This week’s theme is inspired by the fact that Iggy Pop is headlining our major youth concert, The Big Day Out this month. And Bob Dylan, Elvis Costello and Jethro Tull will all be here in April for the Byron Blues Festival. I’m a baby boomer, so I’m ecstatic to be able to see all my heroes from the 60’s still performing. But, I have to ask: what is it about the first generation of rock n rollers – what keeps them going?
The reality is that from the moment rock music arrived on the scene it was a young person’s game: music made by young people for young people. It never intended to grow up or grow old. But it did. So what happens when rock’s youthful rebelliousness is delivered wrapped in wrinkles?
Lemmy from Motorhead has a formula for staying alive. He reckons you just breath (at all times). Lemmy, like Keith Richards, is one of the all time rock n roll survivors and therefore much revered by fans of a similar vintage.
Much to the dismay of our children, we baby boomers have carried on being the oldest swingers in town. We haven’t shown any sign of giving up on rock concerts, taking recreational drugs, (if we want to), and staying up all night. It’s why the biggest earners for rock concerts aren’t the Lady Gagas of the world, but veteran performers like AC/DC, The Eagles, Paul McCartney and The Who.
On MY GENERATION The Who were actually saying that they hoped they’d die before they got old. Hey, hold on a minute, they’re still singing it and they ARE old. What happened?
What happened started in the 50s when an entirely new species emerged with its very own music. They were called teenagers. And their music was called rock n roll:
Rock n roll created something special: The joy of hearing your parents shout out: “Turn that bloody racket down!” Because one of the social functions of rock has always been the defiance of the older generation. For performers like Elvis every gesture, every note was all about social disenfranchisement and rebellion. Elvis hit the scene wearing pink and black and leather outfits. He looked more like a pimp than a musician. “Outrageous!” reeled the grown-ups. But to the teenagers, he represented an escape from the stuffiness of the post-World War Two era.
No-one, even the musicians themselves, took rock and pop seriously, though. It was seen as a novelty, something that wasn’t meant to last. As the soundtrack to growing pains, it was temporary and disposable just like the people who made it.
By the early 60’s Beatlemania was gripping youth’s attention. The Establishment, however, remained doubtful that it was a fever that would last. Even the Beatles accepted the idea of their own inbuilt obsolescence.
With Beatlemania, and the British Invasion in general, many of the young established groups were being left behind. The tyranny of youth dictated that if you didn’t change with the times, you were old hat. One of the new incumbents was the band Manfred Mann.
In 1965 The Who recorded one of the ultimate anthems to youth, one that damned growing up and growing old. The young went on the offensive claiming their territory through guitar, bass and drums. The older generation were still recovering from a World War and all they wanted was some peace and quiet. To the younger generation old age just seemed really boring.
Ironically, the British Beat boom of the mid 60’s was based on music that was already old. Bands like the Stones, The Animals & Manfred Mann worshipped American Blues of the 20s 30s and 40s. Their recording heroes were still alive, but by rock roll’s new standards they were old men. Charlie Parker was born in 1920, Miles Davis in 1926 & Muddy Waters in 1913.
The self-absorbed rebelliousness of rock n roll gathered speed with the Rolling Stones. While the Who were busy burying the older generation, the Stones were singing about finding their satisfaction in sex.
The arrival of album culture in the late 60s proved that rock n roll was now thinking more in the long term. It didn’t sound disposable anymore. It was growing up, just like the people who made it. The Beatles Sgt Peppers album dared to imagine what life would be like at SIXTY FOUR. Up until now that was completely unthinkable for the baby boomer generation.
In the same year that the Beatles released the Sgt Peppers album, Procol Harum had a hit single with WHITER SHADE OF PALE. Things had started to get serious. The more experienced young musicians began wondering how far they could take their music. And they took their diehard fans with them. In many cases the fans had grown up with these bands and, along the way, they’d developed an appreciation of lyrics and music with more depth.
The end of the sixties saw the beginning of the rock n roll casualty list. The death of Brian Jones in 1969 seemed to crystalise a ‘live fast, die young’ attitude and brought a new reality to “I hope I die before I get old.” Janis Jopliin, Jim Morrison, Jimi Hendrix all died at 27, confirming the myth that if you wanted to be a rock legend you had to die young.
The Stones, however, seemed determined to mature. After the death of Brian Jones they picked themselves up and went back on the road. For the band, it wasn’t over yet.
By the end of the 60’s the Stones had discovered the secret of survival, at least for now. Unfortunately, the Beatles didn’t. As if to prove that longevity and rock n roll was difficult for a group of young guys growing up together, they split in 1970. The Fab Four would go on to enjoy successful solo careers for many years to come but the surge of creativity that fed them in their youth proved more elusive for them and their generation as they grew older.
Today, Mick Jagger, Paul McCartney and Pete Townsend can play arenas 45 years after they first had hits. Which is great. But the real question is: are they writing great songs? Or is the outpouring of creativity that launched their careers a factor of youth?
