It’s Easter, so I set myself the challenge this week of compiling a list of songs about RESURRECTION. Yes, I know I could have looked at chocolate or bunny rabbits, but hey, you know I like to shake things up a bit! The meaning and long traditions behind the concept of resurrection make it a powerful device for the songwriter. It can be used in the biblical context, or figuratively to describe some sort of rebirth or re-emergence from darkness. Music fans, of course, will be familiar with musicians coming back from the dead, but we’re not dealing with comebacks here. We’ll keep that subject for another show.
Ashton, Gardner & Dyke’s one hit wonder, RESURRECTION SHUFFLE, delivered a terrifically upbeat start to the program. Here they are on Top of the Pops in the 70s:
The prince of darkness, Nick Cave, has the perfect resurrection song in DIG, LAZARUS, DIG!! Here he is with the Bad Seeds performing live on Jools Holland (I’ll say it again, what a brilliant, brilliant show!). The year was 2008 and that’s Jack White on the sidelines looking in absolute awe of the band.
Eric Burdon wrestles with doubt on his version of Blind Willie Johnson’s SOUL OF A MAN. Melbourne group The Temper Trap, now based in the U.K have a great song called RESURRECTION on their Aria Award winning album “Condition”. Then it was Ian Hunter and Mott the Hoople with ROLL AWAY THE STONE. This clips is from Top of the Pops 1973. Scary.
With possibly the longest name on our playlist, Sufjan Stevens contributed our first zombie song on the list. Come on, zombies were a given, surely, on a show about coming back from the dear. THEY ARE ZOMBIES!! THEY ARE NEIGHBORS. THEY HAVE COME BACK FROM THE DEAD, AHHHH! is, I think, absolutely brilliant.
What’s a show on the subject of resurrection without gospel singer Sister Rosetta Tharpe and her Easter song, CAN’T NO GRAVE HOLD MY BODY DOWN?. Sister Rosetta sings about rolling the stone away. Vic Chesnutt, on the other hand sings of leaving the stone in place. Apparently imagining himself as Jesus in his tomb, he’s also wracked by self-doubt on STAY INSIDE.
Dido and AR Rahman sing IF I RISE. It’s the beautiful theme to the film 127 Hours. Adore the film and the song.
Gil Scott-Heron is one of those performers that came back from the dead musically and aren’t we glad he did? On B MOVIE he suggests that this life is just a rehearsal of sorts and that there’s another life waiting for us when the great director in the sky calls cut. Well, I’m not sure I believe that. But who knows?
You know you’ve always got to have your sense of humour firmly intact at the Theme Park, because nothing is sacred. We had a chuckle with Spinal Tap and their 2009 release BACK FROM THE DEAD. That was followed by Nancy Sinatra and the Bond theme, YOU ONLY LIVE TWICE.
The Moody Blues gave us their ode to Timothy Leary: LEGEND OF A MIND. According to them, he’s not dead, he’s just astral travelling! But of course he is. It was the 70’s when this was recorded after all.
Single File gave us our second zombie song on the list with the very amusing ZOMBIES ATE MY NEIGHBOURS. And then it was Alison Moyet with LOVE RESURRECTION, from her 1983 album Alf. According to Alison, when it comes to love, everyone needs a little divine intervention.
Pink Floyd’s COMING BACK TO LIFE is from a live performance album they released in 2009. Then it was The Stone Roses with their anti-Christianity song I AM THE RESURRECTION. Feeling that we probably should show some impartiality on matters religious, we included Frightened Rabbit with HEAD ROLLS OFF. They seem to believe in God and an afterlife but nevertheless promote the idea that what you do while you’re alive is the most important thing. Can’t argue with that.
M. Ward gets a little help from Norah Jones on ONE LIFE AWAY where he imagines that, when you walk on peoples graves, they are “listening to the sound of the living people living their lives away”. Here’s the awesome Mark Lanegan performing on Irish TV in 2004. The track is RESURRECTION SONG. Brilliant as always.
Now it would be a serious omission if I didn’t mention this weekend’s Byron Bay Blues Fest, so as a tribute to that we closed with songs on Resurrection from two of the icons appearing at the event: First up, the marvellous Mavis Staples with WILL THE CIRCLE BE UNBROKEN, which I dedicate to my Dad who died 20 years ago this week. And finally, it was ‘born again’ Bob Dylan with IN THE GARDEN. For my Dad, here’s Mavis on the Jools Holland show:
For next week’s show I’ve been inspired by the Royal Wedding (I kid you not) and the show will be on WEDDINGS AND MARRIAGE. I think we can have some fun with this. I’ll be transforming the BayFM studio into the Chapel of Love. And it will be my last show at this time slot. After that I’ll be presenting Theme Park in a shorter and sweeter one hour format on Monday’s 1-2pm, so I hope that you tune in then.
Have a great Easter! Here’s the complete playlist:
Resurrection Shuffle – Ashton, Gardner and Dyke
Dig, Lazarus, Dig!!! – Nick Cave and The Bad Seeds
Soul Of A Man – Eric Burdon
Resurrection – The Temper Trap
Roll Away The Stone – Mott The Hoople
They Are Night Zombies!! They Are Neighbors!! They Have Come Back from the Dead!! Ahhhh!! – Sufjan Stevens
Can’t No Grave Hold My Body Down – Sister Rosetta Tharpe
Stay Inside – Vic Chesnutt
If I Rise – A.R. Rahman
B Movie – Gil Scott-Heron
Back From The Dead – Spinal Tap
You Only Live Twice – Nancy Sinatra
Legend Of A Mind – The Moody Blues
Zombies Ate My Neighbors – Single File
Love Resurrection – Alison Moyet
Coming Back To Life – Pink Floyd
I Am The Resurrection – The Stone Roses
Head Rolls Off – Frightened Rabbit
One Life Away – M. Ward
Resurrection Song – Mark Lanegan
Will The Circle Be Unbroken – Mavis Staples
In The Garden – Bob Dylan
Next week: MARRIAGE
Occasionally, a songwriter writes a tune that’s essentially a letter to a musical peer or fellow composer. Sometimes that message is delivered in the form of a tribute and sometimes it’s delivered as an angry diatribe. Our playlist today features both but, like our opening track JAZZ THING from Gang Starr, most of our songs are marks of respect.
I like to include a little country music every now and again, especially if its by the great Johnny Cash. As a contribution to this week’s playlist, he sings about his country music idol on THE NIGHT HANK WILLIAMS CAME TO TOWN. Punk rockers The Ramones praise the rock artists who preceded them on DO YOU REMEMBER ROCK N ROLL RADIO. And then it was UK group Television Personalities, who are obviously Pink Floyd fans with I KNOW WHERE SYD BARRETT LIVES.
The most familiar soul hit on the airwaves during 1967 was Arthur Conley’s SWEET SOUL MUSIC on which he paid tribute to other great soulmen like Otis Redding and James Brown:
When it comes to soul, Stevie Wonder knows how much is owed to our jazz legends. SIR DUKE is his tribute to Duke Ellington, the influential jazz legend who died in 1974. He also acknowledges Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald.
In 1980 Dexy’s Midnight Runners appeared out of nowhere, with a sound all their own. Nobody else at the time would have dreamt of producing an impassioned, brass-powered tribute to neglected 1960s soul singer Geno Washington, but they did and they took GENO to #1 in the UK.
Dexy’s Midnight Runners also recorded a version of JACKIE WILSON SAID, but I’m faithful to the original by Van Morrison which had to be part of the list too.
A little more country music was up next with the gorgeous Gillian Welch singing the ELVIS PRESLEY BLUES. This was followed closely by the one and only Ian Dury with his incredible piece of hero worship, SWEET GENE VINCENT. On this video Mick Jones of the Clash joins the band, The Blockheads. And as Dury quips to Jones: “Listen, we’ve got four chords on this one Michael!” Great band, great song. How does Mick Jones get through this number without once dropping the ciggie from his mouth? Hilarious.
Ian Hunter and Mott the Hoople’s reluctant youth anthem, ALL THE YOUNG DUDES was written by David Bowie. It namechecks T-Rex and references The Beatles and The Stones. Here they are, (with Bowie on back up!), performing at the Freddie Mercury tribute at Wembley Stadium:
The wonderful Jonathan Richman never disappoints me and he delivers again for this week’s playlist. On his song VELVET UNDERGROUND he even performs a few bars of the Velvet Underground’s Sister Ray in between dispensing eloquent insights into his heroes’ dark magic. How good is that!
