This week’s theme is inspired by the fact that Iggy Pop is headlining our major youth concert, The Big Day Out this month. And Bob Dylan, Elvis Costello and Jethro Tull will all be here in April for the Byron Blues Festival. I’m a baby boomer, so I’m ecstatic to be able to see all my heroes from the 60’s still performing. But, I have to ask: what is it about the first generation of rock n rollers – what keeps them going?
The reality is that from the moment rock music arrived on the scene it was a young person’s game: music made by young people for young people. It never intended to grow up or grow old. But it did. So what happens when rock’s youthful rebelliousness is delivered wrapped in wrinkles?
Lemmy from Motorhead has a formula for staying alive. He reckons you just breath (at all times). Lemmy, like Keith Richards, is one of the all time rock n roll survivors and therefore much revered by fans of a similar vintage.
Much to the dismay of our children, we baby boomers have carried on being the oldest swingers in town. We haven’t shown any sign of giving up on rock concerts, taking recreational drugs, (if we want to), and staying up all night. It’s why the biggest earners for rock concerts aren’t the Lady Gagas of the world, but veteran performers like AC/DC, The Eagles, Paul McCartney and The Who.
On MY GENERATION The Who were actually saying that they hoped they’d die before they got old. Hey, hold on a minute, they’re still singing it and they ARE old. What happened?
What happened started in the 50s when an entirely new species emerged with its very own music. They were called teenagers. And their music was called rock n roll:
Rock n roll created something special: The joy of hearing your parents shout out: “Turn that bloody racket down!” Because one of the social functions of rock has always been the defiance of the older generation. For performers like Elvis every gesture, every note was all about social disenfranchisement and rebellion. Elvis hit the scene wearing pink and black and leather outfits. He looked more like a pimp than a musician. “Outrageous!” reeled the grown-ups. But to the teenagers, he represented an escape from the stuffiness of the post-World War Two era.
No-one, even the musicians themselves, took rock and pop seriously, though. It was seen as a novelty, something that wasn’t meant to last. As the soundtrack to growing pains, it was temporary and disposable just like the people who made it.
By the early 60’s Beatlemania was gripping youth’s attention. The Establishment, however, remained doubtful that it was a fever that would last. Even the Beatles accepted the idea of their own inbuilt obsolescence.
With Beatlemania, and the British Invasion in general, many of the young established groups were being left behind. The tyranny of youth dictated that if you didn’t change with the times, you were old hat. One of the new incumbents was the band Manfred Mann.
In 1965 The Who recorded one of the ultimate anthems to youth, one that damned growing up and growing old. The young went on the offensive claiming their territory through guitar, bass and drums. The older generation were still recovering from a World War and all they wanted was some peace and quiet. To the younger generation old age just seemed really boring.
Ironically, the British Beat boom of the mid 60’s was based on music that was already old. Bands like the Stones, The Animals & Manfred Mann worshipped American Blues of the 20s 30s and 40s. Their recording heroes were still alive, but by rock roll’s new standards they were old men. Charlie Parker was born in 1920, Miles Davis in 1926 & Muddy Waters in 1913.
The self-absorbed rebelliousness of rock n roll gathered speed with the Rolling Stones. While the Who were busy burying the older generation, the Stones were singing about finding their satisfaction in sex.
The arrival of album culture in the late 60s proved that rock n roll was now thinking more in the long term. It didn’t sound disposable anymore. It was growing up, just like the people who made it. The Beatles Sgt Peppers album dared to imagine what life would be like at SIXTY FOUR. Up until now that was completely unthinkable for the baby boomer generation.
In the same year that the Beatles released the Sgt Peppers album, Procol Harum had a hit single with WHITER SHADE OF PALE. Things had started to get serious. The more experienced young musicians began wondering how far they could take their music. And they took their diehard fans with them. In many cases the fans had grown up with these bands and, along the way, they’d developed an appreciation of lyrics and music with more depth.
The end of the sixties saw the beginning of the rock n roll casualty list. The death of Brian Jones in 1969 seemed to crystalise a ‘live fast, die young’ attitude and brought a new reality to “I hope I die before I get old.” Janis Jopliin, Jim Morrison, Jimi Hendrix all died at 27, confirming the myth that if you wanted to be a rock legend you had to die young.
