A while back I did a show on ‘Covers That Are Better Than The Originals’ and I had so much fun with that. So this week it was UNLIKELY COVERS. Anything in the previous show was excluded, just to keep me on my toes. But have no fear, there were plenty more, and even quirkier versions, to choose from.
We opened the show with Peter Sellers’ hilarious version of the Beatles A HARD DAY’S NIGHT, in the style of Lawrence Olivier’s Richard 111. Thanks to Andrew for this request.
Andrew also requested the next track on our list: Hellsongs’ version of THUNDERSTRUCK. Hellsongs is an acoustic three-piece that plays what is best described as Lounge Metal. That means metal classics performed with surprisingly clear female vocals, soft guitars, an organ and two male choir-boys. They do a brilliant job of this AC/DC cover.
Stevie Wonder’s version of the Beatles classic WE CAN WORK IT OUT is a good example of what I think defines an UNLIKELEY COVER. Not only does he switch genre, he also reinterprets the emotions that underpin the track, taking it from melancholia to pure elation. So, here’s a treat: A clip from the recent 2010 Glastonbury Festival where Stevie sings both Master Blastin’ and We Can Work It Out. Enjoy.
I’LL BE MISSING YOU by P. Diddy, Faith Evans and 112, borrows the melody and arrangement of Police’s EVERY BREATH YOU TAKE to create a song that was recorded in memory of rap artist Notorious B.I.G., murdered in 1997. Thanks to Robyn for that suggestion.
Scottish alternative pop band Camera Obscura do a great version of the Abba hit SUPERTROUPER, so that had to be included. As did Nick Cave, with the very unlikely cover of Louis Armstrong’s WHAT A WONDERFUL WORLD.
Algerian musician Rachid Taha does an intriguing Arabic version of the Clash standard ROCK THE CASBAH. Check it out:
As someone who loves their Bluegrass and is a hardcore Queen fan, (what’s not to love?), Hayseed Dixie appealed with their cover of Queen’s BOHEMIAN RHAPSODY. Come on, you’ve got to get a chuckle out of this, surely:
We followed with a very gentle rendition of the Guns & Roses’ track SWEET CHILD OF MINE. It’s from Swedish singer Victoria Bergstrom, under her Taken By Trees moniker.
SWITCHED ON BACH is the name of an album by Walter (later to become Wendy) Carlos. Recorded in 1968, using the Moog synthesiser, it became the highest selling classical music recordings of its era. We played one of the best tracks from that album, SINFONIA 35. Carlos went on to make many more recordings, including scores for the Stanley Kubrick films A Clockwork Orange and The Shining.
Paul Kelly only needs his guitar, and his great voice, to create a knock-out acoustic version of the Amy Winehouse signature tune REHAB. I found this on one of the very excellent Triple J Like a Version albums.
One of my favourite films of all time is JUNO and one of the best songs on that soundtrack is Sonic Youth’s cover of The Carpenter’s SUPERSTAR. Karen would have been proud:
The phones ran hot when this next track was played: Legends Willie Nelson and Waylon Jennings gave Procol Harum’s A WHITER SHADE OF PALE a country voice. And then the totally indiosyncratic William Shatner covered Pulp’s COMMON PEOPLE.
But if you thought that was crazy, how about Ani DiFranco and Jackie Chan (yes, that’s correct, Jackie Chan the Hong Kong actor). They contributed a bizarre duet of Nat King Cole’s UNFORGETTABLE. Ani’s voice is great, but methinks that Jacki should just stick to acting (or maybe not!).
We followed with The Clash’s version of Junior Murvin’s reggae classic POLICE & THIEVES. While a punk rock group covering reggae does seem a bit unusual, Joe Strummer makes this great track his own.
Gee, it was hard choosing one of Johnny Cash’s covers. His album American IV: The Man Comes Around is particularly good for UNLIKELY COVERS. My favourite is his version of the Nine Inch Nails song HURT but I have played that before, so I thought I’d bring you his cover of Depeche Mode’s PERSONAL JESUS instead. This album is especially moving as Cash died soon after its release.
