This week’s show is for all of you who like their sleep and also for those that have trouble sleeping, for one reason or another. Thankfully I’ve never been an insomniac. I hit that pillow and I’m a gonna and if you deprive me of my sleep its not safe to be around me, let me tell you.
The Beatles song I’M ONLY SLEEPING is a classic and it’s from, possibly, my favourite album of theirs, ‘Revolver’ so that had to make the mix. As did SOMEBODY’S BEEN SLEEPING from funky soul group 100 Proof (Aged in Soul). It’s inspired by the fairytale Goldilocks and the Three Bears.
Spiderman gets a mention on The Cure’s LULLABY, the only song of theirs to make the UK top 5 (can you believe it?) but the brilliant videoclip was voted the best of the year in 1989. Well deserved too. Check it out:
Three songs about sleep deprivation followed: the Eels who portray anxiety to perfection on I NEED SOME SLEEP; Peter Wolf with SLEEPLESS from his album of the same name, released in 2002. And rounding out the triple play, Craig David who’s love life is causing him to lose sleep on INSOMNIA.
Swedish band Acid House Kings do the twee-pop thing to perfection on SLEEPING. That was followed by Bobby Lewis who delivered a real blast from the past with the 60’s recording of TOSSIN’ AND TURNIN’. Then it was The Romantics with TALKING IN YOUR SLEEP from 1989. Viewing this clip of The Romantics, I think the 80’s have a lot to answer for, when it comes to fashion and hair.
Written by Ray Davies of The Kinks, I GO TO SLEEP was originally recorded by Peggy Lee on her 1965 album Then Was Then – Now Is Now!. Davies didn’t write many songs that weren’t specifically for The Kinks, but this one was widely covered. We played the only version to have chart success – The Pretenders who took it to #7 in the UK.
Talking of Peggy Lee, we had to play her version of BLACK COFFEE. There are lots of great versions of this standard, but for me Peggy Lee does it best. Sorry k.d.
Jody Reynolds uses sleep as a metaphor for death on ENDLESS SLEEP and the iconic Hank Williams Snr knows that you can’t sleep when you have a guilty conscience, on the country classic YOUR CHEATIN HEART.
More golden oldies with Frank Sinatra’s IN THE WEE SMALL HOURS OF THE MORNING and The Four Tops with SHAKE IT, WAKE IT.
Contemporary (and Australian) singer Sarah Blasko brought us back to the present with a beautiful song on the topic of sleep: SLEEPER AWAKE. We followed that with a great suggestion from Quentin: James Kahu with SLEEP. It’s from his 2010 album ‘Through Me’. Take a look:
The nostalgia bug still had me on The Everly Brothers’ WAKE UP LITTLE SUSIE, Berna Dean’s I WALK IN MY SLEEP and Sammy Myers SLEEPING IN THE GROUND.
And it was inevitable that I would play John Lennon’s little dig at Paul McCartney on HOW DO YOU SLEEP.
REM’s DAYSLEEPER is not only perfect for our theme, with its references to Circadian rhythms and all, but even the name of the band is a sleep reference. Did you know that REM sleep, or Rapid eye movement sleep, accounts for 20–25% of total sleep time in most human adults? And that most of our memorable dreaming occurs in this stage? True.
Edwyn Collins contributred LOSING SLEEP from his album of the same name and then it was The Smiths with quite a sad song where, once again sleep serves as a metaphor for death. The song is ASLEEP.
Then it was even further back in time for the sublime Julie London and her version of TWO SLEEPY PEOPLE, followed by SLEEP from Little Willie John and ROCK ME TO SLEEP from Little Miss Cornshucks.
We closed the show with a couple of my favourites: First up it was Tom Waits, who probably knows more about late nights than I’ve had hot breakfasts. MIDNIGHT LULLABY is from his Closing Time album. Then it was the always brilliant Ian Dury & the Blockheads with WAKE UP AND MAKE LOVE TO ME. Beats sleeping every time, or so they tell me.
I’m really going out on a limb for our Easter Show. The topic is RESURRECTION. And I’m talking about dying and coming back from the grave, literally. Come on, by now you’ll know that Theme Park will go where others fear to tread! Now we’re not talking musical comebacks – that’s a whole other theme altogether! Of course there will be lots of gospel and blues and I can see some rock and punk and even some songs about zombies on the list already. What do you have for me?