The Stones, however, seemed determined to mature. After the death of Brian Jones they picked themselves up and went back on the road. For the band, it wasn’t over yet.
By the end of the 60’s the Stones had discovered the secret of survival, at least for now. Unfortunately, the Beatles didn’t. As if to prove that longevity and rock n roll was difficult for a group of young guys growing up together, they split in 1970. The Fab Four would go on to enjoy successful solo careers for many years to come but the surge of creativity that fed them in their youth proved more elusive for them and their generation as they grew older.
Today, Mick Jagger, Paul McCartney and Pete Townsend can play arenas 45 years after they first had hits. Which is great. But the real question is: are they writing great songs? Or is the outpouring of creativity that launched their careers a factor of youth?
Herman’s Hermits got together in 1963 when lead singer Peter Noone was only 16. Their very first release, I’M INTO SOMETHING GOOD, was a #1 hit and although future recordings would get into the top ten, they were never to have a UK #1 again. The band, without Noone, continue to perform to this day and Peter Noone has gone on to have a successful career as both a singer and actor.
In the early 70’s, no performer demonstrated rock n roll’s reliance on youthful invention and raw power more than Iggy Pop. Here’s a great little doco that illustrates why he is known as the “Godfather of Punk”:
Not all rock n roll of the early 70’s was an expression of sexual energy and youthful physicality. By now prog rock was plundering the classical music collections so beloved of its middle class parents, as proof of its intention to last. It’s perpetrators, bands like Yes & Jethro Tull, seemed to be contemplating careers beyond the age of 30.
Performers found themselves living with their songs and growing into their material. One of the most requested songs from troops serving in Vietnam was I GOTTA GET OUT OF THIS PLACE by Eric Burdon & The Animals. Burdon continues to perform this song today when he entertains servicemen and women in Iraq and Afghanistan. In fact, it’s written into his contract. That’s what they call an anthem, folks.
In 1976, before the 60’s generation had a chance to mature, they were rudely cast aside by punk. It was a three-chord reign of terror, the ultimate Oedipal act. Snarling, spitting and clawing its way to the stage.
These weren’t the kids of the optimistic 60’s but a new young generation who felt abandoned. Everyone was in their way and, as always, no one understood them.
The bands of the post-punk era, like the Specials and Madness, while less dismissive of the past, still believed that rock and pop music were part of an essentially young experience.
In the early 80’s the Stones were back, yet again, having been absent from the stage for 6 years – while punk and its aftermath were the centre of attention. They were proving that they were in for the long haul.
In July 1985 the benefits of hanging in for the long term reached unexpected and unprecedented heights, with Live Aid. The international event sometimes looked like a version of Dad’s Army with acts like Paul McCartney, Bob Dylan, The Who, and the Beach Boys joining pop stars of the 80s on stage. Watched by more than 400 million viewers in 60 countries, this was the rock n roll survivor’s finest hour. Suddenly being 40 didn’t seem so uncool. These were the masters, the legends, the acts deemed capable of feeding the world.
A lot of young people heard some of the older bands for the first time, saying “These bands are fantastic.” And then, the most hated people in their musical vocabulary, their parents, responded with “Yeah, we know, we love them too!”
What had begun with Live Aid in the 80’s continued into the 90s with projects like War Child. Performers from three generations of rock n roll – Paul McCartney, Paul Weller and Noel Gallagher recorded COME TOGETHER, in the new spirit of multi-generational tolerance. It was no longer a case of ‘My Generation’ but ‘Your Generation too”. Just as importantly, audiences for the music also started to span generations.
The new millennium witnessed an entirely new phenomenon: the revival and the comeback. Leonard Cohen, already in his 70’s, had decided to stop performing and recording altogether. At least that was the plan. But after having all his money misappropriated by a crooked manager, he had to go back on the road. And guess what, he loves it!
Audiences who had grown up and grown old with their heroes wanted them back. Age had invested their favourite bands with a new authenticity. Performers couldn’t believe their luck. Even Brian Wilson returned from the wilderness to be a Beach Boy once again.
