As a tribute to all the Capricorns celebrating their birthdays at the moment, (including me!), the theme this week was GOING OUT AND PARTYING. Some famous Capricorns include Elvis Presley, who would have turned 75 this week, David Bowie, Annie Lennox, Patti Smith, Janis Joplin, Dolly Parton… the list goes on. Oh, what amazing company I’m in!
We opened the show Pink’s GET THIS PARTY STARTED and if that song can’t get you in the party mood I don’t know what will. If you’ve never seen Pink perform live, you are really missing out. Here’s some footage from her show at the Wembley Arena. Enjoy.
Wanda Jackson also has the right attitude. Her song LET’S HAVE A PARTY was a hit for her in 1959, a year after Elvis Presley released it. I totally adore Louis Jordan and included two of his tracks this week. The first has a great clip to show you. Have a look at LET THE GOOD TIMES ROLL :
The Theme Park party was off to a great start and the party continued with Santana’s INTERPLANETARY PARTY from the 2007 album, Ultimate Santana. But, I ask you, what’s a party without James Brown? One thing you can count on, he’s GONNA HAVE A FUNKY GOOD TIME. Joe Jackson was also STEPPIN OUT and, as the Showstoppers explained, with their hit of 1968, it AIN’T NOTHIN BUT A HOUSE PARTY.
Loved Sam Cooke’s smooth rendition of WE’RE HAVING A PARTY but I have to admit that I was totally intrigued by Smokey Robinson and the Miracles song title, GOING TO A GO-GO. I have no idea what a Go-Go is, but the song is a sure fire dance floor filler, so it has to be about a party, surely.
The Irish Rovers sound as if it was one hell of a get-together with their ditty WASN’T THAT A PARTY. It’s hard to find a full clip of the Rovers singing any song but here’s one that includes this catchy tune, which they used to open their 80’s television series “Party with the Rovers”. Take a peek:
Claudine Clark’s one-hit wonder of 1962, PARTY LIGHTS, stands out because she wrote the music and the lyrics herself, which was unusual for a female performer during that time. Sung from the point of view of a teenage girl ordered to her room while her friends were out having a good time, “Party Lights” struck a chord and shot into the Top Five on both the pop and R&B charts.
What’s the purpose of a party? Well, let’s face it life can be pretty serious a lot of the time, so getting together with your friends and celebrating the positive things in life can be a lot of fun. Although I can testify that the after effects don’t always make it worth the effort. But that’s just my hangover talking. I’m sure the wonderful Amos Milburn wouldn’t agree and he has a great song to prove it – LET’S HAVE A PARTY.
Friday night seems to be the favourite night of the week to go out, so I thought it was appropriate to include Lily Allen’s FRIDAY NIGHT and The Specials’ FRIDAY NIGHT, SATURDAY MORNING. Then Three Dog Night claimed that their MOMMA TOLD ME NOT TO COME. They had to find out the hard way that “This is the craziest party there could ever be”. Check out the clip from 1970:
We played PARTY TRAIN by the Dazz Band on our Train show but it deserved a second listen. Smiley Lewis followed with CALADONIA’S PARTY. Now anyone with a name like Caledonia deserves to have a party in her honour, don’t you think?
Bobby Darin was just sitting in his bath, minding his own business and gets out of the bath with just a towel around him. Now how did he know there was a party going on? That’s how he tells it anyway in SPLISH SPLASH.
ZZ Top know how to do party. They’re turning up the radio and having a PARTY ON THE PATIO. Lesley Gore, on the other hand, needs a bit of sympathy. As she tells it, ITS MY PARTY (and I’ll cry if I want to).
The Donnas give short shrift to gatecrashers on WHO INVITED YOU? And for my guilty pleasure it was Kiss: “and you say you wanna go for a spin, the party’s just begun, we’ll let you in, you drive us wild, we’ll drive you crazy.” Yes, indeed, I WANNA ROCK AND ROLL.
Maybe the party lifestyle isn’t what its all cracked up to be. Not according to Elvis Costello and the Attractions, anyway, with PARTY GIRL or Marc Almond and Soft Cell with their reality check of a song, BEDSITTER.