While you’re contemplating that, check out this week’s playlist:
A Man’s Best Friend Is A Bed – Louis Jordan
I’m Only Sleeping – The Beatles
Somebody’s Been Sleeping [UK Single Edit] – 100 Proof (Aged In Soul)
Lullaby – The Cure
I Need Some Sleep – Eels
Insomnia – Craig David
Sleepless – Peter Wolf
Sleeping – Acid House Kings
Tossin’ And Turnin’ – Bobby Lewis
Talking In Your Sleep – The Romantics
I Go To Sleep – The Pretenders
Black Coffee – Peggy Lee
Your Cheatin Heart – Hank Williams Snr
Endless Sleep – Jody Reynolds
In The Wee Small Hours Of The Morning – Frank Sinatra
Shake Me, Wake Me – The Four Tops
Sleeper Awake – Sarah Blasko
Sleep – James Kahu
Wake Up Little Susie – The Everly Brothers
I Walk In My Sleep – Berna Dean
Sleeping In The Ground – Sammy Myers
How Do You Sleep? – John Lennon
Sleep Walk – Santo and Johnny
Daysleeper – R.E.M.
Losing Sleep – Edwyn Collins
Asleep – The Smiths
Two Sleepy People – Julie London
Sleep – Little Willie John
Rock Me To Sleep – Little Miss Cornshucks (Mildred Cummings)
Midnight Lullaby – Tom Waits
Wake Up And Make Love With Me – Ian Dury and The Blockheads
Next week: RESURRECTION
Occasionally, a songwriter writes a tune that’s essentially a letter to a musical peer or fellow composer. Sometimes that message is delivered in the form of a tribute and sometimes it’s delivered as an angry diatribe. Our playlist today features both but, like our opening track JAZZ THING from Gang Starr, most of our songs are marks of respect.
I like to include a little country music every now and again, especially if its by the great Johnny Cash. As a contribution to this week’s playlist, he sings about his country music idol on THE NIGHT HANK WILLIAMS CAME TO TOWN. Punk rockers The Ramones praise the rock artists who preceded them on DO YOU REMEMBER ROCK N ROLL RADIO. And then it was UK group Television Personalities, who are obviously Pink Floyd fans with I KNOW WHERE SYD BARRETT LIVES.
The most familiar soul hit on the airwaves during 1967 was Arthur Conley’s SWEET SOUL MUSIC on which he paid tribute to other great soulmen like Otis Redding and James Brown:
When it comes to soul, Stevie Wonder knows how much is owed to our jazz legends. SIR DUKE is his tribute to Duke Ellington, the influential jazz legend who died in 1974. He also acknowledges Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald.
In 1980 Dexy’s Midnight Runners appeared out of nowhere, with a sound all their own. Nobody else at the time would have dreamt of producing an impassioned, brass-powered tribute to neglected 1960s soul singer Geno Washington, but they did and they took GENO to #1 in the UK.
Dexy’s Midnight Runners also recorded a version of JACKIE WILSON SAID, but I’m faithful to the original by Van Morrison which had to be part of the list too.
A little more country music was up next with the gorgeous Gillian Welch singing the ELVIS PRESLEY BLUES. This was followed closely by the one and only Ian Dury with his incredible piece of hero worship, SWEET GENE VINCENT. On this video Mick Jones of the Clash joins the band, The Blockheads. And as Dury quips to Jones: “Listen, we’ve got four chords on this one Michael!” Great band, great song. How does Mick Jones get through this number without once dropping the ciggie from his mouth? Hilarious.
Ian Hunter and Mott the Hoople’s reluctant youth anthem, ALL THE YOUNG DUDES was written by David Bowie. It namechecks T-Rex and references The Beatles and The Stones. Here they are, (with Bowie on back up!), performing at the Freddie Mercury tribute at Wembley Stadium:
The wonderful Jonathan Richman never disappoints me and he delivers again for this week’s playlist. On his song VELVET UNDERGROUND he even performs a few bars of the Velvet Underground’s Sister Ray in between dispensing eloquent insights into his heroes’ dark magic. How good is that!