Lesley Gore, (that’s right, she of IT’S MY PARTY AND I’LL CRY IF I WANT TO), gave us a great version of AD/DC’s DIRTY DEEDS DONE DIRT CHEAP. Just to prove that she can sing anything she wants to!
R & B great Billy Preston does an interesting cover of pop band Duran Duran’s GIRLS ON FILM. As do the Ramones when they do a punk version of Creedence Clearwater Revival’s HAVE YOU EVER SEEN THE RAIN?
Here’s a combination I really love: C.W. Stoneking, with another track from Triple J’s Like a Version compilation: the White Stripes SEVEN NATION ARMY. Two of my favourite artists, Stoneking and Jack White. I think what makes this so good is that Stoneking hadn’t even heard the song before it was suggested that he do a cover, so it has this incredible freshness to the interpretation. Here’s an interview and his performance live in the studio. So jealous of that presenter!
We followed that with a great pairing: Jim Morrison and The Doors with their version of Howlin Wolf’s BACK DOOR MAN and Patti Smith’s amazing cover of Prince’s WHEN DOVES CRY. Thanks again to Rob for suggesting that one.
How perfect is Sid Vicious’s punk version of MY WAY, made famous originally by Frank Sinatra? Let’s face it, he couldn’t sing, couldn’t play but gee he knew how to take the piss out of society. Miss that.
What to finish the show with? Well, a cover of Led Zeppelin’s STAIRWAY TO HEAVEN seemed an obvious choice but which version? Rolf Harris came to mind, especially after his recent appearance at Glastonbury but I’m not a big fan. Instead, the honour went to one of the best musicians in rock history, Frank Zappa.
Next week the theme is a staple of pop music: SWEETS, all those yummy sugary foods that symbolise so much about personal relationships. Let me know if you have any good suggestions. Love having your input.
For now, here’s this week’s complete playlist:
A Hard Day’s Night (Beatles cover) – Time To Remember 1965, Peter Sellers
Thunderstruck (AC/DC cover) – Hymns In The Key Of 666, Hellsongs
We Can Work It Out (Beatles) – Greatest Hits, Vol. 2, Stevie Wonder
I’ll Be Missing You (Police) – P. Diddy
Super Trouper (Abba cover) – Tears For Affairs, Camera Obscura
What a Wonderful World (Louis Armstrong cover) – B-Sides & Rarities, Nick Cave/The Bad Seeds
Rock el Casbah (Clash cover) – Arabian 2000 & 1 Nights, Rachid Taha
Bohemian Rhapsody (Queen cover) – Killer Grass, Hayseed Dixie
Sweet Child Of Mine (Guns & Roses cover) – Taken By Trees (Victoria Bergsman)
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Rehab (Amy Winehouse cover) – Like A Version Four, Paul Kelly
Superstar (Carpenters Cover) – Juno Soundtrack, Sonic Youth
A Whiter Shade of Pale (Procol Harum cover) – Always On My Mind, Willie Nelson & Waylon Jennings
Common People (Pulp) – Triple J Hottest 100: Volume 12 William Shatner/Joe Jackson
Unforgettable (Nat King Cole)- When Pigs Fly: Songs You Never Thought You’d Hear, Ani DiFranco & Jackie Chan
Police & Thieves (Junior Murvin) – The Clash, The Clash
Personal Jesus (Depeche Mode) – American IV: The Man Comes Around, Johnny Cash
Dirty Deeds Done Dirt Cheap (AC/DC cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Lesley Gore
Girls on Film (Duran Duran cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Billy Preston
Have You Ever Seen the Rain (Creedence Clearwater) – The Ramones
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Seven Nation Army (White Stripes cover) – Like A Version Four, C.W. Stoneking
Back Door Man (Howlin Wolf cover)- The Doors, Jim Morisson/The Doors
When Doves Cry (Prince cover) – When Doves Cry, Patti Smith
Surﬁn’ USA (Beach Boys) – The Jesus & Mary Chain
My Way (Frank Sinatra) – The Great Rock ‘N’ Roll Swindle, Sid Vicious
Stairway To Heaven (Led Zepelin Cover) – Frank Zappa
Next week: SWEETS (Yummy, yummy, yummy I’ve got love in my tummy!)
