIRONMENT
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
When it comes to popular music, there’s crazy and then there’s CRAZY. According to a lot of the songs in our play-list today, crazy is how you feel when you’re infatuated with someone and hey, while that can be confusing, its also a lot of fun. Even Sigmund Freud acknowledged: “one is very crazy when in love”.
The good thing about being a bit loopy is that it can produce some great songwriting. And while we included a lot of “crazy in love” type tunes in the show this week, we also entered into some heavy territory with material written by a few of our tortured souls. The truth is that any song about mental illness can make you uncomfortable to some extent, either because its too frivolous or because its too close to the bone. But you know that here at the Theme Park we like to live dangerously.
We opened the show with Gary Jules’ cover of the Tears for Fears song MAD WORLD. I first heard this version on the brilliantly eccentric movie Donnie Darko. Requested by Clare, it proved to be a great start to a show full of songs about trying to stay sane in this crazy, crazy world.
We moved on with a couple of fairly harmless tunes about losing your marbles – and from completley different ends of the musical spectrum: I THINK I’M PARANOID from Garbage and TWISTED from jazz legend Annie Ross, with help from Dave Lambert and Jon Hendricks.
A country tune that regards the issue of mental health very seriously indeed is called PSYCHO. The version we played was by Jack Kittel and, to be honest, it really creeped me out. So I was happy to follow with the more innocent NERVOUS BREAKDOWN, essentially an upbeat love song from the great Eddie Cochran.
Let’s get the Australian attitude to insanity into perspective: I had an email during the week from Sue, asking me for the origin of the expression ‘mad as a meat axe’, meaning ‘nuts, crazy or insane’. Here’s what I discovered: this is a uniquely Australian expression that you won’t find anywhere else in the world. It joins a whole group of expressions that start with the words ‘as mad as’ such as ‘mad as a beetle’ (the insect that is), ‘mad as a dingbat’, ‘mad as a gum tree full of galahs’ and ‘mad as a cut snake’. These expressions are recorded as far back as 1910 and are nothing more than verbal creativity gone wild.
And talking of wild, we had to include James Brown’s song about his fear that, if his girlfriend leaves him, he’ll GO CRAZY. And then it was one of the craziest songs (and videos) ever: The Avalanches with FRONTIER PSYCHIATRIST:
Had to include Gnarls Barkley’s hit CRAZY because, not only is it pop perfection, it was requested by both Lynden and Robyn. Al Royal from BayFM’s Friday 10pm slot, asked for INSANE IN THE BRAIN from Cypress Hill. And how could I refuse?
There’s always room for a great jazz standard and this week we included Peggy Lee with YOU’RE DRIVING ME CRAZY. Judi tells me she’s a huge Patsy Cline fan and so, as predictable as it might be, there was no way we were leaving out the queen of country’s signature tune, CRAZY.
Changing the tone somewhat, it was time for a track from someone who knows just a little bit about crazy behaviour: Ozzy Osbourne and Black Sabbath with PARANOID. And you’ve got to love Goldie Lookin’ Chain’s YOUR MISSUS IS A NUTTER, supposedly about Posh & Becks.
According to The Pixies songwriter, Black Francis, WAVE OF MUTILATION is about “Japanese businessmen doing murder-suicides with their families because they’d failed in business, and they’re driving off a pier into the ocean.” Wild concepts like this make The Pixies a hard act to follow, but Beth Hart gives it a good shot with a cover of Belinda Carlisle’s LEAVE THE LIGHT ON:
The novelty song, HOORAY, HOORAY, I’M GOING AWAY was recorded in 1947, by Beatrice Kay, and it’s an obvious forerunner to Napolean 14th’s 60’s hit, THEY’RE COMING TO TAKE ME AWAY, HA HA. Born in 1907, Beatrice was a singer, vaudevillian, stage and film actress and she even hosted her own radio show. She died in 1979.