Bono says that U2’s song STUCK IN A MOMENT YOU CAN’T GET OUT OF is a tribute to INXS singer Michael Hutchence. According to Bono it’s the conversation he wishes had actually taken place.
John Martyn, who died at a relatively early age himself, extends a concerned hand to a fading Nick Drake on the devastatingly tender SOLID AIR.
Canadian group Barenaked Ladies recorded a hit song about mental illness that references Beach Boy BRIAN WILSON. And just in case you’re wondering, Brian Wilson does do a version during his own live shows. And why wouldn’t he? It’s a great song. Fellow Canadian Allanah Myles also had a huge hit with my favourite of all the Elvis tribute songs: BLACK VELVET.
Paul Jones and Dave Kelly honour Blues legend SONNY BOY WILLIAMSON and Neil Young references Johnny Rotten of the Sex Pistols on HEY, HEY, MY MY (Into the Black). The line ‘It’s better to burn out than to fade away’ also became infamous in modern rock after being quoted in Kurt Cobain’s suicide note.
On a cheerier note, The Saw Doctors sing I’D LOVE TO BANG THE BANGLES, which pretty much speaks for itself. If you thought that was a wild proposition, you should take a listen to Bongwater’s NICK CAVE DOLLS. But hang in for the punchline on that one. A perfect follow up to that tune is Adam Ant’s GOODIE TWO SHOES, supposedly a critique of Cliff Richards virtuous and conservative image. “Don’t drink, don’t smoke… what do you do?”
A terrific song from Dory Previn is STONE FOR BESSIE SMITH. It isn’t just about the Blues singer Bessie Smith; it’s primarily about Janis Joplin who paid for Bessie Smith’s headstone but forgot to put anything aside for her own.
Early in his career, David Bowie often wrote about artists he admired, from Lou Reed to Andy Warhol to Iggy Pop. On SONG FOR BOB DYLAN a pre-Ziggy Bowie adopted Dylan’s nasal vocal style in order to pay tribute.
Down By Law also do an excellent tribute to the best rock band in the world: I WANNA BE IN AC/DC. Me too guys, me too.
It was hard choosing a song to go out on. Yes, of course there’s American Pie and Losing My Edge and the various spats between Paul McCartney and John Lennon, but in an effort not to be too predictable I’ve chose TUNIC (Song for Karen). Sonic Youth’s Kim Gordon does a beautiful job of casting herself as the tragic Karen Carpenter reporting back from heaven.
I’ve got a marathon effort lined up for the next couple of weeks and I need your help! The playlist next week will start with a song referencing Zero or less and I’ll progressively play songs in numerical order until I run out of ideas. For example I could start with Elvis Costello’s Less Than Zero progress to Yeah yeah yeah’s Zero then Bob Marley’s One Love … you get the idea. Let’s see how far I get. If you help me we could be doing this for weeks! To make it easy to participate I’ll be posting onto the Theme Park Radio Facebook page.
But in the meantime, here’s this week’s complete playlist to peruse:
Jazz Thing – Gang Starr – Moment of Truth
The Night Hank Williams Came To Town – Johnny Cash – The Best Of Johnny Cash
Do You Remember Rock ‘N’ Roll Radio – The Ramones Shrek OST
I Know Where Syd Barrett Lives – Television Personalities And Don’t The Kids Just Love It
Sweet Soul Music – Arthur Conley – 60’s Soul
Sir Duke – Stevie Wonder – Songs In The Key Of Life [Disc 1]
Jackie Wilson Said (I’m In Heaven When You Smile) – Van Morrison
Geno – Dexys Midnight Runners – Searching For The Young Soul Rebels
Elvis Presley Blues – Gillian Welch – Time (The Revelator)
Sweet Gene Vincent – Ian Dury and The Blockheads – The Very Best Of Ian Dury And The Blockheads
Blackbird, Bye Bye – Keith Jarrett, Gary Peacock, Jack DeJohnette – Bye Bye Blackbird
All The Young Dudes – Mott The Hoople – Rock Classics 60’s & 70’s Volume 2
Velvet Underground – Jonathan Richman – I, Jonathan
Stuck In A Moment You Can’t Get Out Of – U2 – The Best Of 1990-2000 & B-Sides CD1
Solid Air – John Martyn – No Little Boy
Brian Wilson – Barenaked Ladies – Barenaked Radio: Easter Special
Sonny Boy Williamson – Paul Jones & Dave Kelly – Live In London
Black Velvet – Alannah Myles – The Very Best of Alannah Myles
Hey Hey, My My (Into The Black) – Neil Young – Rust Never Sleeps (Live)
Goodbye Pork Pie Hat – Charles Mingus – Mingus Ah Um
I’d Love To Kiss The Bangles – The Saw Doctors – Play it Again Sham
Nick Cave Dolls – Bongwater – Box of Bongwater
Goody Two Shoes – Adam Ant – Antics In The Forbidden Zone
Stone For Bessie Smith – Dory Previn – Mythical Kings And Iguanas
Song For Bob Dylan – David Bowie – Hunky Dory
(I Wanna Be In) AC/DC – Down By Law – Windwardtidesandwaywardsails
Tunic (Song For Karen) – Sonic Youth – Goo (Deluxe Edition) [Disc 1]
Next week: NOUGHT TO WHATEVER (Part 1)
Now, you may think I’m a bit behind the eight ball, doing a show on RESOLUTIONS AND FRESH STARTS in mid January, but I have a policy of not even thinking about New Year Resolutions until after my birthday, which is around this time. I’m not prepared to give up my wicked ways until those celebrations are well out of the way. And, to be honest, that could take up to 6 months at least.
So, I’ll allow the playlist to do the job for me. The wonderful Nina Simone set the tone with FEELING GOOD. She’s full of optimism because it’s a new day, a new life and she’s feeling good. I wonder how long that lasted? Because, as we all know, new resolutions and fresh starts are often accompanied by regret and, unfortunately, they almost always carry the potential for failure. But, let’s at least try and maintain some hope.
The Allman Brothers Band have had their ups and downs, so on a song like CHANGE MY WAY OF LIVING they’re sounding mighty ambitious. But hey, let’s give them the benefit of the doubt.
It was great to have Blues/Roots duo The Fridays in the studio for a chat and some live music. They’re from Adelaide and presently in Byron performing and promoting their EP Woh Oh. Kimberly McKenzie and Kelly Breuer’s original material melds rock out riffs with beautiful harmonies. A couple of the songs had me laughing out loud. As well as playing ROMANCE COMEDY from their EP we were able to have them perform two other numbers live and it was such a pleasure. If you get a chance to catch them perform, anywhere, don’t miss out on supporting some fantastic up and coming Australian talent.
Motown giants The Supremes and The Temptations got together to record a version of Dee Dee Warwick’s I’M GONNA MAKE YOU LOVE ME and it became a huge hit for them in 1969. We followed that with the very appropriate NEW YEAR’S RESOLUTIONS from two more soul greats, Otis Redding and Carla Thomas.
If only Thin Lizzy’s Phil Lynot had followed through on his resolution, he might still be with us. Instead, I’VE GOT TO GIVE IT UP, is a sad memorial to this amazing talent who died at 36.
Something a little less serious: Husker Du reckon they’re NEVER TALKING TO YOU AGAIN. Oh come on guys, never say never. Bob Dylan is equally resolute. He swears he’s never going to work on MAGGIES FARM no more. Fair enough.
The Who are convinced that they WON’T GET FOOLED AGAIN. A good resolution if ever I heard one, but, like a lot of resolutions, not that easy to keep.
Mama Kin is very convincing on her resolution song I’M GONNA DO IT. As is Bobby Bland who says he AIN’T GONNA BE THE FIRST TO CRY.
John Legend gets a little bit of help from Snoop Dogg on I CAN CHANGE. On this video clip he carries the day on his own (and you get the bonus of Spottie as well). Its a live performance in London with a terrific band and back-up.
George Thorogood & The Destroyers contributed one of those songs full of promises. You know the ones: men make them in order to win the woman of their dreams. In this case George says I’LL CHANGE MY STYLE.