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
How come every songwriter hasn’t written at least one song about schooldays? Come on, it has all the vital ingredients for a hit: that age-old conflict between discipline and rebellion, close friendships, sexual awakenings and enough traumatic experiences to feed a healthy persecution complex for the rest of your life. Mind you, while every songwriter may not have taken up the opportunity to reveal all about their schooldays, those that did contributed to a pretty good playlist this week.
We opened the show with SCHOOL DAYS by Chuck Berry who turns the joy of hearing the final bell into some hot rock’n’roll. Then it was Young MC who seems well versed in being sent to the PRINCIPAL’S OFFICE, while the Pipettes LIKE A BOY IN UNIFORM. Don’t we all?
Belle & Sebastian could pretty much compile an album of songs about classroom politics but the pick of the bunch is EXPECTATIONS, from the soundtrack to Juno. The song’s misfit heroine wins the heart of every indie boy by “making life-size models of the Velvet Underground from clay”. Now why didn’t I go to that school?
Jack White is a bit of a hero of mine, so I had to include The White Stripes with WE’RE GOING TO BE FRIENDS. Everyone needs a best buddie at school that’s for sure.
A couple of real classics followed. I would have been sent to detention if I hadn’t included ANOTHER BRICK IN THE WALL from Pink Floyd or Ian Dury and the Blockheads’ fantastic diss on school, JACK SHIT GEORGE.
Steely Dan had us bopping along to the fact that they are “never going back to” MY OLD SCHOOL. And then it was Sam Cooke with WHAT A WONDERFUL WORLD.
Sonny Boy Williamson contributed one of the most provocative tracks on the playlist this week, GOOD MORNIN’ LITTLE SCHOOLGIRL. This blues classic was written about the schoolgirl as sexual fantasy. It’s since been covered by every classic-rock band under the sun, but I think the original is still the best.
ME AND JULIO DOWN BY THE SCHOOL YARD is a song performed by Paul Simon from his 1972 self-titled album. In my opinion he’s one of the best contemporary songwriters we have. Here he is performing the song live:
The music video of BAGGY TROUSERS, by Madness, was shot in an English school and park. The band’s saxophone player, Lee Thompson, decided he wanted to fly through the air for his solo, with the use of wires hanging from a crane. The resulting shot is one of the most popular of any of the Madness music videos.
ROCK N ROLL HIGH SCHOOL by The Ramones was followed by a personal pick: CATHOLIC SCHOOL GIRLS RULE, by the Red Hot Chilli Peppers. Yes, being an old tyke, or as they say in the trade a “lapsed Catholic”, I have to agree that Catholic Schoolgirls do rule!
A couple of little morality tales followed. James Brown warned DON’T BE A DROPOUT and then it was the wonderful Brenda Holloway performing with the Supremes, as back-up (how’s that!). The song was PLAY IT COOL, STAY IN SCHOOL. All good advice of course.
Cat Stevens took a trip down memory lane with OLD SCHOOL YARD and Busted revealed, THAT’S WHAT I GO TO SCHOOL FOR, a disarmingly frank pop tune about having a crush on a teacher.
Babs Gonzalez taught us a bit about Bebop with PROFESSOR BOP while Nat King Cole favours all things extra-curricular in YOU DON’T LEARN THAT IN SCHOOL.
Boomtown Rats followed with I DON’T LIKE MONDAYS and then it was Billy Bragg with the brilliant, THE SATURDAY BOY which I’ve played before, but with its school setting was a certainty to be played again this week.
