This week’s theme is inspired by the fact that Iggy Pop is headlining our major youth concert, The Big Day Out this month. And Bob Dylan, Elvis Costello and Jethro Tull will all be here in April for the Byron Blues Festival. I’m a baby boomer, so I’m ecstatic to be able to see all my heroes from the 60’s still performing. But, I have to ask: what is it about the first generation of rock n rollers – what keeps them going?
The reality is that from the moment rock music arrived on the scene it was a young person’s game: music made by young people for young people. It never intended to grow up or grow old. But it did. So what happens when rock’s youthful rebelliousness is delivered wrapped in wrinkles?
Lemmy from Motorhead has a formula for staying alive. He reckons you just breath (at all times). Lemmy, like Keith Richards, is one of the all time rock n roll survivors and therefore much revered by fans of a similar vintage.
Much to the dismay of our children, we baby boomers have carried on being the oldest swingers in town. We haven’t shown any sign of giving up on rock concerts, taking recreational drugs, (if we want to), and staying up all night. It’s why the biggest earners for rock concerts aren’t the Lady Gagas of the world, but veteran performers like AC/DC, The Eagles, Paul McCartney and The Who.
On MY GENERATION The Who were actually saying that they hoped they’d die before they got old. Hey, hold on a minute, they’re still singing it and they ARE old. What happened?
What happened started in the 50s when an entirely new species emerged with its very own music. They were called teenagers. And their music was called rock n roll:
Rock n roll created something special: The joy of hearing your parents shout out: “Turn that bloody racket down!” Because one of the social functions of rock has always been the defiance of the older generation. For performers like Elvis every gesture, every note was all about social disenfranchisement and rebellion. Elvis hit the scene wearing pink and black and leather outfits. He looked more like a pimp than a musician. “Outrageous!” reeled the grown-ups. But to the teenagers, he represented an escape from the stuffiness of the post-World War Two era.
No-one, even the musicians themselves, took rock and pop seriously, though. It was seen as a novelty, something that wasn’t meant to last. As the soundtrack to growing pains, it was temporary and disposable just like the people who made it.
By the early 60’s Beatlemania was gripping youth’s attention. The Establishment, however, remained doubtful that it was a fever that would last. Even the Beatles accepted the idea of their own inbuilt obsolescence.
With Beatlemania, and the British Invasion in general, many of the young established groups were being left behind. The tyranny of youth dictated that if you didn’t change with the times, you were old hat. One of the new incumbents was the band Manfred Mann.
In 1965 The Who recorded one of the ultimate anthems to youth, one that damned growing up and growing old. The young went on the offensive claiming their territory through guitar, bass and drums. The older generation were still recovering from a World War and all they wanted was some peace and quiet. To the younger generation old age just seemed really boring.
Ironically, the British Beat boom of the mid 60’s was based on music that was already old. Bands like the Stones, The Animals & Manfred Mann worshipped American Blues of the 20s 30s and 40s. Their recording heroes were still alive, but by rock roll’s new standards they were old men. Charlie Parker was born in 1920, Miles Davis in 1926 & Muddy Waters in 1913.
The self-absorbed rebelliousness of rock n roll gathered speed with the Rolling Stones. While the Who were busy burying the older generation, the Stones were singing about finding their satisfaction in sex.
The arrival of album culture in the late 60s proved that rock n roll was now thinking more in the long term. It didn’t sound disposable anymore. It was growing up, just like the people who made it. The Beatles Sgt Peppers album dared to imagine what life would be like at SIXTY FOUR. Up until now that was completely unthinkable for the baby boomer generation.
In the same year that the Beatles released the Sgt Peppers album, Procol Harum had a hit single with WHITER SHADE OF PALE. Things had started to get serious. The more experienced young musicians began wondering how far they could take their music. And they took their diehard fans with them. In many cases the fans had grown up with these bands and, along the way, they’d developed an appreciation of lyrics and music with more depth.