Bobbie Gentry, who’s obviously met a few ‘Georges’ in her time swears I’LL NEVER FALL IN LOVE AGAIN.
Nick Cave, apparently has all the right intentions, he just has trouble delivering on his resolutions because RIGHT NOW HE’S A ROAMING. Steve Winwood knows that if you’re really serious about wanting a fresh start you have to make it happen WHILE YOU SEE A CHANCE.
Somehow I don’t think Ian Dury and the Blockheads were serious at all when they sang I WANT TO BE STRAIGHT.
Princess Superstar’s QUITTING SMOKING SONG was edited a little, otherwise we wouldn’t have been able to play it on radio, and that would have been a pity, I reckon. Meanwhile, Black Kids are promising I’M NOT GOING TO TEACH YOUR BOYFRIEND HOW TO DANCE WITH YOU. Quite right too.
A fun couple of songs to exit on: Mary Martin and the cast of South Pacific with I’M GONNA WASH THAT MAN RIGHT OUT OF MY HAIR. And one of my favourites, the wonderfully eccentric and optimistic Jonathan Richman, who knows all about fresh starts on I’M JUST BEGINNING TO LIVE.
Thanks to The Fridays for coming in and entertaining us in the first hour of the program. Don’t forget they’re performing at the Rails Hotel in Byron Bay on Thursday January 20th so get along and support them.
Thanks also to Lina, Chilla, Shel, Allan, Andy and Victoria for letting us know what their New Year Resolutions were for this year.
Next week’s show will be ALL AUSTRALIAN. Lots of nostalgia and some new stuff as well.
Until then, here’s this week’s playlist:
Feeling Good / Nina Simone
Change My Way Of Living / The Allman Brothers Band
Romance Comedy / The Fridays
I’m Gonna Make You Love Me / The Supremes
New Year’s Resolution / Otis Redding and Carla Thomas
Got To Give It Up / Thin Lizzy
Never Talking To You Again / Hüsker Dü
Maggie’s Farm / Bob Dylan
Won’t Get Fooled Again / The Who
I’m Gonna Do It / Mama Kin
I Ain’t Gonna Be The First To Cry / Bobby “Blue” Bland
I Can Change ft. Snoop Dogg / John Legend
I’ll Never Fall In Love Again / Bobbie Gentry
I’ll Change My Style / George Thorogood and The Destroyers
Right Now I’m A-Roaming / Nick Cave and The Bad Seeds
I Want To Be Straight / Ian Dury and The Blockheads
While You See A Chance / Steve Winwood
One Way Or Another / Blondie
Quitting Smoking Song / Princess Superstar
I’m Not Gonna Teach Your Boyfriend How To Dance With You / Black Kids
I’m Gonna Wash That Man Right Out of My Hair / Mary Martin and The Girl’s Chorus of South Pacific
I’m Just Beginning To Live /Jonathan Richman and The Modern Lovers
Next week: 40 YEARS OF CLASSIC AUSTRALIAN ROCK
I can’t believe that going into our 5th season I still hadn’t put a show together on carnivals, circuses and the like. Well, we remedied that this week. A great introduction was supplied by Eddie Izzard doing a cover of The Beatles BEING FOR THE BENEFIT OF MR KITE. It’s from the soundtrack to the film Across The Universe directed by Julie Taymor. “Just tune in, turn off, drop out, drop in, switch on, switch off, and explode!”
Yes, I know that the Red Hot Chilli Peppers do a great version of LOVE ROLLERCOASTER, but it was the original that made the playlist. It first appeared on the Ohio Players Honey album in 1975. In this clip from the television show Midnight Special, you get the bonus of Wolfman Jack doing the intro and some crazy boy dancers. Ahhh the 70’s.
Thanks to Ku Promotions for our giveaway this week: two tickets to The Audreys’ concert. They’re a band of four boys and one girl, playing rootsy kind of music and are based in Adelaide, Australia. They have released two records, one in 2006 called Between Last Night and Us and one in 2008 called When the Flood Comes, both of which has won the ARIA Award for Best Blues and Roots Album. I’ve seen them perform twice now and they really are a knockout. Their latest album, Sometimes the Stars, features the track TROUBLE SOMEHOW:
I love the collaborative work between Mark Lanegan (ex Queens of the Stone Age) and Isobel Campbell (ex Belle & Sebastian). THE CIRCUS IS LEAVING TOWN is from their latest album, Ballad of the Broken Seas. Here’s a great interview with them which features a slice of the song within it. It was shown when Isobel won the Mercury Prize for the album, which she produced.
Total change of pace came with a couple of tracks from the 60’s: Al Johnson with CARNIVAL TIME from his 1962 album, Mardi Gras in New Orleans and Freddie Cannon with his hit, PALISADES PARK. And just to mix it up a bit I threw in some Fun Lovin’ Criminals with CONEY ISLAND GIRL.
The Stylistics were one of the most successful soul groups of the early 70’s and their song SIDESHOW fitted the theme perfectly. As did a true classic from Smokey Robinson and the Miracles – THE TEARS OF A CLOWN.
Nellie the Elephant is a classic children’s song written in 1956. It became a UK #1 hit for punk band, The Toy Dolls, when they covered the song in 1983. Michael ‘Olga’ Algar, led vocalist, guitar and bass player, is the only remaining member of the original line-up, who continue to perform. I love the way that they used the aesthetics of punk to express a real sense of fun.
This following clip is from the Martin Scorsese film The Last Waltz, a documentary of the concert by The Band, held on Thanksgiving Day, November 25 1976. It was advertised as the group’s last show and they were joined by an illustrious line-up of talent including Van Morrison. Here they are with CARAVAN:
The Decemberists’ songs range from upbeat pop to instrumentally lush ballads, and often employ instruments like the accordian, Hammond organ, Wurlitzer organ and upright bass. In their lyrics, the band rejects the angst and introspection common to modern rock and instead favour a storytelling approach, as evidenced in songs such as MY MOTHER WAS A CHINESE TRAPEZE ARTIST. It’s from the 5 Songs EP.
The 1986 Madness song (Waiting for) THE GHOST TRAIN was actually about apartheid in South Africa but hey, I love the title and based on that alone it made the playlist.
“I got blisters on my fingers!!!!” yells Ringo Starr, (I think), at the end of The Beatles’ frenetic HELTER SKELTER. Written by Paul McCartney, he deliberately tried to create a sound that was as loud and dirty as possible. Done.
Moving onto something a lot more mellow, it was Alison Goldfrapp with the very beautiful CLOWNS from her 2008 album Seventh Tree. And you thought I only played the old stuff. Oh you of little faith!
With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the ’80s. He was inspired equally from bluesmen like Albert King, Otis Rush and Muddy Waters and rock & roll players like Jimi Hendrix and Lonnie Mack as well as the stray jazz guitarist Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre. It’s been said that Vaughan bridged the gap between blues and rock like no other artist had since the late ’60s. His tragic death in 1990, at the age of 35 in a helicopter accident, only emphasized his influence in blues and American rock & roll. Here he is with Double Trouble performing TIGHTROPE:
There Goes Rhymin’ Simon is the second solo studio album from Paul Simon, released in 1973. the album covers several styles and genres. Our choice from the album was, of course, TAKE ME TO THE MARDI GRAS.
Natalie Merchant has been quoted as saying that she named her first solo album Tigerlily because the word evoked a feeling that was both ‘fierce’ and delicate’. Released in 1995 the album included the hit single CARNIVAL in which the protaganist compares the colourful sights and sounds of New York with being at a carnival.
A trio of guilty pleasures were lined up next: Back in 1967 The Hollies released ON A CAROUSEL and Manfred Mann were also were enraptured with the circus on HA! HA! SAID THE CLOWN. But the guiltiest of pleasures was still to come: In 1971 Cher released her first chart-topper, as a solo artist, in the United States: GYPSIES, TRAMPS AND THIEVES. Come on, you’ve gotta love Cher!
Swedish group, The Cardigans, had their first international breakthrough with their 1995 album Life which included the track CARNIVAL, a very cruisy pop tune with the gorgeous Nina Persson on vocals.
Beirut is an interesting band. They’re American yet their music combines elements of Eastern European and Balkan folk with Western pop music. They successfully fuse mainstream and indie-rock with the World Music market and consequently have a very unique sound. CAROUSELS, from their 2007 album Lon Gisland, is a great example of their work.