I’m not convinced. Give me the optimisim of Michael Jackson’s OFF THE WALL or anything from the disco era, like Kool and the Gang’s CELEBRATION or Alicia Bridges with the party girl’s anthem, I LOVE THE NIGHLIFE. The song will forever be associated with the film, Priscilla Queen of the Desert, and who am I to change that? Check out the clip:
The Beastie Boys are ready to FIGHT FOR YOUR RIGHT TO PARTY. Excellent. Even Bob Dylan had a song for us about parties – MILLION DOLLAR BASH.
Time to finish the show and what better way than with the brilliant Blossom Dearie with THE PARTY’S OVER followed by the Beatles’ BIRTHDAY. Here’s a cute piece of animation created by Mery, for all the Capricorns out there.
I thought next week I might have to work off some of the birthday cake, so it’s a show more for the walkers, than the talkers. The theme is WALKING AND RUNNING. Any suggestions?
Here’s this week’s playlist:
Most love stories are about people who fall in love with each other. But what about the one-sided love affair? If we were rational we’d acknowledge that its simply addictive emotional masochism; the more unsuitable or unattainable the object of desire, the stronger the fascination. But when you’re madly in love with someone who doesn’t know you exist, being rational is the furthest thing from your mind. We’ve all been there. You feel like the walking wounded, the unloved one, the handicapped without the advantage of a great parking space! Charlie Brown says it best: “Nothing takes the taste out of peanut butter like UNREQUITED LOVE.”
We opened the show with THE GIRL FROM IPANEMA from one of the best bossa nova singers ever, Astrud Gilberto, performing with Joao Gilberto and Stan Getz. There really was a girl from Ipanema – a 15 year old called Heloisa Pinto who used to walk past the Rio bar frequented by the songwriters,Vinicius Morais and Antonio Jobim. The song is a sweet tribute to the totally unattainable as well as an ode to youth. This music video is from the 1964 film “Get Yourself a College Girl”:
KILLING ME SOFTLY WITH HIS SONG has been covered by many artists, most notably by Roberta Flack, whose 1973 version topped the U.S. pop singles charts and won a Grammy Award. We opted to play the equally successful 1996 version, simply called KILLING ME SOFTLY, by Hip-Hop group The Fugees with Lauryn Hill on lead vocals.
Whitney Houston’s version of I WILL ALWAYS LOVE YOU, released in 1992, became one of the best-selling singles of all time. It was written and originally recorded by Dolly Parton and her poignant and bittersweet version, with Parton’s trademark twang, was my choice this week.
I had to include Billy Bragg’s gentle, yet disturbing, song about a classroom crush, THE SATURDAY BOY, even if it was just for the line: ”I had to look in the dictionary/ To find out the meaning of unrequited.” The Violent Femmes’ upped the ante with a song about repressed lust. ADD IT UP has Gordon Gano promising himself, ‘the day after today I will stop’, but the music’s pent-up passion suggests otherwise.
When I announced this week’s theme there was lots of correspondence regarding which genre of music does ‘unrequited love’ best. Yes, I agree with BayFM’s Cowboy Sweetheart that country singers have it pretty much all sewn up, but you can’t go past a little soul music when it comes to love songs, requited or not. A couple of examples: JUST MY IMAGINATION from the Temptations and CUPID from Sam Cooke. And I didn’t forget the soulful sound of Ray Charles with YOU DON’T KNOW ME, delivering a duet with Diana Krall, from his Genius Loves Company album.
Joe Jackson is wonderfully incredulous when he asks: IS SHE REALLY GOING OUT WITH HIM? The Cars, on the other hand, are obsessed with their BEST FRIEND’S GIRL while Bowling For Soup are going nuts over the GIRL ALL THE BAD BOYS WANT. I love a band with a sense of humour. Check out the video from Bowling For Soup. By the way, the band’s name was derived from a comedy act by Steve Martin.
Now if you need convincing that country singers are the kings and queens of the lovelorn, here’s Patsy Cline with I FALL TO PIECES, from the Glenn Reeves Show, February 23, 1963.