Like most of The Coaster’s songs, CHARLIE BROWN was written by the songwriting team of Leiber And Stoller. They wrote hits for many artists, including Elvis Presley, The Drifters, and Ben E. King. The songs they wrote for The Coasters were usually more comical. In this case, the song is about a kid who is always getting in trouble and asks “why is everyone always picking on me?”
A nice piece of reggae followed, suggested by Lynden in Sydney: Dennis Alcapone with TEACH THE CHILDREN.
Otis Rush’s distinctive guitar style features a slow burning sound and long bent notes. With similar qualities to Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and is cited as an influence on many musicians, including Eric Clapton. Rush is left-handed and, unlike many left-handed guitarists, plays a left-handed instrument strung upside-down with the low E string at the bottom. He played often with the little finger of his pick hand curled under the low E for positioning . It is widely believed that this contributes to his distinctive sound. Check it out on this video where he performs HOMEWORK:
A little change of pace then with The Smiths and THE HEADMASTER RITUAL followed by Graham Parker & The Rumour with BACK TO SCHOOLDAYS.
Jerry Lee Lewis uses high school as a setting, rather than a storyline, in HIGH SCHOOL CONFIDENTIAL. This would have been his fourth consecutive hit in a row, if controversy hadn’t raged about the fact that his new wife was hardly old enough to be in high school. Oops. Doesn’t seem to bother the audience at this concert in London in the 60’s:
It was nearly time for the final bell, but we still squeezed in another triple play: The Hollies with CARRIE ANNE, N.R.B.Q. with STILL IN SCHOOL and WAITIN’ IN SCHOOL from Ricky Nelson.
Our finale was reserved for a song that divides people. Personally I have a bit of a soft spot for TO SIR WITH LOVE, from the film of the same name. How gorgeous was Sidney Poitier? Here’s a clip of Lulu performing the song very recently, (I think it may have been 2008). And how good does she look?
Next week, I’m going to go against the grain. Yes I know that Valentines Day is coming up soon but the cynic in me has decided to mount an ANTI LOVE show. So, if you have any suggestions drop me a line.
Here’s the complete playlist from this week:
Next week: ANTI-LOVE
I had a lot of fun getting this week’s list together because there’s just so much to choose from when it comes to DUETS. We opened with the perfectly pitched IT TAKES TWO from Marvin Gaye & Kim Weston. The hit single was released in 1966 on Motown’s Tamla label.
Iggy Pop and Deborah Harry do an amazing job with WELL DID YOU EVAH. Who would have thought that Cole Porter’s quaint double act from the film High Society,originally sung by Bing Crosby and Frank Sinatra, would be handled so well by two punk icons? Here’s a treat: a video created by director Alex Cox (“Sid & Nancy”), that incorporates some of High Society/Frank & Bing with Iggy and Deb’s version. Great stuff:
We followed with the hilariously argumentative Otis Redding and Carla Thomas with TRAMP and then some more Marvin Gaye, this time with Tammi Terrell. Until Tammi’s death from a brain tumour in 1970, she and Marvin Gaye were regarded as Motown’s perfect pairing. Choosing the “best” of Gaye’s duets with Terrell is a little crazy, but I chose REAL THING over the much covered ‘Aint No Mountain High Enough’ which seems to get enough exposure without my help.
Time then for a boy on boy duet: Freddy Mercury and David Bowie’s anxious little melodrama, UNDER PRESSURE. Born out of an impromptu jam session, it evolved into one of the most inspiring musical moments of the 1980s.
