If you’re a child, there’s something quite comforting about WHISPERING. It can also be fun, if you’ve got a secret to share. For adults whispering often falls into two categories: it can take on a seductive tone or sometimes it can be quite sinister. Our playlist this week featured songs that do both. Check out the links to background and video clips at the BayFM site HERE and, more importantly, tune in 1-2pm Mondays and take your lunch at BayFM’s Theme Park, 99.9 on the dial or streaming at bayfm.org
Each week I’ll feature one video link here just to keep you amused. This week it’s Cowboy Junkies doing a cover of Lou Reed’s SWEET JANE.
Next week all the songs will reference America – falling on July 4th it was a given. I’m looking for songs about the country as a whole: its culture, its history and its relationship with the rest of the world. Any suggestions? Send them to firstname.lastname@example.org
Listen to Lyn McCarthy at the Theme Park on BayFM at the new time of Mondays 1–2pm, Sydney time
Also streaming via BayFM
Email me at: email@example.com
Occasionally, a songwriter writes a tune that’s essentially a letter to a musical peer or fellow composer. Sometimes that message is delivered in the form of a tribute and sometimes it’s delivered as an angry diatribe. Our playlist today features both but, like our opening track JAZZ THING from Gang Starr, most of our songs are marks of respect.
I like to include a little country music every now and again, especially if its by the great Johnny Cash. As a contribution to this week’s playlist, he sings about his country music idol on THE NIGHT HANK WILLIAMS CAME TO TOWN. Punk rockers The Ramones praise the rock artists who preceded them on DO YOU REMEMBER ROCK N ROLL RADIO. And then it was UK group Television Personalities, who are obviously Pink Floyd fans with I KNOW WHERE SYD BARRETT LIVES.
The most familiar soul hit on the airwaves during 1967 was Arthur Conley’s SWEET SOUL MUSIC on which he paid tribute to other great soulmen like Otis Redding and James Brown:
When it comes to soul, Stevie Wonder knows how much is owed to our jazz legends. SIR DUKE is his tribute to Duke Ellington, the influential jazz legend who died in 1974. He also acknowledges Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald.
In 1980 Dexy’s Midnight Runners appeared out of nowhere, with a sound all their own. Nobody else at the time would have dreamt of producing an impassioned, brass-powered tribute to neglected 1960s soul singer Geno Washington, but they did and they took GENO to #1 in the UK.
Dexy’s Midnight Runners also recorded a version of JACKIE WILSON SAID, but I’m faithful to the original by Van Morrison which had to be part of the list too.
A little more country music was up next with the gorgeous Gillian Welch singing the ELVIS PRESLEY BLUES. This was followed closely by the one and only Ian Dury with his incredible piece of hero worship, SWEET GENE VINCENT. On this video Mick Jones of the Clash joins the band, The Blockheads. And as Dury quips to Jones: “Listen, we’ve got four chords on this one Michael!” Great band, great song. How does Mick Jones get through this number without once dropping the ciggie from his mouth? Hilarious.
Ian Hunter and Mott the Hoople’s reluctant youth anthem, ALL THE YOUNG DUDES was written by David Bowie. It namechecks T-Rex and references The Beatles and The Stones. Here they are, (with Bowie on back up!), performing at the Freddie Mercury tribute at Wembley Stadium:
The wonderful Jonathan Richman never disappoints me and he delivers again for this week’s playlist. On his song VELVET UNDERGROUND he even performs a few bars of the Velvet Underground’s Sister Ray in between dispensing eloquent insights into his heroes’ dark magic. How good is that!
Bono says that U2’s song STUCK IN A MOMENT YOU CAN’T GET OUT OF is a tribute to INXS singer Michael Hutchence. According to Bono it’s the conversation he wishes had actually taken place.
John Martyn, who died at a relatively early age himself, extends a concerned hand to a fading Nick Drake on the devastatingly tender SOLID AIR.
Canadian group Barenaked Ladies recorded a hit song about mental illness that references Beach Boy BRIAN WILSON. And just in case you’re wondering, Brian Wilson does do a version during his own live shows. And why wouldn’t he? It’s a great song. Fellow Canadian Allanah Myles also had a huge hit with my favourite of all the Elvis tribute songs: BLACK VELVET.
Paul Jones and Dave Kelly honour Blues legend SONNY BOY WILLIAMSON and Neil Young references Johnny Rotten of the Sex Pistols on HEY, HEY, MY MY (Into the Black). The line ‘It’s better to burn out than to fade away’ also became infamous in modern rock after being quoted in Kurt Cobain’s suicide note.
On a cheerier note, The Saw Doctors sing I’D LOVE TO BANG THE BANGLES, which pretty much speaks for itself. If you thought that was a wild proposition, you should take a listen to Bongwater’s NICK CAVE DOLLS. But hang in for the punchline on that one. A perfect follow up to that tune is Adam Ant’s GOODIE TWO SHOES, supposedly a critique of Cliff Richards virtuous and conservative image. “Don’t drink, don’t smoke… what do you do?”
A terrific song from Dory Previn is STONE FOR BESSIE SMITH. It isn’t just about the Blues singer Bessie Smith; it’s primarily about Janis Joplin who paid for Bessie Smith’s headstone but forgot to put anything aside for her own.
Early in his career, David Bowie often wrote about artists he admired, from Lou Reed to Andy Warhol to Iggy Pop. On SONG FOR BOB DYLAN a pre-Ziggy Bowie adopted Dylan’s nasal vocal style in order to pay tribute.
Down By Law also do an excellent tribute to the best rock band in the world: I WANNA BE IN AC/DC. Me too guys, me too.
