I’ve been away in my home town of Sydney for a couple of weeks but you can’t keep me from Byron Bay for long, so I was all fired up for this week’s show on SONGS WITH SOUND FX in them. I’ve discovered that many a song has been enhanced by a clever piece of non-musical noise and our opening song, MY BROTHER MAKES THE NOISES FOR THE TALKIES summed up the program beautifully. It’s by the very entertaining UK group, the Bonzo Dog Doo Dah Band.
Sounds of thunder accompany a song that suits the weather we’re having up here at the moment. WALKING IN THE RAIN is by the Ronettes, best known for their work with Phil Spector. With their beehive hairdos and tight skirts, they were known as the ‘bad girls’ of rock n roll. And now you know where Amy Winehouse go her ‘look’.
The sound of lapping waves welcomes in Otis Redding’ standard, SITTIN’ ON THE DOCK OF THE BAY. Redding wrote this song while living on a houseboat in Sausalito on the San Francisco Bay. It was recorded shortly before his tragic death at the age 0f 26. Released posthumously, it is his biggest hit ever.
There’s lots of playground noise on Cat Steven’s (REMEMBER THE DAYS OF) THE OLD SCHOOL YARD. And The Beatles use all kinds of carnival noises on BEING FOR THE BENEFIT OF MR. KITE.
Jazz great Charles Mingus got his band to use their instruments to sound like foghorns and other harbour sounds on the remarkable A FOGGY DAY. In complete contrast, but somehow weirdly complementary, is M.I.A.’s PAPER PLANES. She utilizes the sounds of a cash register and heavy gunshot noise on this very provocative piece of hip-hop.
There were lots of requests for MONEY by Pink Floyd. And it had to be played, if not for the very good use of various sound effects, but because, well ….. it’s Pink Floyd!
Another fantastic song with sound effects is NO TIENE BILLET from Fruko y Sus Tesos. The rifle fire that tears through this brilliant Colombian tune implies that the eruption of violence, in a very poor country especially, is almost inevitable. On NITE CLUB, by the Specials, the only aggression heard is raised voices and the clinking of glasses.
George Gershwin’s AN AMERICAN IN PARIS, written in 1928, is full of imagery gone wild. It’s a brilliant song and a brilliant film too. This was Gene Kelly’s magnum opus. His choreography was of such a standard that the Academy of Motion Picture Sciences created a special Oscar that year in recognition of his achievement. Dancing to a segment of George Gershin’s stunning music, here is Kelly’s duet with the beautiful Leslie Caron:
Michael Jackson uses sound effects to the hilt on THRILLER and the Doors gave us another perfect weather song, with its thunder and lighting sound effect: RIDERS ON A STORM.
There are some very suggestive street sounds on what happens to be one of my all time favourite songs: LOOKING FOR THE HEART OF SATURDAY NIGHT from the sublime Mr. Tom Waits. And then there’s a beautiful song that reminds me of my home town, Sydney: The Platters’ HARBOR LIGHTS.
Yep, that’s a baby gurgling throughout Stevie Wonder’s ISN’T SHE LOVELY. And as far as car sounds go, you can’t go past the highly influential electronic pioneers, Kraftwerk, with AUTOBAHN. Check this out:
Talking of road sounds, you didn’t actually think I was going to leave out LEADER OF THE PACK by the Shangri Las did you? This clip is from the television show ‘Ive Got a Secret’, recorded in 1964. The ‘bikie’ is Robert Goulet!
Dancehall queen, Lady Saw, inserts self-made creaking sounds on BED NOISE. They’re so convincing that I can hear the neighbours complaining already! Neo Ska group, The Specials, seem to put sound effects on most of their songs. This is one of their big hits: GHOST TOWN. These guys have been around for 30 years and still going strong. Here they are on Top of the Pops in 1981. Blast from the past. Love, love, love.
The Surfaris break a surfboard just to make a point on WIPEOUT. Creaking doors and other creepy sounds illustrate MONSTER MASH, by the marvellously named Boris Pickett and the Crypkickers. And crashing glass introduces Billy Joel’s YOU MAY BE RIGHT. How’s that for a trio of songs with sound effects? And just because I can, here’s a nice little clip with lots of fun horror film clips, backed up by MONSTER MASH. Do you see where Michael Jackson got his inspiration for Thriller?
Our last song went out to Des who so ably sat in for me while I was away for a few weeks. His favourite is Bob Dylan and it seems that Bob isn’t against using a sound effect either. There’s a mean sounding whistling siren on HIGHWAY 61 REVISITED.