Dusty Springfield and the Pet Shop Boys’ rendition of WHAT HAVE I DONE TO DESERVE THIS? helped revive Dusty’s career in the U.S. when it was released in 1987. We followed with SOMETIMES ALWAYS from Jim Reid of the Jesus and Mary Chain and his singing partner Hope Sandoval from Mazzy Star. Here’s a clip of them performing live at the MTV studios:
Let’s face it, country music is the spiritual home of the duet. Two great examples: Nancy Sinatra and Lee Hazlewood with the wonderful and haunting SOME VELVET MORNING and JACKSON from Johnny Cash and June Carter.
Iggy Pop seems to love to duet. Last week he featured with Peaches and this week he turns up twice; this time with Kate Pierson of the B-52s. The song? CANDY is the tale of an ex-con reaching out to his lost love after 20 years. It makes brilliant use of Iggy’s sly, world-weary baritone and Pierson’s sunny tones. The result is an modern-rock classic. Take a look:
PJ Harvey and Thom Yorke, of Radiohead, offered up THIS MESS WE’RE IN. It’s kind of what you would expect from these two isn’t it? Profoundly gloomy and yet impossibly beautiful. Peter Gabriel with Kate Bush aren’t quite as melancholic as she gives Pete some great lifestyle tips on their gorgeous duet DON’T GIVE UP.
Another wonderful duet is COME ON OVER, from Isobel Campbell (ex Belle & Sebastien) and Mark Langegan (ex Queens of the Stone Age). Qualifies for probably the sexiest song on the list this week.
The Youssou N’Dour & Neneh Cherry track SEVEN SECONDS was a huge worldwide hit in 1994. The song is about the first seven seconds in a child’s life, when he or she is totally unaware of the problems and violence in the world. A timeless classic:
Gram Parsons and Emmylou Harris cover Roy Orbison’s LOVE HURTS and do a pretty good job of it but we had to have the real thing and the stand-out duet has to be Roy Orbison and kd lang with, of course, CRYING. Now you didn’t think I’d leave that one out did you?
Another goodie that takes a more optimistic viewpoint of partnerships: Chrissie Hynde performing I’VE GOT YOU BABE with UB40. This cover of Sonny & Cher’s signature tune was recorded in 1985 and reached #1 in the UK that year, as did the original 20 years earlier.
Stevie Nicks and Tom Petty do a great version of STOP DRAGGIN MY HEART AROUND and Tina Turner and Brian Adams aren’t half bad either with their cover of Robert Palmer’s ADDICTED TO LOVE.
We followed with a brilliant triple-play: Ray Charles and Gladys Knight with HEAVEN HELP US ALL from the Genius Loves Company album, the great Jackie Wilson and Laverne Baker with THINK TWICE and Al Green and Lyle Lovett singing FUNNY HOW TIME SLIPS AWAY. Here’s proof positive that white men from Texas do have soul:
Another terrific triple play: Johnny Cash and Bob Dylan with ONE TOO MANY MORNINGS followed by Nick Cave and Kylie Minogue with WHERE THE WILD ROSES GROW and the piece de resistance, in my book, Jack White and Loretta Lynn with PORTLAND OREGAN from Loretta’s amazing album Van Lear Rose. Love the album, love this song, love this clip:
But when it came to closing the show I couldn’t go past a piece of music that sums up, what has to be, a perfect pairing: Louis Armstrong and Ella Fitzgerald singing DANCING CHEEK TO CHEEK. Recorded in 1957 and accompanied by the Oscar Petersen trio and Buddy Rich on drums, you can’t listen to this song without smiling. As the song goes “Heaven, I’m in heaven….”
Next week’s show falls on the 12th of January – My Birthday! Yes I’m a Capricorn, just like Elvis, David Bowie, Annie Lennox …. Ah ha, I’m in great company. So in honour of all of us having birthdays, next week’s theme is GOING OUT AND PARTYING. Send me your suggestions.