Beirut proved to be a great lead in to our final song of the day, the very gothic CARNY by Nick Cave and The Bad Seeds. I love the use of accordian on this track (thanks to Warren Ellis). It gives the song an even more intense circus-like feel.
I’m happy to say that I’ll be back for another season of the Theme Park, same time same airspace. So keep listening locally on BayFM99.9 or streaming live on BayFM.org. And I’d love to get your suggestions for next week’s show, which will be on GAMBLING.
Here’s this week’s complete playlist:
Being For The Beneﬁt Of Mr. Kite – Across The Universe, Eddie Izzard
Carnival – The Black Rider, Tom Waits
Love Rollercoaster – Funk Classics, The 70’s, Ohio Players
Enter The Circus – Back To Basics, Christina Aguilera
Troubles Somehow – Sometimes the Stars, The Audreys
The Circus Is Leaving Town – Ballad of the Broken Seas Isobel Campbell and Mark Lanegan
Carnival Time – Mardi Gras In New Orleans, Al Johnson
Palisades Park – The Rock ‘n’ Roll Classics, Freddy Cannon
Coney Island Girl – Come Find Yourself, Fun Lovin’ Criminals
Sideshow – Ultimate Slow Jams 9 [Disc 4], The Stylistics
The Tears Of A Clown – Motown’s Biggest Pop Hits, Smokey Robinson and The Miracles
Nellie The Elephant – The Wonderful World Of The Toy Dolls, Toy Dolls
Caravan – The Last Waltz [Disc 2], The Band + Van Morrison
My Mother Was A Chinese Trapeze Artist – 5 Songs, The Decemberists
Goodbye Cruel World – Jukebox Hits 1961, James Darren
The Ghost Train – Rock TV Classic, Madness
Helter Skelter – The Beatles (White Album) [Disc 2], The Beatles
Clowns – Seventh Tree, Goldfrapp
Tightrope [Live] – SRV (Disc 3), Stevie Ray Vaughan & Double Trouble
Take Me To The Mardi Gras – There Goes Rhymin’ Simon, Paul Simon
Carnival – Tigerlily, Natalie Merchant
Fire Eater – Naturally, Three Dog Night
Ha! Ha! Said The Clown – Manfred Mann
On A Carousel – The Hits Of 1967, The Hollies
Gypsies, Tramps And Thieves – Billboard Top Rock ‘N’ Roll Hits: 1971, Cher
Carnival – Life, The Cardigans
Carousels – The Lon Gisland EP, Beirut
The Carny – The Best Of, Nick Cave and The Bad Seeds
A while back I did a show on ‘Covers That Are Better Than The Originals’ and I had so much fun with that. So this week it was UNLIKELY COVERS. Anything in the previous show was excluded, just to keep me on my toes. But have no fear, there were plenty more, and even quirkier versions, to choose from.
We opened the show with Peter Sellers’ hilarious version of the Beatles A HARD DAY’S NIGHT, in the style of Lawrence Olivier’s Richard 111. Thanks to Andrew for this request.
Andrew also requested the next track on our list: Hellsongs’ version of THUNDERSTRUCK. Hellsongs is an acoustic three-piece that plays what is best described as Lounge Metal. That means metal classics performed with surprisingly clear female vocals, soft guitars, an organ and two male choir-boys. They do a brilliant job of this AC/DC cover.
Stevie Wonder’s version of the Beatles classic WE CAN WORK IT OUT is a good example of what I think defines an UNLIKELEY COVER. Not only does he switch genre, he also reinterprets the emotions that underpin the track, taking it from melancholia to pure elation. So, here’s a treat: A clip from the recent 2010 Glastonbury Festival where Stevie sings both Master Blastin’ and We Can Work It Out. Enjoy.
I’LL BE MISSING YOU by P. Diddy, Faith Evans and 112, borrows the melody and arrangement of Police’s EVERY BREATH YOU TAKE to create a song that was recorded in memory of rap artist Notorious B.I.G., murdered in 1997. Thanks to Robyn for that suggestion.
Scottish alternative pop band Camera Obscura do a great version of the Abba hit SUPERTROUPER, so that had to be included. As did Nick Cave, with the very unlikely cover of Louis Armstrong’s WHAT A WONDERFUL WORLD.
Algerian musician Rachid Taha does an intriguing Arabic version of the Clash standard ROCK THE CASBAH. Check it out:
As someone who loves their Bluegrass and is a hardcore Queen fan, (what’s not to love?), Hayseed Dixie appealed with their cover of Queen’s BOHEMIAN RHAPSODY. Come on, you’ve got to get a chuckle out of this, surely:
We followed with a very gentle rendition of the Guns & Roses’ track SWEET CHILD OF MINE. It’s from Swedish singer Victoria Bergstrom, under her Taken By Trees moniker.
SWITCHED ON BACH is the name of an album by Walter (later to become Wendy) Carlos. Recorded in 1968, using the Moog synthesiser, it became the highest selling classical music recordings of its era. We played one of the best tracks from that album, SINFONIA 35. Carlos went on to make many more recordings, including scores for the Stanley Kubrick films A Clockwork Orange and The Shining.
Paul Kelly only needs his guitar, and his great voice, to create a knock-out acoustic version of the Amy Winehouse signature tune REHAB. I found this on one of the very excellent Triple J Like a Version albums.
One of my favourite films of all time is JUNO and one of the best songs on that soundtrack is Sonic Youth’s cover of The Carpenter’s SUPERSTAR. Karen would have been proud:
The phones ran hot when this next track was played: Legends Willie Nelson and Waylon Jennings gave Procol Harum’s A WHITER SHADE OF PALE a country voice. And then the totally indiosyncratic William Shatner covered Pulp’s COMMON PEOPLE.
But if you thought that was crazy, how about Ani DiFranco and Jackie Chan (yes, that’s correct, Jackie Chan the Hong Kong actor). They contributed a bizarre duet of Nat King Cole’s UNFORGETTABLE. Ani’s voice is great, but methinks that Jacki should just stick to acting (or maybe not!).
We followed with The Clash’s version of Junior Murvin’s reggae classic POLICE & THIEVES. While a punk rock group covering reggae does seem a bit unusual, Joe Strummer makes this great track his own.
Gee, it was hard choosing one of Johnny Cash’s covers. His album American IV: The Man Comes Around is particularly good for UNLIKELY COVERS. My favourite is his version of the Nine Inch Nails song HURT but I have played that before, so I thought I’d bring you his cover of Depeche Mode’s PERSONAL JESUS instead. This album is especially moving as Cash died soon after its release.
Lesley Gore, (that’s right, she of IT’S MY PARTY AND I’LL CRY IF I WANT TO), gave us a great version of AD/DC’s DIRTY DEEDS DONE DIRT CHEAP. Just to prove that she can sing anything she wants to!
R & B great Billy Preston does an interesting cover of pop band Duran Duran’s GIRLS ON FILM. As do the Ramones when they do a punk version of Creedence Clearwater Revival’s HAVE YOU EVER SEEN THE RAIN?
Here’s a combination I really love: C.W. Stoneking, with another track from Triple J’s Like a Version compilation: the White Stripes SEVEN NATION ARMY. Two of my favourite artists, Stoneking and Jack White. I think what makes this so good is that Stoneking hadn’t even heard the song before it was suggested that he do a cover, so it has this incredible freshness to the interpretation. Here’s an interview and his performance live in the studio. So jealous of that presenter!
We followed that with a great pairing: Jim Morrison and The Doors with their version of Howlin Wolf’s BACK DOOR MAN and Patti Smith’s amazing cover of Prince’s WHEN DOVES CRY. Thanks again to Rob for suggesting that one.
How perfect is Sid Vicious’s punk version of MY WAY, made famous originally by Frank Sinatra? Let’s face it, he couldn’t sing, couldn’t play but gee he knew how to take the piss out of society. Miss that.
What to finish the show with? Well, a cover of Led Zeppelin’s STAIRWAY TO HEAVEN seemed an obvious choice but which version? Rolf Harris came to mind, especially after his recent appearance at Glastonbury but I’m not a big fan. Instead, the honour went to one of the best musicians in rock history, Frank Zappa.
