This week’s show is for all of you who like their sleep and also for those that have trouble sleeping, for one reason or another. Thankfully I’ve never been an insomniac. I hit that pillow and I’m a gonna and if you deprive me of my sleep its not safe to be around me, let me tell you.
The Beatles song I’M ONLY SLEEPING is a classic and it’s from, possibly, my favourite album of theirs, ‘Revolver’ so that had to make the mix. As did SOMEBODY’S BEEN SLEEPING from funky soul group 100 Proof (Aged in Soul). It’s inspired by the fairytale Goldilocks and the Three Bears.
Spiderman gets a mention on The Cure’s LULLABY, the only song of theirs to make the UK top 5 (can you believe it?) but the brilliant videoclip was voted the best of the year in 1989. Well deserved too. Check it out:
Three songs about sleep deprivation followed: the Eels who portray anxiety to perfection on I NEED SOME SLEEP; Peter Wolf with SLEEPLESS from his album of the same name, released in 2002. And rounding out the triple play, Craig David who’s love life is causing him to lose sleep on INSOMNIA.
Swedish band Acid House Kings do the twee-pop thing to perfection on SLEEPING. That was followed by Bobby Lewis who delivered a real blast from the past with the 60’s recording of TOSSIN’ AND TURNIN’. Then it was The Romantics with TALKING IN YOUR SLEEP from 1989. Viewing this clip of The Romantics, I think the 80’s have a lot to answer for, when it comes to fashion and hair.
Written by Ray Davies of The Kinks, I GO TO SLEEP was originally recorded by Peggy Lee on her 1965 album Then Was Then – Now Is Now!. Davies didn’t write many songs that weren’t specifically for The Kinks, but this one was widely covered. We played the only version to have chart success – The Pretenders who took it to #7 in the UK.
Talking of Peggy Lee, we had to play her version of BLACK COFFEE. There are lots of great versions of this standard, but for me Peggy Lee does it best. Sorry k.d.
Jody Reynolds uses sleep as a metaphor for death on ENDLESS SLEEP and the iconic Hank Williams Snr knows that you can’t sleep when you have a guilty conscience, on the country classic YOUR CHEATIN HEART.
More golden oldies with Frank Sinatra’s IN THE WEE SMALL HOURS OF THE MORNING and The Four Tops with SHAKE IT, WAKE IT.
Contemporary (and Australian) singer Sarah Blasko brought us back to the present with a beautiful song on the topic of sleep: SLEEPER AWAKE. We followed that with a great suggestion from Quentin: James Kahu with SLEEP. It’s from his 2010 album ‘Through Me’. Take a look:
The nostalgia bug still had me on The Everly Brothers’ WAKE UP LITTLE SUSIE, Berna Dean’s I WALK IN MY SLEEP and Sammy Myers SLEEPING IN THE GROUND.
And it was inevitable that I would play John Lennon’s little dig at Paul McCartney on HOW DO YOU SLEEP.
REM’s DAYSLEEPER is not only perfect for our theme, with its references to Circadian rhythms and all, but even the name of the band is a sleep reference. Did you know that REM sleep, or Rapid eye movement sleep, accounts for 20–25% of total sleep time in most human adults? And that most of our memorable dreaming occurs in this stage? True.
Edwyn Collins contributred LOSING SLEEP from his album of the same name and then it was The Smiths with quite a sad song where, once again sleep serves as a metaphor for death. The song is ASLEEP.
Then it was even further back in time for the sublime Julie London and her version of TWO SLEEPY PEOPLE, followed by SLEEP from Little Willie John and ROCK ME TO SLEEP from Little Miss Cornshucks.
We closed the show with a couple of my favourites: First up it was Tom Waits, who probably knows more about late nights than I’ve had hot breakfasts. MIDNIGHT LULLABY is from his Closing Time album. Then it was the always brilliant Ian Dury & the Blockheads with WAKE UP AND MAKE LOVE TO ME. Beats sleeping every time, or so they tell me.
I’m really going out on a limb for our Easter Show. The topic is RESURRECTION. And I’m talking about dying and coming back from the grave, literally. Come on, by now you’ll know that Theme Park will go where others fear to tread! Now we’re not talking musical comebacks – that’s a whole other theme altogether! Of course there will be lots of gospel and blues and I can see some rock and punk and even some songs about zombies on the list already. What do you have for me?
While you’re contemplating that, check out this week’s playlist:
A Man’s Best Friend Is A Bed – Louis Jordan
I’m Only Sleeping – The Beatles
Somebody’s Been Sleeping [UK Single Edit] – 100 Proof (Aged In Soul)
Lullaby – The Cure
I Need Some Sleep – Eels
Insomnia – Craig David
Sleepless – Peter Wolf
Sleeping – Acid House Kings
Tossin’ And Turnin’ – Bobby Lewis
Talking In Your Sleep – The Romantics
I Go To Sleep – The Pretenders
Black Coffee – Peggy Lee
Your Cheatin Heart – Hank Williams Snr
Endless Sleep – Jody Reynolds
In The Wee Small Hours Of The Morning – Frank Sinatra
Shake Me, Wake Me – The Four Tops
Sleeper Awake – Sarah Blasko
Sleep – James Kahu
Wake Up Little Susie – The Everly Brothers
I Walk In My Sleep – Berna Dean
Sleeping In The Ground – Sammy Myers
How Do You Sleep? – John Lennon
Sleep Walk – Santo and Johnny
Daysleeper – R.E.M.