Hopefully I won’t need to use any alarms to keep you awake during next week show on SLEEP AND INSOMNIA. Lots of great songs in this category so get your thinking caps on and send me your suggestions. But remember, we’ve done DREAMING and TIREDNESS, so the list has to be specifically about sleeping, or not.
Here’s this week’s complete playlist:
My Brother Makes The Noises For The Talkies – Bonzo Dog Doo-Dah Band
Walking In The Rain – The Ronettes
(Sittin’ On) The Dock Of The Bay – Otis Redding
(Remember The Days Of The) Old School Yard – Cat Stevens
Being For The Benefit Of Mr. Kite! – The Beatles
A Foggy Day – Charlie Mingus
Paper Planes – M.I.A.
Money – Pink Floyd
No Tiene Billete – Fruko y Sus Tesos
Nite Club – The Specials
An American In Paris – George Gershwin
Thriller – Michael Jackson
Riders on the Storm – The Doors
(Looking For) The Heart Of Saturday Night – Tom Waits
Harbor Lights – The Platters
Isn’t She Lovely – Stevie Wonder
Autobahn – Kraftwerk
Leader Of The Pack – The Shangri-Las
Bed Noise – Lady Saw
Ghost Town – The Specials
Wipe Out – The Surfaris
Monster Mash – Bobby (Boris) Pickett and the Crypt-kickers
You May Be Right – Billy Joel
Highway 61 Revisited – Bob Dylan
Next week: SLEEP AND INSOMNIA!
I love the major prize in BayFM‘s Subscriber Drive this year. It’s a trip to Broome and the Kimberley, in conjunction with the Save The Kimberley action group. So I thought it was a great opportunity to create a playlist on THE ENVIRONMENT.
We opened the show with a locally produced track from a group of young people who are concerned about climate change. They came together at a hip-hop recording workshop in the country town of Kyogle in 2007. The result: PROTECT THE WORLD. The kids were aged between 11 and 17 and wrote the words on the spot and played all the instruments. Check it out:
Another song about the environment that really hits home is GASOLINE from Sheryl Crow. She’s so great when she’s singing about something substantial, isn’t she?
The Cranberries tell us that TIME IS TICKING OUT: “We’d better think about the consequences, We’d better think about the global senses, The time went out, the time went out.”
Cerrone’s song SUPERNATURE was released in 1977 and crossed over to both pop and soul charts. An interesting bit of trivia: the lyrics were written by a young Lene Lovich, although she wasn’t credited.
Gorillaz is a band that fascinates me with its merge of music and art. They have a brilliant site, so rather than me babble on here about them, go to www.gorillaz.com. Right now I’m listening to their PLASTIC BEACH album. The track of the same name features Mick Jones & Paul Simonon from The Clash. Say no more.
Way back in 1971 Marvin Gaye broke ground with his song MERCY MERCY ME (the Ecology). It’s from his album, What’s Goin’ On and features The Funk Brothers on instrumentals and a leading sax solo by Wild Bill Moore. Brilliant stuff. Here’s Gaye at the Montreux Festival, 1980:
The John Butler Trio’s song SOMETHING’S GOTTA GIVE was only released in Australia. It came out in 2004 and is an interesting blend of funk, rock, blues, roots and the traditional sound of a jam band.
An absolute classic is Joni Mitchell’s BIG YELLOW TAXI: “They paved paradise/And put up a parking lot.” With that one line, Joni Mitchell created an everlasting metaphor for the ongoing effects of industrial development on the natural world. Big Yellow Taxi is one of the great environmental laments of the modern age, a breezy little tune that describes a world where DDT is used freely and trees are relegated to a museum.
I thought I might include some Kraftwerk for all the techheads and others (like me) who love this highly influential band from Germany. RADIOACTIVITY is perfect for this week’s theme:
Neko Case suggests that you NEVER TURN YOUR BACK ON MOTHER EARTH. It’s from her Middle Cyclone album. A prophetic follow up came from The Beach Boys with DON’T GO NEAR THE WATER:
Tegan and Sara are a Canadian duo (they’re actually identical twins). I love their song OUR TREES. A perfect follow up to that was Jack Johnson’s ANYTHING BUT THE TRUTH.
Despite what Michael Stipe says about this song being about oppression, I always thought that the R.E.M. song, FALL ON ME, was about acid rain and it’s effect on the environment. Well I suppose you have a right to feel oppressed when governments keep refusing to do anything substantial about climate change.