Rock n roll is now revelling in a long life. What was about risk and youth is now about enjoying a grand old age. It’s about longevity, survival, nostalgia. Refusing to grow up, give up or shut up. The whole point of the baby boomer generation is that we made it up from the beginning and we’ve been making it up ever since. We’ve been pushing the boundaries, and unlike our parents, we’ve refused to accept old age.
Many thanks to BBC and You Tube community for the wealth of material, without which this week’s show would not be possible.
Next week, my special guests will be The Fridays, performing live in the studio, plus lots of songs about RESOLUTIONS. Any suggestions/requests, please leave me a message here.
In the meantime, here’s this week’s complete playlist:
Lust For Life, Trainspotting soundtrack, Iggy Pop
My Generation, Austin Powers: The Spy Who Shagged Me soundtrack, The Who
Johnny B. Goode, Martin Scorsese Presents the Blues, Chuck Berry
Jailhouse Rock, Elvis Presley
Get A Job, Get a Job, The Silhouettes
Paul McCartney quote
Twist And Shout, Please Please Me, The Beatles
Paul Jones quote
Come Tomorrow, The Five Faces of Manfred Mann, Manfred Mann
(I’m Your) Hoochie Coochie Man, Martin Scorsese Presents the Blues, Muddy Waters
Let’s Spend The Night Together, Hot Rocks 1964-1971, The Rolling Stones
When I’m Sixty-Four, Sgt. Peppers Lonely Hearts Club Band, The Beatles
She’s Leaving Home, Sgt Peppers Lonely Hearts Club Band, The Beatles
A Whiter Shade Of Pale, The Big Chill soundtrack, Procol Harum
Brown Sugar, Sticky Fingers, The Rolling Stones
Peter Noone quote
I’m Into Something Good, The Original 60’s Summertime album, Herman’s Hermits
Iggy Pop i/view
Search And Destroy, Raw Power, Iggy Pop & The Stooges
Too Old To Rock ‘N’ Roll, Too Young To Die, Jethro Tull
We’ve Gotta Get Out Of This Place, The Most of the Animals, The Animals
God Save The Queen, Never Mind the Bollocks, The Sex Pistols
Too Much Too Young, The Singles Collection, The Specials
Baggy Trousers, Complete Madness, Madness
Mick Jagger quote
Start Me Up, Tattoo You, The Rolling Stones
Rockin’ All Over The World, Rockin’ All Over The World, Status Quo
Surfin’ USA, Endless Summer Legends, The Beach Boys
We Will Rock You, News of the World, Queen
Come Together, Help (War Child Benefit), Paul Weller & Friends
1969 (with i/view), Iggy Pop
In My Secret Life, Ten New Songs, Leonard Cohen
God Only Knows, Pet Sounds, The Beach Boys
Forever Young, Napolean Dynamite soundtrack, Alphaville
Next week: RESOLUTIONS
A while back I did a show on ‘Covers That Are Better Than The Originals’ and I had so much fun with that. So this week it was UNLIKELY COVERS. Anything in the previous show was excluded, just to keep me on my toes. But have no fear, there were plenty more, and even quirkier versions, to choose from.
We opened the show with Peter Sellers’ hilarious version of the Beatles A HARD DAY’S NIGHT, in the style of Lawrence Olivier’s Richard 111. Thanks to Andrew for this request.
Andrew also requested the next track on our list: Hellsongs’ version of THUNDERSTRUCK. Hellsongs is an acoustic three-piece that plays what is best described as Lounge Metal. That means metal classics performed with surprisingly clear female vocals, soft guitars, an organ and two male choir-boys. They do a brilliant job of this AC/DC cover.
Stevie Wonder’s version of the Beatles classic WE CAN WORK IT OUT is a good example of what I think defines an UNLIKELEY COVER. Not only does he switch genre, he also reinterprets the emotions that underpin the track, taking it from melancholia to pure elation. So, here’s a treat: A clip from the recent 2010 Glastonbury Festival where Stevie sings both Master Blastin’ and We Can Work It Out. Enjoy.
I’LL BE MISSING YOU by P. Diddy, Faith Evans and 112, borrows the melody and arrangement of Police’s EVERY BREATH YOU TAKE to create a song that was recorded in memory of rap artist Notorious B.I.G., murdered in 1997. Thanks to Robyn for that suggestion.