It was hard choosing a song to go out on. Yes, of course there’s American Pie and Losing My Edge and the various spats between Paul McCartney and John Lennon, but in an effort not to be too predictable I’ve chose TUNIC (Song for Karen). Sonic Youth’s Kim Gordon does a beautiful job of casting herself as the tragic Karen Carpenter reporting back from heaven.
I’ve got a marathon effort lined up for the next couple of weeks and I need your help! The playlist next week will start with a song referencing Zero or less and I’ll progressively play songs in numerical order until I run out of ideas. For example I could start with Elvis Costello’s Less Than Zero progress to Yeah yeah yeah’s Zero then Bob Marley’s One Love … you get the idea. Let’s see how far I get. If you help me we could be doing this for weeks! To make it easy to participate I’ll be posting onto the Theme Park Radio Facebook page.
But in the meantime, here’s this week’s complete playlist to peruse:
Jazz Thing – Gang Starr – Moment of Truth
The Night Hank Williams Came To Town – Johnny Cash – The Best Of Johnny Cash
Do You Remember Rock ‘N’ Roll Radio – The Ramones Shrek OST
I Know Where Syd Barrett Lives – Television Personalities And Don’t The Kids Just Love It
Sweet Soul Music – Arthur Conley – 60’s Soul
Sir Duke – Stevie Wonder – Songs In The Key Of Life [Disc 1]
Jackie Wilson Said (I’m In Heaven When You Smile) – Van Morrison
Geno – Dexys Midnight Runners – Searching For The Young Soul Rebels
Elvis Presley Blues – Gillian Welch – Time (The Revelator)
Sweet Gene Vincent – Ian Dury and The Blockheads – The Very Best Of Ian Dury And The Blockheads
Blackbird, Bye Bye – Keith Jarrett, Gary Peacock, Jack DeJohnette – Bye Bye Blackbird
All The Young Dudes – Mott The Hoople – Rock Classics 60’s & 70’s Volume 2
Velvet Underground – Jonathan Richman – I, Jonathan
Stuck In A Moment You Can’t Get Out Of – U2 – The Best Of 1990-2000 & B-Sides CD1
Solid Air – John Martyn – No Little Boy
Brian Wilson – Barenaked Ladies – Barenaked Radio: Easter Special
Sonny Boy Williamson – Paul Jones & Dave Kelly – Live In London
Black Velvet – Alannah Myles – The Very Best of Alannah Myles
Hey Hey, My My (Into The Black) – Neil Young – Rust Never Sleeps (Live)
Goodbye Pork Pie Hat – Charles Mingus – Mingus Ah Um
I’d Love To Kiss The Bangles – The Saw Doctors – Play it Again Sham
Nick Cave Dolls – Bongwater – Box of Bongwater
Goody Two Shoes – Adam Ant – Antics In The Forbidden Zone
Stone For Bessie Smith – Dory Previn – Mythical Kings And Iguanas
Song For Bob Dylan – David Bowie – Hunky Dory
(I Wanna Be In) AC/DC – Down By Law – Windwardtidesandwaywardsails
Tunic (Song For Karen) – Sonic Youth – Goo (Deluxe Edition) [Disc 1]
Next week: NOUGHT TO WHATEVER (Part 1)
Ok, so there are intros and then they’re are great intros. What qualifies as great in my books? In this week’s playlist some songs feature opening segments that are totally independent from the rest of the track. Others just start with the main riff. Our opening song, INTRO/SWEET JANE is from Lou Reed’s live album Rock n Roll Animal, released in 1974, and it’s a terrific example of a great intro. The opening jam from guitarists Steve Hunter and Dick Wagner creates an air of anticipation for what is still to come. The quality of this video clip isn’t great but I had to include it because any chance to see Lou and the band performing in 1974 is worth the annoyance.
The Breeders, (what a brilliant name for an almost all girl band), was formed in 1988 by Kim Deal of The Pixies and Tanya Donnelly of Throwing Muses. Their most successful album Last Splash produced the hit single CANNONBALL and the outstanding part of that song’s intro is the bass line, performed by Josephine Wiggs. The music video was directed by Kim Gordon and Spike Jonze and its a doozy:
The opening salutation on Stevie Wonder’s SIR DUKE is not an introduction that blends into the song; those actual chords are never repeated. It’s a tribute to Duke Ellington and so the intro sets the tone for the piece as a whole, foreshadowing the looser, jazzier solos later in the song.
On Isaac Hayes’ brilliant funk version of the Dionne Warwick classic WALK ON BY the intro becomes a song within a song. On this clip Isaac performs live at Music Scene in 1969. OMG: Sex on a stick. But, about those girls dresses…..
The song ONE STEP BEYOND is from the Madness album of the same name. It was originally written and recorded by the Jamaican ska musician Prince Buster. The spoken line, “Don’t watch that, watch this” in the intro is from another Prince Buster song The Scorcher. Here they are at Glastonbury 2007 showing why they have such a great reputation for live performance:
One of the most recognisable intros in rock history is HOTEL CALIFORNIA from The Eagles. But when it comes to intros that get your attention and then drag you in, kicking and screaming, it has to be rock legends Led Zeppelin. IMMIGRANT SONG is famous for Robert Plant’s distinctive wailing cry at the beginning and the recurring staccato riff from Jimmy Page, John Paul Jones and, (sigh), John Bonham.
The Rolling Stones’ GIMME SHELTER starts rather timidly, with Keith Richards’ set of wavering chords, but it soon builds into a crescendo dominated by the lead guitar line. Here they are performing live in Amsterdam, 1995 with Lisa Fisher on back-up. Watch until the end and get a little bonus from Charlie Watts.