Herman’s Hermits got together in 1963 when lead singer Peter Noone was only 16. Their very first release, I’M INTO SOMETHING GOOD, was a #1 hit and although future recordings would get into the top ten, they were never to have a UK #1 again. The band, without Noone, continue to perform to this day and Peter Noone has gone on to have a successful career as both a singer and actor.
In the early 70’s, no performer demonstrated rock n roll’s reliance on youthful invention and raw power more than Iggy Pop. Here’s a great little doco that illustrates why he is known as the “Godfather of Punk”:
Not all rock n roll of the early 70’s was an expression of sexual energy and youthful physicality. By now prog rock was plundering the classical music collections so beloved of its middle class parents, as proof of its intention to last. It’s perpetrators, bands like Yes & Jethro Tull, seemed to be contemplating careers beyond the age of 30.
Performers found themselves living with their songs and growing into their material. One of the most requested songs from troops serving in Vietnam was I GOTTA GET OUT OF THIS PLACE by Eric Burdon & The Animals. Burdon continues to perform this song today when he entertains servicemen and women in Iraq and Afghanistan. In fact, it’s written into his contract. That’s what they call an anthem, folks.
In 1976, before the 60’s generation had a chance to mature, they were rudely cast aside by punk. It was a three-chord reign of terror, the ultimate Oedipal act. Snarling, spitting and clawing its way to the stage.
These weren’t the kids of the optimistic 60’s but a new young generation who felt abandoned. Everyone was in their way and, as always, no one understood them.
The bands of the post-punk era, like the Specials and Madness, while less dismissive of the past, still believed that rock and pop music were part of an essentially young experience.
In the early 80’s the Stones were back, yet again, having been absent from the stage for 6 years – while punk and its aftermath were the centre of attention. They were proving that they were in for the long haul.
In July 1985 the benefits of hanging in for the long term reached unexpected and unprecedented heights, with Live Aid. The international event sometimes looked like a version of Dad’s Army with acts like Paul McCartney, Bob Dylan, The Who, and the Beach Boys joining pop stars of the 80s on stage. Watched by more than 400 million viewers in 60 countries, this was the rock n roll survivor’s finest hour. Suddenly being 40 didn’t seem so uncool. These were the masters, the legends, the acts deemed capable of feeding the world.
A lot of young people heard some of the older bands for the first time, saying “These bands are fantastic.” And then, the most hated people in their musical vocabulary, their parents, responded with “Yeah, we know, we love them too!”
What had begun with Live Aid in the 80’s continued into the 90s with projects like War Child. Performers from three generations of rock n roll – Paul McCartney, Paul Weller and Noel Gallagher recorded COME TOGETHER, in the new spirit of multi-generational tolerance. It was no longer a case of ‘My Generation’ but ‘Your Generation too”. Just as importantly, audiences for the music also started to span generations.
The new millennium witnessed an entirely new phenomenon: the revival and the comeback. Leonard Cohen, already in his 70’s, had decided to stop performing and recording altogether. At least that was the plan. But after having all his money misappropriated by a crooked manager, he had to go back on the road. And guess what, he loves it!
Audiences who had grown up and grown old with their heroes wanted them back. Age had invested their favourite bands with a new authenticity. Performers couldn’t believe their luck. Even Brian Wilson returned from the wilderness to be a Beach Boy once again.
Rock n roll is now revelling in a long life. What was about risk and youth is now about enjoying a grand old age. It’s about longevity, survival, nostalgia. Refusing to grow up, give up or shut up. The whole point of the baby boomer generation is that we made it up from the beginning and we’ve been making it up ever since. We’ve been pushing the boundaries, and unlike our parents, we’ve refused to accept old age.
Many thanks to BBC and You Tube community for the wealth of material, without which this week’s show would not be possible.
Next week, my special guests will be The Fridays, performing live in the studio, plus lots of songs about RESOLUTIONS. Any suggestions/requests, please leave me a message here.