Scottish alternative pop band Camera Obscura do a great version of the Abba hit SUPERTROUPER, so that had to be included. As did Nick Cave, with the very unlikely cover of Louis Armstrong’s WHAT A WONDERFUL WORLD.
Algerian musician Rachid Taha does an intriguing Arabic version of the Clash standard ROCK THE CASBAH. Check it out:
As someone who loves their Bluegrass and is a hardcore Queen fan, (what’s not to love?), Hayseed Dixie appealed with their cover of Queen’s BOHEMIAN RHAPSODY. Come on, you’ve got to get a chuckle out of this, surely:
We followed with a very gentle rendition of the Guns & Roses’ track SWEET CHILD OF MINE. It’s from Swedish singer Victoria Bergstrom, under her Taken By Trees moniker.
SWITCHED ON BACH is the name of an album by Walter (later to become Wendy) Carlos. Recorded in 1968, using the Moog synthesiser, it became the highest selling classical music recordings of its era. We played one of the best tracks from that album, SINFONIA 35. Carlos went on to make many more recordings, including scores for the Stanley Kubrick films A Clockwork Orange and The Shining.
Paul Kelly only needs his guitar, and his great voice, to create a knock-out acoustic version of the Amy Winehouse signature tune REHAB. I found this on one of the very excellent Triple J Like a Version albums.
One of my favourite films of all time is JUNO and one of the best songs on that soundtrack is Sonic Youth’s cover of The Carpenter’s SUPERSTAR. Karen would have been proud:
The phones ran hot when this next track was played: Legends Willie Nelson and Waylon Jennings gave Procol Harum’s A WHITER SHADE OF PALE a country voice. And then the totally indiosyncratic William Shatner covered Pulp’s COMMON PEOPLE.
But if you thought that was crazy, how about Ani DiFranco and Jackie Chan (yes, that’s correct, Jackie Chan the Hong Kong actor). They contributed a bizarre duet of Nat King Cole’s UNFORGETTABLE. Ani’s voice is great, but methinks that Jacki should just stick to acting (or maybe not!).
We followed with The Clash’s version of Junior Murvin’s reggae classic POLICE & THIEVES. While a punk rock group covering reggae does seem a bit unusual, Joe Strummer makes this great track his own.
Gee, it was hard choosing one of Johnny Cash’s covers. His album American IV: The Man Comes Around is particularly good for UNLIKELY COVERS. My favourite is his version of the Nine Inch Nails song HURT but I have played that before, so I thought I’d bring you his cover of Depeche Mode’s PERSONAL JESUS instead. This album is especially moving as Cash died soon after its release.
Lesley Gore, (that’s right, she of IT’S MY PARTY AND I’LL CRY IF I WANT TO), gave us a great version of AD/DC’s DIRTY DEEDS DONE DIRT CHEAP. Just to prove that she can sing anything she wants to!
R & B great Billy Preston does an interesting cover of pop band Duran Duran’s GIRLS ON FILM. As do the Ramones when they do a punk version of Creedence Clearwater Revival’s HAVE YOU EVER SEEN THE RAIN?
Here’s a combination I really love: C.W. Stoneking, with another track from Triple J’s Like a Version compilation: the White Stripes SEVEN NATION ARMY. Two of my favourite artists, Stoneking and Jack White. I think what makes this so good is that Stoneking hadn’t even heard the song before it was suggested that he do a cover, so it has this incredible freshness to the interpretation. Here’s an interview and his performance live in the studio. So jealous of that presenter!
We followed that with a great pairing: Jim Morrison and The Doors with their version of Howlin Wolf’s BACK DOOR MAN and Patti Smith’s amazing cover of Prince’s WHEN DOVES CRY. Thanks again to Rob for suggesting that one.
How perfect is Sid Vicious’s punk version of MY WAY, made famous originally by Frank Sinatra? Let’s face it, he couldn’t sing, couldn’t play but gee he knew how to take the piss out of society. Miss that.
What to finish the show with? Well, a cover of Led Zeppelin’s STAIRWAY TO HEAVEN seemed an obvious choice but which version? Rolf Harris came to mind, especially after his recent appearance at Glastonbury but I’m not a big fan. Instead, the honour went to one of the best musicians in rock history, Frank Zappa.