SMOKE ON THE WATER from Deep Purple is known for Ritchie Blackmore’s instantly recognisable opening riff. The lyrics of the song tell a true story: on 4 December 1971 Deep Purple had set up camp in Montreux Switzerland to record an album using a mobile recording studio at the entertainment complex that was part of the Montreux Casino. On the eve of the recording session a Frank Zappa and The Mothers of Invention concert was held in the casino’s theatre. In the middle of Don Preston’s synthesizer solo on “King Kong”, the place suddenly caught fire when somebody in the audience fired a flare gun into the rattan covered ceiling. The resulting fire destroyed the entire casino complex, along with all the Mothers’ equipment. The “smoke on the water” that became the title of the song referred to the smoke from the fire spreading over Lake Geneva from the burning casino as the members of Deep Purple watched the fire from their hotel across the lake.
It was difficult to pick from AC/DC’s repertoire of great introductions but I went with my all-time favourite, THUNDERSTRUCK. Angus Young gets the crowd going during this intro at Donnington 1991:
Derek & The Dominoes’ LAYLA has got to be one of rock’s definitive love songs. The introduction contains an overdub-heavy guitar solo, a duet of sorts between Duane Allman’s slide guitar and Eric Clapton’s bent notes.
A couple of controversial tracks followed, both with unique introductions. FIRESTARTER, by UK band The Prodigy, caught attention because the song was deemed, by some, to be violent. The video clip, directed by Walter Stern, further fueled these claims. Shot in stark black and white, in an used part of the London Underground, some television stations refused to air the clip. Which just makes me want to show it to you, even more! I think its brilliant.
The Prodigy are a hard act to follow but I think we succeeded with the compelling and dark Massive Attack track INTERTIA CREEPS. It’s from their excellent album Mezzanine.
When The Temptations’ PAPA WAS A ROLLING STONE was released in 1972 it was 12 minutes long! Thankfully there is a shorter version that’s suitable for radio that keeps that amazing intro intact. It begins with an extended instrumental starting with a solo plucked bass guitar, backed by hi-hat cymbals. Other instruments including a blues guitar, wah-wah guitar, Wurlitzer Electric Piano, handclaps, horns and strings gradually join in.
In 1974 David Bowie became obsessed with soul music and it resulted in the album YOUNG AMERICANS, which he created with the help of the great soul singer Luther Vandross. Here’s the Thin White Duke on the Dick Cavett Show in 1974 with, amongst others, Vandross singing back-up! Loving the shoulder pads.
The Beatles track I FEEL FINE was the first recorded song to feature guitar feedback. The story goes that, while recording, John Lennon accidentally left his guitar too close to his amp, producing the interesting whine that’s in tune with the riff’s opening note.
As an intro to our Gig Guide, I couldn’t resist playing some of Screamin’ Jay Hawkins’ I PUT A SPELL ON YOU. The demented opening and the cabaret style act, together with a cigarette smoking skull called ‘Henry’, laid the foundation for future ‘shock rock’ performers like Dr. John.
Another iconic opener belongs to the The Small Faces tune TIN SOLDIER. Here’s some rare coverage of the band with P.P.Arnold on Belgium TV in 1968. Go the Mods!
Quentin, from BayFM’s ‘Q’s Blues & Jazz’ suggested I do a show on Roads and Streets but I’d already done that quite a while ago. (I know, even I can’t remember what themes I’ve covered most of the time!). But she planted a seed that led me to Gerry Rafferty BAKER STREET and that consequently led to this week’s theme. So thank you Q! BAKER STREET has a stand-out opening with its prominent eight-bar saxophone hook, played by Raphael Ravenscroft.
As we headed for the close of the show, my favourite rock groups came to the fore. Pink Floyd’s MONEY had to be included for its distinctive opening of an impressive bass line and its seven-beat loop of money related sound effects.
While the Beatles may have been the first band to use feedback on a recording, the incredible Jimi Hendrix perfected the art. Again, which track to choose? FOXY LADY has always been a favourite and it does feature that almost excrutiating feedback at the beginning.
Our final track had me pushing up the sound and dancing out of the studio. Led Zeppelin seem to specialise in fantastic opening segments. A track that I absolutely adore is KASHMIR.
Next week we’ll be previewing the Mullumbimby Music Festival. Lots of great music and, I hope, an interview or two. Should be fun.
Here’s the complete playlist from this week’s show on Great Introductions:
Intro / Sweet Jane – Rock And Roll Animal, Lou Reed
Cannonball – Last Splash, The Breeders
Sir Duke – Songs In The Key Of Life [Disc 1], Stevie Wonder
Walk On By – Dead Presidents, Isaac Hayes
One Step Beyond – Total Madness: The Very Best Of Madness Madness
Hotel California – Hotel California, The Eagles
Immigrant Song – Rock 3, Led Zeppelin
Gimme Shelter – Hot Rocks, 1964-1971 [Disc 2], The Rolling Stones
Wipe Out – The Perfect Wave, The Surfaris
Smoke On The Water – Machine Head, Deep Purple
Thunderstruck – Razor’s Edge, AC/DC
Layla – Layla & Other Assorted Love Songs, Derek and The Dominos
Firestarter – Fat of the Land, The Prodigy
Inertia Creeps – Mezzanine, Massive Attack
Papa Was A Rollin’ Stone – Motown: The Classic Years [Disc 2], The Temptations
Young Americans – Young Americans [Bonus Tracks], David Bowie
I Put A Spell On You – Replay/Gold – Vol 1 No 5, Screamin’ Jay Hawkins
I Feel Fine – Beatles 1, The Beatles
Tin Soldier – The Best Sixties Album In The World Ever III-[Disc 2], The Small Faces
Baker Street – City To City, Gerry Rafferty
Money – Pink Floyd, Pink Floyd
Foxy Lady – Experience Hendrix: The Best Of Jimi Hendrix, Jimi Hendrix
Kashmir – Physical Graffiti, Led Zeppelin
Next week: MULLUMBIMBY MUSIC FESTIVAL PREVIEW
As someone who relies on trying to create a diverse playlist, week after week, the topic of MUSIC GENRES is one that’s dear to my heart. Useful as they are though, identifying genres is a murky and nebulous exercise, open to countless individual interpretations. Just go into any music store and try to establish why Ian Dury’s Sex & Drugs & Rock & Roll can find itself in pop, rock and alternative, all at the same time, and you’ll know what I mean.