Still alive and kicking is the wonderful Mose Allison who gave us one of the ‘crazy in love’ songs that make up a lot of this week’s show: LOST MIND. But if you’re looking for authenticity in your songs about madness, then country singer Porter Wagoner is your man. He wrote THE RUBBER ROOM after spending some time in a mental hospital for a little R&R.
Which brings us to 19th NERVOUS BREAKDOWN from the Rolling Stones. Released in 1966 on the Aftermath album, it’s well known for Bill Wyman’s dive-bombing bass line at the end of the song:
But if you want to talk scary mad, then it has to be the brilliant PSYCHO KILLER from the one and only Talking Heads.
Whew, I was feeling the need for a little more lightness in the list. Relief came with one of the great Blues artists, Little Walter, with CRAZY MIXED UP WORLD. And despite the title of the song, there is nothing but pure joy in the song that gave a certain Ska group their name: from Prince Buster it is, of course, MADNESS. Here he is performing alongside Suggs and Georgie Fame. How good is that?
Green Day’s contribution to our line-up of loony tunes was BASKET CASE and we followed with one of the first grunge/garage bands, The Sonics, with PSYCHO. Love that band! Kurt Cobain cited them as a great influence, so it was fitting that we included a track from the group whose lead singer and songwriter suffered from manic depression and drug dependency that, unfortunately, led to his suicide. I chose the Nirvana song they wrote about another tragic public figure: FRANCES FARMER WILL HAVE HER REVENGE ON SEATTLE.
But if you want to talk influential then The Ramones are on everyone’s list. So much to choose from with these guys and requests by multiple listeners, but for me it had to be I WANNA BE SEDATED.
Bruce Hornsby is a versatile and prolific artist. Known for the spontaneity and creativity of his live performances, Hornsby draws frequently from classical, jazz, bluegrass, folk, Motown, rock, blues and jam band musical traditions with his songwriting. But we didn’t play one of his originals today but instead it was a great version he does of Elton John’s MADMAN ACROSS THE WATER.
Theme Park is followed by a great show called Postmodern Backlash, (still not quite sure what that means!), and its hosted by Hudson. So because I know that he loves his calypso music I also included The Mighty Sparrow with MAD BOMBER.
We finished the show with Pink Floyd’s SHINE ON YOU CRAZY DIAMOND. The song is their tribute to former band member Syd Barrett who left the band in 1968 amidst speculation of mental illness aggravated by heavy drug use. As gloomy as that sounds it’s a beautiful piece of music and a fitting end to the program.
Next week I’ll be celebrating Australia’s first female Prime Minister (go Julia!) with a show on WOMEN. I’d love to receive your requests and suggestions.
And here’s my final word on madness: Remember what Hunter S Thompson had to say: “I wouldn’t recommend sex, drugs or insanity for everyone, but they’ve always worked for me.”