LAYLA by the Eric Clapton’s group, Derek & The Dominos, is a tale of unrequited love inspired by Clapton’s relationship with his friend George Harrison’s then wife, Pattie Boyd Harrison. Here’s a video clip from 1984 of Eric Clapton peforming the song live with Bill Wyman on bass, Charlie Watts on drums, Jeff Beck on guitar, Stevie Winwood on piano …. have I died and gone to heaven?
A song that elevates lovelorn moping to operatic heights is Ben E King’s I WHO HAVE NOTHING and another, possibly, is Dionne Warwick’s WALK ON BY, written by Burt Bacharach and David Hal. It was recorded by Warwick in 1964 and became a landmark single for her.
A year later Donovan released his first single, CATCH THE WIND, and in 1967 The Small Faces recorded TIN SOLDIER, a song Steve Marriott wrote to his first wife Jenny. The song signalled a return to the band’s R&B roots after their previous forays into psychedelic rock and other musical experiments. P.P. Arnold can be heard singing back up vocals. Here’s some rare footage of The Small Faces with P.P. Arnold performing on Belgium television. The year was 1968. Go the Mods!
Written by the Bee Gees, IF I CAN’T HAVE YOU was given to Yvonne Elliman when the group became involved in the soundtrack for the 1977 film Saturday Night Fever. She scored a #1 hit in the US with the track.
Going a bit further back in time is the Everly Brothers version of ALL I HAVE TO DO IS DREAM. Recorded in 1958, it was recorded in just two takes and features Chet Atkins on guitar. The B side “Claudette” was the first major songwriting success for Roy Orbison. Two years later, Orbison recorded ONLY THE LONELY, his first major hit. An operatic rock ballad, it was a sound unheard of at the time, described by the New York Times as expressing “a clenchied, driven urgency.” Here’s Roy performing the song during the Black & White Night concert. No-one does it like the Big O.
From the sublime to the ridiculous: a teenager falls in love with a pin-up girl, in a picture dated 1929, in The Who’s PICTURES OF LILY and Fountains of Wayne sing about a schoolboy’s lust for his friends mother in STACEY’S MUM.
And then it was a couple of classics: FOR NO ONE from The Beatles Revolver album, written by Paul McCartney and a track from one of my all-time favourite albums, I’M WAITING FOR THE DAY from the Beach Boys Pet Sounds album.
In an effort to shake the lovelorn out of the doldrums, we closed the show with Radiohead’s masterpiece of poetic self-loathing, CREEP.
Here’s the complete playlist:
The Girl from Ipanema – Astrud Gilberto / João Gilberto / Stan Getz
Killing Me Softly – The Fugees
I Will Always Love You – Dolly Parton
Diary – Bread
The Saturday Boy – Billy Bragg
Add It Up – Violent Femmes
Cupid – Sam Cooke
Just My Imagination – The Temptations
You Don’t Know Me – Ray Charles & Diana Krall
Strange And Beautiful (I’ll Put A Spell On You) – Aqualung
Is She Really Going Out With Him – Joe Jackson
My Best Friend’s Girl – The Cars
Girl All the Bad Boys Want – Bowling For Soup
White Flag – Dido
My Eyes Adored You – Frankie Valli & the Four Seasons
I Fall To Pieces – Patsy Cline
Layla – Derek & The Dominos
I’ll Kill Her – SoKo
I Who Have Nothing – Ben E. King
Walk On By – Dionne Warwick
Catch The Wind – Donovan
Tin Soldier – The Small Faces
If I Can’t Have You – Yvonne Elliman
All I Have To Do Is Dream – The Everly Brothers
Only The Lonely – Roy Orbison
Pictures Of Lily – The Who
Stacey’s Mom – Fountains of Wayne
For No One – The Beatles
I’m Waiting For The Day – The Beach Boys
Creep – Radiohead
Next week, we’re celebrating Halloween with SCARY SONGS FOR SILLY PEOPLE (or is that SILLY SONGS FOR SCARY PEOPLE?). Suggestions welcome.
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
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