Next week the theme is a staple of pop music: SWEETS, all those yummy sugary foods that symbolise so much about personal relationships. Let me know if you have any good suggestions. Love having your input.
For now, here’s this week’s complete playlist:
A Hard Day’s Night (Beatles cover) – Time To Remember 1965, Peter Sellers
Thunderstruck (AC/DC cover) – Hymns In The Key Of 666, Hellsongs
We Can Work It Out (Beatles) – Greatest Hits, Vol. 2, Stevie Wonder
I’ll Be Missing You (Police) – P. Diddy
Super Trouper (Abba cover) – Tears For Affairs, Camera Obscura
What a Wonderful World (Louis Armstrong cover) – B-Sides & Rarities, Nick Cave/The Bad Seeds
Rock el Casbah (Clash cover) – Arabian 2000 & 1 Nights, Rachid Taha
Bohemian Rhapsody (Queen cover) – Killer Grass, Hayseed Dixie
Sweet Child Of Mine (Guns & Roses cover) – Taken By Trees (Victoria Bergsman)
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Rehab (Amy Winehouse cover) – Like A Version Four, Paul Kelly
Superstar (Carpenters Cover) – Juno Soundtrack, Sonic Youth
A Whiter Shade of Pale (Procol Harum cover) – Always On My Mind, Willie Nelson & Waylon Jennings
Common People (Pulp) – Triple J Hottest 100: Volume 12 William Shatner/Joe Jackson
Unforgettable (Nat King Cole)- When Pigs Fly: Songs You Never Thought You’d Hear, Ani DiFranco & Jackie Chan
Police & Thieves (Junior Murvin) – The Clash, The Clash
Personal Jesus (Depeche Mode) – American IV: The Man Comes Around, Johnny Cash
Dirty Deeds Done Dirt Cheap (AC/DC cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Lesley Gore
Girls on Film (Duran Duran cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Billy Preston
Have You Ever Seen the Rain (Creedence Clearwater) – The Ramones
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Seven Nation Army (White Stripes cover) – Like A Version Four, C.W. Stoneking
Back Door Man (Howlin Wolf cover)- The Doors, Jim Morisson/The Doors
When Doves Cry (Prince cover) – When Doves Cry, Patti Smith
Surﬁn’ USA (Beach Boys) – The Jesus & Mary Chain
My Way (Frank Sinatra) – The Great Rock ‘N’ Roll Swindle, Sid Vicious
Stairway To Heaven (Led Zepelin Cover) – Frank Zappa
Next week: SWEETS (Yummy, yummy, yummy I’ve got love in my tummy!)
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
The weather has been in the news, more than usual of late, what with hurricanes, tornadoes and our own Lennox Head being declared a national disaster area after a mini tornado destroyed homes and caused chaos to this beautiful little coastal town. What’s a girl to do but to create a playlist around BAD WEATHER?
We opened the show with a request from Robyn: the incredibly seductive BABY ITS COLD OUTSIDE by Ray Charles and Betty Carter. The song could just as easily fitted into our Sexy Songs list for last week, but glad we held it over.
Now when it comes to songs about the weather, rain seems to be the metaphor of choice. It can describe heartache or happiness, and lots more in-between. The Ronettes daydream about the qualities that make up the perfect boyfriend on WALKING IN THE RAIN. However, the Walker Brothers – with their remake of Frankie Valli’s THE SUN AIN’T GONNA SHINE ANYMORE – see bad weather as a symbol of loneliness. Either way, two great songs. Here’s a blast from the past for all you baby boomers, the Walker Brothers on Ready, Steady, Go in 1966:
Next it was Status Quo with RAIN from their Blue for You album, released in 1976. The track was originally intended for the album On The Level, but at the time of the recording sessions Rick Parfitt had not completed the song and so it was held over to the band’s next release.
Shirley Manson only seems to be happy when she’s miserable in the Garbage song I’M ONLY HAPPY WHEN IT RAINS. Fitting then that we followed with the Prince of Darkness himself, Nick Cave. The song TUPELO, with its great sound effects and talk of black clouds, was also a perfect fit for a show on Bad Weather.
A great song that carries an emotional whallop is LOUISIANA 1927, a devastating account of the great Mississippi floods, which has become identified with the more recent Hurricane Katrina. Written, and originally recorded by Randy Newman, Aaron Neville’s version is sublime. Here he is performing at the Concert for Hurricane Relief in 2008:
We followed with the great Muddy Waters and BLOW WIND BLOW and then it was Leon Russell with a cover of the Bob Dylan classic, A HARD RAINS A GONNA FALL. This track was requested by for Judi, listening in Cairns, where they know a little bit about a rainy season. The song STORMY WEATHER is one of my favourites. Written and originally recorded in 1933, its been covered by all the greats, but I do particularly like the Etta James version that we played this week.
The inspiration for RAIN, by the Beatles – according to Neil Aspinall, the Beatles roadie, and John Lennon – was Australia’s own weather. Apparently when they arrived here to tour, the weather was so bad that Lennon was quoted as saying that: “I’ve never seen rain as hard as that.” He went on to say that RAIN was “about people moaning about the weather all the time”. Three promotional films were made for the song. These videos, along with other Beatles videos at the time, sparked George Harrison to say during the Beatles Anthology, “So I suppose, in a way, we invented MTV”.
The Red Hot Chilli Peppers track SNOW may not be about the kind of snow that makes cute little snowmen, but it is a great song in any case. Its from the Stadium Arcadium album. And while we’re talking of metaphor, Tom Waits has a lot to say about the weather on EMOTIONAL WEATHER REPORT. The track is featured on the album Nighthawks at the Diner, recorded in 1975. The title was inspired by Edward Hopper’s 1942 painting Nighthawks. Here’s Tom performing the song at the Rockpalast in Koln, West Germany in 1977:
Irma Thomas is quite rightfully called “the Soul Queen of New Orleans” and she has several songs about the weather that fitted the bill, but none better, in my opinion, than ITS RAINING SO HARD. We followed with Bill Withers and AIN’T NO SUNSHINE WHEN SHE’S GONE. Neil Young was lucky enough to get some help on harmonies from the wonderful Nicolette Larsen on FOUR STRONG WINDS. Larsen, who died in 1997, had a big hit with a cover of Young’s LOTTA LOVE in 1978.
I couldn’t do a show on Bad Weather and not include AC/DC’s THUNDERSTRUCK. Rumour is that the song was inspired by Angus Young’s hair-raising experience when a plane he was on was struck by lightning. Not sure if that’s true or not.
What I do know is that Natalie Merchant and the 10,000 Maniacs “get a shiver in their bones” just thinking about the climate conditions on LIKE THE WEATHER. We followed with Blur and THIS IS A LOW, which was inspired by, of all things, a shipping forecast.
Back to some rock with Creedence Clearwater Revival’s HAVE YOU SEEN THE RAIN and a song for Alex in Sydney, and all the other Deep Purple fans, STORMBRINGER.
When it comes to R&B, The Temptations just want the weather to match their mood on I WISH IT WOULD RAIN but Anne Peebles finds the weather brings back unwanted memories of a past love on I CAN’T STAND THE RAIN.
I love the infectious tone of Bob Dylan’s RAINY DAY WOMEN, which is matched by the very excellent COLD COLD FEELING from T-Bone Walker. As much as I was enjoying myself, we closed the show with The Doors and RIDERS ON THE STORM. The song was inspired by the song “Ghost Riders in the Sky: A Cowboy Legend”. It incorporates real sound effects of thunder and rain, along with Ray Manzarek’s Fender Rhodes electric piano playing, which emulates the sound of rain. Good stuff.
The topic for next week’s show is a doozy. They say success is the best revenge, but, when it comes to musos a bitchy payback song seems to fit the bill. I thing we’ll have a lot of fun with our playlist of REVENGE SONGS, so I hope you’ll join me then. And if you have any suggestions for the playlist please get in touch. It’s always great to have your input.