Here’s this week full list:
Mad World – Donnie Darko Soundtrack, Gary Jules
I Think I´m Paranoid – Version 2.0, Garbage
Twisted – Jazz Legends: Divas (Disc 2), Annie Ross +Lambert/Hendricks
Movie Clip – Insane Asylum
Psycho – Jack Kittel
Nervous Breakdown – Eddie Cochran
I’ll Go Crazy – Try Me, James Brown
Frontier Psychiatrist – Frontier Psychiatrist, The Avalanches
Crazy – Gnarls Barkley
Insane in the Brain – Black Sunday, Cypress Hill
You’re Driving Me Crazy – While We’re Young, Peggy Lee
Crazy – Patsy Cline
Paranoid – Paranoid, Black Sabbath
Mad Lad – You Never Can Tell (His Complete Chess Recordings, Chuck Berry
Your Missus Is A Nutter – Goldie Lookin’ Chain
Wave of Mutilation – Pump up the Volume [Motion Picture Soundtrack], The Pixies
Leave The Light On – Leave the Light On, Beth Hart
Hooray Hooray I’m Going Away – Beatrice Kay
Lost Mind – Promised Land, Mose Allison
The Rubber Room – Porter Wagoner
19th Nervous Breakdown – Hot Rocks, 1964-1971 [Disc 1], The Rolling Stones
Clockwork Orange clip
Psycho Killer – Talking Heads
Crazy Mixed Up World – Rock N’ Roll ’50s Blues Essentials, Little Walter
Madness – Prince Buster
Basket Case – Dookie, Green Day
Sound grab: Psycho/The Murder – Psycho/Hitchock, Composer Bernard Hermann/Los Angeles Philharmonic
Psycho – Maintaining My Cool, The Sonics
Frances Farmer Will Have Her Revenge on Seattle – In Utero, Nirvana
I Wanna Be Sedated – The Ramones
Madman Across the Water – Two Rooms: Celebrating the Songs of Elton John, Bruce Hornsby
Mad Bomber – King Sparrow’s Calypso Carnival, The Mighty Sparrow
Shine On You Crazy Diamond – Wish You Were Here, Pink Floyd
Next week: WOMEN
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
The mercury’s rising, summer is here and I’m feeling hot, hot, hot. So, it’s time to get the sarongs out, start mixing up a marghertia or two and celebrate our steamy weather. Yes, folks this week’s show was a sizzler.
We opened with THE HEAT IS ON from American soul and funk group, The Isley Brothers, released in 1975 on the album of the same name and then it was Buster Poindexter, otherwise known as David Johansen of the New York Dolls. His cover of Arrow’s HOT, HOT, HOT apparently haunts him to this day. Well Dave, thats what happens when you record a hit pop tune. Just be happy with the royalties. He’s not looking too unhappy in this clip:
If the weather doesn’t deliver, you can always find other ways to raise the temperature. Ask Martha and the Vandellas who gave us one of the greatest intros in pop music with their song HEATWAVE. The high octane James Brown knows a thing or two about the topic of his tune, BODY HEAT. Here’s a clip from The Lost James Brown Tapes, a 60 minute video tape available on DVD.
One of my all time favourite films is Napoleon Dynamite and the soundtrack to the film is great too. Check out one of the signature tunes, from the film, CANNED HEAT from Jamiroquai:
Every now and again I like to throw a bit of contemporary pop into the mix and this week it was Katy Perry with HOT ‘N’ COLD and we followed with one of my favourite dance tracks, Adam Freeland remixing the wonderful Sarah Vaughan’s version of FEVER.
Anyone remember glam rock? Marc Bolan & T-Rex were up next with one of the best examples of this genre: HOT LOVE. Check out this clip from Top of the Pops, 1971. Ah go-go girls, whatever happened to them? Well, the ones in this clip are probably all grandmothers now. Scary.
More roaming down memory lane: Style Council with LONG HOT SUMMER and then it was The Triffids’ dreamy and disturbing TOO HOT TO MOVE, TOO HOT TO THINK. The song reflects on our hot, Australian summer nights.
The idiosyncratic, and highly influential, Captain Beefheart divides people. I’m a fan, especially of our next song, HOT HEAD. The Captain takes the usual hot-love cliches to deliriously literal extremes with his funky brand of the Blues.
Ella Fitzgerald reckons it’s TOO DARN HOT and Prince Buster agrees. His delicious piece of Jamaican Ska, TOO HOT had me up and grooving in the studio. And then it was time for one of the highlights of the recent Mullumbimby Music Festival, Oka with THAT’S HOT.