Bono says that U2’s song STUCK IN A MOMENT YOU CAN’T GET OUT OF is a tribute to INXS singer Michael Hutchence. According to Bono it’s the conversation he wishes had actually taken place.
John Martyn, who died at a relatively early age himself, extends a concerned hand to a fading Nick Drake on the devastatingly tender SOLID AIR.
Canadian group Barenaked Ladies recorded a hit song about mental illness that references Beach Boy BRIAN WILSON. And just in case you’re wondering, Brian Wilson does do a version during his own live shows. And why wouldn’t he? It’s a great song. Fellow Canadian Allanah Myles also had a huge hit with my favourite of all the Elvis tribute songs: BLACK VELVET.
Paul Jones and Dave Kelly honour Blues legend SONNY BOY WILLIAMSON and Neil Young references Johnny Rotten of the Sex Pistols on HEY, HEY, MY MY (Into the Black). The line ‘It’s better to burn out than to fade away’ also became infamous in modern rock after being quoted in Kurt Cobain’s suicide note.
On a cheerier note, The Saw Doctors sing I’D LOVE TO BANG THE BANGLES, which pretty much speaks for itself. If you thought that was a wild proposition, you should take a listen to Bongwater’s NICK CAVE DOLLS. But hang in for the punchline on that one. A perfect follow up to that tune is Adam Ant’s GOODIE TWO SHOES, supposedly a critique of Cliff Richards virtuous and conservative image. “Don’t drink, don’t smoke… what do you do?”
A terrific song from Dory Previn is STONE FOR BESSIE SMITH. It isn’t just about the Blues singer Bessie Smith; it’s primarily about Janis Joplin who paid for Bessie Smith’s headstone but forgot to put anything aside for her own.
Early in his career, David Bowie often wrote about artists he admired, from Lou Reed to Andy Warhol to Iggy Pop. On SONG FOR BOB DYLAN a pre-Ziggy Bowie adopted Dylan’s nasal vocal style in order to pay tribute.
Down By Law also do an excellent tribute to the best rock band in the world: I WANNA BE IN AC/DC. Me too guys, me too.
It was hard choosing a song to go out on. Yes, of course there’s American Pie and Losing My Edge and the various spats between Paul McCartney and John Lennon, but in an effort not to be too predictable I’ve chose TUNIC (Song for Karen). Sonic Youth’s Kim Gordon does a beautiful job of casting herself as the tragic Karen Carpenter reporting back from heaven.
I’ve got a marathon effort lined up for the next couple of weeks and I need your help! The playlist next week will start with a song referencing Zero or less and I’ll progressively play songs in numerical order until I run out of ideas. For example I could start with Elvis Costello’s Less Than Zero progress to Yeah yeah yeah’s Zero then Bob Marley’s One Love … you get the idea. Let’s see how far I get. If you help me we could be doing this for weeks! To make it easy to participate I’ll be posting onto the Theme Park Radio Facebook page.
