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SONGS ABOUT CONCERTS

There’s something about seeing an act in concert that, (if they’re good that is), makes you a fan forever. One of the first concerts I ever attended was by The Beatles. I know, I know, I’m showing my age! I had to get my Mum’s permission to go and, to be honest, we couldn’t hear a thing for all the screaming, much of which came from my best friend Helen. But we thought we were the ants pants and I’ve never forgotten that day.

So, it was fitting that SGT PEPPERS LONELY HEARTS CLUB BAND opened our show on CONCERTS.  Check out this clip from the movie ‘The Beatles Yellow Submarine’ and you’ll have to agree it was a perfect kick off to this week’s program:

Every concert is unique of course, but LCD Soundsystem reckon that DAFT PUNK IS PLAYING AT MY HOUSE. Oh, if only it were true!

Now, that would be a hard gig to follow. For something completely different, look no further than Bonzo Dog Doo Dah Band with THE BRIDE STRIPPED BARE BY THE ‘BACHELORS’, a great piece of satire about performing on the English club circuit.

STAGE FRIGHT by The Band is a song that just may resonate with some of you. It tells the story of a performer who sings just like a bird but is terrified every time he has to get up in front of an audience. Here’s a clip from the film The Last Waltz, directed by Martin Scorsese in 1978. Rick Danko R.I.P.

Not shy at all are Dire Straits. SULTANS OF SWING is about a band blowing Dixie in double four time. A perfect concert song, if ever there was one. And here they are performing it live. Excellent. It’s the seminal concert at which they recorded the album ‘Alchemy: Dire Straits Live’. The album cover, btw, was taken from a painting by Australian artist Brett Whitely.

Wild Cherry’s PLAY THAT FUNKY MUSIC is autobiographical. The group were a rock band, but in 1975 were competing with Disco for their loyal followers attention. So they wrote a song to suit the times and it’s probably the most recognised funk song there is.

The lyrics of SMOKE ON THE WATER, by Deep Purple, tell a true story too. It was December 1971 and Frank Zappa and the Mothers of Invention were performing in concert at the Montreux Casino Theatre. In the middle of Don Preston’s King Kong synthesizer solo the place suddenly caught alight. Deep Purple were staying on the other side of the lake and witnessed the fire and the smoke on the water and the rest, as they say, is history.

Arguably, the most famous outdoor concert is Woodstock. And one of the most famous songs about that concert is Joni Mitchell’s WOODSTOCK. She wrote the song after being told about it by her then boyfriend Graham Nash. She wasn’t actually there herself.  I prefer Matthews Southern Comfort’s version, which is probably heresy to all you Joni fans. But take a listen. I think its got a really relaxed tone to it that suits the material well. Some cool images of the Woodstock concert in this clip too.

David Bowie’s ZIGGY STARDUST is from the album The Rise and Fall of Ziggy Stardust and the Spiders of Mars . A concert film of the same name was directed by D.A. Pennebaker in 1973. Here’s Bowie singing the song on the Jonathan Ross show in 2002. Is it just me, or does the Dude just get better and better?

Sadly all the soul legends referred to in Arthur Conley’s classic SWEET SOUL MUSIC are no longer with us. How good it would have been to see them all in concert. Arthur Conley passed away himself in 2003. Here he is, on the way to the Go-Go in 1966:

I do like to play a little country music now and again, and Johnny Cash’s song about THE NIGHT HANK WILLIAMS CAME TO TOWN fitted the playlist to a tee. As did Camera Obscura’s brilliant version of Abba’s SUPERTROUPER. But the finale of the show had to go to Jackson Browne’s ode to the hard-working roadie. THE LOAD OUT was a perfect finish to a show dedicated to concerts.

Next week’s show will be on SECRET VICES/GUILTY PLEASURES. I’ve been glued to the tele watching the Eurovision Song Contest this past weekend, so that’s my guilty pleasure at the moment. What’s yours? And have they written a song about it? Let me know!