I can never listen to Glenn Frey’s THE HEAT IS ON without conjuring up the film BEVERLY HILLS COP. So to put it into context, here’s the official video, using footage from the film, starring Eddie Murphy:
Another favourite of mine is John Fogarty, this time with the wonderful gospel group The Fairfield Four, singing A HUNDRED AND TEN IN THE SHADE from Fogarty’s Blue Moon Swamp album. Great album and worth a listen if you’re a Fogarty or Creedence fan. Here’s a clip to whet your appetite:
Of course we had to include Billy Idol’s HOT IN THE CITY. Not so obvious, maybe, is the next tune we played: MELT YOUR HEART from the divine Jenny Lewis. A nice suggestion too, from listener Zoe: SUMMERTIME CLOTHES from Animal Collective. Andy’s suggestion was Nouvelle Vague’s I MELT WITH YOU and Lynden’s suggestion was a little on the obscure side. But when John Lennon’s goes COLD TURKEY his temperature rises and his fever is high. So, yeah, into the show on HEAT it went.
The great Ray Charles was next with IN THE HEAT OF THE NIGHT along with a little smooth jazz from Paul Hardcastle and the Jazzmasters, with Helen Rogers on vocals for BODY HEAT.
We closed the show with disco queen Donna Summer and HOT STUFF and the Godfather of funk, James Brown with HOT PANTS! Can you believe that this clip from 1985 was just a rehearsal?
Next week’s show is my Christmas A-Go-Go special, so tune in for some surprising Xmas tunes and I’ll have some giveaways especially for my lovely Theme Park listeners. In the meantime, here’s this week’s complete playlist.
Researching a show where all the songs referenced famous people was actually quite enlightening. Who knew that so many famous people felt compelled to record songs about other famous people? I suppose there’s a little bit of the fan in all of us. It was a shame that I had used up some very good songs that would have fitted the theme during my Men’s Names and Women’s Names shows, but there were still plenty of tracks left over to fit the bill. I did try and stay away from the more mawkish tribute songs, so no Candle in the Wind amongst this lot I’m afraid.
We opened the show with the Beloved’s HELLO. The song mentions a number of famous people chosen to loosely fit a “saints and sinners” theme. Those that get a nod include Jeffery Archer, Fred Astaire, Little Richard, Barry Humphries and Charlie Parker. I like the way the Supremes are simply called “Mary Wilson, Di and Flo”. Even Fred Flintstone gets a mention.
Next it was another song with a list. Eminem recently won the MTV award for Best Hip Hip Video for WE MADE YOU. The song spoofs, among others, Sarah Palin, Amy Winehouse and Jessica Simpson. Hopefully it hasn’t reached viewer saturation point yet, ’cause here it is again:
Allanah Myles’ #1 hit, BLACK VELVET is about Elvis Presley. It can refer to either his likeness frequently being painted on black velvet or his voice. Here’s a bit of trivia for you: Black Velvet was the name of the hair dye that Elvis used to give his naturally brown hair its distinctive black sheen.
SWEET GENE VINCENT remained in Ian Dury’s set list for almost his entire career, even after other songs had been dropped because of the singer’s worsening health. It was played at his very last concert at the London Palladium in February 2000 and is still performed by The Blockheads. Ian Dury was arguably Gene Vincent’s biggest fan and he claims to have bought every single that Vincent ever produced. Dury’s stage clothes also reflected Vincent’s influence, notably black leather gloves. Dury constantly denied that his identification with the singer, who was also crippled and forced to wear a leg brace, was in any way an attraction. He claimed that he didn’t even know Vincent was crippled when he first became a fan. According to Dury, it was all about the voice and his look. That’s Gene Vincent on the left and here is a clip of Ian Dury and the Blockheads performing at the Concert for the People of Kampuchea in 1979. The big bonus is the addition of Mick Jones from the Clash. Brilliant.
BETTE DAVIS EYES was a huge hit for Kim Carnes. Even Bette Davis herself was a fan. The actress admitted to loving the song and approached Carnes and the songwriters to thank them. She said that it made her seem very up-to-date with her grandson. She had Carnes sing the song live for her at a tribute held just before her death.
I included a couple more songs about actors: Bree Sharp’s song about DAVID DUCHOVNY proves that she is also an adoring fan of the actor from X-Files and, more recently, Californication. Billy Bragg & Wilco gave us a song dedicated to INGRID BERGMAN, with lyrics by Woodie Guthrie.