In the meantime, here’s this week’s complete playlist:
Lust For Life, Trainspotting soundtrack, Iggy Pop
My Generation, Austin Powers: The Spy Who Shagged Me soundtrack, The Who
Johnny B. Goode, Martin Scorsese Presents the Blues, Chuck Berry
Jailhouse Rock, Elvis Presley
Get A Job, Get a Job, The Silhouettes
Paul McCartney quote
Twist And Shout, Please Please Me, The Beatles
Paul Jones quote
Come Tomorrow, The Five Faces of Manfred Mann, Manfred Mann
(I’m Your) Hoochie Coochie Man, Martin Scorsese Presents the Blues, Muddy Waters
Let’s Spend The Night Together, Hot Rocks 1964-1971, The Rolling Stones
When I’m Sixty-Four, Sgt. Peppers Lonely Hearts Club Band, The Beatles
She’s Leaving Home, Sgt Peppers Lonely Hearts Club Band, The Beatles
A Whiter Shade Of Pale, The Big Chill soundtrack, Procol Harum
Brown Sugar, Sticky Fingers, The Rolling Stones
Peter Noone quote
I’m Into Something Good, The Original 60’s Summertime album, Herman’s Hermits
Iggy Pop i/view
Search And Destroy, Raw Power, Iggy Pop & The Stooges
Too Old To Rock ‘N’ Roll, Too Young To Die, Jethro Tull
We’ve Gotta Get Out Of This Place, The Most of the Animals, The Animals
God Save The Queen, Never Mind the Bollocks, The Sex Pistols
Too Much Too Young, The Singles Collection, The Specials
Baggy Trousers, Complete Madness, Madness
Mick Jagger quote
Start Me Up, Tattoo You, The Rolling Stones
Rockin’ All Over The World, Rockin’ All Over The World, Status Quo
Surfin’ USA, Endless Summer Legends, The Beach Boys
We Will Rock You, News of the World, Queen
Come Together, Help (War Child Benefit), Paul Weller & Friends
1969 (with i/view), Iggy Pop
In My Secret Life, Ten New Songs, Leonard Cohen
God Only Knows, Pet Sounds, The Beach Boys
Forever Young, Napolean Dynamite soundtrack, Alphaville
Next week: RESOLUTIONS
I can’t believe that going into our 5th season I still hadn’t put a show together on carnivals, circuses and the like. Well, we remedied that this week. A great introduction was supplied by Eddie Izzard doing a cover of The Beatles BEING FOR THE BENEFIT OF MR KITE. It’s from the soundtrack to the film Across The Universe directed by Julie Taymor. “Just tune in, turn off, drop out, drop in, switch on, switch off, and explode!”
Yes, I know that the Red Hot Chilli Peppers do a great version of LOVE ROLLERCOASTER, but it was the original that made the playlist. It first appeared on the Ohio Players Honey album in 1975. In this clip from the television show Midnight Special, you get the bonus of Wolfman Jack doing the intro and some crazy boy dancers. Ahhh the 70’s.
Thanks to Ku Promotions for our giveaway this week: two tickets to The Audreys’ concert. They’re a band of four boys and one girl, playing rootsy kind of music and are based in Adelaide, Australia. They have released two records, one in 2006 called Between Last Night and Us and one in 2008 called When the Flood Comes, both of which has won the ARIA Award for Best Blues and Roots Album. I’ve seen them perform twice now and they really are a knockout. Their latest album, Sometimes the Stars, features the track TROUBLE SOMEHOW:
I love the collaborative work between Mark Lanegan (ex Queens of the Stone Age) and Isobel Campbell (ex Belle & Sebastian). THE CIRCUS IS LEAVING TOWN is from their latest album, Ballad of the Broken Seas. Here’s a great interview with them which features a slice of the song within it. It was shown when Isobel won the Mercury Prize for the album, which she produced.
Total change of pace came with a couple of tracks from the 60’s: Al Johnson with CARNIVAL TIME from his 1962 album, Mardi Gras in New Orleans and Freddie Cannon with his hit, PALISADES PARK. And just to mix it up a bit I threw in some Fun Lovin’ Criminals with CONEY ISLAND GIRL.
The Stylistics were one of the most successful soul groups of the early 70’s and their song SIDESHOW fitted the theme perfectly. As did a true classic from Smokey Robinson and the Miracles – THE TEARS OF A CLOWN.
Nellie the Elephant is a classic children’s song written in 1956. It became a UK #1 hit for punk band, The Toy Dolls, when they covered the song in 1983. Michael ‘Olga’ Algar, led vocalist, guitar and bass player, is the only remaining member of the original line-up, who continue to perform. I love the way that they used the aesthetics of punk to express a real sense of fun.
This following clip is from the Martin Scorsese film The Last Waltz, a documentary of the concert by The Band, held on Thanksgiving Day, November 25 1976. It was advertised as the group’s last show and they were joined by an illustrious line-up of talent including Van Morrison. Here they are with CARAVAN:
The Decemberists’ songs range from upbeat pop to instrumentally lush ballads, and often employ instruments like the accordian, Hammond organ, Wurlitzer organ and upright bass. In their lyrics, the band rejects the angst and introspection common to modern rock and instead favour a storytelling approach, as evidenced in songs such as MY MOTHER WAS A CHINESE TRAPEZE ARTIST. It’s from the 5 Songs EP.
The 1986 Madness song (Waiting for) THE GHOST TRAIN was actually about apartheid in South Africa but hey, I love the title and based on that alone it made the playlist.
“I got blisters on my fingers!!!!” yells Ringo Starr, (I think), at the end of The Beatles’ frenetic HELTER SKELTER. Written by Paul McCartney, he deliberately tried to create a sound that was as loud and dirty as possible. Done.
Moving onto something a lot more mellow, it was Alison Goldfrapp with the very beautiful CLOWNS from her 2008 album Seventh Tree. And you thought I only played the old stuff. Oh you of little faith!