Singer songwriter Missy Higgins is politically pro-active and it was great to air an interview with her during the show about Broome and the Kimberley. Here’s an extended version of that interview from the Save the Kimberley site:
Another activist/musician is, of course, Ben Harper. His song EXCUSE ME MISTER is just so relevant right now, with its mention of pollution of our waterways. Are you listening BP?
John Mayer is WAITING ON THE WORLD TO CHANGE. Me too John, me too.
Massive Attack were encouraged to get into the recording studio in 1991 to record their debut album Blue Lines, by Nenah Cherry. She consequently sang back up on our pick from this album, HYMN OF THE BIG WHEEL. In this clip Deborah Miller, who tours with Massive Attack on a regular basis, does a brilliant job of back-up/support.
MONKEY GONE TO HEAVEN, is a song by the American alternative rock band, the Pixies. It’s from their 1989 album Doolittle. The song references environmentalism and biblical numerology and was the first Pixies song to feature guest musicians: two cellists, Arthur Fiacco and Ann Rorich, and two violinists, Karen Karlsrud and Corine Metter.
Our final song of the day was one I’d like to dedicate to all those lost in Pakistan’s devastating floods: Jackson Browne with BEFORE THE DELUGE.
I’d like to thank everyone who subscribed during Theme Park over the last two shows. Thank you so much! We’ll be drawing a winner for our Camp Quality holiday at Possum Creek Eco Lodge on next Tuesday’s show, so tune in then. And if you want to go into that draw, and you haven’t subscribed yet, that’s Ok. When you do subscribe just say that Theme Park is the show you want to be acknowledged on. We’ll give you a shout out next week. Good luck to all of you. I hope that you are lucky enough to win one of the daily prizes, the additional prize for business subscribers of 30 radio spots, or the major prize of the trip to the Kimberley.
I’d love to hear from you with your requests for next week’s show when the topic will be SPRINGTIME. Can you believe its almost here? Yay!
Here’s this week’s complete playlist:
Protect the World – Kyogle Kids
Gasoline – Detours, Sheryl Crow
Time Is Ticking Out – Wake Up And Smell The Coffee, The Cranberries
Supernature – Cerrone
Plastic Beach Ft. Mick Jones & Paul Simonon – Plastic Beach, Gorillaz
Mercy Mercy Me (The Ecology) – What’s Going On, Marvin Gaye
Something’s Gotta Give – Triple J’s Hottest 100 Volume 12, The John Butler Trio
Big Yellow Taxi – Ladies of the Canyon, Joni Mitchell
Radioactivity – The Mix, Kraftwerk
Never Turn Your Back On Mother Earth – Middle Cyclone, Neko Case
Don’t Go Near The Water – Surf’s Up, The Beach Boys
Like The Weather – MTV Unplugged, 10,000 Maniacs
Our Trees – Tegan & Sara
Anything But The Truth – To The Sea, Jack Johnson
Fall on Me – Lifes Rich Pageant, R.E.M.
Going North – Missy Higgins
Excuse Me Mister – Fight for Your Mind, Ben Harper
Waiting on the World to Change – Continuum, John Mayer
Hymn Of The Big Wheel – Blue Lines, Massive Attack
Monkey Gone to Heaven – Wave of Mutilation: The Best of Pixies, The Pixies
Before The Deluge – Late For The Sky (Gold Disc), Jackson Browne
Next week: SPRINGTIME
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
I purchased my first Apple Computer in 1984 and have been a faithful user ever since. Personal computers were still fairly uncommon then even though, in 1982, Time magazine had declared them the first non-human recipient of its “person of the year” award. “The ‘information revolution’ that futurists have long predicted has arrived”, declared the magazine, “bringing with it the promise of dramatic changes in the way people live and work, perhaps even in the way they think. The world will never be the same.” How right they were.
But everything Time magazine said, in hundreds of words, had already been expressed the year before in the song that opened our program: HOME COMPUTER by Kraftwerk, and in just two lines of lyrics too! “I program my home computer, beam myself into the future.” The group has been incredibly influential ever since. Am I the only one to recognize the theme to Six Feet Under in there somewhere?
Music’s relationship with intelligent machines has been a mass of contradiction. On the one hand, there are songs that express a fear of technology – the harshness the unreliability and the lack of humanity. And on the other, there are songs that yearn for the simple life that machines seem to offer, especially when it comes to your love life. Way back in the 60’s Connie Francis was of the opinion that a ROBOT MAN would solve all her problems. Years later, in 2004, Amanda Palmer of The Dresden Dolls also thought that an artificial partner could possibly have its advantages. The song was COIN OPERATED BOY.