The end of the sixties saw the beginning of the rock n roll casualty list. The death of Brian Jones in 1969 seemed to crystalise a ‘live fast, die young’ attitude and brought a new reality to “I hope I die before I get old.” Janis Jopliin, Jim Morrison, Jimi Hendrix all died at 27, confirming the myth that if you wanted to be a rock legend you had to die young.
The Stones, however, seemed determined to mature. After the death of Brian Jones they picked themselves up and went back on the road. For the band, it wasn’t over yet.
By the end of the 60’s the Stones had discovered the secret of survival, at least for now. Unfortunately, the Beatles didn’t. As if to prove that longevity and rock n roll was difficult for a group of young guys growing up together, they split in 1970. The Fab Four would go on to enjoy successful solo careers for many years to come but the surge of creativity that fed them in their youth proved more elusive for them and their generation as they grew older.
Today, Mick Jagger, Paul McCartney and Pete Townsend can play arenas 45 years after they first had hits. Which is great. But the real question is: are they writing great songs? Or is the outpouring of creativity that launched their careers a factor of youth?
Herman’s Hermits got together in 1963 when lead singer Peter Noone was only 16. Their very first release, I’M INTO SOMETHING GOOD, was a #1 hit and although future recordings would get into the top ten, they were never to have a UK #1 again. The band, without Noone, continue to perform to this day and Peter Noone has gone on to have a successful career as both a singer and actor.
In the early 70’s, no performer demonstrated rock n roll’s reliance on youthful invention and raw power more than Iggy Pop. Here’s a great little doco that illustrates why he is known as the “Godfather of Punk”:
Not all rock n roll of the early 70’s was an expression of sexual energy and youthful physicality. By now prog rock was plundering the classical music collections so beloved of its middle class parents, as proof of its intention to last. It’s perpetrators, bands like Yes & Jethro Tull, seemed to be contemplating careers beyond the age of 30.
Performers found themselves living with their songs and growing into their material. One of the most requested songs from troops serving in Vietnam was I GOTTA GET OUT OF THIS PLACE by Eric Burdon & The Animals. Burdon continues to perform this song today when he entertains servicemen and women in Iraq and Afghanistan. In fact, it’s written into his contract. That’s what they call an anthem, folks.
In 1976, before the 60’s generation had a chance to mature, they were rudely cast aside by punk. It was a three-chord reign of terror, the ultimate Oedipal act. Snarling, spitting and clawing its way to the stage.
These weren’t the kids of the optimistic 60’s but a new young generation who felt abandoned. Everyone was in their way and, as always, no one understood them.
The bands of the post-punk era, like the Specials and Madness, while less dismissive of the past, still believed that rock and pop music were part of an essentially young experience.
In the early 80’s the Stones were back, yet again, having been absent from the stage for 6 years – while punk and its aftermath were the centre of attention. They were proving that they were in for the long haul.
In July 1985 the benefits of hanging in for the long term reached unexpected and unprecedented heights, with Live Aid. The international event sometimes looked like a version of Dad’s Army with acts like Paul McCartney, Bob Dylan, The Who, and the Beach Boys joining pop stars of the 80s on stage. Watched by more than 400 million viewers in 60 countries, this was the rock n roll survivor’s finest hour. Suddenly being 40 didn’t seem so uncool. These were the masters, the legends, the acts deemed capable of feeding the world.
A lot of young people heard some of the older bands for the first time, saying “These bands are fantastic.” And then, the most hated people in their musical vocabulary, their parents, responded with “Yeah, we know, we love them too!”
What had begun with Live Aid in the 80’s continued into the 90s with projects like War Child. Performers from three generations of rock n roll – Paul McCartney, Paul Weller and Noel Gallagher recorded COME TOGETHER, in the new spirit of multi-generational tolerance. It was no longer a case of ‘My Generation’ but ‘Your Generation too”. Just as importantly, audiences for the music also started to span generations.
The new millennium witnessed an entirely new phenomenon: the revival and the comeback. Leonard Cohen, already in his 70’s, had decided to stop performing and recording altogether. At least that was the plan. But after having all his money misappropriated by a crooked manager, he had to go back on the road. And guess what, he loves it!