With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the ’80s. He was inspired equally from bluesmen like Albert King, Otis Rush and Muddy Waters and rock & roll players like Jimi Hendrix and Lonnie Mack as well as the stray jazz guitarist Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre. It’s been said that Vaughan bridged the gap between blues and rock like no other artist had since the late ’60s. His tragic death in 1990, at the age of 35 in a helicopter accident, only emphasized his influence in blues and American rock & roll. Here he is with Double Trouble performing TIGHTROPE:
There Goes Rhymin’ Simon is the second solo studio album from Paul Simon, released in 1973. the album covers several styles and genres. Our choice from the album was, of course, TAKE ME TO THE MARDI GRAS.
Natalie Merchant has been quoted as saying that she named her first solo album Tigerlily because the word evoked a feeling that was both ‘fierce’ and delicate’. Released in 1995 the album included the hit single CARNIVAL in which the protaganist compares the colourful sights and sounds of New York with being at a carnival.
A trio of guilty pleasures were lined up next: Back in 1967 The Hollies released ON A CAROUSEL and Manfred Mann were also were enraptured with the circus on HA! HA! SAID THE CLOWN. But the guiltiest of pleasures was still to come: In 1971 Cher released her first chart-topper, as a solo artist, in the United States: GYPSIES, TRAMPS AND THIEVES. Come on, you’ve gotta love Cher!
Swedish group, The Cardigans, had their first international breakthrough with their 1995 album Life which included the track CARNIVAL, a very cruisy pop tune with the gorgeous Nina Persson on vocals.
Beirut is an interesting band. They’re American yet their music combines elements of Eastern European and Balkan folk with Western pop music. They successfully fuse mainstream and indie-rock with the World Music market and consequently have a very unique sound. CAROUSELS, from their 2007 album Lon Gisland, is a great example of their work.
Beirut proved to be a great lead in to our final song of the day, the very gothic CARNY by Nick Cave and The Bad Seeds. I love the use of accordian on this track (thanks to Warren Ellis). It gives the song an even more intense circus-like feel.
I’m happy to say that I’ll be back for another season of the Theme Park, same time same airspace. So keep listening locally on BayFM99.9 or streaming live on BayFM.org. And I’d love to get your suggestions for next week’s show, which will be on GAMBLING.
Here’s this week’s complete playlist:
Being For The Beneﬁt Of Mr. Kite – Across The Universe, Eddie Izzard
Carnival – The Black Rider, Tom Waits
Love Rollercoaster – Funk Classics, The 70’s, Ohio Players
Enter The Circus – Back To Basics, Christina Aguilera
Troubles Somehow – Sometimes the Stars, The Audreys
The Circus Is Leaving Town – Ballad of the Broken Seas Isobel Campbell and Mark Lanegan
Carnival Time – Mardi Gras In New Orleans, Al Johnson
Palisades Park – The Rock ‘n’ Roll Classics, Freddy Cannon
Coney Island Girl – Come Find Yourself, Fun Lovin’ Criminals
Sideshow – Ultimate Slow Jams 9 [Disc 4], The Stylistics
The Tears Of A Clown – Motown’s Biggest Pop Hits, Smokey Robinson and The Miracles
Nellie The Elephant – The Wonderful World Of The Toy Dolls, Toy Dolls
Caravan – The Last Waltz [Disc 2], The Band + Van Morrison
My Mother Was A Chinese Trapeze Artist – 5 Songs, The Decemberists
Goodbye Cruel World – Jukebox Hits 1961, James Darren
The Ghost Train – Rock TV Classic, Madness
Helter Skelter – The Beatles (White Album) [Disc 2], The Beatles
Clowns – Seventh Tree, Goldfrapp
Tightrope [Live] – SRV (Disc 3), Stevie Ray Vaughan & Double Trouble
Take Me To The Mardi Gras – There Goes Rhymin’ Simon, Paul Simon
Carnival – Tigerlily, Natalie Merchant
Fire Eater – Naturally, Three Dog Night
Ha! Ha! Said The Clown – Manfred Mann
On A Carousel – The Hits Of 1967, The Hollies
Gypsies, Tramps And Thieves – Billboard Top Rock ‘N’ Roll Hits: 1971, Cher
Carnival – Life, The Cardigans
Carousels – The Lon Gisland EP, Beirut
The Carny – The Best Of, Nick Cave and The Bad Seeds
The weather has been in the news, more than usual of late, what with hurricanes, tornadoes and our own Lennox Head being declared a national disaster area after a mini tornado destroyed homes and caused chaos to this beautiful little coastal town. What’s a girl to do but to create a playlist around BAD WEATHER?
We opened the show with a request from Robyn: the incredibly seductive BABY ITS COLD OUTSIDE by Ray Charles and Betty Carter. The song could just as easily fitted into our Sexy Songs list for last week, but glad we held it over.