In 1979 Malcolm McLaren’s art school classmate Robin Scott had a one hit wonder with POP MUZIK, an ironic and mischievous little tune, under his pseudonym, M: “New York, London, Paris, Munich…. everybody’s talking ’bout pop music.”
According to Bob Seger, today’s music doesn’t have the same soul. He’s feeling nostalgic for some OLD TIME ROCK N ROLL. Sugarhill Gang, on the other hand, are more interested in hip-hop. Their song, RAPPERS DELIGHT, while not the first single to feature rapping, is generally considered to be the song that first made hip hop popular.
Wild Cherry’s song PLAY THAT FUNKY MUSIC is autobiographical in that Wild Cherry was mostly a hard rock outfit. In 1976, however, the Disco era was all the rage and many of the group’s loyal followers were asking for more dance songs. And so was born the request: “play that funky music, white boy”:
Back in 1970, Lou Reed and the Velvet Underground celebrated ROCK & ROLL with their hit song of the same name. By 1977, Bob Marley – together with Steve Tyler & Joe Perry – were giving us three genres for the price of one on ROOTS, ROCK AND REGGAE.
Punk rocker Wreckless Eric took a swipe at the record companies, for the pressure they put on artists to produce a hit single, on POP SONG: “Just a two minute song with a snazzy middle eight.” Yeah, that’s all they wanted.
The Bonzo Dog Doo-Dah Band refuse to take anything too seriously, even the blues. So if you merge music hall and blues, it begs the question: CAN BLUE MEN SING THE WHITES? Our girl Joan Jett is nothing but a rock chick so of course she’s going to sing, I LOVE ROCK N ROLL.
Brooklyn rappers Stetsasonic responded to early criticisms of their sampling by releasing TALKIN’ ALL THAT JAZZ which used a clever collage of borrowings from the likes of Lonnie Liston Smith and Donald Byrd.
I think Lynyrd Skynyrd may know a little bit about the track, SWAMP MUSIC. This style of music is particular to America’s south, particularly Louisiana and Southeastern Texas but it’s developed a worldwide following and I, for one, love it.
It’s both funny and revealing that The Killers wrote INDIE ROCK N ROLL to poke fun at the pretentious and sterile independent scene in their native Las Vegas, only to find that the song was embraced world-wide as a cheerfully un-ironic anthem. Here they are playing live and sounding great:
The Beatles take Chuck Berry’s ROCK N ROLL MUSIC and attack it with such intensity that it seems to symbolise what became known as the British Invasion of the 60’s. In total contrast is Wilco’s wistful ode to youth on HEAVY METAL DRUMMER, from the album Yankee Hotel Foxtrot:
Stevie Wonder ‘s contribution to this week’s topic came in the form of his dedication to Duke Ellington and other jazz greats on SIR DUKE. Arthur Conley did something similar, with his shout out to all the soul icons, on SWEET SOUL MUSIC:
Time for some blues, Creole style, with BOOGIE WOOGIE ZYDECO from Chubby Carrier & the Bayou Swamp Band. Then it was a great piece of music, that recognises the enormous influence of Jazz on all kinds of music: JAZZ THING from Gang Starr. It’s from the soundtrack to the Spike Lee film MO BETTER BLUES, starring Denzel Washington. Absolutely brilliant clip.
There are so many songs that pay tribute to rock n roll that I had to be careful to not let them dominate. But there’s one that I couldn’t leave out – Ian Dury and the Blockheads with the rock n roll anthem, SEX & DRUGS & ROCK N ROLL. I hate the overuse of the word ‘awesome’ but in this case, it’s warranted – AWESOME!!
A song that merges soul and reggae is the very appropriately named REGGAE GOT SOUL from Toots and the Maytals. There are also loads of songs with Blues in the title, so many in fact that I had to restrain myself in this department too. But if you’re going to play one of them, you can’t get better than Buddy Guy with THE FIRST TIME I MET THE BLUES. In this clip he performs with bass player David Myers. It’s from the film CHICAGO BLUES, made in 1970. Now that’s what I call real music.
Bet you thought I wouldn’t give classical a mention. Well, Chuck Berry helped me out there with ROLL OVER BEETHOVEN. Here he expresses the desire for rhythm and blues to replace classical music on his local radio station. On this video clip he’s having a little bit of fun on a French TV show. Not sure of the year, but the song was recorded in 1956:
Couldn’t let disco get away with just a passing mention, so space was made for FRENCH DISKO by Stereolab. The Ramones rescue their disco queen and introduce her to something a bit more rebellious. Now, SHEENA IS A PUNK ROCKER.
We closed the show with a classic from Dire Straits – a song about a jazz band called SULTANS OF SWING.
Love to have your input for next week’s show. The theme is FUNNY SONGS: Songs that make you laugh or at least smirk because they are clever and witty. Ooh I’m looking forward to seeing what you send me.