YOSHIMI BATTLES THE PINK ROBOTS Pt 1 is from The Flaming Lips’ high concept album Yoshimi Battles the Pink Robots. The Lips were in top form in 2002 when this track was released. Apparently, the total destruction of evil robots is the name of the game here. More from the mighty Kraftwerk in the form of POCKET CALCULATOR: “By pressing down a special key, it plays a little melody”. That one was for all the book-keepers and accountants out there.
On a show about machines we had to have a song about a Juke Box and what better than Joan Jett, with I LOVE ROCK N ROLL: Yeah, “Put another dime in the jukebox baby”. Other machines included a TIME MACHINE from Grand Funk Railroad and a FRUIT MACHINE from the Tings Tings. As Katie White tells it, she’s fed up with being treated like a gambling device.
Gary Numan and Tubeway Army recorded DOWN IN THE PARK in 1979. It was Numan’s first composition on keyboards and his first release to feature the electronic sound that would become his tradmark. The theme of the song is typical of Numan’s work at the time as it both embraced and feared technology. Here’s a clip from the DVD Urgh! A Music War (1981). Lady Gaga, eat your heart out:
Sufjan Stevens’ contribution to our theme was DEAR MR. SUPERCOMPUTER, from his Avalanche album, and we followed with Electric Light Orchestra and YOURS TRULY 2095 where we are asked to pity the “cold as ice” IBM that must tolerate a two-timing user.
Melbourne based, Swedish artist Jens Lekman’s A POSTCARD TO NINA has a shaky connection to this weeks theme. It’s really about him acting as a cover for a friend who is a lesbian but she doesn’t want her family to know. There is a mention of emails, and – wait for it – a lie detector – so hey, how could I leave it out? It’s also quite a nice song. Here’s a clip from a concert he did in Melbourne in 2006. His guitar died, so he played on the uke. Gorgeous. And love the reference to cult film ‘Buffalo 66″.
Are you a fan of Flight of the Conchords? I am. The song ROBOTS, also known as “Humans Are Dead”, is sung by both Bret and Jermaine. It’s set in a post-apocalyptic “distant future” where all humans are dead and robots have taken over the world. Within the context of the plot of the show, it’s the band’s first music video. Since the band has very limited funds, Murray constructs the robot costumes himself, (“they don’t look like Daft Punk -we wanted ones like Daft Punk”), and films the video using a mobile phone. Crazy stuff.
Hip-hop trio Deltron 3030 gave us a cartoon villain who loves the idea of creating a “VIRUS to bring dire straits to your environment”. It’s from their debut album Deltron 3030, released in 2000.
The only cover of a Who song to reach the Top 10, anywhere, is Elton John’s version of PINBALL WIZARD. It was featured in Ken Russell’s film version of the Tommy opera. The lyrics are forever planted in every baby boomer’s consciousness: “that deaf, dumb and blind kid sure plays a mean pinball.” Here’s an outtake from the film. Makes me want to play pinball again!
James Brown reckons he’s a SEX MACHINE and who am I to argue? Well we had to have at least one song about man as machine didn’t we? And James Brown is the bomb.
I had to play, not one, but, two tracks from Radiohead’s OK COMPUTER ALBUM. First up it was FITTER, HAPPIER. It consists of samples of music, background sound and lyrics recited by a synthesized voice from the Macintosh Simple Text application. Written after a period of writer’s block, FITTER HAPPIER was described by Thom Yorke as a checklist of slogans for the 1990s, which he considered, the most upsetting thing he’s ever written. We followed with one of their biggest hits, PARANOID ANDROID. This clip was filmed at the 2003 Glastonbury Festival. I so wished I’d been there!
A nice piece of R&B followed with COMPUTER LOVE by Zapp Roger, featuring vocals by Shirley Murdock and Charlie Wilson of the Gap Band. And then it was Robin Gibb’s interesting attempt at reinventing himself in the 80’s with ROBOT. Sort of a techno/reggae/disco sound. Not sure what I think of it.
Swedish pop star Robyn contributed ROBOT BOY and then it was back to some electro with Daft Punk’s ROBOT ROCK. I’m not crazy about this French duo but of all their releases ROBOT ROCK is one of their best.