Losing Sleep – Edwyn Collins
Asleep – The Smiths
Two Sleepy People – Julie London
Sleep – Little Willie John
Rock Me To Sleep – Little Miss Cornshucks (Mildred Cummings)
Midnight Lullaby – Tom Waits
Wake Up And Make Love With Me – Ian Dury and The Blockheads
Next week: RESURRECTION
This week’s theme was motivated entirely by a need NOT to do a show full of Xmas tunes. And while I know it was a risk choosing DRINKING as a theme, you’d be surprised how few songs there are that actually praise boozing. So expect a few remorseful anecdotes, a couple of hangover songs and a precautionary tale or two. But, for those of us who don’t mind a tipple, not to worry – I included a few good old fashioned drinking songs as well. Hey, we couldn’t ignore Xmas altogether, could we?
We got the show rolling with the very upbeat WINE WINE WINE from the brilliant pioneers of electric blues and rock, Electric Flag featuring Mike Bloomfield on guitar and Buddy Miles on drums. Here they are in their heyday in 1967:
One of the great things about living in such a great area as Byron Bay is that we get all the best musical acts coming through here to perform. Recently Sharon Jones & The Dap Kings peformed at our local pub and consummate storyteller Mary Gauthier was here for the Mullumbimby Music Festival in November. Sharon contributed JUST DROPPED IN TO SEE WHAT CONDITION MY CONDITION WAS IN to the playlist and Mary gave us I DRINK, which has become a bit of a signature tune for her.
West Australian band Eskimo Joe’s album BLACK FINGERNAILS, RED WINE was released in 2006 and the single of the same name went on to win single of the year at that year’s Aria Awards.Here’s why:
When it comes to the Blues, up there with the best is the late great Luther Allison. Love his rendition of CHERRY RED WINE and then it was the ‘King of Soul’, Otis Redding, with CHAMPAGNE & WINE.
Tom Waits was in total denial about his drinking habits back in the late 70’s. He’d have you know that THE PIANO HAS BEEN DRINKING (NOT ME). David Crosby, also had his moments will alcohol and other substances. He wrote EVERYBODY’S BEEN BURNED for The Byrds and its a very telling, and quite melancholic take on self-control and trust.
LCD Soundsystem’s This Is Happening is one of the best albums of 2010 (so there!) and the video for DRUNK GIRLS is crazy. What’s with the Pandas – I have no clue!
I found Lonnie ‘The Cat’ on one of Bob Dylan’s Theme Time Hour compilations. His song I AIN’T DRUNK was recorded in 1954 with the Bobby Hines Band which included Ike Turner on piano. “I don’t care what the people are thinking. I ain’t drunk, I’m just drinking.” Brilliant.
Steve Earle’s signature tune is a story about a family who love their moonshine. Earle has been quoted as saying that COPPERHEAD ROAD is the world’s first blend of heavy metal and bluegrass. Not sure about that, but it’s certainly a great song.
ZZ Top’s contribution to this week’s show was BEER DRINKERS & HELL RAISERS. They’ll be making their way to the Byron Blues Fest in 2011, and I, for one, can’t wait. Here’s what we have in store for us:
We followed the absolutely crazy ALLIGATOR WINE from Screaming Jay Hawkins with a 1949 recording from Betty Hall Jones, BUDDY, STAY OFF THE WINE. And then it was AIN’T GOT THE MONEY TO PAY FOR THE DRINK from George Zimmerman & The Thrills with the Bubber Cyphers Band (Whew). That was recorded in 1956.
I don’t think any song in the playlist was as serious as Gil Scott-Heron’s story about the effect of alcohol on family and community: THE BOTTLE.
We can’t stay very serious for long on the Theme Park, so a couple of light-hearted songs about drinking followed: Monty Python’s BRUCE’S PHILOSOPHERS SONG and The Rovers, recalling what sounds like a pretty good get together, on WASN’T THAT A PARTY.
Three more recent recordings, that just might make you think twice about partying too much over the holidays, had to make the list: THE GOOD TIMES ARE KILLING ME from Modest Mouse, IT’S THE LITTLE THINGS WE DO from The Zutons and MY ALCOHOLIC FRIENDS from the very lovely Amanda Palmer and Dresden Dolls.