But in the meantime, here’s this week’s complete playlist to peruse:
Jazz Thing – Gang Starr – Moment of Truth
The Night Hank Williams Came To Town – Johnny Cash – The Best Of Johnny Cash
Do You Remember Rock ‘N’ Roll Radio – The Ramones Shrek OST
I Know Where Syd Barrett Lives – Television Personalities And Don’t The Kids Just Love It
Sweet Soul Music – Arthur Conley – 60’s Soul
Sir Duke – Stevie Wonder – Songs In The Key Of Life [Disc 1]
Jackie Wilson Said (I’m In Heaven When You Smile) – Van Morrison
Geno – Dexys Midnight Runners – Searching For The Young Soul Rebels
Elvis Presley Blues – Gillian Welch – Time (The Revelator)
Sweet Gene Vincent – Ian Dury and The Blockheads – The Very Best Of Ian Dury And The Blockheads
Blackbird, Bye Bye – Keith Jarrett, Gary Peacock, Jack DeJohnette – Bye Bye Blackbird
All The Young Dudes – Mott The Hoople – Rock Classics 60’s & 70’s Volume 2
Velvet Underground – Jonathan Richman – I, Jonathan
Stuck In A Moment You Can’t Get Out Of – U2 – The Best Of 1990-2000 & B-Sides CD1
Solid Air – John Martyn – No Little Boy
Brian Wilson – Barenaked Ladies – Barenaked Radio: Easter Special
Sonny Boy Williamson – Paul Jones & Dave Kelly – Live In London
Black Velvet – Alannah Myles – The Very Best of Alannah Myles
Hey Hey, My My (Into The Black) – Neil Young – Rust Never Sleeps (Live)
Goodbye Pork Pie Hat – Charles Mingus – Mingus Ah Um
I’d Love To Kiss The Bangles – The Saw Doctors – Play it Again Sham
Nick Cave Dolls – Bongwater – Box of Bongwater
Goody Two Shoes – Adam Ant – Antics In The Forbidden Zone
Stone For Bessie Smith – Dory Previn – Mythical Kings And Iguanas
Song For Bob Dylan – David Bowie – Hunky Dory
(I Wanna Be In) AC/DC – Down By Law – Windwardtidesandwaywardsails
Tunic (Song For Karen) – Sonic Youth – Goo (Deluxe Edition) [Disc 1]
Next week: NOUGHT TO WHATEVER (Part 1)
Now, you may think I’m a bit behind the eight ball, doing a show on RESOLUTIONS AND FRESH STARTS in mid January, but I have a policy of not even thinking about New Year Resolutions until after my birthday, which is around this time. I’m not prepared to give up my wicked ways until those celebrations are well out of the way. And, to be honest, that could take up to 6 months at least.
So, I’ll allow the playlist to do the job for me. The wonderful Nina Simone set the tone with FEELING GOOD. She’s full of optimism because it’s a new day, a new life and she’s feeling good. I wonder how long that lasted? Because, as we all know, new resolutions and fresh starts are often accompanied by regret and, unfortunately, they almost always carry the potential for failure. But, let’s at least try and maintain some hope.
The Allman Brothers Band have had their ups and downs, so on a song like CHANGE MY WAY OF LIVING they’re sounding mighty ambitious. But hey, let’s give them the benefit of the doubt.
It was great to have Blues/Roots duo The Fridays in the studio for a chat and some live music. They’re from Adelaide and presently in Byron performing and promoting their EP Woh Oh. Kimberly McKenzie and Kelly Breuer’s original material melds rock out riffs with beautiful harmonies. A couple of the songs had me laughing out loud. As well as playing ROMANCE COMEDY from their EP we were able to have them perform two other numbers live and it was such a pleasure. If you get a chance to catch them perform, anywhere, don’t miss out on supporting some fantastic up and coming Australian talent.
Motown giants The Supremes and The Temptations got together to record a version of Dee Dee Warwick’s I’M GONNA MAKE YOU LOVE ME and it became a huge hit for them in 1969. We followed that with the very appropriate NEW YEAR’S RESOLUTIONS from two more soul greats, Otis Redding and Carla Thomas.
If only Thin Lizzy’s Phil Lynot had followed through on his resolution, he might still be with us. Instead, I’VE GOT TO GIVE IT UP, is a sad memorial to this amazing talent who died at 36.
Something a little less serious: Husker Du reckon they’re NEVER TALKING TO YOU AGAIN. Oh come on guys, never say never. Bob Dylan is equally resolute. He swears he’s never going to work on MAGGIES FARM no more. Fair enough.
The Who are convinced that they WON’T GET FOOLED AGAIN. A good resolution if ever I heard one, but, like a lot of resolutions, not that easy to keep.
Mama Kin is very convincing on her resolution song I’M GONNA DO IT. As is Bobby Bland who says he AIN’T GONNA BE THE FIRST TO CRY.
John Legend gets a little bit of help from Snoop Dogg on I CAN CHANGE. On this video clip he carries the day on his own (and you get the bonus of Spottie as well). Its a live performance in London with a terrific band and back-up.
George Thorogood & The Destroyers contributed one of those songs full of promises. You know the ones: men make them in order to win the woman of their dreams. In this case George says I’LL CHANGE MY STYLE.
Bobbie Gentry, who’s obviously met a few ‘Georges’ in her time swears I’LL NEVER FALL IN LOVE AGAIN.