Now when it comes to songs about the weather, rain seems to be the metaphor of choice. It can describe heartache or happiness, and lots more in-between. The Ronettes daydream about the qualities that make up the perfect boyfriend on WALKING IN THE RAIN. However, the Walker Brothers – with their remake of Frankie Valli’s THE SUN AIN’T GONNA SHINE ANYMORE – see bad weather as a symbol of loneliness. Either way, two great songs. Here’s a blast from the past for all you baby boomers, the Walker Brothers on Ready, Steady, Go in 1966:
Next it was Status Quo with RAIN from their Blue for You album, released in 1976. The track was originally intended for the album On The Level, but at the time of the recording sessions Rick Parfitt had not completed the song and so it was held over to the band’s next release.
Shirley Manson only seems to be happy when she’s miserable in the Garbage song I’M ONLY HAPPY WHEN IT RAINS. Fitting then that we followed with the Prince of Darkness himself, Nick Cave. The song TUPELO, with its great sound effects and talk of black clouds, was also a perfect fit for a show on Bad Weather.
A great song that carries an emotional whallop is LOUISIANA 1927, a devastating account of the great Mississippi floods, which has become identified with the more recent Hurricane Katrina. Written, and originally recorded by Randy Newman, Aaron Neville’s version is sublime. Here he is performing at the Concert for Hurricane Relief in 2008:
We followed with the great Muddy Waters and BLOW WIND BLOW and then it was Leon Russell with a cover of the Bob Dylan classic, A HARD RAINS A GONNA FALL. This track was requested by for Judi, listening in Cairns, where they know a little bit about a rainy season. The song STORMY WEATHER is one of my favourites. Written and originally recorded in 1933, its been covered by all the greats, but I do particularly like the Etta James version that we played this week.
The inspiration for RAIN, by the Beatles – according to Neil Aspinall, the Beatles roadie, and John Lennon – was Australia’s own weather. Apparently when they arrived here to tour, the weather was so bad that Lennon was quoted as saying that: “I’ve never seen rain as hard as that.” He went on to say that RAIN was “about people moaning about the weather all the time”. Three promotional films were made for the song. These videos, along with other Beatles videos at the time, sparked George Harrison to say during the Beatles Anthology, “So I suppose, in a way, we invented MTV”.
The Red Hot Chilli Peppers track SNOW may not be about the kind of snow that makes cute little snowmen, but it is a great song in any case. Its from the Stadium Arcadium album. And while we’re talking of metaphor, Tom Waits has a lot to say about the weather on EMOTIONAL WEATHER REPORT. The track is featured on the album Nighthawks at the Diner, recorded in 1975. The title was inspired by Edward Hopper’s 1942 painting Nighthawks. Here’s Tom performing the song at the Rockpalast in Koln, West Germany in 1977:
Irma Thomas is quite rightfully called “the Soul Queen of New Orleans” and she has several songs about the weather that fitted the bill, but none better, in my opinion, than ITS RAINING SO HARD. We followed with Bill Withers and AIN’T NO SUNSHINE WHEN SHE’S GONE. Neil Young was lucky enough to get some help on harmonies from the wonderful Nicolette Larsen on FOUR STRONG WINDS. Larsen, who died in 1997, had a big hit with a cover of Young’s LOTTA LOVE in 1978.
I couldn’t do a show on Bad Weather and not include AC/DC’s THUNDERSTRUCK. Rumour is that the song was inspired by Angus Young’s hair-raising experience when a plane he was on was struck by lightning. Not sure if that’s true or not.
What I do know is that Natalie Merchant and the 10,000 Maniacs “get a shiver in their bones” just thinking about the climate conditions on LIKE THE WEATHER. We followed with Blur and THIS IS A LOW, which was inspired by, of all things, a shipping forecast.
Back to some rock with Creedence Clearwater Revival’s HAVE YOU SEEN THE RAIN and a song for Alex in Sydney, and all the other Deep Purple fans, STORMBRINGER.
When it comes to R&B, The Temptations just want the weather to match their mood on I WISH IT WOULD RAIN but Anne Peebles finds the weather brings back unwanted memories of a past love on I CAN’T STAND THE RAIN.
I love the infectious tone of Bob Dylan’s RAINY DAY WOMEN, which is matched by the very excellent COLD COLD FEELING from T-Bone Walker. As much as I was enjoying myself, we closed the show with The Doors and RIDERS ON THE STORM. The song was inspired by the song “Ghost Riders in the Sky: A Cowboy Legend”. It incorporates real sound effects of thunder and rain, along with Ray Manzarek’s Fender Rhodes electric piano playing, which emulates the sound of rain. Good stuff.
The topic for next week’s show is a doozy. They say success is the best revenge, but, when it comes to musos a bitchy payback song seems to fit the bill. I thing we’ll have a lot of fun with our playlist of REVENGE SONGS, so I hope you’ll join me then. And if you have any suggestions for the playlist please get in touch. It’s always great to have your input.