Personally, I never developed a taste for whiskey. And maybe that’s a good thing, according to Skip James who doled out a little advice about BAD WHISKEY. The Rakes then gave us, what they claim is a true story, with THE GUILT. And then it was drinking music from two of the greats: Nina Simone with a live version of GIN HOUSE BLUES and Billie Holiday with GIMME A PIGFOOT AND A BOTTLE OF BEER.
Before I knew it it was last call for our show on DRINKING and we finished on a very infectious note: Big Bad Voodoo Daddy reckon YOU AND ME AND THE BOTTLE MAKES THREE. And then it was the sublime Peggy Lee who doesn’t need alcohol at all. She says I GET A KICK OUT OF YOU. Awwww.
Next week is the last show of the year, so I thought I would bring you songs from my favourite albums of 2010. So no nostalgia next week, all new music and a look back at the year that was.
The week after, January 4, I’ll be welcoming members of Orkestra del Sol into the studio. They have wowed audiences at Glastonbury & Edinburgh and will be coming to Byron directly from their performances at Woodford. So make sure you tune in then. Oh, and the theme will be Multilingual songs, by which I mean any song which features two or more languages in the lyrics. Come on, its not fun if its not challenging, right?
As promised on my Facebook page (what? you didn’t know about Theme Park Radio’s Facebook page???), here’s my tried and true recipe for a champagne cocktail: It goes particularly well with hot jazz and good times:
Place a sugar cube in the bottom of a champagne flute, Saturate the cube with two dashes of Angostura bitters (don’t leave this bit out – essential). Then add 1 oz of brandy and then gently pour some very chilled champagne into the flute. Yum.
Have a safe and happy Xmas.
Here’s the playlist:
James Bond movie clip – Shaken Not Stirred (movie clip)
Wine, Wine, Wine – The Electric Flag
Just Dropped In To See What Condition My Condition Was In – The Dynamic Funk and Soul Sound of Daptone Records, Sharon Jones & The Dap-Kings
I Drink – Mary Gauthier
Black Fingernails, Red Wine – Black Fingernails, Red Wine, Eskimo Joe
Cherry Red Wine – Martin Scorsese Presents: The Blues [Disc 5], Luther Allison
Champagne & Wine – The Immortal Otis Redding, Otis Redding
The Piano Has Been Drinking (Not Me) – Small Change, Tom Waits
Everybody’s Been Burned – The Byrds Box Set (Disc 2 -Cruising Altitude), The Byrds
Drunk Girls – This Is Happening, LCD Soundsystem
I Ain’t Drunk – Lonnie ‘The Cat”
Copperhead Road – Essential Steve Earle, Steve Earle
Beer Drinkers & Hell Raisers – Tres Hombres, ZZ Top
Alligator Wine – Frenzy Screamin’ Jay Hawkins
Buddy, Stay Off The Wine – Betty Hall Jones
Ain’t Got The Money To Pay For The Drink – George Zimmerman & The Thrills
The Bottle – Winter In America, Gil Scott-Heron and Brian Jackson
Bruce’s Philosophers Song – Monty Python
Wasn’t That A Party – Cleveland International Records 1977-1983, The Rovers
The Good Times Are Killing Me – Good News For People Who Love Bad News, Modest Mouse
It’s The Little Things We Do – Tired Of Hanging Around, The Zutons
My Alcoholic Friends – Yes, Virginia…, The Dresden Dolls
Bad Whiskey – She Lyin’, Skip James
The Guilt – Capture/Release, The Rakes
Gin House Blues – Nina Simone: The Tomato Collection [Disc 2], Nina Simone
Gimme a Pigfoot and a Bottle of Beer – Sophisticated Ladies [Disc 3], Billie Holiday
You & Me & The Bottle Makes Three – Swingers, Big Bad Voodoo Daddy
I Get A Kick Out Of You – Sings For You, Peggy Lee
Next week: MY FAVOURITE ALBUMS OF 2010
Whenever I think of Spring, with its warmer days and all the pleasures the better weather inspires, I can’t help but want to put on some reggae. So IN THE SPRINGTIME from Maxi Priest was a perfect opener for this week’s show on possibly the best season of the year.
I must admit, too, that my mind also turns to Spring Cleaning. After all the rain we had during winter, I just want to air everything, get those windows clean and get ready for the beautiful weather ahead of us. Fats Waller’s energetic ditty, SPRING CLEANING, reflects that mood. Ella Fitzgerald has a different outlook on Spring. Without her man, she’s GOT THE SPRING FEVER BLUES.
Another wonderful jazz singer is Blossom Dearie and C’EST LE PRINTEMPS (IT MIGHT AS WELL BE SPRING) was a great addition to the playlist. Sung in French, Blossom was actually American. She moved to France in 1952 and it’s where she met her future husband, the Belgian musician Bobby Jaspar. Blossom had an amazing career, performing right through until her 80’s. She passed away in 2009.
I dedicated that track to Ben from local band The Blackbirds, because I know he loves Blossom as much as I do. The Blackbirds need your support right now to fund their first independent album release and Australian tour. So if you would like to donate even the smallest amount, to this wonderful local group, go to fundbreak.com.au and search for ‘Blackbirds’.