Meanwhile, here’s this week’s complete playlist:
Pop Muzik – Pop Muzik, M
Old Time Rock N’ Roll – Bob Seger
Rappers Delight – Sugarhill Gang
Play That Funky Music – Those Fabulous ’70s, Wild Cherry
Rock and Roll – Velvet Underground
Roots, Rock, Reggae – Chant Down Babylon, Bob Marley + Steven Tyler + Joe Perry
A Pop Song – Big Smash, Wreckless Eric
Can Blue Men Sing The Whites? – Cornology [Disc 1], Bonzo Dog Doo-Dah Band
I Love Rock and Roll – Joan Jett
Mambo Italiano – Latin Fever [Disc 1], Shaft
Talkin’ All That Jazz – Hed Kandi: Back to Love, Vol. 4 Disc 2, Stetsasonic
Swamp Music – Lynyrd Skynyrd
Indie RnR – Demo, The Killers
Rock And Roll Music – Live At The BBC [Disc 2], The Beatles
Heavy Metal Drummer – Yankee Hotel Foxtrot, Wilco
Sir Duke (Duke Ellington) – Songs In The Key Of Life, Stevie Wonder
Sweet Soul Music – 60’s Soul, Arthur Conley
Boogie Woogie Zydeco – Boogie Woogie Zydeco, Chubby Carrier & the Bayou Swamp Band
Jazz Thing – Moment of Truth, Gang Starr
Sex & Drugs & Rock & Roll – No Thanks! – The ’70s Punk Rebellion (Disc 3), Ian Dury
Soul Makossa – Makossa Man: The Very Best Of Manu Dibango, Manu Dibango
Reggae Got Soul – True Love, Toots & The Maytals
First Time I Met The Blues – Martin Scorsese Presents The Blues – A Musical Journey, Buddy Guy
Roll Over Beethoven – 1956-Rock & Roll Era, Chuck Berry
French Disko – Refried Ectoplasm, Stereolab
Sheena Is A Punk Rocker – All The Stuff (And More), The Ramones
Sultans of Swing – Dire Straits
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
When it comes to song lyrics, the most common causes of TIREDNESS are those that also create the most activity: we’re talking sex and drugs again people. Edwin Starr doesn’t mention anything about stimulants to keep him awake, however. The powerful pull of a sexy woman seems to be all he needs to keep him walking those TWENTY FIVE MILES to see her. He must be keen because it’s going to take three days and two lonely nights to get there. No wonder he’s exhausted:
There is a song that appears to be simply about tiredness from working too hard. On WORKING IN THE COALMINE, Lee Dorsey sings that by Saturday he’s too tired to have any fun at all. Pearl Bailey is TIRED of just about everything. Oh dear. Here she is with a brilliant performance from the 1947 film Variety Girl:
The Cox Family is a Bluegrass family group who became world-known when they appeared on the soundtrack for the Coen Brothers film O Brother Where Art Thou . The song I AM WEARY is particularly poignant. In July 2000, shortly after recording the song, Willard Cox and his wife Marie were seriously injured in a traffic accident near their home in Cotton Valley. In February 2009, Marie died from cancer. Alison Krauss was among the many that attended the funeral.
A triple-play, that gave our theme of TIREDNESS a real work-out, included Fats Domino with SICK AND TIRED. Then a brilliant suggestion from Andrew: TOO POOPED TO POP from the La De Das, followed by the all girl band The Hissyfits (how good is that name?) with a song that expresses how fed up they are with a certain relationship. It’s called simply, TIRED.
Tired of being lonely seems to be a recurring theme in these tiredness songs. One of the best ever recorded, and requested here by Claire, is TIRED OF BEING ALONE from the Reverend Al Green:
Another track, with the same name, came from Clifton Chenier. His version of TIRED OF BEING ALONE was sung Creole style, known as the Zydeco Blues. And talking of Blues, I found a great tune from the 40’s: Washboard Sam also sounds pretty fed up on I’M JUST TIRED.
THE WEARY KIND, sung by Ryan Bingham, is the excellent theme song to a great film, Crazy Heart. Jeff Bridges’ performance won him an Academy Award and Ryan Bingham and T-Bone Burnett also won Best Song at the 2009 Academy Awards as well as a Golden Globe.
Just to prove that a show about TIREDNESS could also be a lot of fun, I included the very funny I’M TIRED from the film Blazing Saddles. Madeline Kahn, otherwise known as Lily Von Schtupp is all tuckered out. As she puts it, “Let’s face it, everything from the waist down is kaput”. Hysterical.
Indie rockers, The Zutons, have no patience whatsoever. As they sing it, they’re TIRED OF HANGING AROUND. Country icon Chet Atkins has a beef with his girlfriend. He asks her, AIN’T CHA TIRED OF MAKIN’ ME BLUE? A close relative of country music is Rockabilly. Another great suggestion from Andrew filled that bill – Eddie Cochran is exhausted from walking up twenty flights of stairs to see his lover, when the elevator breaks down. The song: TWENTY FLIGHT ROCK. Here’s a scene from the film The Girl Can’t Help It on which the song featured:
Mose Allison’s SO TIRED was requested by jazz aficionado, Quinton, from BayFM’s Q’s Jazz & Blues. So happy to oblige.
Time for some more indie rock. The Pixies love Lou Reed and the Velvet Underground. They even reference them on I’VE BEEN TIRED. Charlotte wanted to hear IF ONLY TONIGHT WE COULD SLEEP from The Cure. But my favourite had to be Weezer who say they are making love every night of the week. It should be noted that Lyn get’s a mention on Tuesdays. How appropriate. Turns out though, like all of us, they’re really looking for true love and reckon they’re TIRED OF SEX. And you thought that meaningful lyrics were a thing of the past! Here they are performing live in Japan:
An interesting track comes from a Spanish group from the 80’s called Mecano. It’s their debut single HOY NO ME PUEDO LEVANTAR which translates as I CAN’T GET UP TODAY. It’s a song about youth, boredom and hangovers. I think we’ve all been there, right?