Here’s this week’s playlist:
Baby, It’s Cold Outside – Soulful Christmas, Ray Charles & Betty Carter
Walking In The Rain – Phil Spector Wall of Sound Vol. 1 – The Ronettes
The Sun Ain’t Gonna Shine Anymore – Walker Brothers
Rain – Blue For You, Status Quo
I’m Only Happy When It Rains – Garbage, Garbage
Tupelo – The Best Of Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds
Louisiana 1927 – Warm Your Heart, Aaron Neville
Blow Wind Blow – Baby Please Don’t Go, Muddy Waters
A Hard Rains A-Gonna Fall – Remember the Titans (Movie Soundtrack), Leon Russell
Frosty – Martin Scorsese Presents The Blues – A Musical Journey, Albert Collins
Stormy Weather – At Last!, Etta James
Rain – Past Masters Volume Two, The Beatles
Snow ((Hey Oh)) – Stadium Arcadium, Red Hot Chili Peppers
Emotional Weather Report – Nighthawks at the Diner, Tom Waits
It’s Raining So Hard – Irma Thomas
Ain’t no Sunshine – Bill Withers
Four Strong Winds – Comes a Time, Neil Young
Thunderstruck – The Razors Edge, ACDC
Like The Weather – MTV Unplugged, 10,000 Maniacs
This Is A Low – Parklife, Blur
Have You Ever Seen The Rain – Creedence Clearwater Revival
Stormbringer – Deepest Purple: The Very Best of Deep Purple, Deep Purple
I Wish It Would Rain – My Girl: The Very Best Of The Tempations [Disc 1], The Temptations
I Can’t Stand The Rain – I Can’t Stand The Rain, Ann Peebles
Rainy Day Women – Forrest Gump (Movie Soundtrack), Bob Dylan
Cold Cold Feeling – The Talkin Guitar (The Best Of), T-Bone Walker
Riders on the storm – The Doors (movie soundtrack), The Doors
Next week: REVENGE SONGS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Tragically also on Facebook: http://www.facebook.com/maccalyn
This week we paid homage to Winter which started June 1, here in the Southern hemisphere. So it was a case of battening down, buttoning up and making the most of it! We opened the show with IT MAY BE WINTER OUTSIDE (BUT IN MY HEART ITS SPRING), a wonderfully optimistic tune by the Love Unlimited Orchestra, a group created by the master of smooth soul himself, Barry White.
For this show, as usual, I pilfered from all genres, from jazz and r&b through to folk, country and pop, with lots of rock, both classic and alternative thrown in for good measure. And we even got Tom Waites to read the weather!
As it was raining, yet again, here in the Northern Rivers, we set the mood with a great terrific piece of doo wop from the Spaniels: STORMY WEATHER and then it was a great version of BABY ITS COLD OUTSIDE by Tom Jones with Cerys Matthews from Catatonia. This take on Frank Loesser’s pop standard certainly cements Tom’s reputation with the laaadies. The video for this is so camp, you must check it out:
Sarah McLachlan offered up SONG FOR A WINTER’S NIGHT while Annie Lennox sang about the COLD with such intensity that I could almost feel it penetrating my bones. And then the Pixies belted out a fantastic, upbeat version of Neil Young’s WINTERLONG.
The Hank Williams song COLD COLD HEART has been covered by many artists but you know that I had to include Roy Orbison’s version, which I love. It’s from his Hank Williams tribute album. We followed that with Sister Hazel and YOUR WINTER and Simon & Garfunkle’s A HAZY SHADE OF WINTER.
Our mild winters, here in the Northern Rivers region of New South Wales, help to make this a very pleasant place to live all year round. So when you start whingeing (like I do) about how cold the nights are, consider some of these CHILLING FACTS:
1. Charlotte Pass (NSW) has the Australian record for the lowest recorded temperature. It was -23 degrees C on 18/6/94.
2. In Vostok, Antartica, the lowest minimum temperature in the world was recorded on 5/2/1892. It was -89.2 degrees C.
Brrrr. Thank goodness we’ve got music to warm the cockles of our hearts. What does that mean exactly? What are the cockles of your heart? Really, I’m perplexed, so if anyone knows how this saying came about I’d love to know.
Gwen Stefani is surprisingly good with her rendition of EARLY WINTER as is one of last year’s big discoveries, Fleet Foxes with WHITE WINTER HYMNAL. And for all you animation freaks, (of which I am one), here is the amazing video clip for you to savour.
A very moving tune by the Eels from their album, Electro-Shock Blues followed. DEAD OF WINTER was written largely as a response to frontman Mark Oliver Everett’s sister’s suicide and his mother’s terminal cancer. Although that sounds rather bleak, the album’s underlying message is a positive one, about coping with life’s tragedies and moving forward. I absolutely love the honesty of this album and highly commend it to you.
After Bobby Bland’s tortured COLD DAY IN HELL, we definitely needed a bit of cheering up and Fats Domino delivered with LET THE FOUR WINDS BLOW.