You know, there are so many songs that link Springtime with Paris, that it’s almost a cliche. A version of I LOVE PARIS that surprised me was from the incorrigible Screamin’ Jay Hawkins. I also adore Little Willie John. He was actually the first one to record Fever, in 1956. It was made famous when Peggy Lee had a hit with it in 1958. His contribution to our Springtime show was I’VE GOT SPRING FEVER.
With all this jazz I thought I’d better slip in some 70’s rock/pop and who better than Electronic Light Orchestra? The track MR BLUE SKY is from their 1977 album Out of the Blue, written and produced by ELO frontman Jeff Lynne.
So many songs about Paris in springtime, so it was good to play an authentic French track. Jacques Brel’s AU PRINTEMPS was ideal. We followed with a nice jazz instrumental, I LOVE PARIS IN THE SPRINGTIME from Jacky Terrasson. And to round things out, some Latin freestyle with Stevie B, SPRING LOVE. Does this one take you back to the 80’s?
New Zealand band Dragon’s APRIL SUN IN CUBA was written, like many of Dragon’s hits, by keyboard player Paul Hewson who unfortunately died from a drug overdose in 1985. Lead singer Marc Hunter also passed away in 1998 from smoking related oesophageal cancer. The band continues to perform and are currently led by Marc’s brother Todd Hunter. Here’s a clip of the original line-up.
A great Aussie band from the 70’s were the Go-Betweens. The version of SPRING RAIN we played was recorded live at the Tivoli in Brisbane. The focal point of the Go-Betweens was the song writing skills of Robert Foster and Grant McLennan. Described by Village Voice critic, Robert Christgau, as “the greatest songwriting partnership working today.” Grant McLennan died of a heart attack in 2000.
I must admit that I do like a bit of ukelele so Claire’s suggestion of Leah Flanagan’s SEPTEMBER SONG sat well with me. There’s something about the uke, isn’t there? You can’t help but think of sunny times.
Which bring me to HERE COMES THE SUN from The Beatles:
A great little double that plays on the notion that Springtime is the ideal season for mating followed: The Marvelettes with WHEN YOU’RE YOUNG AND IN LOVE and the Dixie Cups with CHAPEL OF LOVE. Here’s a clip of the Dixie Cups. Loving the frocks girls.
Here’s a unforgettable piece of comedy for you. It’s from the soundtrack to the film The Producers. Remember SPRINGTIME FOR HITLER?
How good is Dinah Washington? SEPTEMBER IN THE RAIN was just one of a couple of songs that I was happy to include in our Springtime show. A track that’s usually associated with Christmas is IT MAY BE WINTER OUTSIDE BUT IN MY HEART IT’S SPRING by the Love Unlimited Orchestra. The show aired on the last day of Winter here in the southern hemisphere, so it was a perfect fit. We followed with Teena Marie’s YOU MAKE LOVE LIKE SPRINGTIME, whatever that means.
Next it was a song for all of you who supported BayFM during our Major Subscriber Drive. IF NOT FOR YOU from Bob Dylan.
Jolie Holland reckons that SPRINGTIME CAN KILL YOU. Hope not. A really beautiful tune is ANDORINHA DA PRIMAVERA from Portugese band Madredeus. They became world renowned after performing on the soundtrack of the Wim Wender’s film ‘Lisbon Story’.
The Flaming Lips reckon that YOU CAN’T STOP THE SPRING. This song is full of imagery, some of which I can’t pretend to understand, like “There she was just walking down the street, Smoking with her hands and walking with her feet, Keeping her paint cans underneath the seat, Keeping her hair dryer on her favorite piece of meat.” Hmmm.
The Magnetic Fields certainly know how to play with imagery too. Case in point: LOVE GOES HOME TO PARIS IN THE SPRING. Does it matter that they’re probably singing about Paris Tennesee, not Paris France? Not really.
The Velvets just tell it like it is on the doo-wop tune SPRING FEVER. And then it was time to close the show which we did with the very appropriate EVR’Y TIME WE SAY GOODBYE from Dinah Washington and YOUNGER THAN SPRINGTIME from Chet Baker and Art Pepper.
A big thank you again to all of you who subscribed to BayFM and mentioned Theme Park. Congrats to all our winners especially Carolyn Adams who gets to donate the Camp Quality holiday to a family in need, in her name.
Next week’s show reflects how I’m feeling right now: SONGS ABOUT BEING TIRED will be the theme. I tell you, we worked really hard during the Major Subscriber Drive! So get your thinking caps on and see what you’ve got for me. Here’s some inspiration: TIRED OF SEX by Weezer or WORKING IN THE COALMINE from Lee Dorsey. You get the idea.