Here’s this week’s playlist:
Baby, It’s Cold Outside – Soulful Christmas, Ray Charles & Betty Carter
Walking In The Rain – Phil Spector Wall of Sound Vol. 1 – The Ronettes
The Sun Ain’t Gonna Shine Anymore – Walker Brothers
Rain – Blue For You, Status Quo
I’m Only Happy When It Rains – Garbage, Garbage
Tupelo – The Best Of Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds
Louisiana 1927 – Warm Your Heart, Aaron Neville
Blow Wind Blow – Baby Please Don’t Go, Muddy Waters
A Hard Rains A-Gonna Fall – Remember the Titans (Movie Soundtrack), Leon Russell
Frosty – Martin Scorsese Presents The Blues – A Musical Journey, Albert Collins
Stormy Weather – At Last!, Etta James
Rain – Past Masters Volume Two, The Beatles
Snow ((Hey Oh)) – Stadium Arcadium, Red Hot Chili Peppers
Emotional Weather Report – Nighthawks at the Diner, Tom Waits
It’s Raining So Hard – Irma Thomas
Ain’t no Sunshine – Bill Withers
Four Strong Winds – Comes a Time, Neil Young
Thunderstruck – The Razors Edge, ACDC
Like The Weather – MTV Unplugged, 10,000 Maniacs
This Is A Low – Parklife, Blur
Have You Ever Seen The Rain – Creedence Clearwater Revival
Stormbringer – Deepest Purple: The Very Best of Deep Purple, Deep Purple
I Wish It Would Rain – My Girl: The Very Best Of The Tempations [Disc 1], The Temptations
I Can’t Stand The Rain – I Can’t Stand The Rain, Ann Peebles
Rainy Day Women – Forrest Gump (Movie Soundtrack), Bob Dylan
Cold Cold Feeling – The Talkin Guitar (The Best Of), T-Bone Walker
Riders on the storm – The Doors (movie soundtrack), The Doors
Next week: REVENGE SONGS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
I had a lot of fun getting this week’s list together because there’s just so much to choose from when it comes to DUETS. We opened with the perfectly pitched IT TAKES TWO from Marvin Gaye & Kim Weston. The hit single was released in 1966 on Motown’s Tamla label.
Iggy Pop and Deborah Harry do an amazing job with WELL DID YOU EVAH. Who would have thought that Cole Porter’s quaint double act from the film High Society,originally sung by Bing Crosby and Frank Sinatra, would be handled so well by two punk icons? Here’s a treat: a video created by director Alex Cox (“Sid & Nancy”), that incorporates some of High Society/Frank & Bing with Iggy and Deb’s version. Great stuff:
We followed with the hilariously argumentative Otis Redding and Carla Thomas with TRAMP and then some more Marvin Gaye, this time with Tammi Terrell. Until Tammi’s death from a brain tumour in 1970, she and Marvin Gaye were regarded as Motown’s perfect pairing. Choosing the “best” of Gaye’s duets with Terrell is a little crazy, but I chose REAL THING over the much covered ‘Aint No Mountain High Enough’ which seems to get enough exposure without my help.
Time then for a boy on boy duet: Freddy Mercury and David Bowie’s anxious little melodrama, UNDER PRESSURE. Born out of an impromptu jam session, it evolved into one of the most inspiring musical moments of the 1980s.
Dusty Springfield and the Pet Shop Boys’ rendition of WHAT HAVE I DONE TO DESERVE THIS? helped revive Dusty’s career in the U.S. when it was released in 1987. We followed with SOMETIMES ALWAYS from Jim Reid of the Jesus and Mary Chain and his singing partner Hope Sandoval from Mazzy Star. Here’s a clip of them performing live at the MTV studios:
Let’s face it, country music is the spiritual home of the duet. Two great examples: Nancy Sinatra and Lee Hazlewood with the wonderful and haunting SOME VELVET MORNING and JACKSON from Johnny Cash and June Carter.
Iggy Pop seems to love to duet. Last week he featured with Peaches and this week he turns up twice; this time with Kate Pierson of the B-52s. The song? CANDY is the tale of an ex-con reaching out to his lost love after 20 years. It makes brilliant use of Iggy’s sly, world-weary baritone and Pierson’s sunny tones. The result is an modern-rock classic. Take a look:
PJ Harvey and Thom Yorke, of Radiohead, offered up THIS MESS WE’RE IN. It’s kind of what you would expect from these two isn’t it? Profoundly gloomy and yet impossibly beautiful. Peter Gabriel with Kate Bush aren’t quite as melancholic as she gives Pete some great lifestyle tips on their gorgeous duet DON’T GIVE UP.
Another wonderful duet is COME ON OVER, from Isobel Campbell (ex Belle & Sebastien) and Mark Langegan (ex Queens of the Stone Age). Qualifies for probably the sexiest song on the list this week.
The Youssou N’Dour & Neneh Cherry track SEVEN SECONDS was a huge worldwide hit in 1994. The song is about the first seven seconds in a child’s life, when he or she is totally unaware of the problems and violence in the world. A timeless classic:
Gram Parsons and Emmylou Harris cover Roy Orbison’s LOVE HURTS and do a pretty good job of it but we had to have the real thing and the stand-out duet has to be Roy Orbison and kd lang with, of course, CRYING. Now you didn’t think I’d leave that one out did you?
Another goodie that takes a more optimistic viewpoint of partnerships: Chrissie Hynde performing I’VE GOT YOU BABE with UB40. This cover of Sonny & Cher’s signature tune was recorded in 1985 and reached #1 in the UK that year, as did the original 20 years earlier.
Stevie Nicks and Tom Petty do a great version of STOP DRAGGIN MY HEART AROUND and Tina Turner and Brian Adams aren’t half bad either with their cover of Robert Palmer’s ADDICTED TO LOVE.
We followed with a brilliant triple-play: Ray Charles and Gladys Knight with HEAVEN HELP US ALL from the Genius Loves Company album, the great Jackie Wilson and Laverne Baker with THINK TWICE and Al Green and Lyle Lovett singing FUNNY HOW TIME SLIPS AWAY. Here’s proof positive that white men from Texas do have soul:
Another terrific triple play: Johnny Cash and Bob Dylan with ONE TOO MANY MORNINGS followed by Nick Cave and Kylie Minogue with WHERE THE WILD ROSES GROW and the piece de resistance, in my book, Jack White and Loretta Lynn with PORTLAND OREGAN from Loretta’s amazing album Van Lear Rose. Love the album, love this song, love this clip:
But when it came to closing the show I couldn’t go past a piece of music that sums up, what has to be, a perfect pairing: Louis Armstrong and Ella Fitzgerald singing DANCING CHEEK TO CHEEK. Recorded in 1957 and accompanied by the Oscar Petersen trio and Buddy Rich on drums, you can’t listen to this song without smiling. As the song goes “Heaven, I’m in heaven….”
Next week’s show falls on the 12th of January – My Birthday! Yes I’m a Capricorn, just like Elvis, David Bowie, Annie Lennox …. Ah ha, I’m in great company. So in honour of all of us having birthdays, next week’s theme is GOING OUT AND PARTYING. Send me your suggestions.
Thanks for all your support this year. Have a wonderful 2010! Here’s this week’s playlist:
Next week: GOING OUT AND PARTYING
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
You may be surprised at the scope of this week’s topic because when it comes to Elvis Presley, well nearly everyone’s got an opinion. The iconic nature of Elvis Presley in music and popular culture, has often made him a subject of, or a benchmark, in numerous songs. We launched the show with CALLING ELVIS by Dire Straits. Written by Mark Knopler and released in 1991, the song is about an Elvis fan that can’t believe that Elvis Presley is dead. Based on some of the bizarre ‘sightings’ over the years, I fear he is not alone.
A song from one of my favourite films followed: Public Enemy’s groundbreaking FIGHT THE POWER from the soundtrack of DO THE RIGHT THING, directed by Spike Lee in 1989. Like the film, the song broke at a crucial period in America’s struggle with race. Unabashedly political, FIGHT THE POWER was confrontational in the way that great rock has always been. It attacks a whole roster of American icons including Elvis and John Wayne in what amounts to a virtual flag burning. Because who better embodies the American ideal than the King? The song goes so far as to call Elvis racist. I don’t agree with that. But what I do know from the National Archives is that in 1970 Elvis wrote a six-page letter to Richard Nixon asking him to make him a ‘Federal Agent-At-Large’ in the Bureau of Narcotics and Dangerous Drugs. And amongst the gifts that Elvis presented to the then President was a Colt-45 pistol. So what do we make of all this? Maybe only that, like a lot of his countrymen, Elvis was a misguided patriot who defended the nation’s order – an order from which blacks, in particular, had been routinely barred. The irony, of course, is that Elvis was the first artist to successfully blend black and white music: country music and the blues. And didn’t he do it well?