Here’s another Chilling Fact about Winter: Wind chill is a calculation of how cold it feels outside when the effects of temperature and wind speed are combined. A strong wind combined with a temperature of just below freezing can have the same effect as a still air temperature about 35 degrees colder. Brrr and double Brrrr.
Now someone who knows all about chilly winds and cool temperatures is Tom Waites. He very kindly presented the weather, of sorts, with his EMOTIONAL WEATHER REPORT. Here is a version that he performed in 1977 in Berlin, but if you can get a copy of his 1975 album Nighthawks at the Diner, you will get what I think is a better, and still live, performance. But hey, check this one out, still highly amusing for all kinds of reasons.
It doesn’t matter how cold it gets, if you’ve got a lover to keep you warm. So says Billy Holiday who sang I’VE GOT MY LOVE TO KEEP ME WARM and then it was Muddy Waters with BLOW WIND BLOW. And a first for Theme Park, was Madonna with a perfect piece of pop for a show about Winter: FROZEN, from her Ray of Light album.
Led Zeppelin gave us their IMMIGRANT SONG, written while on a tour of Iceland in 1970 and I couldn’t really leave out Foreigner with COLD AS ICE or STONE COLD from Ritchie Blackmore’s Rainbow, could I?
Belle & Sebastian’s very twee THE FOX IN THE SNOW and the equally cutesy CLOUDY from Simon & Garfunkle sequed beautifully into ABOMINABLE SNOWMAN IN THE MARKET. This very silly tune is classic Jonathan Richman and the Modern Lovers.
I was obviously going a bit nutty with my winter tracks and so there was no stopping the delirium. Why not play Trans Siberian Orchestra with their crazy bit of Orchestral Rock, WIZARDS IN WINTER? But hopefully my credibility was saved with The White Stripes and IN THE COLD COLD NIGHT. Congrats to Meg White who recently married Jackson Smith, son of Patti Smith. Now there’s a gene pool for you!
OH LARSEN B, by British Sea Power from their 2005 album, Open Season followed, along with a cutey by The Fiery Furnaces: TROPICAL ICELAND. And a crazy video clip to match – check it out:
Final song for the show was one of my obsessions. AC/DC with THUNDERSTRUCK. And no matter how many times I see this video, I can’t get enough of Angus and that glass runway. May as well add to the 21 million hits on YouTube. So, here it is, just because I can!
Another one of my obsessions has given me the topic for next week – SHOES! So send me some suggestions, I would love to hear from you. Meanwhile, here is the complete playlist from this week:
It may be Winter Outside (But in my Heart it’s Spring) – Love Unlimited Orchestra
Baby its Cold Outside – Tom Jones and Cerys Matthews
Come Rain or Come Shine – Ray Charles
Song For A Winter’s Night – Sarah Mclachlan
Cold – Annie Lennox
Winterlong – The Pixies
Cold, Cold, Heart – Roy Orbison
Your Winter – Sister Hazel
A Hazy Shade of Winter – Simon and Garfunkel
Early Winter – Gwen Stefani
White Winter Hymnal – Fleet Foxes
Dead of Winter – Eels
Cold Day in Hell – Bobby Bland
Let The Four Winds Blow – Fats Domino
Emotional Weather Report -Tom Waits
I’ve Got My Love To Keep Me Warm – Billie Holiday
Blow Wind Blow – Muddy Waters
Frozen – Madonna
Stone Cold – Ritchie Blackmore’s Rainbow
Cold As Ice – Foreigner
Immigrant Song – Led Zeppelin
Abominable Snowman In The Market – Jonathan Richman & The Modern Lovers
Cloudy – Simon & Garfunkel
The Fox In The Snow – Belle & Sebastian
Wizards in Winter – Trans-Siberian Orchestra
In The Cold Cold Night – The White Stripes
Tropical Iceland – The Fiery Furnaces
Oh Larsen B – British Sea Power
Thunderstruck – ACDC
Next week’s show: SHOES
Listen to Lyn at the Theme Park on BayFM 99.9 every Tuesday 2-4pm (Sydney time). Also streaming at http://www.bayfm.org
Our theme this week was Communication – not the deep psychic stuff, but good old fashioned talking, letter writing and, would you believe telegrams (remember them?). I was going to play M.I.A.’s ‘U.R.A.Q.T.’ about texting (“you’re fuckin’ with my man and textin’ all the time…”) but I would have been in a bit of trouble over the expletives, I’m afraid. But I did play some other excellent hip-hop during the show, as well as my usual eclectic mix of rock, pop, blues, jazz and whatever I could find to fit the theme.
We opened the show with the Marvelettes ‘Beachwood 4-5789’. They also recorded the first Motown hit, ‘Please Mr. Postman’, but I had already showcased that one during the Motown Show in January. Besides, ‘Beachwood’ was a great opener for this particular show.
The telephone, whether it be landline or mobile, talking or texting, is still probably the most prominent way we keep in touch. So ‘Hanging Up the Telephone’, sung by Blondie’s Debby Harry was not only pop-punk perfection, but it also opens with the sound of a ringing phone. How good is that? Here’s the video from 1978.