A couple of great suggestions from Des followed: John Lennon is losing sleep because he can’t stop thinking about his lover on I’M SO TIRED. It’s from The Beatles White Album. Then it was The Kinks with TIRED OF WAITING FOR YOU.
I had to include Eric Clapton’s SICK AND TIRED and fellow Brit Blues artists, Savoy Brown, with I’M TIRED before bringing in k.d.lang, with a song that offers a solution to all this tiredness: BLACK COFFEE.
You all know by now that I love Roy Orbison. So it was great to welcome him back to the playlist with a Travelling Wilburys’ track. On their song, HANDLE WITH CARE, Orbison has the most relevant lines for this week’s theme: “I’m so tired of being lonely, I’ve still got some love to give.”
MOONLIGHT MILE is a rare example of Mick Jagger letting go of his public persona and singing of the weariness associated with keeping up appearances as a sex-drugs and rock & roll star. Ah yes, Mick, I’m sure it’s very tiresome! Seriously though, great song from the Rolling Stones’ Sticky Fingers album and a terrific close to the show.
Next week’ program, which I’m really excited about, is shaping up to be a doozy. The theme is MUSIC GENRES. I’m looking for songs that make reference to a particular style of music: it could be rock’n’roll, blues, country, rap, reggae, swing – in fact the quirkier the better. Think of tracks that shed some light on the topic. Suggesting every song ever made with the word “blues” in the title is just too easy. I know you’re all smarter than that, so put your thinking caps on. Thanks to the Parkies who contributed to this week’s list: Andrew, Claire , Quinton and Des and apologies to those whose requests didn’t make the list. Keep them coming though!
Here’s this week’s complete list:
Twenty-ﬁve Miles – Billboard Top 100 of 1969, Edwin Starr
Working In A Coalmine – Replay/Gold – Vol 1, Lee Dorsey
Tired – Let There Be Love, Pearl Bailey
I am Weary – O Brother Where Art Thou?, The Cox Family
Sick And Tired (Digitally Remastered) – Rock ‘N’ Roll Jukebox, Fats Domino
Too Pooped To Pop – The La De Das
Tired – Letters From Frank, The Hissyﬁts
Tired of Being Alone – Greatest Hits, Al Green
Tired Of Being Alone – Zydeco Festival, Clifton Chenier
I’m Just Tired – Washboard Sam Vol. 7 1942-1949, Washboard Sam
The Weary Kind – Original Motion Picture OST ‘Crazy Heart’, Ryan Bingham
Sleep Deprivation – Attack Decay Sustain Release, Simian Mobile Disco
I’m Tired – Blazing Saddles Soundtrack, Madeline Kahn/Mel Brooks
Tired Of Hanging Around – Tired Of Hanging Around, The Zutons
That Lucky Old Sun – All Time Greats Vol 3 – The People, Dean Martin
Ain’ tcha Tired of Makin’ Me Blue – High Rockin’ Swing, Chet Atkins
Twenty Flight Rock – Eddie Cochran, Eddie Cochran
So Tired – Gimcracks and Gewgaws, Mose Allison
I’ve Been Tired – Surfer Rosa & Come On Pilgrim, The Pixies
If Only Tonight We Could Sleep (MTV Unplugged) – The Cure
Tired of Sex – Pinkerton, Weezer
Hoy no me puedo levantar – Ana Jose Nacho, Mecano
All Tired Horses – Self Portrait, Bob Dylan
I’m So Tired – White Album (Disc 1), Beatles
Tired Of Waiting For You – Greatest Hits, The Kinks
Sick And Tired – Pilgrim, Eric Clapton
I’m Tired – Rock ‘N’ Roll Warriors, Savoy Brown
Black Coffee – Live By Request, k.d. lang
Handle With Care – Traveling Wilburys [Disc 1], Traveling Wilburys
Moonlight Mile – Sticky Fingers (2009 Remastered Version), The Rolling Stones
Next week: MUSIC GENRES
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Theme Park is now in Drive Time! I’m very excited, (explanation points aside, can you tell?). To celebrate, the topic this week was CHANGE. There were songs about every possible variety of change: political, social, cultural, emotional, physical, even the kind you find at the bottom of your handbag when you most need it.
BayFM is now in its Winter season and with Theme Park’s new time of Tuesdays 4-6pm, you may have only just discovered us. So, if this is your first visit, the idea is not to find a list of the “best” songs on a subject, because “best” is boring and more or less just involves me reaffirming how great the Beatles, Radiohead and Roy Orbison are. No, what we’re trying to create is a thematically coherent playlist with a mix of genres, eras and moods. Some songs you’ll already know; some, maybe, you won’t, and hopefully each week we’ll rediscover the classics, and discover new music, together.
We opened the show with Michael Jackson’s MAN IN THE MIRROR. And what a great message it is: if you want to change the world then start with yourself and your attitude to those less fortunate than yourself. We followed with something a little less serious: the great Ella Fitzgerald with ANYTHING GOES from her album ‘The Cole Porter Songbook’. It was the first album she recorded for the Verve album in 1956.
John Mayer is in Australia at the moment and I’ll forgive his indiscretions in recent interviews because WAITIN’ ON THE WORLD TO CHANGE is such a great track. Here he is with an acoustic version of the song. Very nice.