Audiences who had grown up and grown old with their heroes wanted them back. Age had invested their favourite bands with a new authenticity. Performers couldn’t believe their luck. Even Brian Wilson returned from the wilderness to be a Beach Boy once again.
Rock n roll is now revelling in a long life. What was about risk and youth is now about enjoying a grand old age. It’s about longevity, survival, nostalgia. Refusing to grow up, give up or shut up. The whole point of the baby boomer generation is that we made it up from the beginning and we’ve been making it up ever since. We’ve been pushing the boundaries, and unlike our parents, we’ve refused to accept old age.
Many thanks to BBC and You Tube community for the wealth of material, without which this week’s show would not be possible.
Next week, my special guests will be The Fridays, performing live in the studio, plus lots of songs about RESOLUTIONS. Any suggestions/requests, please leave me a message here.
In the meantime, here’s this week’s complete playlist:
Lust For Life, Trainspotting soundtrack, Iggy Pop
My Generation, Austin Powers: The Spy Who Shagged Me soundtrack, The Who
Johnny B. Goode, Martin Scorsese Presents the Blues, Chuck Berry
Jailhouse Rock, Elvis Presley
Get A Job, Get a Job, The Silhouettes
Paul McCartney quote
Twist And Shout, Please Please Me, The Beatles
Paul Jones quote
Come Tomorrow, The Five Faces of Manfred Mann, Manfred Mann
(I’m Your) Hoochie Coochie Man, Martin Scorsese Presents the Blues, Muddy Waters
Let’s Spend The Night Together, Hot Rocks 1964-1971, The Rolling Stones
When I’m Sixty-Four, Sgt. Peppers Lonely Hearts Club Band, The Beatles
She’s Leaving Home, Sgt Peppers Lonely Hearts Club Band, The Beatles
A Whiter Shade Of Pale, The Big Chill soundtrack, Procol Harum
Brown Sugar, Sticky Fingers, The Rolling Stones
Peter Noone quote
I’m Into Something Good, The Original 60’s Summertime album, Herman’s Hermits
Iggy Pop i/view
Search And Destroy, Raw Power, Iggy Pop & The Stooges
Too Old To Rock ‘N’ Roll, Too Young To Die, Jethro Tull
We’ve Gotta Get Out Of This Place, The Most of the Animals, The Animals
God Save The Queen, Never Mind the Bollocks, The Sex Pistols
Too Much Too Young, The Singles Collection, The Specials
Baggy Trousers, Complete Madness, Madness
Mick Jagger quote
Start Me Up, Tattoo You, The Rolling Stones
Rockin’ All Over The World, Rockin’ All Over The World, Status Quo
Surfin’ USA, Endless Summer Legends, The Beach Boys
We Will Rock You, News of the World, Queen
Come Together, Help (War Child Benefit), Paul Weller & Friends
1969 (with i/view), Iggy Pop
In My Secret Life, Ten New Songs, Leonard Cohen
God Only Knows, Pet Sounds, The Beach Boys
Forever Young, Napolean Dynamite soundtrack, Alphaville
Next week: RESOLUTIONS
HANDCLAPPING is not only a very useful and easy accompaniment on a music track, it also nearly always signifies a certain level of enthusiasm and joy. And I reckon that’s exactly the kind of show we needed right now, with the weather being so dreary. Clapping is used as a percussion element in many forms of music including Gospel, flamenco, electronic and pop. Shirley Ellis’s 1965 soul hit THE CLAPPING SONG was our opener and it perfectly fitted my criterion for this week’s playlist, with its reference to a favourite childhood game full of happy memories.
Outkast’s song, about a relationship in denial, HEY YA! is a crazy mix of soul, rock and everything in-between, including a chorus of handclapping that recalls the girl groups of the 60’s, 70’s funk and even pop fare like Toni Basil’s Mickey. Check out the amazing Andre 3000 performing the song live at the Grammy Awards:
A couple of rock’n’roll icons who knew the value of a bit of handclapping were Eddie Cochran with his 1958 hit SUMMERTIME BLUES and Elvis Presley with RUBBERNECKIN’, released in 1969. Most songs written by the King of Rock n Roll had girls swooning and shaking and RUBBERNECKIN’ was no exception. A remix version, by Paul Oakenfield, was released in 2003 and managed to top the US charts. I chose to play the original, which also appeared in the King’s final feature film, Change of Habit. Here’s a clip from that film with loads of handclapping in evidence:
Contributing a little funk were The Meters with their HANDCLAPPING SONG and we followed with that great girl group, The Marvelettes, singing TOO MANY FISH IN THE SEA. The Marvelettes were Motown’s first successful singing girl group recording on the Tamla label. They set the precedent for Martha and the Vandellas and The Supremes.
If you’re after some God-fearing, gospel style clapping then there’s arguably none better than the Abyssinian Baptist Choir and SAID I WASN’T GOING TO TELL NOBODY. Sheer ecstacy for some but I get my thrills from singers such as Jenny Lewis and her band Rilo Kiley. They have a very simple yet effective song featuring handclapping, THE FRUG.
I don’t think Peter Noonan sang any of Herman’s Hermit songs without clapping along and CAN’T YOU HEAR MY HEARTBEAT is no exception. Check out the Noonan’s facial expression at 1:24. Love it that they didn’t take themselves too seriously.
Two more songs that feature a good dose of handclapping are DON’T LET ME BE MISUNDERSTOOD by Santa Esmeralda and Rose Royce’s original version of CAR WASH. Scottish folk/rock group Stealers Wheel’s song, STUCK IN THE MIDDLE WITH YOU, found a whole new audience when it featured in the Quentin Tarantino film Reservoir Dogs. I’d love to include a clip from this film but it just so happens that the song is the backdrop for the most confronting scene in the movie and I did want to keep things cheerful!
The Cars emerged from the New Wave movement of the late 70’s with a blend of punk minimalism, synth-pop and art rock. It’s hard to believe that it’s now ten years since lead singer and bassist, Ben Orr, died of pancreatic cancer. Here he is looking smoking hot on their 1979 release, LET’S GO.
One of the most creative and idiosyncratic musicians of the 1990s and 2000s is Beck with his collage of musical styles, ironic lyrics and quirky arrangements. Check out this clip of his song CLAP HANDS. Now this is what I call good dinner conversation.
The late country crossover artist, Eddie Rabbitt, has a great clappiing song that also pays tribute to the clapping of thunder. I LOVE A RAINY NIGHT was a perfect track to accompany our weather report.
HANDCLAPPING is a very convenient piece of musical improvisation and it comes in useful across all musical genres. It also makes for a pretty cheerful playlist. To further prove my point we included two tracks from 1982: John Mellencamp’s HURTS SO GOOD and Prince’s LITTLE RED CORVETTE.
With a name like Clap Your Hands Say Yeah! it’s a given that this group would have to have a least one song with handclapping in their repertoire. The title CLAP YOUR HANDS has also been used by Aussie singer Sia. Here’s she is with her very quirky video clip:
When it comes to video clips, however, none does it better than Gorillaz. DIRTY HARRY is from their second album, Demon Days. Like the video for another of their tracks CLINT EASTWOOD, the video of DIRTY HARRY references the film of the same name. It’s the only Gorillaz music video, other than STYLO, to be filmed on location. For more info on Gorillaz go to: http://www.gorillaz.com For now, simply check out this brilliant piece of animation:
Canadian singer Feist had a huge hit with her handclapping song, 1234. It was actually written by Australian singer songwriter Sally Seltmann, who records under the name New Buffalo. They met while touring together in Canada.
The Romantics livened things up somewhat with WHAT I LIKE ABOUT YOU. It’s from their self titled album of 1980 and was also released as a single. Jimmy Marinos, the band’s drummer is the lead vocalist and it did particularly well in Australia, where it reached #2 on the Australian Singles Chart. A real party starter.
Mott the Hoople’s song, ALL THE YOUNG DUDES, was written for them by David Bowie and can be found on the 1972 album of the same name. It’s regarded as one of glam rock’s anthems. Despite this, it’s one of the few songs on the list whose lyrics aren’t upbeat. According to Bowie, the song wasn’t intended to be ‘glamorous’ at all and carries a darker message of apocalypse. See what handclapping does for a song? Changes the mood and therefore the intent of the song completely.
Massive Attack’s Heligoland LP boasts a huge slate of guest vocalists, none more sultry than Mazzy Star’s Hope Sandoval. “Sultry” is probably a nice way of describing the Toby Dye directed video clip of PARADISE CIRCUS. The clip is definitely for over 18s, so if you are interested I suggest you go to the Massive Attack Blog but this recommendation does come with a warning about explicit content. .
Less controversial were our next three songs starting with one of my favourites, Radiohead’s 15 STEP. We followed with The Clash and ROCK THE CASBAH and Queen with WE WILL ROCK YOU. Other than the last 30 seconds containing a guitar solo from Brian May, the song is generally set in a capella form, using only stamping and clapping as a rhythmic beat. Perfect for today’s theme.
We closed the show with one of the most inspirational songs that feature handclapping. GIVE PEACE A CHANCE celebrates what would have been John Lennon’s 70th birthday last Saturday.
If you would like to contribute to next week’s show, which will be on EYES AND SIGHT, I’d love to have your input. Just leave me a message in the comments area of this blog.
Here’s this week’s complete playlist:
The Clapping Song – The Best Of Shirley Ellis, Shirley Ellis
Hey Ya! – The Love Below, Outkast
Rubberneckin’ – Treasures 64 To 69 [Disc 1], Elvis Presley
Summertime Blues – Music From The Movies, Eddie Cochran
Hand Clapping Song – Struttin, The Meters
Too Many Fish In The Sea – The Big Chill, The Marvelettes
Said I Wasn’t Gonna Tell Nobody – Shakin’ The Rafters, The Abyssinian Baptist Gospel Choir
Frug – Rilo Kiley, Rilo Kiley
Can’t You Hear My Heartbeat – Their Greatest Hits, Herman’s Hermits
Don’t Let Me Be Misunderstood – Tarantino Experience Take II, Leroy Gomez and Santa Esmeralda
Car Wash – Greatest Hits, Rose Royce
Rebel Rouser – Forest Gump Soundtrack, Duane Eddy
Stuck In The Middle With You – Reservoir Dogs, Stealers Wheel
Let’s Go – The Cars Greatest Hits, The Cars
Clap Hands – Guerolito, Beck
I Love A Rainy Night – Kick It Up, Eddie Rabbitt
Hurts So Good – American Fool, John Mellencamp
Little Red Corvette – 1999, Prince
Clap Your Hands! – Clap Your Hands Say Yeah, Clap Your Hands Say Yeah
Clap Your Hands – Clap Your Hands, Sia
Dirty Harry – Dirty Harry (Single), Gorillaz
1234 – The Reminder [Bonus Track], Feist
What I Like About You – Top Hits Of The 80’s (1980 [Disc 2]), The Romantics
All The Young Dudes – Rock Classics 60’s & 70’s Volume 2, Mott The Hoople
Paradise Circus feat. Hope Sandoval – Heligoland, Massive Attack
15 Step – In Rainbows, Radiohead
Rock The Casbah – Story of the Clash, Volume 1 [Disc 1], The Clash
We Will Rock You – News Of The World, Queen
Give Peace A Chance – Lennon [Disc 1], John Lennon
Figuring out who your friends are used to be pretty straight forward. Rarely did anyone I know have more than a handful of best buddies, but in the age of Facebook there’s nowhere to hide and in ten seconds flat you’ve got yourself hundreds of so-called ‘friends’ in your cyber-social network. At least with neighbours there’s no ambiguity. They either live next door to you or they don’t. Except in Byron Bay where, if you live in a holiday rental area, it’s a traveling circus. But that’s another story.
The risk with doing a show with this theme,of course, is that the songs tend to lean towards the warm and fuzzy, so I’ve made sure that if I have included a little bit of cheese, then its good cheese! The brie of pop, in fact. Personally, I prefer a gritty, more realistic look at friendships, so it was a diverse range of viewpoints that we presented in this week’s show. I also went out of my way to exclude any song that’s been used as a theme for a sit-com or reality tv series. And that was hard I tell you. Goodbye Dandy Warhols, The Rembrandts, Stevie Wonder and others.
We opened the show with some pure pop – the Spice Girls, way back when they really were friends, with WANNABE. Yeah, if you wannabe my lover, you better get on with my friends. Well, it’s a given isn’t it? The official video of the song isn’t that great, but you have to give them credit for a clip made with one continuous shot. Check it out:
The uncomplicated friendships formed at school are the source of a number of songs. The White Stripes with, most possibly, their gentlest track, WE ARE GOING TO BE FRIENDS, was followed by The Clash’s wonderful, yet underrated, STAY FREE – a song written by guitarist Mick Jones about his best mate at school who ended up in prison.
Bill Withers’ LEAN ON ME is a genuine heart-warmer. Some may think its cheesy, but to me it transcends that label and represents one of the classic friendship songs. Corrine Bailey Rae gives a nod to Bob Marley in PUT YOUR RECORDS ON: “three little birds sat on my window and they told me that I don’t need to worry.” A beautiful song about the supportive nature of friendship.
Michelle Shocked song ANCHORAGE is about friendship that’s expressed in letters going back and forth. The song touchingly and poignantly captures the pleasure of discovering a friend’s new life while realizing that life moves on and different paths must be followed.
There were at least three songs from The Beatles that fitted the theme but I chose IN MY LIFE, over the more obvious I GET BY WITH A LITTLE HELP FROM MY FRIENDS. Because I can.
BAD NEIGHBOURHOOD by Ronny & The Delinquents is notable for the fact that the band included Dr John before he became Dr. John. Malcolm Rebennack (his real name), was a guitarist in that band but his career almost came to an end when his left ring finger was injured by a gunshot while he was defending singer/keyboardist Ronnie Barron. After the injury, Rebennack concentrated on bass guitar before making piano his main instrument; pianist Professor Longhair was an important influence on Rebennack’s style.
Pioneering gospel and blues singer Sister Rosetta Tharpe had some good advice: DON’T TAKE EVERYBODY TO BE YOUR FRIEND. While Jerry McCain and His Upstarts had a whinge: MY NEXT DOOR NEIGHBOUR is a very amusing song about a neighbour that can’t stop borrowing stuff.
Not all companionship is welcome. Morrissey comments on the Manchester music scene in WE HATE IT WHEN OUR FRIENDS BECOME SUCCESSFUL. And in ARE ‘FRIENDS’ ELECTRIC? Gary Numan mixes genuine feelings of alienation with Philip K. Dick’s sci-fi fantasies to create a story of a man whose robot buddy has broken down. Awwww.
The Arcade Fire gave us NEIGHBORHOOD #2 from their Funeral album. The song is actually about Laika the first dog to have been sent into outer space, as the song goes, “for the good of the neighborhood”. Hey, isn’t the dog supposed to be man’s best friend? Quite a sad song, really.
Feeling the the need for some R&B to cheer me up so it was the Four Tops with a message that everyone needs to hear every now and again: REACH OUT I’LL BE THERE. And I never tire of the beautiful voice of Dido singing THANK YOU. Here she is with a fantastic acoustic performance of the song:
Country singers George Jones and Melba Montgomery take neighbourly love to a whole new level with LET’S INVITE THEM OVER. I must admit that today’s show throws a whole new light on our country cousins, doesn’t it?
War wanted to know WHY CAN’T WE BE FRIENDS? and The Lemonheads delivered a brutally honest song about a certain kind of dependent relationship: MY DRUG BUDDY. Here’s Evan Dando performing the track live with Chris Brokaw:
Sheryl Crowe’s song THERE GOES THE NEIGHBOURHOOD won a Grammy award in 2001 for Best Female Rock Performance but failed to chart in America. Go figure.
The Cars got all sooky on us with MY BEST FRIENDS GIRL. Yeah, she used to be mine. Oh well thems the breaks guys. Love and friendship is a complex mix. REO Speedwagon told us (they) HEARD IT FROM MY BEST FRIEND. Oh Oh. Can’t be good news. But we had a solution that may interest some: Rachel Yamagata tackled the the concept of bonk buddies in SIDEDISH FRIEND. Here she is performing the song on KCRW radio in 2008:
Even our country singer friends like the idea of a bit on the side. Conway Twitty & Loretta Lyn asked WHAT’S A LITTLE LOVE BETWEEN FRIENDS? Indeedy.
The Grateful Dead’s song FRIEND OF THE DEVIL is from their American Beauty album and the song, like most of the album, is acoustic. It is known for the riff lead guitarist Jerry Garcia plays and it’s the most covered of the Dead’s songlist.
Patti Labelle is at her best when she sings YOU ARE MY FRIEND. Great song, great voice, simple as that. Here she is in her very first live video with the bonus of an amazing intro from Debbie Henry. The year was 1991.
Now how many times have you heard someone say, after they’ve broken up with someone, that not only were they losing a lover they were losing their best friend? Blues artist Little Walter bemoaned the fact in LAST NIGHT.
It was time for a mood lifter and a couple of songs about Neighbours gave us just that. The Small Faces song LAZY SUNDAY (“Wouldn’t it be nice to get on wiv me neighbours) was suggested by Beck. Great. A perfect companion piece was the Rolling Stones, who also don’t seem to be getting on with their NEIGHBOURS. Do you think it might have something to do with them being rock bands? Here are the Stones performing live in Tempe Arizona during their 1981 tour:
Love, love, love DEAD END FRIENDS from Them Crooked Vultures, the rock supergroup formed in 2009 by John Paul Jones, (Led Zeppelin), Dave Grohl (Nirvana/Foo Fighters) and Josh Homme (Queens of the Stone Age). Go Dave!
It always make me a little sad to listen to Freddie Mercury who died way too young but I had to include Queen’s YOU’RE MY BEST FRIEND:
Herman’s Hermits song MY SENTIMENTAL FRIEND sums up a lot of the material in today’s show including our very last song YOU’VE GOT A FRIEND, from Dusty Springfield covering the Carole King standard. That one was for Victoria.
A big thank you to Zoe for helping out with this week’s show.
Next week in the lead up to Anzac Day and the Australian Day of Remembrance, I’m dedicating the show to MEMORY. So, get your thinking caps on and send my your suggestions.
Here’s the playlist:
Wannabe – Spice Girls
We Are Going To Be Friends – The White Stripes
Stay Free – The Clash
Put Your Records On – Corrine Bailey Rae
Lean On Me – Bill Withers
Anchorage – Michelle Shocked
In My Life – The Beatles
Bad Neighbourhood – Ronny & the Delinquents
Don’t Take Everybody To Be Your Friend- Sister Rosetta Tharpe
My Next Door Neighbour – Jerry McCain And His Upstarts
We Hate It When Our Become Successful – Morrissey
Are ‘Friends’ Electric -Gary Numan + Tubeway Army
Neighborhood #2 (Laika) – The Arcade Fire
Reach Out I’ll Be There – The Four Tops
Thank You – Dido
Let’s Invite Them Over – George Jones & Melba Montgomery
Why Can’t We Be Friends – War
My Drug Buddy – The Lemonheads
There Goes The Neighbourhood – Sheryl Crow
My Best Friends Girl – The Cars
Heard It From A Friend – REO Speedwagon
Sidedish Friend – Rachael Yamagata
What’s A Little Love Between Friends – Conway Twitty & Lorretta Lyn
Friend of the Devil – Grateful Dead
You Are My Friend – Patti Labelle
Last Night – Little Walter
Lazy Sunday – The Small Faces
Neighbours – The Rolling Stones
Dead End Friends – Them Crooked Vultures
You’re My Best Friend – Queen
My Sentimental Friend – Herman’s Hermits
You’ve Got A Friend – Dusty Springfield
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time
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