It was time for a change of tone: The very whimsical and wonderful Kirsty McColl with THERE’S A GUY WORKS DOWN THE CHIP SHOP SWEARS HE’S ELVIS. The song made an appearance on the FAMOUS PEOPLE show, but definitely deserved another spin. We followed with Richard Thompson’s FROM GALWAY TO GRACELAND.
Robbie Williams’ ADVERTISING SPACE is a song not only about Elvis but, also, about the price of fame. Emmylou Harris followed with BOY FROM TUPELO. In case you weren’t aware Elvis was born in Tupelo Mississipi on January 8, 1935. And then it was the great Roy Orbison with HOUND DOG MAN.
Living Colour funked it up with their critique of the tabloids. The song ELVIS IS DEAD ups the ante with an appearance by Little Richard. Check it out.
We dived into the second hour of the program with Ann Margret singing the title song of the film BYE BYE BIRDIE. Based on the stage musical of the same name, the story was inspired by Elvis Presley being drafted into the US Army in 1957. Jesse Pearson played the role of teen idol Conrad Birdie, whose character’s name is a wordplay on another singer of the era, Conway Twitty. The film is credited with making Ann-Margret a superstar during the mid-1960s, leading to her appearing with Elvis Presley in Viva Las Vegas in 1964.
A couple of great songs were suggested to me by BayFM’s very own Cowboy Sweetheart, Carrie D. First up, Bap Kennedy with GLADYS & VERNON about Elvis’s parents and the night that Elvis was born. And then it was the great Waylon Jennings with the very entertaining NOBODY KNOWS.
I absolutely adore BLACK VELVET by Allanah Myles and have played that before. But, hey, when a song’s as good as this one it deserves a replay!
U2’s song ELVIS ATE AMERICA illustrates the many personas of Elvis, both good and bad. And then it was the romantically delusional Scouting For Girls with ELVIS ISN’T DEAD: “Elvis isn’t dead ’cause I heard him on the radio….. and you’re coming back to me.” Yeah, sure guys.
Time to get serious: First up, Kate Bush with her hit song about Elvis – KING OF THE MOUNTAIN. And then, Nick Cave & The Bad Seeds transported us into a disturbing world with their song about the night that Elvis was born. Elvis was a twin but his brother was still-born. The song is TUPELO from the album THE FIRSTBORN IS DEAD. Here’s the totally mesmerising clip:
John Fogarty likens Elvis to the BIG TRAIN (FROM MEMPHIS). Neil Young reminded us that it’s “better to burn out than to fade away “, with his song MY, MY, HEY HEY.
Another of my faves followed: Cowboy Junkies with BLUE MOON REVISITED, otherwise known as SONG FOR ELVIS. And then it was Paul Simon’s song about travelling to Elvis Presley’s home, GRACELAND, with the Everly Brothers helping out on vocals. Don’t have a clip with the Everlys in it, but you can’t do much better than this concert performance of the song in Zimbabwe. Enjoy.
There was time for a little more mjusic dedicated to Elvis before signing off and what better than ELVIS HAS JUST LEFT THE BUILDING by the one and only Frank Zappa. And, of course, I had to play some of the King himself so we went out with BURNIN’ LOVE. Here’s what all the fuss is about:
Next week’s show will be dedicated to the patron saint of Theme Park, Roy Orbison, who died 21 years ago this December 6. So songs by Roy Orbison, The Travelling Wilburys, duets with Roy and covers of Roy Orbison songs. Anything connected to Roy Orbison qualifies. Personally I can’t wait!
Here’s this week’s playlist:
Mistress Lyn at your service with a few songs to scare the hell out of you, some that are just plain silly and all of which celebrate Halloween. Welcome to the dark side.
We opened the show with THE GRAVEYARD BY MOONLIGHT, a spine-chilling instrumental piece from one of the most commercial goth bands out there, Cradle of Filth. Then it was a track that can either be seen as very creepy or extremely silly (or both): HOUSE OF 1,000 CORPSES, from Rob Zombie’s album The Sinister Urge. Named after Ed Wood’s 1961 film of the same name, Rob used the track as the opening credits for his own horror flick, made in 2003, also called HOUSE OF 1,000 CORPSES. Check out the trailer for the film which looks like my favourite kind of horror film – very dark and extremely camp.
We caught our breath with Talking Heads’ deceptively funky PSYCHO KILLER, with lyrics that get into the head of a serial murderer. And then it was The Specials with GHOST TRAIN. More a political statement than anything, but still very creepy.
Nox Arcana’s BRIDES TO DARKNESS is from their Transylvania album and is the band’s tribute to the most famous and influential of all vampire novels, Bram Stoker’s Dracula.
Screamin Jay Hawkins is absolutely hilarious when he splutters out I PUT A SPELL ON YOU. Recorded in 1956, Hawkins has been reported as saying that he was so drunk when he recorded the song, that he can’t remember doing so. I believe him. Then it was a more controlled Bo Diddley with BO MEETS THE MONSTER, followed by Jazz singer, Herb Jeffries with THE DEVIL IS A WOMAN. Jeffries sang for many years with Duke Ellingon and this track, which was recorded in 1953, is on that crazy list of songs that was banned by the BBC. Go Figure.
We couldn’t leave out MONSTER MASH by Boris Pickett and the Cryptkickers, now could we? But the need for real Goth was overwhelming and who better than Concrete Blonde with BLOODLETTING (THE VAMPIRE SONG) from their Still in Hollywood album. Excellent.
There’s lots of spooky music associated with the Blues: Howlin’ Wolf warned us about all the EVIL that’s goin’ on out there and Blind Willie Johnson condenses all of human misery into a wordless, incomprehensible moan in DARK WAS THE NIGHT, COLD WAS THE GROUND. It was up to Otis Spann to elevate our mood with IT MUST HAVE BEEN THE DEVIL followed by the equally rockin’ Leon Redbone with THE WITCH QUEEN OF NEW ORLEANS.
I resisted the urge to play Michael Jackson’s THRILLER because I think we’ve all heard a lot of it lately. But there’s one of his that doesn’t get as much airplay and that’s GHOSTS. As usual, he knew how to make a great video:
More silly than sinister is David Bowie’s SCARY MONSTERS AND SUPER CREEPS and The Who’s BORIS THE SPIDER. I reckon only the Cure know how to frighten the bejezzes out of us when it comes to spiders though. Take a look at LULLABY. Haunting and beautifully dark.
Only Nick Cave can possibly surpass The Cure’s Robert Smith when it comes to Goth. Here’s Nick and the Bad Seeds performing THE CARNY from the album Your Funeral…My Trial, originally released in 1986, and recently remastered and re-released as a CD/DVD set. The clip was filmed for Live and Loud on MTV on 18 May 1997 after Cave had been nominated for the best 1996 male artist and refused the honor (see his letter to MTV on www.nick-cave.com).
I love Tom Waits album Rain Dogs and the track, SINGAPORE, from that album is a fitting song for this show, with its sinister warning to those setting sail for unknown places. Can’t wait to see Terry Gilliam’s latest film, THE IMAGINARIUM OF DR. PARNASSUS, starring the late Heath Ledger and featuring Toms Waits as, (what else?), the Devil. Check out the trailer:
Perfect follow up to that was Robert Palmer’s CASTING A SPELL from his Heavy Nova album of 1988. And to close the show, a beautifully benign tune, after all those scary songs, Bonzo Dog Doo Dah Band’s take on the Frankenstein myth: LOOK OUT THERE’S A MONSTER COMING.
I’m happy to say that Theme Park will be back for another season on BayFM so next Tuesday wlll be our first anniversary and it’s also the day that Australia’s biggest horse race takes place: the Melbourne Cup. Like last year there will be a sweep, lots of prizes and we’ll cross to Flemington for the big race. And the music? I’ve decided that as last year’s was HORSES, this year it will be LUCK. Wishing you all good fortune.