We followed with the definitive cover of Bob Dylan’s ALL ALONG THE WATCHTOWER by Jimi Hendrix. Dylan wrote this song at a time that he was experiencing a complete life change, with two young children and a growing interest in the Bible. Hendrix’s version is so highly regarded that Dylan has been quoted as saying: “I liked Jimi Hendrix’s record of this and ever since he died I’ve been doing it that way… Strange how when I sing it, I always feel it’s a tribute to him in some kind of way.”
Everyone’s allowed to change their mind now and again. A couple of terrific songs about the subject are the Cardigans’ ERASE/REWIND and soul singer Tyrone Davis’ CAN I CHANGE MY MIND?
A completely different perspective on change came from the band Blind Melon. The track CHANGE is from their 1992 self-titled debut album and was the first written by lead singer Shannon Hoon, who struggled with a drug dependancy. The song encourages you to change your life when it gets too hard. Unfortunately Hoon found it difficult to take his own advice and he died in 1995, at 28, from an overdose. His grave is inscribed with words from the song.
Do you think money changes you? According to Cyndi Lauper MONEY CHANGES EVERYTHING. Aretha Franklin, on the other hand, reckons MONEY WON’T CHANGE YOU. I think Aretha may have won that round.
Daniel Merriwether received a little bit of help from, rapper, Wale in the song CHANGE. The song and, in fact, the whole album was produced by wunderkid Mark Ronson. Rather than just play the official video clip, here’s a ‘making of’ that you might find interesting.
Country rockers, The Allman Brothers Band, sound as if they have hit rock bottom and are ready to do something about it in the very bluesy CHANGE MY WAY OF LIVING.
Another great rock group is Muse. The song FEELING GOOD is probably best known for Nina Simone’s outstanding recording. Here, Muse take the optimism of Simon’s standard to a whole other place.
We rounded out the hour with THE REVOLUTION WILL NOT BE TELEVISED. Recorded in 1971, it’s a poem and a song by Gil Scott-Heron, generally considered to be the father of hip-hop and neo soul.
I’M COMING OUT is a joyous disco number from Diana Ross. Nile Rodgers and Bernard Edwards, of the 70’s Disco band ‘Chic’, wrote and produced the track. Rodgers got the idea for the song when he went to a transvestite club in New York City. He went to the bathroom, and while he was standing at the urinal, he saw three men who were all dressed as Diana Ross.
I love my R&B. Anyone who saw Sharon Jones and the Dap Kings at the Blues Fest a few years ago know what a dynamic group they are. A great song from them is SOMETHING’S CHANGED. We followed with A CHANGE IS GONNA COME. Sam Cooke’s Dylan-inspired, lump-in-the-throat protest song mourns both racial intolerance and his infant son’s fatal drowning. And it’s the most requested song in our list today.
Joni Mitchell’s song BIG YELLOW TAXI is about changes brought about by so-called ‘progress’; “they paved paradise and put up a parking lot.” Sound familiar? And a big shout out to everyone in Mullumbimby, while we’re on the subject of unnecessary change.
David Bowie’s song CHANGES is one you must have predicted. And I’m nothing, if not predictable. We followed with another very predictable track: THE TIMES THEY ARE A CHANGIN’, although it’s not Bob Dylan but a wonderful version by Nina Simone.
Let’s talk physical change. Can you get any better than Lou Reed’s TAKE A WALK ON THE WILD SIDE? It’s from the Transformer album, recorded in 1972 and produced by David Bowie. “Plucked her eyebrows on the way, shaved her legs and then he was a she.” Yep, that’s what I call change.
Talking of changing teams, Eric Clapton and Steve Winwood contributed a track from their Live From Madison Square Garden album, called, appropriately, TEAM CHANGES. And then it was time to head back to a song about political change: Tracey Chapman with TALKIN’ BOUT A REVOLUTION.
John Legend got some help from Snoop Dogg on I CAN CHANGE. That’s for the right girl, he asserts. Yeah yeah, heard it all before Johnny.
The Audreys do a gorgeous cover of the INXS song DON’T CHANGE. It challenges you not to change. Because you’re perfectly OK as you are, you know. The song is from the album, Between Last Night and Us. Here they are performing at Woodford Folk Festival, 2009:
We closed the show with a beauty: the Beatles and ACROSS THE UNIVERSE. “Nothings going to change my world.” Well, maybe, but one thing I do know is that change is inevitable and while we might not appreciate it at the time, its all good.
Next week’s theme will be MORE CRED WHEN DEAD. Yes, every track will be from an artist who has passed on to that big disco in the sky and more than likely became more successful after they were gone. Big list to choose from, so inevitably there will be some omissions. But let me know your requests anyway. Love to hear from you.
Here’s this week’s playlist. From this week, I’ll include the album names as well. You can find all songs on iTunes.
Man in the Mirror – Bad, Michael Jackson
Anything Goes – The Cole Porter Songbook (CD1), Ella Fitzgerald
Waiting on the World to Change – Continuum, John Mayer
All Along The Watchtower – The Ultimate Experience, Jimi Hendrix
Erase/Rewind – Gran Turismo, The Cardigans
Can I Change My Mind – Billboard Top 100 Of 1969, Tyrone Davis
Change – Blind Melon, Blind Melon
Money Changes Everything – Twelve Deadly Cyns, Cyndi Lauper
Money Won’t Change You – Lady Soul, Aretha Frankin
Change – Love & War, Daniel Merriweather (and Wale)
Change My Way of Living – Where It All Begins, The Allman Brothers Band
Feeling Good – The Best of Muse CD2, Muse
The Revolution Will Not Be Televised – The Breaks II, Gil Scott-Heron
I’m Coming Out – Floorﬁllers 80s Club Classics CD3 – Diana Ross
Something’s Changed – 100 Days, 100 Nights, Sharon Jones and the Dap-Kings
A Change Is Gonna Come – The Man & His Music, Sam Cooke
Big Yellow Taxi – Ladies of the Canyon, Joni Mitchell
Changes – Hunky Dory, David Bowie
The Times They Are a Changin’ – Forever Young, Gifted & Black, Nina Simone
Take a Walk on the Wild Side – Transformer Lou Reed
Team Changes – Live From Madison Square Garden Cd1, Eric Clapton, Steve Winwood
Talkin’ Bout a Revolution – Tracy Chapman, Tracy Chapman
I Can Change feat. Snoop Dogg – Get Lifted, John Legend
Don’t Change – Between Last Night and Us, The Audreys
Across The Universe – Let It Be, The Beatles
Next week: MORE CRED WHEN DEAD
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
As a penance for my birthday indulgence last week, our theme this time was WALKING & RUNNING. ‘Cause a little bit of exercise never hurt anyone, now did it? Still, I think painting the town red must have still been on my mind as we opened the program with Lou Reed’s WALK ON THE WILD SIDE, from the 1972 album Transformer. It was produced by David Bowie who also sang backing vocals.