Next week the theme is a staple of pop music: SWEETS, all those yummy sugary foods that symbolise so much about personal relationships. Let me know if you have any good suggestions. Love having your input.
For now, here’s this week’s complete playlist:
A Hard Day’s Night (Beatles cover) – Time To Remember 1965, Peter Sellers
Thunderstruck (AC/DC cover) – Hymns In The Key Of 666, Hellsongs
We Can Work It Out (Beatles) – Greatest Hits, Vol. 2, Stevie Wonder
I’ll Be Missing You (Police) – P. Diddy
Super Trouper (Abba cover) – Tears For Affairs, Camera Obscura
What a Wonderful World (Louis Armstrong cover) – B-Sides & Rarities, Nick Cave/The Bad Seeds
Rock el Casbah (Clash cover) – Arabian 2000 & 1 Nights, Rachid Taha
Bohemian Rhapsody (Queen cover) – Killer Grass, Hayseed Dixie
Sweet Child Of Mine (Guns & Roses cover) – Taken By Trees (Victoria Bergsman)
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Rehab (Amy Winehouse cover) – Like A Version Four, Paul Kelly
Superstar (Carpenters Cover) – Juno Soundtrack, Sonic Youth
A Whiter Shade of Pale (Procol Harum cover) – Always On My Mind, Willie Nelson & Waylon Jennings
Common People (Pulp) – Triple J Hottest 100: Volume 12 William Shatner/Joe Jackson
Unforgettable (Nat King Cole)- When Pigs Fly: Songs You Never Thought You’d Hear, Ani DiFranco & Jackie Chan
Police & Thieves (Junior Murvin) – The Clash, The Clash
Personal Jesus (Depeche Mode) – American IV: The Man Comes Around, Johnny Cash
Dirty Deeds Done Dirt Cheap (AC/DC cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Lesley Gore
Girls on Film (Duran Duran cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Billy Preston
Have You Ever Seen the Rain (Creedence Clearwater) – The Ramones
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Seven Nation Army (White Stripes cover) – Like A Version Four, C.W. Stoneking
Back Door Man (Howlin Wolf cover)- The Doors, Jim Morisson/The Doors
When Doves Cry (Prince cover) – When Doves Cry, Patti Smith
Surﬁn’ USA (Beach Boys) – The Jesus & Mary Chain
My Way (Frank Sinatra) – The Great Rock ‘N’ Roll Swindle, Sid Vicious
Stairway To Heaven (Led Zepelin Cover) – Frank Zappa
Next week: SWEETS (Yummy, yummy, yummy I’ve got love in my tummy!)
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
I’m writing this with a slight hangover. Last night was BayFM’s trivia fundraiser on the theme of The Dead Musicians Club. Great night had by all. I loved the theme so much that I organised this week’s show around the same topic. And, let’s face it, a little bit of outrageous promotion for the event didn’t hurt either. And if you are wondering, I teamed up with the lovely Andy and we dressed as Sid Vicious & Nancy Spungeon.
Trying to fit all my favourite musicians into the two hour slot was, of course, impossible. But I had a good go at it. First up it was Curtis Mayfield & the Impressions with PEOPLE GET READY. Mayfield died in 1999 after 10 years of ill health due to being paralysed after an onstage accident. His music continues to be part of hip-hop’s DNA. Rappers like Jay-Z and Snoop Dog have sampled his lyrics and its reported that his estate receives five sample requests a month, with each one fetching up to $350,000. So Curtis, or at least his estate, isn’t doing too badly.
In order to fit as many of the artists that I could into the line-up it was necessary to occasionally play a duet. And, I ask you, is there any better than Ella Fitzgerald and Louis Armstrong? Ella died in 1996 and is widely considered one of the supreme interpreters of the Great American Songbook. Louis Armstrong passed away in 1971. His influence extends way beyond jazz music. By the end of his career in the 1960’s, he was widely regarded as a profound influence on popular music in general.The duet I chose was DREAM A LITTLE DREAM OF ME.
Both Buddy Holly and Patsy Cline died in plane crashes and both were very young at the time of their passing. They continue to influence country, rock and pop music to this day. We played LEAVIN’ ON YOUR MIND from Patsy Cline and CRYIN’ WAITIN’ HOPIN’ from Buddy Holly. Oldies, but goodies.