Most letter songs feature absent lovers and none convey the absolute thrill of receiving a long awaited message better than ‘The Letter’ from the Boxtops. They were known as a major ‘blue-eyed soul’ group during the 60’s. Hard to believe that Alex Chilton, who later formed Big Star and went onto a solo career, was only 16 at the time this was recorded in 1967. The song has been widely covered, most notably by Joe Cocker, but this original version still stands up well.
Sonny Boy Williamson confimed what I have always knows, (that men are the worst gossips), with his rendition of ‘Don’t Get Me Talking’ while Buddy Guy and Junior Wells contributed ‘A Man of Many Words’ to the Blues segment of the show.
My Roy Orbison song this week was a great one: ‘Communication Breakdown’. Written by Bill Dees, whose collaboration with Orbison led to a string of successful hits for Monument Records including ‘Communication Breakdown’, ‘Pretty Woman’ and ‘It’s Over’, just to name a few.
And then it was onto an absolutely divine song by Nina Persson of the Cardigans, ‘Communication’ – “If this is communication , I disconnect”. If only it was that easy. Here’s a video of them doing a live performance in 2007.
‘Hello Operator’ presented mobile phone refusenik Jack White choosing to use an operator, just like in the good old days. And, as if this was even too newfangled, by the second verse he’s trying to get his message out via canary. Ah ha, rightio then.
Remember when a wedding wasn’t a wedding without the best man reading out several telegrams from absentee friends and family? I haven’t been to a wedding in ages. Tell me, do they read out emails and texts? Just doesn’t seem the same does it? In ‘Western Union Man’ Jerry Butler gives us a passionate attempt at contacting a girlfriend who won’t answer his phone calls. And Chuck Berry tries to get in touch with people who have phoned him in ‘Memphis Tennessee’. Today we would be asking why the hell aren’t they on Facebook! And then there’s Twitter, but please can we not go there? (really).
Joe Jones seemed to be talking right at me with ‘You Talk Too Much’ and I loved Crowded House’s version of ‘Everybody’s Talkin’. But how good was Hank Penny’s ‘Sweet Talkin Mama’ recorded in 1938? You can find this terrific bit of country swing on the compilation album You Done Me Wrong (Vintage Country Cheating Songs 1929-1952) distributed by Buzzola.
There are lots of songs written in the form of letters. One of the best examples of this is Eminem’s ‘Stan’, a masterpiece of escalating desperation that exploits its conceit to its fullest. Sampling Dido’s ‘Thank You’ as the chorus is a piece of genius and the result is a song of chilling elegance that recognises that a letter is always a one-sided conversation.
We followed that with a total contrast – ‘Don’t Explain’ by Billie Holliday and then it was up to Muddy Waters to elevate the mood with ‘Long Distance Call’. There were so many other great songs. I particularly liked Bonnie Raitt’s take on people who talk behind your back. Her advice? Give them ‘Something to Talk About’. Absolutely.
We finished the show with one of my favourite Aretha Franklin numbers: ‘Say A Little Prayer’. This one had me up out of the seat and dancing. And then a fantastic close from Mr. Cool Jazz himself, Chet Baker, with ‘Every Time We Say Goodbye’. I loved this week’s show and I had a blast. Hope you did too.
Here’s the complete playlist:
Beachwood 4-5789 – The Marvellettes
Hanging On The Telephone – Blondie
Rikki Don’t Lose That Number – Steely Dan
The Letter – The Boxtops
Take A Letter Maria – R.B. Greaves
Please Read The Letter – Alison Krauss/Robert Plant
Don’t Start Me To Talkin’ – Sonny Boy Williamson
A Man Of Many Words – Buddy Guy & Junior Wells
A Little Less Conversation – Elvis Presley
Communication Breakdown – Roy Orbison
Communication – The Cardigans
Telephone Line – Electric Light Orchestra
Memphis, Tennessee – Chuck Berry
Hey, Western Union Man – Jerry Butler
Hello Operator – The White Stripes
You Talk Too Much – Joe Jones
Everybody’s Talkin’ – Crowded House
Sweet Talkin’ Mama – Hank Penny
Stan – Eminem & Dido
Don’t Explain – Billie Holiday
Long Distance Call – Muddy Waters
The Phone Call – The Pretenders
Ring Ring Ring – De La Soul
The Word – The Beatles
I Heard It Through The Grapevine – Paul Weller & Amy Winehouse
What’d I Say – Ray Charles
People Are Talking – Shep & The Limelites
Something to Talk About – Bonnie Raitt
Answering Bell – Ryan Adams
I Say A Little Prayer For You – Aretha Frankin
Every Time We Say Goodbye – Chet Baker
Next week, the theme is Money. Any suggestions for songs for the show, or themes for future shows, are always welcome.
Listen to Lyn at the Theme Park, Tuesdays 2-4pm, Sydney time, on BayFM 99.9 or streaming at http://www.bayfm.org