Thanks for all your support this year. Have a wonderful 2010! Here’s this week’s playlist:
Next week: GOING OUT AND PARTYING
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Hello thrillseekers! One of my regular listeners contacted me to say that after tuning into the show each week they felt as if they had been on a rollercoaster. I’m not sure if it was supposed to be a compliment but, hey, it’s not called Theme Park for nothing!! What I love about a program that investigates a different theme each week is that it necessitates me listening to music that I wouldn’t have otherwise. This week’s show did that for me with all kinds of songs about shoes – from sneakers to high heels, boots and shoes of every colour. But, more importantly, it took me on a musical trip that stretched from jazz and blues right through to hip-hop – and I loved every minute of it. So, this is how this week’s ride went:
We opened the show with BETTY LOU’S GOT A NEW PAIR OF SHOES by John Caferty & The Beaver Brown Band. They played the music on the Eddie and the Cruisers film soundtrack. I don’t think it was a great movie but the soundtrack did very well. And then it was one of my favourite tracks of the show: Kirsty McColl with IN THESE SHOES? Kirsty sadly passed away in a controversial accident a few years ago. Here she is appearing on a UK television program in 2000.
Some great funk followed with STEPPIN IN HER I. MILLER SHOES from Betty Davis, (ex wife of Miles Davis). Now if you haven’t heard of the I. Miller Shoe Company let me enlighten you. Israel Miller started his career as a designer and maker of shoes for the theatrical profession in New York. The I. Miller Shoe Company took over a large building in Times Square that he had remodelled in 1926 with decorative sculptures on the building’s façade. The building was a tribute to the theatrical profession with statues depicting Ethel Barrymore, Marilyn Miller and Mary Pickford. The store’s slogan, (and I love this), was “The Show Folks Shoe Shop Dedicated to Beauty in Footware.” Another tidbit: In the mid 1950’s the I. Miller Shoe Company hired artist Andy Warhol on a retainer as their chief illustrator. You can still find examples of their shoes for sale on sites such as E-Bay and they, and the catalogues, are highly sought after.
Adam Ant sang GOODY TWO SHOES: “don’t drink, don’t smoke, goody, goody two shoes”. My guess is that Adam Ant is miles away from being a ‘goody two shoes’ but that’s what makes the song so memorable I guess. Check out this wonderfully kitch clip from the Solid Gold TV show of 1982. Ten points to Adam for the dance moves.
The Gorillaz impressed with GET THE COOL SHOE SHINE and then it was NEW SHOES by the very gorgeous Paolo Nutini from his 2007 album, These Streets: “Hey, I put some new shoes on, And suddenly everything is right, I said, hey, I put some new shoes on and everybody’s smiling, It’s so inviting…”. Yes, Paolo I couldn’t agree more. Buying a new pair of shoes is the answer to all the world’s problems. Well, it’s as good a theory, as any, for being a shoe-a-holic, so I’ll stick with it. Here he is performing the song live at Bush Studios in the UK. Very talented…. and good looking too, which can’t hurt.
One of the defining tracks of Acid Rock was Traffic’s HOLE IN MY SHOE, so that got a play. And then it was time for some Blues and you can’t get better than Ruthie Foster singing DEATH CAME A-KNOCKIN’ (TRAVELLIN’ SHOES), Joe South & the Believers with the classic, WALK A MILE IN MY SHOES and Bobby Blue Bland with TAKE OFF YOUR SHOES.
My discovery this week was an album called Van Lear Rose. This was a collaboration between Loretta Lynn and Jack White of the White Stripes. It’s a Grammy award-winning album that was intended as a musical experiment, blending the styles of Lynn and White. The title refers to Lynn’s origins as the daughter of a miner working the Van Lear coal-mines. Until this week I have to confess that I hadn’t heard of the album but I am now a big fan. I played LITTLE RED SHOES – an outstanding track spoken, not sung, by Lynn. Amazing.
A very young Roy Orbison covered Carl Perkins’ BLUE SUEDE SHOES with his band, The Teen Kings, and then Robert Parker cranked out a hit from the 60s called BAREFOOTIN’. Graham Parker and The Rumour appear to know all about SOUL SHOES and the Presidents of the United States have a thing for PUFFY LITTLE SHOES, whatever they are….