Wilson Pickett was known for his influence on R&B, rock n roll and soul. Is there a better dance floor filler than his rendition of DEVIL WITH THE BLUE DRESS ON? No way.
Two artists who found the fame game just a bit too difficult are Nirvana’s Kurt Cobain and singer/songwriter Nick Drake. Both committed suicide while still very young. At the time of Cobain’s death in 1994 he was worth less than $1 million but future royalties have been valued at over $100 million. Drake failed to find a wide audience during his lifetime, however his work has gradually achieved wider notice and recognition. He now ranks among the most influential English singer-songwriters of the last 50 years. He died in 1974. We played Drake’s FRUIT TREE, a request from Anthony, and Nirvana’s COME AS YOU ARE. Here’s a clip of Nirvana performing unplugged in New York in the early 90’s:
Naturally I couldn’t do a show about dead musicians without including Michael Jackson. We chose ROCK WITH YOU from the Off the Wall album. After his death in 2009 Jackson became the best-selling artist of the year, selling over 31 million albums worldwide. He named James Brown “his greatest inspiration”. So it was fitting that we played I FEEL GOOD from Brown as well. He died on Xmas Day 2006 due to complications from pneumonia.
It’s a myth, you know, that Mama Cass Elliott died chocking on a peanut butter sandwich. The real story is that she died of a heart attack after performing back-to-back concerts in London in 1974. She died in the same flat in Mayfair, (on loan from Harry Nilsson), that the Who’s drummer Keith Moon would die in, a little over four years later. I played Elliot’s great version of the Buddy Holly classic, WORDS OF LOVE and followed with a song for Rolling Stones founder, and multi-instrumentalist, Brian Jones. It’s one that showcased Jones’ skill on the side guitar: LITTLE RED ROOSTER.
Lynard Skynard came to worldwide recognition in 1973 before three members and one road crew member died in a plane crash in 1977. Keyboardist Billy Powell died in 2009, aged 56, from a heart attack. Of its original members, only Gary Rossington remains as part of the present line-up. We followed with another good ol’ Southern boy you may have heard of: cultural icon Elvis Presley with BURNING LOVE.
Bob Marley, who passed away in 1981, had to wait for death to make him a U.S. superstar. The week he was diagnosed with cancer he played Madison Square Garden — opening for the Commodores. Fellow Wailer, Peter Tosh, was on the brink of a successful solo career when he was murdered in 1987. I played the Wailers version of GET UP, STAND UP, with both Peter Tosh and Bob Marley on the track.
We said goodbye to both Malcolm McLaren and Sid Vicious with the Sex Pistols’ anthem GOD SAVE THE QUEEN. Here’s what all the fuss was about, way back then:
While punk rock stirred things up, for a while, R&B never went away. Marvin Gaye’s career spanned the entire history of Rhythm & Blues from 50’s doo wop to 80’s contemporary soul. He was murdered by his own father after an argument in 1984. Otis Redding died in plane crash a month before his biggest hit was released. He was only 26. We listened to Marvin Gaye’s sublime WHAT’S GOIN’ ON followed by the song that would make Otis Redding’s estate worth more money than he ever saw when he was alive – SITTIN ON THE DOCK OF THE BAY.
If we’re talking punk, however, I have to say that my favourite band is The Clash. Lead singer and lyricist for the group, Joe Strummer, died suddenly in 2002 from an undiagnosed congenital heart defect. Highly intelligent and politically pro-active, he was the first artist to make the recording, pressing and distribution of his records carbon neutral. Onya Joe. Check out this clip of LONDON CALLING:
Two great artists who died of cancer are 60’s icon, Dusty Springfield, and the incredible Ray Charles. For Dusty we played the power ballad, YOU DON’T HAVE TO SAY YOU LOVE ME, and for Ray Charles, the very appropriate, HARD TIMES.
I’ve played Johnny Cash’s amazing cover of the Nine Inch Nails track, HURT, before but it couldn’t be left out of a show like this. He recorded it in 2002 and it was one of Cash’s final releases before his death in 2003. The video for the song is regarded as his epitaph.
One of my sentimental favourites is Freddy Mercury who died of pneumonia resulting from AIDS in 1991. As lead singer of rock group Queen he also composed many of their hits. He had a successful solo career too and I chose one of those recordings for this week’s show: THERE MUST BE MORE TO LIFE THAN THIS.
Another of my favourites is Tim Buckley and one of my favourite albums is his Greetings from LA. Buckley died at 28 from a drug overdose with nothing more than a guitar, amplifier and a lot of debt to his name. His legacy of 11 albums has rectified that somewhat, I hope. Hard to pick one track but we went with MOVE WITH ME.
Another victim of drug addiction was the pioneering Janis Joplin. She died at 27 from a heroin overdose and one of the last songs she recorded was a birthday greeting for John Lennon. The founder of the Beatles was assassinated in 1980, aged 40. So we started the set with Joplin’s CRY BABY and followed with Lennon’s HOW? from the Imagine album.
And finally, my favourite artist, dead or alive – Roy Orbison with his signature tune, PRETTY WOMAN. This clip is from the Black & White Night DVD, a great video featuring Orbison and friends including Jackson Browne, T Bone Burnett, Elvis Costello, k.d. lang, Bonnie Rait, J.D. Souther, Bruce Springsteen, Tom Waits and Jennifer Warnes. Heaven. And for all things ‘Roy’ go to the website at: http://www.royorbison.com/
We wrapped the show up with a great artist who passed away only a couple of days ago, at the ripe old age of 92. Lena Horne helped break down barriers for generations of performers. We played her signature tune, STORMY WEATHER from the 1943 film of the same name. It’s a sizzling performance. I want that movie for my collection!
And we still had time to fit in the very charismatic Jim Morrison and The Doors with RIDERS ON A STORM. Whew. Now I know that there are some glaring omissions. But it’s only a two hour show folks!
Next week I’ve been inspired by some postings on Facebook to create a show on SONGS WITH MEANINGLESS WORDS. Like Na-Na-Hey-Hey and Doo-Ron-Ron. That kind of thing. Love to hear your suggestions.
Here’s this week’s complete playlist:
People Get Ready – The Anthology 1961-1977, Curtis Mayﬁeld & The Impressions
Dream A Little Dream Of Me – Easy Listening, Ella Fitzgerald & Louis Armstrong
Leavin’ On Your Mind – The Patsy Cline Story, Patsy Cline
Cryin’ Waitin’ Hopin’ – Buddy Holly
Devil With The Blue Dress On – Wilson Pickett
Come As You Are – Nirvana, Nirvana
Fruit Tree – Twentyfourseven Soundtrack, Nick Drake
I Feel Good – James Brown
Rock With You (Single Version) – Off the Wall, Michael Jackson
Words of Love – Mama’s Big Ones, Mama Cass Elliot
Little Red Rooster – Rolling Stones
Summertime – Charlie Parker & Chet Baker
Sweet Home Alabama – Forrest Gump Soundtrack, Lynard Skynard
Burning Love – Elvis Presley
Get Up Stand Up – Back To Zion, Bob Marley & The Wailers
God Save The Queen – Never Mind The Bollocks, The Sex Pistols
What’s Going On – The Big Chill soundtrack, Marvin Gaye
Sittin’ On The Dock Of The Bay – Otis Redding
London Calling – The Clash
You Don’t Have To Say You Love Me – The British Beat: Best Of The ’60s, Dusty Springﬁeld
Hard Times – Martin Scorsese Presents The Blues, Ray Charles
Hurt – American IV: The Man Comes Around, Johnny Cash
There Must Be More To Life Than This – The Very Best of Freddie Mercury, Freddie Mercury
Fever – Verve Remixed 3, Adam Freeland & Sarah Vaughan
Move With Me – Greetings From L.A., Tim Buckley
Purple Haze – Experience Hendrix: The Best of Jimi Hendrix, Jimi Hendrix
Cry Baby – Cry Baby (The Ultimate Collection), Janis Joplin
How? – Lennon, John Lennon
Oh, Pretty Woman – Roy Orbison
Stormy Weather – Hollywood Musicals, Lena Horne
Riders on the storm – The Doors soundtrack, The Doors
Next week: SONGS WITH MEANINGLESS WORDS