More to my liking is the theme to ROBOT CHICKEN, from the cult stop motion animated television series. Brilliant stuff. It was written by Primus lead man Les Claypool.
Styx contributed their classic ROBOTO, from their concept album Kilroy Was Here. The lines in the chorus DOMO ARIGATO, MR ROBOTO have become a catchprase and mean ‘
thank you very much’ in Japanese.
Kraftwerk deserved another outing. This German band came to prominence in the 70’s and 80’s and their distinctive sound was revolutionary then and continues to be highly influential across many genres of music today. We closed the show with COMPUTER WORLD.
This was my last week in the 2-4pm time slot. I’ll still be broadcasting on Tuesdays but I’m very happy to be moving to Drive Time 4-6pm. I hope you’ll continue to tune in to find out what crazy themes I get up to. I’ve been influenced by the move to create a playlist next week based on CHANGE. So if you have any requests, please get in touch. I’d love to hear from you.
Here’s this week’s complete playlist:
Home Computer – Kraftwerk
Robot Man – Connie Francis
Coin Operated Boy – The Dresden Dolls
Yoshimi Battles the Pink Robots pt. 1 – The Flaming Lips
Pocket Calculator – Kraftwerk
Percolator – The Ventures
I Love Rock and Roll – Joan Jett
Time Machine – Grand Funk Railroad
Fruit Machine – The Ting Tings
Down In The Park – Gary Numan
Dear Mr. Super Computer – Sufjan Stevens
Yours Truly, 2095 – Electric Light Orchestra
A Postcard To Nina – Jens Lekman
Danger Will Robinson! (Sound grab from Lost in Space)
Robots – Flight Of The Conchords
Virus – Deltron 3030
Pinball Wizard – Elton John
Sex Machine – James Brown
Fitter Happier – Radiohead
Paranoid Android – Radiohead
Computer Love – Zapp & Roger
Robot – Robin Gibb
Robotboy – Robyn
Robot Rock – Daft Punk
Robot Chicken Theme – Les Claypool
Mr. Roboto – Styx
Computer World – Kraftwerk
All tracks available on iTunes.
Next week: CHANGE
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Tragically also on Facebook: http://www.facebook.com/maccalyn
I’m addicted to the TV show PIMP MY RIDE. I would love for those guys to get my beaten up old Subaru and turn it into a low ridin’ bitchin’ machine. But that’s never going to happen. Next best thing: use the Theme Park radio show to promote AUTOMOBILES. And what better way to start the program than with Kraftwerk’s AUTOBAHN. It’s a driving song that eliminates the human driver and instead presents a very cool interpretation of machines on the move.
Things heated up with The Beach Boys’ ode to teenage freedom – FUN, FUN, FUN, and then it was time for the 1951 single often regarded as the first ever rock’n’roll record. Jackie Brenston’s ROCKET 88 celebrates the Oldsmobile 88. Metaphor lovers, however, will quickly cotton on that the real object of Jackie’s enthusiasm may not be a car.
Living in a rural area, we couldn’t leave tractors out of the playlist, so here’s a song dedicated to all the farmers out there: Jason Aldean with BIG GREEN TRACTOR.
Prince’s first big hit, LITTLE RED CORVETTE, takes automotive innuendo as far as it will go. A little trivia for you: Stevie Nicks got the idea for her 1983 song STAND BACK from LITTLE RED CORVETTE. She heard Prince’s song in her car, wrote STAND BACK that night, and called Prince, who came into the studio and played keyboards.
It was time for two of the great blues singers: Junior Parker likes to think that, as far as his relationship is concerned, he’s the DRIVING WHEEL; the wonderful Memphis Minnie isn’t sure that sitting in the passenger seat is for her, however, in ME AND MY CHAUFFEUR BLUES.
Tracy Chapman sees the car as a means of escape from a dead-end life. But her ambition isn’t matched by a boyfriend who turns out to be just like her hard-drinking Dad. Being the smart girl she is, her advice is for him to take his FAST CAR and keep on drivin’.
I couldn’t leave out the ever reliable bus as a mode of transport and the Hollies filled the slot nicely with their 1966 hit, BUS STOP. And another 60’s gem we had to play was the Beatles with BABY YOU CAN DRIVE MY CAR.