David Bowie played the song ANDY WARHOL to the artist, who reportedly disliked it as he thought the lyrics made fun of his physical appearance. When the song had finished playing, Warhol and Bowie supposedly just stared at each other for a while until Warhol said “I like your shoes” and the pair then had a conversation about shoes. As you do.
The Modern Lovers sang about another artist, PABLO PICASSO and Simon & Garfunkle contributed a song about the great American architect FRANK LLOYD WRIGHT.
The ever-cheerful ska star, Prince buster, was more concerned with spelling the name of his subject in AL CAPONE. A guilty pleasure followed: Boney M with RASPUTIN. Who knew that this Russian baddie was a raging love machine? Here’s the clip, just to remind you of how much fun disco actually was:
Although David Bowie admits that JEAN GENIE is a clumsy pun on the name of the author Jean Genet, he claims that the real subject of the song is his friend Iggy Pop. The line “He’s so simple minded, he can’t drive his module” would later give the band Simple Minds their name. There are several clips of this song available but take a look at this one. I chose it just because of the outfit. Oh, and the band rocks too.
Morphine gave us a song not just about, but in the style of, the American beat poet and author Jack KEROUAC. And then it was Bob Dylan with his protest song HURRICANE about the boxer Rubin ‘Hurricane’ Carter. The song compiles alleged acts of racism and profiling against Carter, which Dylan describes as leading to a false trail and conviction. The song is credited with helping to overturn the conviction.
We lightened the mood somewhat with a bit of Pop from Bananarama: ROBERT DE NIRO’S WAITING. And then it was The Clash with their song about the another actor, Montgomery Clift, who, after a serious accident, could only be shot from THE RIGHT PROFILE (see left).
U2 paid homage to singer Billie Holiday with their song ANGEL OF HARLEM and then The Barenaked Ladies told the story of a man whose life parallels that of the Beach Boys’ BRIAN WILSON, particularly during his time spent with a psychologist.
Two tracks followed that are quite critical of their subjects. Carly Simon with a song supposedly about Warren Beatty – YOU’RE SO VAIN and then it was Modest Mouse with BUKOWSKI. “Yeah, I know he’s a pretty good read, but God, who’d want to be such an a….hole.” True.
Next was a wonderful song from George Harrison, dedicated to John Lennon: ALL THOSE YEARS AGO. Here, in tribute to both of them, is the clip.
We closed the show with one of my favourite new artists, Julian Velard, with JIMMY DEAN & STEVE McQEEN.
Here’s the complete playlist. If the title doesn’t tell the story, I’ve bracketed the person who the song is about.
Hello (various) – The Beloved
We Made You (various) – Eminem
Black Velvet (Elvis Presley) – Alannah Myles
Sweet Gene Vincent – Ian Dury
Sir Duke (Duke Ellington) – Stevie Wonder
Bette Davis Eyes – Carnes
Michael Caine – Madness
David Duchovny – Bree Sharp
Ingrid Bergman – Billy Bragg & Wilco
Andy Warhol – David Bowie
Pablo Picasso – The Modern Lovers
So Long Frank Lloyd Wright – Simon & Garfunkel
Marvin Gaye – Josh Rouse
Al Capone – Prince Buster
Rasputin – Boney M.
The Jean Genie – David Bowie
Kerouac – Morphine
Hurricane (Rubin ‘Hurricane’ Carter) – Bob Dylan
Robert De Niro’s Waiting – Bananarama
The Right Profile (Montgomery Clift) – The Clash
Angel Of Harlem (Billie Holiday) – U2
Brian Wilson – Barenaked Ladies
You’re So Vain (Warren Beatty) – Carly Simon
Bukowski – Modest Mouse
All Those Years Ago (John Lennon) – George Harrison
Jimmy Dean & Steve McQueen – Julian Velard
Next week: COVERS THAT ARE BETTER THAN THE ORIGINALS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
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No longer on Twitter! I’m not that tragic after all.