Here’s this week’s complete playlist:
In The Springtime – Best Of Me, Maxi Priest
Spring Cleaning – Fats Waller Essential 15, Fats Waller
I Got The Spring Fever Blues – Ella Fitzgerald – All My Life, Ella Fitzgerald
C’est Le Printemps – From State Fair/Jazz Goes Hollywood, Blossom Dearie
I Love Paris – Screamin’ Jay Hawkins
I’ve Got Spring Fever – Essential Masters, Little Willie John
Mr. Blue Sky – Out of the Blue, Electronic Light Orchestra
Au printemps – Jacques Brel, Jacques Brel
I love Paris in the Springtime – Jacky Terrasson
Spring Love – Stevie B.
Cherry Pink And Apple Blossom – Perez Prado & His Orchestra
April Sun in Cuba – 30 Years of Classic Hits of the 60’s, Dragon
Spring Rain – Live at the Tivoli, Brisbane 06/08, The Go-Betweens
September Song – Nirvana Nights, Leah Flanagan
Here Comes The Sun – The Beatles
When You’re Young And In Love – Tamla Motown Gold (Dics 2), The Marvelettes
Chapel Of Love -Replay/Gold – Vol 1 No 5, The Dixie Cups
Springtime for Hitler – The Producers
September In The Rain – The Queen Of The Blues, CD4, Dinah Washington
It May Be Winter Outside – Now Thats What I Call Xmas, The Love Unlimited Orchestra
You Make Love Like Springtime – Irons In The Fire, Teena Marie
If Not For You – Essential Bob Dylan, Bob Dylan
In the Spring – Steppin’ Out, Braxton Brothers
Springtime Can Kill You – Springtime Can Kill, You Jolie Holland
A Andorinha da Primavera – O Paraiso, Madredeus
Love Goes Home to Paris In the S… 2:26 Magnetic Fields
Can’t Stop The Spring – Oh My Gawd!!, The Flaming Lips
Spring Fever – Doo Wop Classics, The Velvets
Ev’ry Time We Say Goodbye – The Queen Of The Blues, CD4, Dinah Washington
Younger Than Springtime – The Route, Art Pepper/Chet Baker
Next week: TIREDNESS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Tragically also on Facebook: http://www.facebook.com/maccalyn
Email me at: firstname.lastname@example.org
This week we’re celebrating that Australia finally has a female PrimeMinister in Julia Gillard – it only took 109 years! The show was on the F word, no not THAT word – I’m talking FEMINIST SONGS, GRRRL POWER. It’s a complex topic and I had to have a criterion for the list, otherwise I would have gone absolutely nuts trying to make a selection. So it came down to the lyrics. Obviously what I think makes a feminist song is totally subjective, but hopefully my choices made for an interesting and fun couple of hours.
Le Tigre kicked the show off with HOT TOPIC, a song that pays tribute to dozens of female visual artists, musicians, writers and feminists who have inspired them, including Yoko Ono, Aretha Franklin, The Slits and others. Le Tigre was founded by Kathleen Hanna. She’d previously fronted the band Bikini Kill, a leading light in the Gen X Riot Grrrl movement of the early 90’s. Riot Grrrls didn’t just create music. They published zines, produced their artwork and group exhibitions. The movement spawned current performance artists like Amanda Palmer, Peaches and M.I.A. Have a peek at Le Tigre:
Moving into the show proper, we travelled back in time to 1963 when Peggy Lee recorded I’M A WOMAN. This was at a time when multi-tasking meant being able to do all the housework andpowder your nose at the same time. By 1975 Loretta Lyn had released the first song about birth control, called THE PILL, about a little dose of hormones that would change society and history forever. Can you believe that it was banned from radio? In 1975! We have come a long way baby.
Now you were probably wondering whether any songs about women, written by men, met with my approval. Well, there were a few, (not many mind you). Here’s one: In 1978, Queen speculated that it wasn’t gravity but, in fact, FAT BOTTOMED GIRLS that made the earth go round. Fascinating. Thirty years later the scientific community is still to respond, even though Queen’s guitarist Brian May (who wrote this track) was studying for a PhD in astronomy at the time, which lends some sort of credibility to the argument don’t you think? Over the years this song has proved a useful rebuff to the portrayal of women in popular culture as little more than skinny minnies. And, at the very least, you have to congratulate a song with the lyrics, “Take me to them lardy ladies every time!”.
Keeping to the theme, let’s talk about an artist who has the sisterhood in a quandry. Beyonce sings all about being an independent woman and, yet, she still wants her fella to put a ring on it. But I must admit a liking for Destiny’s Child and especially the track BOOTYLICIOUS. Here are women in possession of their own bodies, their own sexuality and their own lives. When they solemnly announce “I don’t think you’re ready for this jelly” in their ode to the joys of shakeable bottoms, the cheering from millions of pear-shaped women world-wide is deafening.
We followed with a song by the Scissor Sisters called SHE’S MY MAN, a song that tells of a woman who “takes her drinks with dust and rusty razor blades”. It then goes on to assert that “She’s my man and we got all the balls we need”. Not sure if this is a tribute to a transvestite or a particularly gutsy woman, but I’m somewhat encouraged by the fact, that in this age of sexual equality, it doesn’t really matter.