Time then for the bearded ones: ZZ Top reckon that SHE LOVES MY AUTOMOBILE. Well, of course. Two more excellent songs followed. Firstly, The Modern Lovers track ROADRUNNER, a song that has been good to Theme Park as it was also used on the show dedicated to RADIO. And then it was the Primus track JERRY WAS A RACE CAR DRIVER. A show on automobiles, however, would not be complete without Chuck Berry who sang one of the great auto songs: MAYBELLENE. The Rock and Roll Hall of Fame included three of Chuck Berry’s songs (Johnny B Goode, Maybellene and Rock and Roll Music), in the list of 500 songs that shaped Rock and Roll.
The lovely Quentin, who hosts Q’s Jazz & Blues on BayFM, called in with a request: MOTORVATIN’ MAMA from The Rhythm Kings. Some very sexy symbolism running riot there Q! I paired it with Mic Conway’s National Junk Band singing WHO GAVE YOU A LICENCE TO DRIVE ME CRAZY? A great cabaret act and it was terrific to see them at this year’s Blues Festival.
A change of pace when Chris Spedding and the Vibrations praised the art of MOTOR BIKIN’ and The Clash bragged about a BRAND NEW CADILLAC. Check out The Clash performing live at the US Festival in ’83.
A re-discovery for me was Yello. A Swiss group that has been recording since the 80’s, they have escaped my attention of late. But their song THE RACE was absolutely perfect for the show and had to be included. Check out this mad clip:
In CAR WHEELS ON A GRAVEL ROAD, the five-year-old Lucinda Williams is a reluctant passenger who watches “telephone poles, trees and wires fly by”, from the back seat, while her parents make plans in front. This song served as a quite beautiful breather because it was soon time to fasten our seatbelts in preparation for some serious rock ‘n’ roll: Deep Purple with HIGHWAY STAR, Steppenwolf with BORN TO BE WILD and Jimi Hendrix with CROSSTOWN TRAFFIC. This triple play had all the BayFM volunteers and office staff up and dancing in the green room! Who knew work could be so much fun?
I was happy to include a couple of listener requests: RADAR LOVE from Golden Earring and Gary Numan’s most enduring hit, CARS. According to Numan, the song’s lyrics were inspired by an incident of road rage: “I was in traffic in London once and had a problem with some people in front. They tried to beat me up and get me out of the car. I locked the doors and eventually drove up on the pavement and got away from them. It’s kind of to do with that. It explains how you can feel safe inside a car in the modern world… When you’re in it, your whole mentality is different… It’s like your own little personal empire with four wheels on it”. Still going strong, here’s Gary back in the day:
A little plug before I go: BayFM is a volunteer based, community radio station dedicated to bringing our listeners intelligent, informative and entertaining programming. We are totally reliant on subscriptions to keep the station on air. So, if you want to support independent radio you can go to http://www.bayfm.org and subscribe online. We would really appreciate it. And if you ask to be acknowledged on the Theme Park show I promise to give you a big shout-out. But, best of all, you go into the draw for all kinds of prizes. The top one this year is an all expenses trip to the Glastonbury Festival. That’s airfares, camping fees, entry fees, spending money!
Roy Orbison was back with a vengeance and he closed the show with I DROVE ALL NIGHT. The patron saint of Theme Park Radio showed why he is one of my favourite singers.
Here’s this week playlist:
Autobahn – Kraftwerk
Fun Fun Fun – The Beach Boys
Rocket 88 – Jackie Brenston
Big Green Tractor – Jason Aldean
Little Red Corvette – Prince
Me And My Chauffeur Blues – Memphis Minnie
Drivin’ Wheel – Junior Parker
Fast Car – Tracy Chapman
Bus Stop – The Hollies
Baby You Can Drive My Car – Beatles
She Loves My Automobile – ZZ Top
Jerry Was a Race Car Driver – Primus
Roadrunner – The Modern Lovers
Maybelline – Chuck Berry
Motorvatin Mama – Rhythm Kings
Who Gave You A Licence To Drive Me Crazy? – Mic Conway’s National Junk Band
Motor Bikin’ – Chris Spedding & The Vibrations
Brand New Cadillac – The Clash
The Race – Yello
Low Rider – War
Car Wheels On A Gravel Road – Lucinda Williams
Highway Star – Deep Purple
Born to Be Wild – Steppenwolf
Crosstown Traffic – Jimi Hendrix
Radar Love – Golden Earring
Cars – Gary Numan
I Drove All Night – Roy Orbison
Next week: Celebrating Fathers Day here in Australia on September 6, so FATHERS it is. Any requests?
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
Tragically also on Facebook: http://www.facebook.com/maccalyn
and Twitter: http://www.twitter.com/themeparkradio