Nick Cave, apparently has all the right intentions, he just has trouble delivering on his resolutions because RIGHT NOW HE’S A ROAMING. Steve Winwood knows that if you’re really serious about wanting a fresh start you have to make it happen WHILE YOU SEE A CHANCE.
Somehow I don’t think Ian Dury and the Blockheads were serious at all when they sang I WANT TO BE STRAIGHT.
Princess Superstar’s QUITTING SMOKING SONG was edited a little, otherwise we wouldn’t have been able to play it on radio, and that would have been a pity, I reckon. Meanwhile, Black Kids are promising I’M NOT GOING TO TEACH YOUR BOYFRIEND HOW TO DANCE WITH YOU. Quite right too.
A fun couple of songs to exit on: Mary Martin and the cast of South Pacific with I’M GONNA WASH THAT MAN RIGHT OUT OF MY HAIR. And one of my favourites, the wonderfully eccentric and optimistic Jonathan Richman, who knows all about fresh starts on I’M JUST BEGINNING TO LIVE.
Thanks to The Fridays for coming in and entertaining us in the first hour of the program. Don’t forget they’re performing at the Rails Hotel in Byron Bay on Thursday January 20th so get along and support them.
Thanks also to Lina, Chilla, Shel, Allan, Andy and Victoria for letting us know what their New Year Resolutions were for this year.
Next week’s show will be ALL AUSTRALIAN. Lots of nostalgia and some new stuff as well.
Until then, here’s this week’s playlist:
Feeling Good / Nina Simone
Change My Way Of Living / The Allman Brothers Band
Romance Comedy / The Fridays
I’m Gonna Make You Love Me / The Supremes
New Year’s Resolution / Otis Redding and Carla Thomas
Got To Give It Up / Thin Lizzy
Never Talking To You Again / Hüsker Dü
Maggie’s Farm / Bob Dylan
Won’t Get Fooled Again / The Who
I’m Gonna Do It / Mama Kin
I Ain’t Gonna Be The First To Cry / Bobby “Blue” Bland
I Can Change ft. Snoop Dogg / John Legend
I’ll Never Fall In Love Again / Bobbie Gentry
I’ll Change My Style / George Thorogood and The Destroyers
Right Now I’m A-Roaming / Nick Cave and The Bad Seeds
I Want To Be Straight / Ian Dury and The Blockheads
While You See A Chance / Steve Winwood
One Way Or Another / Blondie
Quitting Smoking Song / Princess Superstar
I’m Not Gonna Teach Your Boyfriend How To Dance With You / Black Kids
I’m Gonna Wash That Man Right Out of My Hair / Mary Martin and The Girl’s Chorus of South Pacific
I’m Just Beginning To Live /Jonathan Richman and The Modern Lovers
Next week: 40 YEARS OF CLASSIC AUSTRALIAN ROCK
How come every songwriter hasn’t written at least one song about schooldays? Come on, it has all the vital ingredients for a hit: that age-old conflict between discipline and rebellion, close friendships, sexual awakenings and enough traumatic experiences to feed a healthy persecution complex for the rest of your life. Mind you, while every songwriter may not have taken up the opportunity to reveal all about their schooldays, those that did contributed to a pretty good playlist this week.
We opened the show with SCHOOL DAYS by Chuck Berry who turns the joy of hearing the final bell into some hot rock’n’roll. Then it was Young MC who seems well versed in being sent to the PRINCIPAL’S OFFICE, while the Pipettes LIKE A BOY IN UNIFORM. Don’t we all?
Belle & Sebastian could pretty much compile an album of songs about classroom politics but the pick of the bunch is EXPECTATIONS, from the soundtrack to Juno. The song’s misfit heroine wins the heart of every indie boy by “making life-size models of the Velvet Underground from clay”. Now why didn’t I go to that school?
Jack White is a bit of a hero of mine, so I had to include The White Stripes with WE’RE GOING TO BE FRIENDS. Everyone needs a best buddie at school that’s for sure.
A couple of real classics followed. I would have been sent to detention if I hadn’t included ANOTHER BRICK IN THE WALL from Pink Floyd or Ian Dury and the Blockheads’ fantastic diss on school, JACK SHIT GEORGE.
Steely Dan had us bopping along to the fact that they are “never going back to” MY OLD SCHOOL. And then it was Sam Cooke with WHAT A WONDERFUL WORLD.
Sonny Boy Williamson contributed one of the most provocative tracks on the playlist this week, GOOD MORNIN’ LITTLE SCHOOLGIRL. This blues classic was written about the schoolgirl as sexual fantasy. It’s since been covered by every classic-rock band under the sun, but I think the original is still the best.
ME AND JULIO DOWN BY THE SCHOOL YARD is a song performed by Paul Simon from his 1972 self-titled album. In my opinion he’s one of the best contemporary songwriters we have. Here he is performing the song live:
The music video of BAGGY TROUSERS, by Madness, was shot in an English school and park. The band’s saxophone player, Lee Thompson, decided he wanted to fly through the air for his solo, with the use of wires hanging from a crane. The resulting shot is one of the most popular of any of the Madness music videos.
ROCK N ROLL HIGH SCHOOL by The Ramones was followed by a personal pick: CATHOLIC SCHOOL GIRLS RULE, by the Red Hot Chilli Peppers. Yes, being an old tyke, or as they say in the trade a “lapsed Catholic”, I have to agree that Catholic Schoolgirls do rule!
A couple of little morality tales followed. James Brown warned DON’T BE A DROPOUT and then it was the wonderful Brenda Holloway performing with the Supremes, as back-up (how’s that!). The song was PLAY IT COOL, STAY IN SCHOOL. All good advice of course.
Cat Stevens took a trip down memory lane with OLD SCHOOL YARD and Busted revealed, THAT’S WHAT I GO TO SCHOOL FOR, a disarmingly frank pop tune about having a crush on a teacher.
Babs Gonzalez taught us a bit about Bebop with PROFESSOR BOP while Nat King Cole favours all things extra-curricular in YOU DON’T LEARN THAT IN SCHOOL.
Boomtown Rats followed with I DON’T LIKE MONDAYS and then it was Billy Bragg with the brilliant, THE SATURDAY BOY which I’ve played before, but with its school setting was a certainty to be played again this week.
Like most of The Coaster’s songs, CHARLIE BROWN was written by the songwriting team of Leiber And Stoller. They wrote hits for many artists, including Elvis Presley, The Drifters, and Ben E. King. The songs they wrote for The Coasters were usually more comical. In this case, the song is about a kid who is always getting in trouble and asks “why is everyone always picking on me?”
A nice piece of reggae followed, suggested by Lynden in Sydney: Dennis Alcapone with TEACH THE CHILDREN.
Otis Rush’s distinctive guitar style features a slow burning sound and long bent notes. With similar qualities to Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and is cited as an influence on many musicians, including Eric Clapton. Rush is left-handed and, unlike many left-handed guitarists, plays a left-handed instrument strung upside-down with the low E string at the bottom. He played often with the little finger of his pick hand curled under the low E for positioning . It is widely believed that this contributes to his distinctive sound. Check it out on this video where he performs HOMEWORK:
A little change of pace then with The Smiths and THE HEADMASTER RITUAL followed by Graham Parker & The Rumour with BACK TO SCHOOLDAYS.
Jerry Lee Lewis uses high school as a setting, rather than a storyline, in HIGH SCHOOL CONFIDENTIAL. This would have been his fourth consecutive hit in a row, if controversy hadn’t raged about the fact that his new wife was hardly old enough to be in high school. Oops. Doesn’t seem to bother the audience at this concert in London in the 60’s:
It was nearly time for the final bell, but we still squeezed in another triple play: The Hollies with CARRIE ANNE, N.R.B.Q. with STILL IN SCHOOL and WAITIN’ IN SCHOOL from Ricky Nelson.
Our finale was reserved for a song that divides people. Personally I have a bit of a soft spot for TO SIR WITH LOVE, from the film of the same name. How gorgeous was Sidney Poitier? Here’s a clip of Lulu performing the song very recently, (I think it may have been 2008). And how good does she look?
Next week, I’m going to go against the grain. Yes I know that Valentines Day is coming up soon but the cynic in me has decided to mount an ANTI LOVE show. So, if you have any suggestions drop me a line.
Here’s the complete playlist from this week:
Next week: ANTI-LOVE