I’m a big R&B fan and adore Chuck Willis’ rendition of HANG UP MY ROCK AND ROLL SHOES and Tommy Tucker’s HIGH HEEL SNEAKERS, so they had to make the list. And then Patti Griffin dedicated her song, BURGUNDY SHOES, to her Mother. We followed that with the Jenny Lewis track LET MY SHOES LEAD ME FORWARD from her terrific 2005 album Love and Youth. Here’s the clip, an animation, featuring 500 pairs of shoes. It was directed by Johannes Nyholm, Perisak Snalls and Andreas Nilsson. Brilliant fun.
I’m a new convert to Hip-Hop, (let’s face it, its not my era!) but when Rapper Slug from Atmosphere sings: “Those are your shoes, these are my shoes, we’ve got issues”, it does speak to me. Yes, we all know that the right or wrong shoe can define a relationship. The song’s name? SHOES (of course).
I couldn’t omit the fabulous Nancy Sinatra from the list and THESE BOOTS ARE MADE FOR WALKING brought back lots of memories. And it was great to discover that MAXWELL SMART is still talking into his shoe-phone when we played a nice little extract from Get Smart.
Ella Fitzgerald contributed the very cute GOTTA PEBBLE IN MY SHOE, Paul Kelly told us that YOU CAN PUT YOUR SHOES UNDER MY BED, (I bet he says that to all the girls), and the very lovely Katie Melua sang a great ballad – BLUE SHOES.
Steely Dan’s song BAD SNEAKERS is just as much about Pina Coladas as it is about shoes. Elvis Costello, apparently, is into RED SHOES. Here’s the Buddy Holly look-alike belting out RED SHOES on Top of the Pops in 1977. Loving the comments superimposed towards the end of the song. Take a look.
The Disco era wouldn’t have been complete without our last song this week: KC and the Sunshine Band with BOOGIE SHOES. A suitably upbeat finale that had us all up dancing.
Here’s the complete playlist:
Betty Lou’s Got A New Pair Of Shoes – John Caferty & The Beaver Brown Band
In These Shoes? – Kirsty McColl
Two Shoes – The Cat Empire
Steppin In Her I Miller Shoes – Betty Davis
Walk In My Shoes Feat Lupe Fiasco – Emily King
mr bowling shoe giver outer – Vintage radio commercial
Goody Two Shoes – Adam Ant
Let’s Dance – David Bowie
Get The Cool Shoe Shine – Gorillaz
New Shoes – Paolo Nutini
Hole In My Shoe – Traffic
Take off Your Shoes – Bobby Blue Bland
Death Came A-Knockin’ (Travelin’ Shoes) – Ruthie Foster
Walk A Mile In My Shoes – Joe South & The Believers
Little Red Shoes – Loretta Lynn
Blue Suede Shoes – Roy Orbison
Barefootin – Robert Parker
Soul Shoes – Graham Parker & The Rumour
Puffy Little Shoes – The Presidents Of The United States Of America
Hang Up My Rock And Roll Shoes – Chuck Willis
Hi-Heel Sneakers – Tommy Tucker
Burgundy Shoes – Patty Griffin
Let My Shoes Lead Me Forward – Jenny Wilson
Maxwell Smart Clip from Get Smart
These Boots Are Made For Walking – Nancy Sinatra
Shoes – Atmosphere
Gotta Pebble In My Shoe – Ella Fitzgerald
You Can Put Your Shoes Under My Bed – Paul Kelly
Blue Shoes – Katie Melua
Red Shoes – Elvis Costello
Bad Sneakers – Steely Dan
Boogie Shoes – K.C. and The Sunshine Band
Next week: each song will be about RADIO!
Listen to Lyn McCarthy at the Theme Park on BayFM Tuesdays 2-4pm, (Sydney time). Also streaming on http://www.bayfm.org