Here’s this week’s playlist:
The Graveyard By Moonlight – Cradle of Filth
House of 1000 Corpses – Rob Zombie
Psycho Killer – Talking Heads
Ghost Town – The Specials
Brides to Darkness – Nox Arcana
I Put A Spell On You – Screamin’ Jay Hawkins
Bo Meets the Monster – Bo Diddley
The Devil Is A Woman – Herb Jeffries
Monster Mash- Bobby (Boris) Pickett And The Crypt-Kickers
Bloodletting (The Vampire Song) – Concrete Blonde
Evil – Howlin’ Wolf
Little Red Riding Hood – Sam the Sham
Plan 9 From Outer Space – Movie Clip
Ghosts – Michael Jackson
Dark Was The Night, Cold Was The Ground – Blind Willie Johnson The Blues – A Musical
It Must Have Been The Devil – Otis Spann
The Witch Queen of New Orleans – Leon Redbone
Scary Monsters (and Super Creeps) – David Bowie
Boris the Spider – The Who
Lullaby – The Cure
Jeepers Creepers – Siouxie and the Banshees
The Carny – Nick Cave & The Bad Seeds
Abbott and Costello Meet the Wolfman – Movie Clip
Hells Bells – ACDC
Singapore – Tom Waits
Casting A Spell – Robert Palmer
Look Out, There’s A Monster Coming – Bonzo Dog Doo-Dah Band
Next Week: LUCK (Suggestions always very welcome!)
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
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What a weekend! The annual Byron Bay Blues Festival took place and the rain turned it into a mudfest. Highlights for me were Seasick Steve, The Drive By Truckers, Ash Grunwald, The Saltwater Band, James Hunter, Tony Joe White and Watermelon Slim. Lots of inspiration there for my show this week, dedicated to musical instruments. That’s me on the left, looking suitably pleased to have met Seasick Steve at a signing.
One thing I love about the Blues Festival is that you get what seems to be missing at a lot of concerts these days, i.e. the tradition of band leaders introducing all the instruments one by one. It’s why I opened with King Curtis and his ‘Memphis Soul Stew’. There he is, in his musical kitchen, gathering up his ingredients: half a teacup of bass, a pound of fatback drums, a little pinch of organ. Yummy.
I have no discernable musical talent myself and you may joke that its a given, being a radio presenter and all. But I do have a great deal of respect for the bass guitar – that band member traditionally labeled ‘dependable’. So it felt right to get the show moving with a couple of country songs about geetars.
Jerry Reed scored his first hit with ‘Guitar Man’. The story goes that when Elvis quickly dived onto covering it, he had to call Jerry up for some pointers on a particular riff and that’s how Jerry found himself playing guitar on the Elvis version. It’s a spirited anthem for all those guitar-slinging hopefuls amongst us. Steve Earle, on the other hand, named a whole town after his instrument in ‘Guitar Town’. Now don’t tell me that guitarists don’t have ego problems!
‘Guitar Blues’ is a nice piece of old blues from Lonnie Johnson, recognised as the first to play single string guitar solos and a pioneer of the jazz guitar. That’s him at the time he recorded ‘Guitar Blues’, (I think) in the late 1920s.
And then it was time for some brass and woodwind with Ray Montrell telling us all about that ‘Mellow Saxophone’; Dinah Washington and Serge Gainsbourg, on the other hand, are loving the trombone.
Tom Waites blamed the piano on his drinking habit in ‘The Piano Has Been Drinking’. Billy Joel’s ‘Piano Man’ benefited greatly from the harmonica and accordian and then it was onto the hurdy-gurdy and the harmonium just to add some eccentricity.
If, like me, you’re not sure what a hurdy gurdy is: it’s a stringed instrument with both a keyboard and a wheel that acts like a bow that is continuously drawn across the strings by the turning of a handle or crank. The name has also been applied, incorrectly, to the barrel organ. The hurdy-gurdy has filled many and various roled in the world of music. It’s been used by street musicians, beggars, in church music, weddings, parades, chamber music and operas.
And then, at last, it was time for some drumming! Sandy Nelson’s ‘Let There Be Drums’ is a classic as is ‘Different Drum’ by the Stoney Poneys, with Linda Ronstadt. This was written by Mike Nesmith of Monkees fame. Glam-rockers T-Rex suggested that we ‘Bang A Gong, Get It On’. And the Lemon Pipers gave us an ode to all those struggling street musicians with a little piece of psychedelic bubblegum called ‘Green Tambourine’. Check out this crazy clip from the 1968 television show ‘Upbeat’.
Love, love, love Bonzo Dog Doo Dah Band’s ‘Intro and Outro’ introducing their fantasy band: Big John Wayne on Xylophone, Eric Clapton on ukelele, ‘looking very relaxed’ Adolf Hitler on vibes…. you get the idea. A great follow up to that was a whole lot of songs about fiddling: The Davis Sisters with ‘Fiddle Diddle Boogie’, the wonderful Adelaide band, The Audreys, with ‘Banjo and Violin’ and Bill Monroe with ‘Uncle Pen’, dedicated to his fiddle playing uncle. Monroe is best remembered for helping to develop bluegrass. He was also a great mandolin player. Check out this video clip from 1956.
But what’s a show about musical instruments without the saw? Mic Conway’s National Junk Band gave us the ‘Worn Saw Concerto’ with Azo Bell on the musical handsaw. Brilliant.
Tubular bells, more guitars and then The Who belted out a risque little number called ‘Squeeze Box’. More drumming, and one of my favourites tracks of the day, ‘Shortnin’-Henduck’ by Othar Turner and the Rising Star Fife & Drum Band. You can find that track, and a whole lot of other fabulous Blues numbers, on the Martin Scorsese Presents the Blues Box Set (drawn from his fantastic documentary series). That’s Othar Turner in the pic on the right. BTW: the fife is a reed instrument, made from the sugar cane.
Next up it was some techno. Yep, the computer marries one of the oldest instruments on the planet. Aphex Twin, (or as his mum likes to call him, Richard David James), delivers a thrilling emulation of the didgeridoo’s sound, created entirely by electronic means.
Creedence Clearwater Revival gave us ‘Down on the Corner’, where at last the kazoo player gets a mention. Had to finish with a song about my favourite instrument, the ukelele: Mic Conway’s National Junk Band with ‘Wicky Wacky Woo’ from their latest album Corporate Chook. Band member Philthy Dunnyseat plucks and strums the ukelele in this haunting Aussie-Hawaiian tropical love song. Crooner Conway reminds us that sons of the Hawaiian craze, in the early 20th centruy, were often sung by silly Western romantics who had never been to Polynesia. Excellent stuff.
Here’s the complete playlist:
Memphis Soul Stew – King Curtis
Guitar Man – Jerry Reed
Guitar Town – Steve Earl
Guitar Blues – Lonnie Johnson
(Every Time I Hear) That Mellow Saxophone – Roy Montrell
Big Long Slidin’ Thing – Dinah Washingon
Black Trombone – Serge Gainsbourg
The Piano Has Been Drinking – Tom Waits
Hurdy Gurdy Man – Donovan
Piano Man – Billy Joel
Music For A Found Harmonium – Penguin Cafe Orchestra
Different Drum – Stoney Poneys Featuring Linda Ronstadt
Let There Be Drums – Sandy Nelson
Green Tambourine – Lemon Pipers
Bang A Gong Get It On – T-Rex
Mr. Clarinet – Birthday Party
Intro And The Outro – Bonzo Dog Do-Dah Band
Fiddle Diddle Boogie – Davis Sisters
Uncle Pen – Bill Monroe
Banjo & Violin – The Audreys
Worn Saw Concrete – Mic Conway’s National Junk Band
Tubular Bells (Intro Theme) – Mike Oldfield
Guitar Man – Bread
As My Guitar Gently Weeps – George Harrison/Beatles
Squeeze Box – The Who
Distant Drums – Roy Orbison
Shortnin’-Henduck – Othar Turner & The Rising Star Fife & Drum Band
I Heard The Marchin’ Of The Drum – C.W. Stoneking
Didgeridoo – Aphex Twin
Down on the Corner – Creedence Clearwater Revival
Mr. Tambourine Man – The Byrds
Wicky Wacky Woo – Mic Conway’s National Junk Band
Tune in next week when all our songs will endeavour to give you some ‘Advice’.
Listen to Lyn at the Theme Park, Tuesdays 2-4pm Sydney time, on BayFM 99.9. Also streaming at http://www.bayfm.org