Here in Byron Bay, ‘doing the lighthouse walk’ is a daily excursion for some people. So, Kate Bush’s RUNNING UP THAT HILL was dedicated to them. It’s a great one to put on your iPod if you’re one of those mad people who walk or run as your preferred form of exercise.
Now you all know I love my Motown. So, WALK AWAY RENEE, released in 1968 by the Four Tops, was a given. As was NOWHERE TO RUN, a signature tune for Martha Reeves & The Vandellas, that was released way back in 1965. Check out this video clip from the same year. What to say about the back up dancers? OMG, the outfits, the dance moves!!!
Annie Lennox contributed WALKING ON BROKEN GLASS (ouch!) and then it was another true classic: Johnny Cash singing I WALK THE LINE and to round out the triple play beautifully, it was Fats Domino with I’M WALKING. Although it’s not the version we played on the show, take a look at this great clip of Fats Domino performing the song with Ricky Nelson. A great combination. And who is that saxophone player? Brilliant.
A little bit of UB40 followed with DON’T WALK ON THE GRASS and then it was Rufus Thomas with one of his biggest hits, WALKING THE DOG.
Empire of the Sun walked away with lots of awards for their debut album, WALKING ON A DREAM and the song of the same name was perfect for our show this week. As was Raphael Saadiq’s very suggestive, LET’S TAKE A WALK. Believe it or not this video, (like the song) was created in 2008. I’m loving the retro feel.
One for all the sleepwalkers – the brilliant R&B voice of Berna Dean singing I WALK IN MY SLEEP. Then it was Jimmy Rogers with WALKING BY MYSELF and a request from Judi, listening in Cairns: Patsy Cline’s I GO WALKING AFTER MIDNIGHT.
Did you know that John Lennon disowned the song RUN FOR YOUR LIFE from the Rubber Soul album? He eventually wrote a much more politically correct tune called JEALOUS GUY. But hey, we live dangerously at the Theme Park, so RUN FOR YOUR LIFE it was. We followed with Steve Winwood and the Spencer Davis Group’s very appropriate, (if you were one of the Beatles’ girlfriends anyway), KEEP ON RUNNING. Check out the very young Steve Winwood in this clip. So cute.
It’s impossible NOT to sing along to WALKING ON SUNSHINE by Katrina and the Waves. It’s such an optimistic, sunny song that suits the fabulous Summer weather we are having here in beautiful Byron Bay.
WALK A MILE IN MY SHOES by Joe South and The Believers is a great song as is WALK ON from, none other than, Mr Roy Orbison. Then it was the incorrigible Tom Waits with WALKING SPANISH from my favourite album of his, Rain Dogs.
More R&B was on the agenda with the great Sam Cooke and I’LL COME RUNNING BACK TO YOU. He would have been 79 this week (January 22). Sadly he died at 33 years of age, in a shooting incident. He is quite rightly considered one of the pioneers and founders of soul music.
A couple of ballads that couldn’t be omitted from our show on WALKING & RUNNING are YOU’LL NEVER WALK ALONE by Gerry & The Pacemakers, (remember them?) and Dionne Warwick’s WALK ON BY.
Jack, in Sydney, requested WALK THIS WAY, from Run DMC and Aerosmith. Excellent choice. Love the combination of hard rock and hip-hop. There should be more of it, I say.
Then it was time for some Blues: One of my favourites from last year’s Byron Bay Blues Festival was Seasick Steve, so I was happy to play WALKING MAN from his album, I Started Out With Nothin’ And I Still Got Most Of It Left. Then it was John Lee Hooker with RUN ON and James Taylor covering Jnr Walker and the Allstars’ I’M A ROAD RUNNER.
Grace Jones is unique. She does an amazing version of WALKING IN THE RAIN, originally recorded by Australian band Flash and the Pan. You’ll find it on her Nightclubbing album, released in 1981.
A show on WALKING & RUNNING wouldn’t be the same without Creedence Clearwater Revival’s hit, RUN THROUGH THE JUNGLE. Or The Modern Lovers’ ROADRUNNER. Or The Bangles’ WALK LIKE AN EGYPTIAN. But my favourite from this week’s show has to be an oldie but a goodie, Helen Shapiro’s WALKING BACK TO HAPPINESS. Can you believe that she was only 14 when she recorded this in 1961? Wow.
Next week, the show falls on Australia Day so I have no choice but to play some of my favourite Australian tracks. Tune in then if you like your music homegrown or are hoping for some appropriate tunes to compliment your Australia Day party.
And in signing off, I offer you this wonderful piece of graffiti that came to my attention this week: “Be happy today. Why wait?”
Here’s this week’s playlist: