Ok, so there are intros and then they’re are great intros. What qualifies as great in my books? In this week’s playlist some songs feature opening segments that are totally independent from the rest of the track. Others just start with the main riff. Our opening song, INTRO/SWEET JANE is from Lou Reed’s live album Rock n Roll Animal, released in 1974, and it’s a terrific example of a great intro. The opening jam from guitarists Steve Hunter and Dick Wagner creates an air of anticipation for what is still to come. The quality of this video clip isn’t great but I had to include it because any chance to see Lou and the band performing in 1974 is worth the annoyance.
The Breeders, (what a brilliant name for an almost all girl band), was formed in 1988 by Kim Deal of The Pixies and Tanya Donnelly of Throwing Muses. Their most successful album Last Splash produced the hit single CANNONBALL and the outstanding part of that song’s intro is the bass line, performed by Josephine Wiggs. The music video was directed by Kim Gordon and Spike Jonze and its a doozy:
The opening salutation on Stevie Wonder’s SIR DUKE is not an introduction that blends into the song; those actual chords are never repeated. It’s a tribute to Duke Ellington and so the intro sets the tone for the piece as a whole, foreshadowing the looser, jazzier solos later in the song.
On Isaac Hayes’ brilliant funk version of the Dionne Warwick classic WALK ON BY the intro becomes a song within a song. On this clip Isaac performs live at Music Scene in 1969. OMG: Sex on a stick. But, about those girls dresses…..
The song ONE STEP BEYOND is from the Madness album of the same name. It was originally written and recorded by the Jamaican ska musician Prince Buster. The spoken line, “Don’t watch that, watch this” in the intro is from another Prince Buster song The Scorcher. Here they are at Glastonbury 2007 showing why they have such a great reputation for live performance:
One of the most recognisable intros in rock history is HOTEL CALIFORNIA from The Eagles. But when it comes to intros that get your attention and then drag you in, kicking and screaming, it has to be rock legends Led Zeppelin. IMMIGRANT SONG is famous for Robert Plant’s distinctive wailing cry at the beginning and the recurring staccato riff from Jimmy Page, John Paul Jones and, (sigh), John Bonham.
The Rolling Stones’ GIMME SHELTER starts rather timidly, with Keith Richards’ set of wavering chords, but it soon builds into a crescendo dominated by the lead guitar line. Here they are performing live in Amsterdam, 1995 with Lisa Fisher on back-up. Watch until the end and get a little bonus from Charlie Watts.
SMOKE ON THE WATER from Deep Purple is known for Ritchie Blackmore’s instantly recognisable opening riff. The lyrics of the song tell a true story: on 4 December 1971 Deep Purple had set up camp in Montreux Switzerland to record an album using a mobile recording studio at the entertainment complex that was part of the Montreux Casino. On the eve of the recording session a Frank Zappa and The Mothers of Invention concert was held in the casino’s theatre. In the middle of Don Preston’s synthesizer solo on “King Kong”, the place suddenly caught fire when somebody in the audience fired a flare gun into the rattan covered ceiling. The resulting fire destroyed the entire casino complex, along with all the Mothers’ equipment. The “smoke on the water” that became the title of the song referred to the smoke from the fire spreading over Lake Geneva from the burning casino as the members of Deep Purple watched the fire from their hotel across the lake.
It was difficult to pick from AC/DC’s repertoire of great introductions but I went with my all-time favourite, THUNDERSTRUCK. Angus Young gets the crowd going during this intro at Donnington 1991:
Derek & The Dominoes’ LAYLA has got to be one of rock’s definitive love songs. The introduction contains an overdub-heavy guitar solo, a duet of sorts between Duane Allman’s slide guitar and Eric Clapton’s bent notes.
A couple of controversial tracks followed, both with unique introductions. FIRESTARTER, by UK band The Prodigy, caught attention because the song was deemed, by some, to be violent. The video clip, directed by Walter Stern, further fueled these claims. Shot in stark black and white, in an used part of the London Underground, some television stations refused to air the clip. Which just makes me want to show it to you, even more! I think its brilliant.
The Prodigy are a hard act to follow but I think we succeeded with the compelling and dark Massive Attack track INTERTIA CREEPS. It’s from their excellent album Mezzanine.
When The Temptations’ PAPA WAS A ROLLING STONE was released in 1972 it was 12 minutes long! Thankfully there is a shorter version that’s suitable for radio that keeps that amazing intro intact. It begins with an extended instrumental starting with a solo plucked bass guitar, backed by hi-hat cymbals. Other instruments including a blues guitar, wah-wah guitar, Wurlitzer Electric Piano, handclaps, horns and strings gradually join in.
In 1974 David Bowie became obsessed with soul music and it resulted in the album YOUNG AMERICANS, which he created with the help of the great soul singer Luther Vandross. Here’s the Thin White Duke on the Dick Cavett Show in 1974 with, amongst others, Vandross singing back-up! Loving the shoulder pads.
The Beatles track I FEEL FINE was the first recorded song to feature guitar feedback. The story goes that, while recording, John Lennon accidentally left his guitar too close to his amp, producing the interesting whine that’s in tune with the riff’s opening note.
As an intro to our Gig Guide, I couldn’t resist playing some of Screamin’ Jay Hawkins’ I PUT A SPELL ON YOU. The demented opening and the cabaret style act, together with a cigarette smoking skull called ‘Henry’, laid the foundation for future ‘shock rock’ performers like Dr. John.
Another iconic opener belongs to the The Small Faces tune TIN SOLDIER. Here’s some rare coverage of the band with P.P.Arnold on Belgium TV in 1968. Go the Mods!
Quentin, from BayFM’s ‘Q’s Blues & Jazz’ suggested I do a show on Roads and Streets but I’d already done that quite a while ago. (I know, even I can’t remember what themes I’ve covered most of the time!). But she planted a seed that led me to Gerry Rafferty BAKER STREET and that consequently led to this week’s theme. So thank you Q! BAKER STREET has a stand-out opening with its prominent eight-bar saxophone hook, played by Raphael Ravenscroft.
As we headed for the close of the show, my favourite rock groups came to the fore. Pink Floyd’s MONEY had to be included for its distinctive opening of an impressive bass line and its seven-beat loop of money related sound effects.
While the Beatles may have been the first band to use feedback on a recording, the incredible Jimi Hendrix perfected the art. Again, which track to choose? FOXY LADY has always been a favourite and it does feature that almost excrutiating feedback at the beginning.
Our final track had me pushing up the sound and dancing out of the studio. Led Zeppelin seem to specialise in fantastic opening segments. A track that I absolutely adore is KASHMIR.
Next week we’ll be previewing the Mullumbimby Music Festival. Lots of great music and, I hope, an interview or two. Should be fun.
Here’s the complete playlist from this week’s show on Great Introductions:
Intro / Sweet Jane – Rock And Roll Animal, Lou Reed
Cannonball – Last Splash, The Breeders
Sir Duke – Songs In The Key Of Life [Disc 1], Stevie Wonder
Walk On By – Dead Presidents, Isaac Hayes
One Step Beyond – Total Madness: The Very Best Of Madness Madness
Hotel California – Hotel California, The Eagles
Immigrant Song – Rock 3, Led Zeppelin
Gimme Shelter – Hot Rocks, 1964-1971 [Disc 2], The Rolling Stones
Wipe Out – The Perfect Wave, The Surfaris
Smoke On The Water – Machine Head, Deep Purple
Thunderstruck – Razor’s Edge, AC/DC
Layla – Layla & Other Assorted Love Songs, Derek and The Dominos
Firestarter – Fat of the Land, The Prodigy
Inertia Creeps – Mezzanine, Massive Attack
Papa Was A Rollin’ Stone – Motown: The Classic Years [Disc 2], The Temptations
Young Americans – Young Americans [Bonus Tracks], David Bowie
I Put A Spell On You – Replay/Gold – Vol 1 No 5, Screamin’ Jay Hawkins
I Feel Fine – Beatles 1, The Beatles
Tin Soldier – The Best Sixties Album In The World Ever III-[Disc 2], The Small Faces
Baker Street – City To City, Gerry Rafferty
Money – Pink Floyd, Pink Floyd
Foxy Lady – Experience Hendrix: The Best Of Jimi Hendrix, Jimi Hendrix
Kashmir – Physical Graffiti, Led Zeppelin
Next week: MULLUMBIMBY MUSIC FESTIVAL PREVIEW
I’m baaaack! And this week’s theme was influenced by my recent road trip down the coast: STREETS AND ROADS. Street songs also include their close relations avenues, lanes and boulevards. They all tend to be about a particular destination. Songs about roads and highways, on the other hand, are inclined to reflect on a journey of some kind, metaphorical or not. Some of these songs immortalise where they came from, others where they’re going, but all seem to have something significant to say.
We opened the show with the Drifters’ ON BROADWAY – a road that reflects the best and worst of New York. The famous entertainment strip is the epitome of success for some but it’s also a desperate place to be if you are one of the less fortunate. Check out the Drifters doing a great job, but what’s with the outfits? Pyjamas with fringing. What the??????
TOBACCO ROAD was written by country singer John D. Loudermilk and inspired by Erskine Caldwell’s Depression-era novel of the same name. The song reeks of the American south. A group calling themselves the Nashville Teens recorded the original version, although they actually hailed from England. And I don’t think it was even Southern England, cheeky sods!
There are so many versions of the that definitive road song, ROUTE 66, but I rather like the Nat King cole rendition. Eddy Grant took us back to the 80’s with ELECTRIC AVENUE about a market street in Brixton, London. You may remember a cover version by Aussie band Men at Work, but there’s nothing like the original. Check it out:
The wonderful Emmylou Harris dueted with Dave Matthews on GULF COAST HIGHWAY. Now I don’t believe that there is an actual Gulf Coast Highway, but who cares when the song is so beautiful?
It was a toss up when it came to Bruce Springsteen’s contribution to the show – Both Thunder Road and Racing the Streets were worthy contenders but I had to give it to the Oscar winning anthem, STREETS OF PHILADELPHIA.
Louis Armstrong paid homage to his favourite street in New Orleans in BASIN STREET BLUES and although I gave it a spin on the AUTOMOBILE show, Grace Jones deserved another outing with PULL UP TO THE BUMPER, from her critically acclaimed album NIGHTCLUBBING.
Bobby ‘Blue’ Bland was going FARTHER UP THE ROAD while Bob Dylan delivered the classic HIGHWAY 61 REVISITED. And here’s some trivia about that particular highway, which travels from New Orleans through to the Canadian border. Bessie Smith met her death in an automobile accident on that road, Robert Johnson was said to have lost his soul to the devil at the crossroads of Highway 61 and Highway 49, Elvis Presley grew up in the housing projects built along it and Martin Luther King Jnr would later be murdered in a motel just off Highway 61.
The Beatles sang about PENNY LANE while David Byrne and the Talking Heads took the ROAD TO NOWHERE:
A show about roads needed a bit of hard rock and the obvious, of course, is Acca Dacca and HIGHWAY TO HELL. But I thought I’d give them a rest this week and instead, in celebration of the Deep Purple tour reaching Brisbane next month (yay!) it was HIGHWAY STAR instead. Once listed in the Guiness Book of Records as the Word’s loudest rock band, here they are performing live in 1972. Ian Gillian, you are hot! Can’t wait for them to reach Bris-vegas.
Kirsty MacColl calmed things down just a little with WALKING DOWN MADISON, a song that deals with the disparity between rich and poor on the most expensive street in New York, Madison Avenue. As the song goes: “From the sharks in the penthouse to the rats in the basement, it’s not that far”. Gerry Rafferty sang all about London’s BAKER STREET, probably most famous for the literary address of Sherlock Holmes’ residence.
Lots of our songs this week dealt with being down and out, so it was great to include a number by the wonderful Dinah Washington. She’s definitely got the right attitude as she goes walking ON THE SUNNY SIDE OF THE STREET. Recorded in 1956 with orchestra under the direction of Hal Mooney, the song was originally composed in 1930 by Jimmy McHugh and Dorothy Fields for the Broadway musical “International Revue” starring Gertrude Lawrence. The song has since become a jazz standard recorded by many.
In complete and utter contrast came the Australian Aria award winning hip-hop group, The Hilltop Hoods, with a song about life’s choices: THE HARD ROAD.
Chris Rea’s song, ROAD TO HELL, was apparently inspired by rush hour on a motorway. After being in Sydney I know how he feels! It’s been way too long since I played some Roy Orbison, so I DROVE ALL NIGHT was in, as it fitted so perfectly.
Green Day’s BOULEVARD OF BROKEN DREAMS is, I assume, about Sunset Boulevard in Los Angeles. Similar to New York’s BROADWAY, Sunset Boulevard is the primary location for live entertainment, as well as being the red-light district and a hang for the homeless.
A fitting follow-up was Ray Charles with LONELY AVENUE and it was up to Junior Walker and the Allstars to brighten the mood somewhat with ROAD RUNNER.
Another fantastic and, I think, optimistic song about leaving home and heading off for freedom, is VENTURA HIGHWAY, a 1972 hit for America.
The Mamas and Papas sang a song reportedly about the place where they all met, a bar in CREEQUE ALLEY while Ray Charles and the Stray Cats combined on a great version of HIT THE ROAD, JACK.
For anyone living on a rural property, like I do, Lucinda Williams’ CAR WHEELS ON A GRAVEL ROAD will resonate, for sure.
I returned from my trip to Sydney to hear the very sad news that our friend Susie McNair had passed away quietly on Tuesday March 16th. The final song of the program was dedicated to her memory. The Beatles, THE LONG AND WINDING ROAD, was the final single that they recorded as a group. R.I.P. Susie.
Thanks to the following listeners for contributing to this week’s list: Judi, Rebecca and Katie. Next week’s theme is HAIR, so get your thinking caps on!
Meanwhile, here’s this week’s complete playlist: