I’ve been on a mission to play as many songs as I can with numbers in the title. But the real challenge has been to play them in numerical sequence. Last week we successfully navigated our way from Elvis Costello’s Less Than Zero all the way to Edwin Starr’s Twenty Five Miles . So, this week we were off again, starting with our opening number, OCTOBER 26 (REVOLUTION) from The Pretty Things. This is a great track from what I consider a grossly under recognised band of the 60’s. It’s from their 1970 album Parachute.
TWENTY SEVEN STRANGERS is from The Villagers, who put out one of the best albums of last year – Becoming A Jackal. Here’s the band’s singer and songwriter, Conor J O’Brien, performing solo. Beautiful song. Perfect in its simplicity.
A band called Why? gave us our #28 song, (called exactly that, 28). Ryan Adams’ contribution was the track TWENTYNINE from the album 29 and the #30 spot was filled by Aussie band The Lucksmiths. The song, $30 is a very cute proposition: They know that they owe you $30 but how about they write you a song instead? Cheeky!
Aimee Mann thought her life would be different somehow, when she turned 31. Check out this live performance of 31 TODAY in Studio Q.
Another brilliant singer/songwirter is Ani DiFranco . Here she is performing live in 1997. The song: 32 FLAVOURS.
We don’t often play instrumental tracks but funky jazz outfit The New Mastersounds certainly livened things up with THIRTY THREE. We followed with little known, (well to me anyway), American band Promenade with 34 from their Save the Radio album. Then it was Joe Pug with a decent Bob Dylan impression on HYMN #35 and Bobby “Blue” Bland with his favourite numbers 35:22:36.
Then another excellent double : STRAIGHT IN AT 37 from The Beautiful South, now called simply South, and 38 YEARS OLD from Canadian band The Tragically Hip.
Hip Hop producer Re-animator has a great track called SYMPHONY NUMBER THIRTY-NINE on his album, evocatively titled Music to Slit Wrists. Dido has got to have one of the most beautiful voices of recent times, and she uses it to perfection on SEE YOU WHEN YOU’RE 40:
Gregory Hoskins gave us his track 41 and then it was Aussie and, Hunters & Collectors with 42 WHEELS. On 43 Mary Lou Lord justifies seeing a younger man by the fact that he’s 17, going on 43. And talking of excuses, I love any reason to go back to the 60’s so the Zombies were in with CARE OF CELL 44. Terrific band, still performing too.
An artist I’ve only just discovered, but like very much is Todd Snider . Here he is performing FORTY FIVE MILES in December 2010 in Tampa, to a very appreciative audience I might add. It’s an amateur video, but worth watching. He’s supported by Will Kimbrough.
If you’re after some good old fashioned Blues then check out Memphis Slim, Jump Jackson and Arbee Stidham. They gave us a fast version of 46TH STREET BOOGIE to fill our #46 spot. Number 47 was looking tough until I found a real cutie: Andy Kirk & His Orchestra, featuring June Richmond on vocals. She was one of the first black women to front an all white band. The song is 47th STREET JIVE.
Enough with songs named after New York streets (surely that’s another show!). A complete change of tone followed with the amazing, enduring, Suzi Quatro with 48 CRASH. I had to play this original clip from 1973, as she looks so great (still does actually). The ultimate rock chick.
Our number 49 song was for Des who presents BayFM’s Colours of Byron every Sunday morning. He’s a big Dylan fan, so DAYS OF 49 was especially for him and all the other Dylan fans. Number 50 couldn’t be anything but Simon & Garfunkle’s FIFTY WAYS TO LEAVE YOUR LOVER, which wasn’t dedicated to anyone in particular, because I don’t want to get myself in any trouble in that department! Here’s a live performance by Paul Simon with legendary drummer Steve Gadd:
Well we got all the way to #50 with time to spare. We closed the show with a #51 song that also previews next week’s show: Pink Floyd’s COME IN NUMBER 51, YOU’RE TIME IS UP from the soundtrack to the film Zabriskie Point. As one of the comments on YouTube states: it’s the film that inspired countless people to lose their virginity to Pink Floyd. (The music that is, not the actual band members). Here’s the trailer, featuring that music, with some of the worst promotional jargon I’ve ever heard!
So, next week I’ll be hosting an Oscars special. I’ll be playing lots of songs that were recorded especially for films. Some will have won Oscars, some should have but didn’t. I’d love to have your suggestions and requests. And, of course, your company 4-6pm Tuesdays on www.bayfm.org.
Here’s this week’s full playlist:
October 26 (Revolution) – The Pretty Things, Unrepentant [Disc 1]
Twenty Seven Strangers – Villagers, Becoming A Jackal
Twenty Eight – Why? Alopecia
Twentynine – Ryan Adams, 29
$30 – The Lucksmiths, Spring a Leak
31 Today – Aimee Mann, Smilers
32 Flavors – Ani DiFranco
Thirty Three – The New Mastersounds, 102% Funk
34 – Promenade, Save the Radio
Hymn 35 – Joe Pug, Nation of Heat EP
36-22-36 – Bobby “Blue” Bland, Bobby “Blue” Bland: The Anthology
Straight In At 37 – The Beautiful South, Welcome to the Beautiful South
38 Years Old – The Tragically Hip, Up to Here
Symphony Number Thirty-nine – Reanimator, Music To Slit Wrists By
See You When You’re 40 – Dido, Life For Rent
41 – Gregory Hoskins, The Beggar Heart
42 Wheels – Hunters & Collectors, Under One Roof
43 – Mary Lou Lord, Baby Blue
Care of Cell 44 – The Zombies, Odessey and Oracle
Forty Five Miles – Todd Snider, Happy to Be Here
46th Street Boogie (Fast Boogie) – Memphis Slim, Jump Jackson and Arbee Stidham
47th St Jive – Andy Kirk & His Clouds of Joy, Jukebox Hits 1936-1949
48 Crash – Suzi Quatro, Suzi Quatro: Greatest Hits
Days of 49 – Bob Dylan, Self Portrait
Fifty Ways To Leave Your Lover – Simon & Garfunkel , The Concert in Central Park
Number 51, Your Time Is Up – Pink Floyd, Zabriskie Point (Soundtrack from the Motion Picture)
Next week: SONGS RECORDED FOR FILM
TURN UP YOUR RADIO, the Master’s Apprentices 1970 declaration that they were now a rock band rather than a teeny bopper sensation, opened our Australia Day show, featuring 40 years of Australian Classic Rock. They quite rightly remind us that rock n roll started a good 15 years before this but there was no way that we were going to fit 55 years of rock into a two hour show, so 1970 seemed a fitting start. Check out this video when Glenn Wheatley was still working the bass guitar:
Daddy Cool’s EAGLE ROCK was recorded in 1971 and went onto become the best selling Australian single of the year. According to songwriter and singer, Ross Wilson, he was inspired by the popular 1920s black dance performed with the arms outstretched and the body rocking from side to side which was called the Eagle Rock. ‘Doing the eagle rock’ is also a metaphor for sexual intercourse.The accompanying promotional video was put together quickly for $300 and shows the band in some old Melbourne haunts including the Dolphin Café in Clarendon St., South Melbourne and St. Kilda’s Aussie Burger Bar opposite Luna Park as well as live shots from the 1971 Myponga Festival held in South Australia.
In early 1972 Billy Thorpe & The Aztecs released what became their biggest hit, and Thorpe’s signature tune – MOST PEOPLE I KNOW (THINK THAT I’M CRAZY), a song now widely regarded as one of the classics of Australian rock. It was a huge hit for the Aztecs, propelled to the top of charts by the band’s triumphant appearance at the 1972 Sunbury Music Festival. Thorpe himself claimed this as a pivotal moment in the development of Australian music, thanks to the promoters’ decision to feature an all-Australian lineup, rather than relying on imported stars.
And here’s an interview with the late great Billy Thorpe at Sunbury:
After the demise of the Easybeats in 1969, Stevie Wright embarked on a successful solo career. In 1974 he released the epic EVIE, an 11-minute 3-part classic, which to this day remains the longest song ever to reach #1 on any chart in the world.
In 1975 AC/DC released the album T.N.T. with the iconic track IT’S A LONG WAY TO THE TOP (IF YOU WANNA ROCK N ROLL). Written by Angus Young, Malcolm Young and Bon Scott, its notable for combining bagpipes with hard rock, electric guitars, drums and bass. In the mid-part of the song there is a duet between the bagpipes and the electric guitar.
Two very influential Australian bands that were at their best in the mid 70’s were The Angels and The Saints. The Saints, in particular, are considered to be one of the first and most influential punk rock groups. By 1975, The Saints were employing the fast tempos, raucous vocals and “buzzsaw” guitar that characterised early punk rock. With their first single, I’M STRANDED, in late 1976, they became the first punk band outside the United States to release a record, ahead of better-known punk acts like the Sex Pistols and The Clash. According to Bob Geldof, “Rock music in the seventies was changed by three bands – the Sex Pistols, the Ramones and The Saints”.
Meanwhile Cold Chisel were about to record the song that quite frequently tops those ‘best of’ lists, so it couldn’t be left out of this playlist: KHE SANH. I’ll dedicate this one to Chisel drummer Steve Prestwich who passed away last week at the very young age of 56.
Midnight Oil and Men at Work released songs like THE POWER AND THE PASSION and DOWN UNDER, that have become Aussie anthems. And then in 1983 The Choirboys came into their own with their first single NEVER GONNA DIE .
By 1984 INXS were breaking out internationally with songs like ORIGINAL SIN and Chrissie Amphlett and The Divinyls proved that a female lead singer could rock it out as well as the boys on songs like PLEASURE & PAIN:
In the mid 80’s Paul Kelly & The Coloured Girls released the Gossip album and proved that there was a place for consummate storytelling in Australian rock music. The hit single from the album was BEFORE TOO LONG:
Hunters & Collectors came together in the early 80’s and were a blend of pub rock and art-funk. While they attracted a growing fan base both here and overseas, their first real recording success was with the 1989 album Ghost Nation which featured the hit single WHEN THE RIVER RUNS DRY.
The most successful Australian rock band ever, though, continued to be AC/DC. Unfortunately Bon Scott passed away in 1980 but the band bounced back and found a worthy replacement for Scott in Brian Johnson. They kept performing and releasing albums throughout the 80’s and in 1990 they released what was considered their major comeback album The Razors Edge. Here they are performing my favourite track from that album, THUNDERSTRUCK. Go Angus!
Also in the 90’s bands like The Screaming Jets and the Baby Animals were making an impact on the local scene.
Killing Heidi’s first single WEIR was released in August 1999 and reached #6 on the Aria charts (and Platinum sales) by the end of 1999. The band’s debut album Reflector was released in early 2000 and debuted at #1, quickly becoming the fastest-selling album in Australian music history. Here are Ella and Jesse Hooper performing live on TV show The Panel around that time:
Also around that time Powderfinger were emerging as a force to be reckoned with. As was Spiderbait who had a #1 hit with their terrific version of BLACK BETTY in 2004.
But the standout band of the new millenium has to be Silverchair who have received the industry’s flagship gongs, the Aria Awards, a record 21 times as well as six APRA Awards. They’ve sold over 6 million albums. Here’s STRAIGHT LINES from the 2007 album Young Modern:
We finished the show with some hard rock: Wolfmother performed here in Byron this week and were amazing. Their song NEW MOON RISING was released in 2009 and its still one of my faves. And the perfect finale followed: AC/DC with HIGHWAY TO HELL. Here’s Wolfmother performing live on Jools Holland Later in October 2009.
Next week’s show has been suggested by the lovely Ros, and I can’t resist because its a goodie: SONGS ABOUT OTHER MUSICIANS. If you have any suggestions for tracks to include, leave me a message here. Meanwhile here’s the complete playlist from this week:
Turn Up Your Radio (1970) – Masters Apprentices
Eagle Rock (1971) – Daddy Cool
Most People I Know Think That I’m Crazy (1972) – Billy Thorpe and The Aztecs
Evie – Let Your Hair Hang Down, Pt. 1 (1974) – Stevie Wright
It’s A Long Way To The Top (If You Wanna Rock ‘N’ Roll) (1975) – AC/DC
(I’m) Stranded (1976) – The Saints
Am I Ever Gonna See Your Face Again (1977) – The Angels
Khe Sanh (1978) – Cold Chisel
Down Under (1981) – Men At Work
Power And The Passion (1982) – Midnight Oil 2
Never Gonna Die (1983) – Choirboys
Original Sin (1984) – INXS
Pleasure & Pain (1985) – The Divinyls
Before Too Long – Paul Kelly and The Coloured Girls
When The River Runs Dry (1989) – Hunters and Collectors
Thunderstruck (1990) – AC/DC
Better (1991) – Screaming Jets
One Word (1992) – Baby Animals
My Happiness (2001) – Powderfinger
Weir (2000) – Killing Heidi
Black Betty (2004) – Spiderbait
Straight Lines (2007) – Silverchair
New Moon Rising (2009) – Wolfmother
Highway To Hell (1979) – AC/DC
Next week: SONGS ABOUT OTHER MUSICIANS