A couple of great duets were lined up next: Aretha Franklin and Annie Lennox with the 1985 anthem SISTERS ARE DOING IT FOR THEMSELVES and the 2003 release of CAN’T HOLD US DOWN by Christina Aguilerra and Lil Kim.
An artist who must surely qualify for our pro-feminist list is Peaches. She writes provocative lyrics that challenge traditional notions of gender. Her songs are nearly always sexually explicit which means that I can’t always include her in my playlists but there is one that did get away with playing this week, as it’s quite tame, for her anyway. Here she is with BOYS WANNA BE HER. Kick-ass band too.
The fight for sexual equality has always been one of the cornerstones of the feminist movement but back in the 40’s, way before we burnt our bras, the early Blues and jazz singers got away with murder with their proudly promiscuous and highly enjoyable music. You just heard Big Mama Thornton with her twist on the Sonny Boy Williamson song Good Mornin’ Little School Girl. Her version is called, what else, SCHOOL BOY. And then it was Julia and Her Boyfriends who know exactly what they want in GOTTA GIMME WATCHA GOT.
At the show’s half way mark Lesley Gore belted out YOU DON’T OWN ME, recorded in 1964 and covered later by Dusty Springfield and Joan Jett, among others. It also featured on the soundtrack of the film THE FIRST WIVES CLUB, a nice little revenge flick about three divorced women whose husbands have left them for younger models. It does happen you know! Here’s Lesley:
Next up it was a suggestion from Cath: Bluegrass duo Truckstop Honeymoon with BAD ATTITUDE. And to follow I chose an artist who has attitude with a capital ‘A’, M.I.A. with PAPER PLANES, on which she samples The Clash’s STRAIGHT TO HELL.
Had to include the wonderful Neko Case with PRETTY GIRLS, a song about abortion and the guilt-trip that’s put on women, particularly if they’re good looking. A nice pairing in tone, for this one, was WOMAN from John Lennon, a bloke who towards the end of his short life at least was very much the feminist.
If you’re looking for opinionated, then you can’t go past the next two tracks: First up, the great Patti Labelle with NEW ATTITUDE and Madison Avenue with WHO THE HELL ARE YOU?
Just saw the new film RUNAWAYS which I thought was going to be about Joan Jet but its not. It’s based on Cherry Bomb, the vocalist with the band, played to perfection by Dakota Fanning. Couldn’t help but be disappointed however with Kristin Stewart’s depiction of Joan. So, let’s make up for it with the stand out ‘up yours’ track, BAD REPUTATION. Here’s Joan Jett & The Blackhearts:
This one was a given: Aretha Franklin with a song that served both the Women’s Liberation & Civil Rights movements equally well. It is, of course, her cover of Otis Redding’s RESPECT.
Ani DiFranco is certainly no damsel in distress on NOT A PRETTY GIRL from the album of the same name, released in 1995 on her own record label with the fabulous name of Righteous Babe Records. Way to go: control the means of production!
Had to include another John Lennon track because he really was a card-carrying feminist. Here’s a clip of him performing WOMAN IS THE NIGGER OF THE WORLD on the Dick Cavett show. Having said all that, it does disturb me somewhat how submissive Yoko appears to be. Hmmmm. And, like, what’s with the drumming?
Heading towards the end of the show, there was just time to play Jeannie C. Riley’s HARPER VALLEY PTA about the struggles of a single mum in a small town, recorded in 1968. Riley was the first women ever to top the US pop and country singles charts with this song. The achievement would not be repeated until 1981 when Dolly Parton topped the same charts with the song you heard next – 9 to 5 – from the movie of the same name, about equality in the workplace.
Who better to close the show than Janis Joplin? This song was originally recorded by Big Mama Thornton and covered to perfection by Janis and Big Brother and the Holding Company in 1967. Here they are performing in Germany, 1969. The song: BALL & CHAIN.
Next week the theme will be UNLIKELY COVERS. Think Johnny Cash covering the Nine Inch Nails track HURT or Sonic Youth’s version of the Carpenters SUPERSTAR, that kind of thing. I’d love to hear from you with your own suggestions.
Here’s this week’s full playlist:
Hot Topic – Le Tigre
I’m A Woman – Peggy Lee
The Pill – Loretta Lynn
Fat Bottomed Girls – Queen
Bootylicious – Survivor, Destiny’s Child
She’s My Man, Ta-Dah, Scissor Sisters
Courtship of Eddie’s Father – Movie clip
Sisters Are Doin’ It For Themselves, Aretha Franklin/Annie Lennox
Can’t Hold Us Down – Stripped, Christina Aguilera and Lil Kim
Boys Wanna Be Her, Impeach My Bush, Peaches
Don’t Call Me Baby, Madison Avenue
School Boy – Ball n Chain, Big Mama Thornton
Gotta Gimme Watcha Got – Sugar in My Bowl, Julia & Her Boyfriends
You Don’t Own Me, Billboard Top 100 of 1964, Lesley Gore
Bad Attitude – Diamohds in the Asphalt, Truckstop Honeymoon
Paper Planes – Kala, M.I.A.
Pretty Girls – Blacklisted, Neko Case
Woman – Double Fantasy, John Lennon
New Attitude – Patti Labelle
Who The Hell Are You? – Madison Avenue
Women Know Your Limits – Harry Enfield BBC (Comedy Clip)
Bad Reputation – Joan Jett & The Blackhearts
Respect – Aretha Franklin
Not A Pretty Girl – Not A Pretty Girl, Ani DiFranco
Woman Is The Nigger of the World, The John Lennon Collection, John Lennon
Harper Valley P.T.A. – 60 Number One Hits of the 60’s, Jeannie C. Riley
9-5 – The Essential Dolly Parton, Dolly Parton
Ball & Chain – Cheap Thrills, Janis Joplin/Big Brother & the Holding Company
Next week: UNLIKELY COVERS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
When it comes to popular music, there’s crazy and then there’s CRAZY. According to a lot of the songs in our play-list today, crazy is how you feel when you’re infatuated with someone and hey, while that can be confusing, its also a lot of fun. Even Sigmund Freud acknowledged: “one is very crazy when in love”.
The good thing about being a bit loopy is that it can produce some great songwriting. And while we included a lot of “crazy in love” type tunes in the show this week, we also entered into some heavy territory with material written by a few of our tortured souls. The truth is that any song about mental illness can make you uncomfortable to some extent, either because its too frivolous or because its too close to the bone. But you know that here at the Theme Park we like to live dangerously.
We opened the show with Gary Jules’ cover of the Tears for Fears song MAD WORLD. I first heard this version on the brilliantly eccentric movie Donnie Darko. Requested by Clare, it proved to be a great start to a show full of songs about trying to stay sane in this crazy, crazy world.
We moved on with a couple of fairly harmless tunes about losing your marbles – and from completley different ends of the musical spectrum: I THINK I’M PARANOID from Garbage and TWISTED from jazz legend Annie Ross, with help from Dave Lambert and Jon Hendricks.
A country tune that regards the issue of mental health very seriously indeed is called PSYCHO. The version we played was by Jack Kittel and, to be honest, it really creeped me out. So I was happy to follow with the more innocent NERVOUS BREAKDOWN, essentially an upbeat love song from the great Eddie Cochran.
Let’s get the Australian attitude to insanity into perspective: I had an email during the week from Sue, asking me for the origin of the expression ‘mad as a meat axe’, meaning ‘nuts, crazy or insane’. Here’s what I discovered: this is a uniquely Australian expression that you won’t find anywhere else in the world. It joins a whole group of expressions that start with the words ‘as mad as’ such as ‘mad as a beetle’ (the insect that is), ‘mad as a dingbat’, ‘mad as a gum tree full of galahs’ and ‘mad as a cut snake’. These expressions are recorded as far back as 1910 and are nothing more than verbal creativity gone wild.
And talking of wild, we had to include James Brown’s song about his fear that, if his girlfriend leaves him, he’ll GO CRAZY. And then it was one of the craziest songs (and videos) ever: The Avalanches with FRONTIER PSYCHIATRIST:
Had to include Gnarls Barkley’s hit CRAZY because, not only is it pop perfection, it was requested by both Lynden and Robyn. Al Royal from BayFM’s Friday 10pm slot, asked for INSANE IN THE BRAIN from Cypress Hill. And how could I refuse?
There’s always room for a great jazz standard and this week we included Peggy Lee with YOU’RE DRIVING ME CRAZY. Judi tells me she’s a huge Patsy Cline fan and so, as predictable as it might be, there was no way we were leaving out the queen of country’s signature tune, CRAZY.
Changing the tone somewhat, it was time for a track from someone who knows just a little bit about crazy behaviour: Ozzy Osbourne and Black Sabbath with PARANOID. And you’ve got to love Goldie Lookin’ Chain’s YOUR MISSUS IS A NUTTER, supposedly about Posh & Becks.
According to The Pixies songwriter, Black Francis, WAVE OF MUTILATION is about “Japanese businessmen doing murder-suicides with their families because they’d failed in business, and they’re driving off a pier into the ocean.” Wild concepts like this make The Pixies a hard act to follow, but Beth Hart gives it a good shot with a cover of Belinda Carlisle’s LEAVE THE LIGHT ON:
The novelty song, HOORAY, HOORAY, I’M GOING AWAY was recorded in 1947, by Beatrice Kay, and it’s an obvious forerunner to Napolean 14th’s 60’s hit, THEY’RE COMING TO TAKE ME AWAY, HA HA. Born in 1907, Beatrice was a singer, vaudevillian, stage and film actress and she even hosted her own radio show. She died in 1979.
Still alive and kicking is the wonderful Mose Allison who gave us one of the ‘crazy in love’ songs that make up a lot of this week’s show: LOST MIND. But if you’re looking for authenticity in your songs about madness, then country singer Porter Wagoner is your man. He wrote THE RUBBER ROOM after spending some time in a mental hospital for a little R&R.
Which brings us to 19th NERVOUS BREAKDOWN from the Rolling Stones. Released in 1966 on the Aftermath album, it’s well known for Bill Wyman’s dive-bombing bass line at the end of the song:
But if you want to talk scary mad, then it has to be the brilliant PSYCHO KILLER from the one and only Talking Heads.
Whew, I was feeling the need for a little more lightness in the list. Relief came with one of the great Blues artists, Little Walter, with CRAZY MIXED UP WORLD. And despite the title of the song, there is nothing but pure joy in the song that gave a certain Ska group their name: from Prince Buster it is, of course, MADNESS. Here he is performing alongside Suggs and Georgie Fame. How good is that?
Green Day’s contribution to our line-up of loony tunes was BASKET CASE and we followed with one of the first grunge/garage bands, The Sonics, with PSYCHO. Love that band! Kurt Cobain cited them as a great influence, so it was fitting that we included a track from the group whose lead singer and songwriter suffered from manic depression and drug dependency that, unfortunately, led to his suicide. I chose the Nirvana song they wrote about another tragic public figure: FRANCES FARMER WILL HAVE HER REVENGE ON SEATTLE.
But if you want to talk influential then The Ramones are on everyone’s list. So much to choose from with these guys and requests by multiple listeners, but for me it had to be I WANNA BE SEDATED.
Bruce Hornsby is a versatile and prolific artist. Known for the spontaneity and creativity of his live performances, Hornsby draws frequently from classical, jazz, bluegrass, folk, Motown, rock, blues and jam band musical traditions with his songwriting. But we didn’t play one of his originals today but instead it was a great version he does of Elton John’s MADMAN ACROSS THE WATER.
Theme Park is followed by a great show called Postmodern Backlash, (still not quite sure what that means!), and its hosted by Hudson. So because I know that he loves his calypso music I also included The Mighty Sparrow with MAD BOMBER.
We finished the show with Pink Floyd’s SHINE ON YOU CRAZY DIAMOND. The song is their tribute to former band member Syd Barrett who left the band in 1968 amidst speculation of mental illness aggravated by heavy drug use. As gloomy as that sounds it’s a beautiful piece of music and a fitting end to the program.
Next week I’ll be celebrating Australia’s first female Prime Minister (go Julia!) with a show on WOMEN. I’d love to receive your requests and suggestions.
And here’s my final word on madness: Remember what Hunter S Thompson had to say: “I wouldn’t recommend sex, drugs or insanity for everyone, but they’ve always worked for me.”
Here’s this week full list:
Mad World – Donnie Darko Soundtrack, Gary Jules
I Think I´m Paranoid – Version 2.0, Garbage
Twisted – Jazz Legends: Divas (Disc 2), Annie Ross +Lambert/Hendricks
Movie Clip – Insane Asylum
Psycho – Jack Kittel
Nervous Breakdown – Eddie Cochran
I’ll Go Crazy – Try Me, James Brown
Frontier Psychiatrist – Frontier Psychiatrist, The Avalanches
Crazy – Gnarls Barkley
Insane in the Brain – Black Sunday, Cypress Hill
You’re Driving Me Crazy – While We’re Young, Peggy Lee
Crazy – Patsy Cline
Paranoid – Paranoid, Black Sabbath
Mad Lad – You Never Can Tell (His Complete Chess Recordings, Chuck Berry
Your Missus Is A Nutter – Goldie Lookin’ Chain
Wave of Mutilation – Pump up the Volume [Motion Picture Soundtrack], The Pixies
Leave The Light On – Leave the Light On, Beth Hart
Hooray Hooray I’m Going Away – Beatrice Kay
Lost Mind – Promised Land, Mose Allison
The Rubber Room – Porter Wagoner
19th Nervous Breakdown – Hot Rocks, 1964-1971 [Disc 1], The Rolling Stones
Clockwork Orange clip
Psycho Killer – Talking Heads
Crazy Mixed Up World – Rock N’ Roll ’50s Blues Essentials, Little Walter
Madness – Prince Buster
Basket Case – Dookie, Green Day
Sound grab: Psycho/The Murder – Psycho/Hitchock, Composer Bernard Hermann/Los Angeles Philharmonic
Psycho – Maintaining My Cool, The Sonics
Frances Farmer Will Have Her Revenge on Seattle – In Utero, Nirvana
I Wanna Be Sedated – The Ramones
Madman Across the Water – Two Rooms: Celebrating the Songs of Elton John, Bruce Hornsby
Mad Bomber – King Sparrow’s Calypso Carnival, The Mighty Sparrow
Shine On You Crazy Diamond – Wish You Were Here, Pink Floyd
Next week: WOMEN
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time