Meanwhile, here’s this week’s complete playlist:

Sgt. Pepper’s Lonely Hearts Club Band – The Beatles
Daft Punk Is Playing At My House –  LCD Soundsystem
The Bride Stripped Bare By ‘Bachelors’ –  Bonzo Dog Doo-Dah Band
Stage Fright  –  The Band
Sultans Of Swing –  Dire Straits
Play That Funky Music –  Wild Cherry
Smoke On The Water – Deep Purple
Woodstock – Matthews’ Southern Comfort
Ziggy Stardust – David Bowie
Sweet Soul Music – Arthur Conley
The Night Hank Williams Came To Town – Johnny Cash
Super Trouper –  Camera Obscura
The Load-Out – Jackson Browne

Next week: SECRET VICES

Listen to Lyn McCarthy at the Theme Park on BayFM at the new time of Mondays 1–2pm, Sydney time
Also streaming via BayFM
Tragically also on Facebook and Twitter
Email me at: lyn.themeparkradio@gmail.com

GREAT INTRODUCTIONS

Ok, so there are intros and then they’re are great intros. What qualifies as great in my books? In this week’s playlist some songs feature opening segments that are totally independent from the rest of the track. Others just start with the main riff. Our opening song, INTRO/SWEET JANE is from Lou Reed’s live album Rock n Roll Animal, released in 1974, and it’s a terrific example of a great intro. The opening jam from guitarists Steve Hunter and Dick Wagner creates an air of anticipation for what is still to come. The quality of this video clip isn’t great but I had to include it because any chance to see Lou and the band performing in 1974 is worth the annoyance.

The Breeders, (what a brilliant name for an almost all girl band), was formed in 1988 by Kim Deal of The Pixies and Tanya Donnelly of Throwing Muses. Their most successful album Last Splash produced the hit single CANNONBALL and the outstanding part of that song’s intro is the bass line, performed by Josephine Wiggs. The music video was directed by Kim Gordon and Spike Jonze and its a doozy:

The opening salutation on Stevie Wonder’s SIR DUKE is not an introduction that blends into the song; those actual chords are never repeated. It’s a tribute to Duke Ellington and so the intro sets the tone for the piece as a whole, foreshadowing the looser, jazzier solos later in the song.

On Isaac Hayes’ brilliant funk version of the Dionne Warwick classic WALK ON BY the intro becomes a song within a song. On this clip Isaac performs live at Music Scene in 1969. OMG: Sex on a stick. But, about those girls dresses…..

The song ONE STEP BEYOND is from the Madness album of the same name. It was originally written and recorded by the Jamaican ska musician Prince Buster. The spoken line, “Don’t watch that, watch this” in the intro is from another Prince Buster song The Scorcher. Here they are at Glastonbury 2007 showing why they have such a great reputation for live performance:

One of the most recognisable intros in rock history is HOTEL CALIFORNIA from The Eagles. But when it comes to intros that get your attention and then drag you in, kicking and screaming, it has to be rock legends Led Zeppelin. IMMIGRANT SONG is famous for Robert Plant’s distinctive wailing cry at the beginning and the recurring staccato riff from Jimmy Page, John Paul Jones and, (sigh), John Bonham.

The Rolling Stones’ GIMME SHELTER starts rather timidly, with Keith Richards’ set of wavering chords, but it soon builds into a crescendo dominated by the lead guitar line. Here they are performing live in Amsterdam, 1995 with Lisa Fisher on back-up. Watch until the end and get a little bonus from Charlie Watts.

SMOKE ON THE WATER from Deep Purple is known for Ritchie Blackmore’s instantly recognisable opening riff. The lyrics of the song tell a true story: on 4 December 1971 Deep Purple had set up camp in Montreux Switzerland to record an album using a mobile recording studio at the entertainment complex that was part of the Montreux Casino. On the eve of the recording session a Frank Zappa and The Mothers of Invention concert was held in the casino’s theatre. In the middle of Don Preston’s synthesizer solo on “King Kong”, the place suddenly caught fire when somebody in the audience fired a flare gun into the rattan covered ceiling. The resulting fire destroyed the entire casino complex, along with all the Mothers’ equipment. The “smoke on the water” that became the title of the song referred to the smoke from the fire spreading over Lake Geneva from the burning casino as the members of Deep Purple watched the fire from their hotel across the lake.

It was difficult to pick from AC/DC’s repertoire of great introductions but I went with my all-time favourite, THUNDERSTRUCK. Angus Young gets the crowd going during this intro at Donnington 1991:

Derek & The Dominoes’ LAYLA has got to be one of rock’s definitive love songs. The introduction contains an overdub-heavy guitar solo, a duet of sorts between Duane Allman’s slide guitar and Eric Clapton’s bent notes.

A couple of controversial  tracks followed, both with unique introductions. FIRESTARTER, by UK band The Prodigy, caught attention because the song was deemed, by some, to be violent. The video clip, directed by Walter Stern, further fueled these claims. Shot in stark black and white, in an used part of the London Underground, some television stations refused to air the clip. Which just makes me want to show it to you, even more! I think its brilliant.

The Prodigy are a hard act to follow but I think we succeeded with the compelling and dark Massive Attack track INTERTIA CREEPS. It’s from their excellent album Mezzanine.

When The Temptations’ PAPA WAS A ROLLING STONE was released in 1972 it was 12 minutes long! Thankfully there is a shorter version that’s suitable for radio that keeps that amazing intro intact. It begins with an extended instrumental starting with a solo plucked bass guitar, backed by hi-hat cymbals. Other instruments including a blues guitar, wah-wah guitar, Wurlitzer Electric Piano, handclaps, horns and strings gradually join in.

In 1974 David Bowie became obsessed with soul music and it resulted in the album YOUNG AMERICANS, which he created with the help of the great soul singer Luther Vandross. Here’s the Thin White Duke on the Dick Cavett Show in 1974 with, amongst others, Vandross singing back-up!  Loving the shoulder pads.

The Beatles track I FEEL FINE was the first recorded song to feature guitar feedback. The story goes that, while recording, John Lennon accidentally left his guitar too close to his amp, producing the interesting whine that’s in tune with the riff’s opening note.

As an intro to our Gig Guide, I couldn’t resist playing some of  Screamin’ Jay Hawkins’ I PUT A SPELL ON YOU. The demented opening and the cabaret style act, together with a cigarette smoking skull called ‘Henry’, laid the foundation for future ‘shock rock’ performers like Dr. John.

Another iconic opener belongs to the The Small Faces tune TIN SOLDIER. Here’s some rare coverage of the band with P.P.Arnold on Belgium TV in 1968. Go the Mods!

Quentin, from BayFM’s ‘Q’s Blues & Jazz’ suggested I do a show on Roads and Streets but I’d already done that quite a while ago. (I know, even I can’t remember what themes I’ve covered most of the time!). But she planted a seed that led me to Gerry Rafferty BAKER STREET and that consequently led to this week’s theme. So thank you Q!  BAKER STREET has a stand-out opening with its prominent eight-bar saxophone hook, played by Raphael Ravenscroft.

As we headed for the close of the show, my favourite rock groups came to the fore. Pink Floyd’s MONEY had to be included for its distinctive opening of an impressive bass line and its seven-beat loop of money related sound effects.

While the Beatles may have been the first band to use feedback on a recording, the incredible Jimi Hendrix perfected the art. Again, which track to choose? FOXY LADY has always been a favourite and it does feature that almost excrutiating feedback at the beginning.

Our final track had me pushing up the sound and dancing out of the studio. Led Zeppelin seem to specialise in fantastic opening segments. A track that I absolutely adore is KASHMIR.

Next week we’ll be previewing the Mullumbimby Music Festival. Lots of great music and, I hope, an interview or two. Should be fun.

Here’s the complete playlist from this week’s show on Great Introductions:

Intro / Sweet Jane – Rock And Roll Animal, Lou Reed

Cannonball – Last Splash, The Breeders

Sir Duke – Songs In The Key Of Life [Disc 1], Stevie Wonder

Walk On By – Dead Presidents, Isaac Hayes

One Step Beyond – Total Madness: The Very Best Of Madness Madness

Hotel California – Hotel California, The Eagles

Immigrant Song – Rock 3, Led Zeppelin

Gimme Shelter – Hot Rocks, 1964-1971 [Disc 2], The Rolling Stones

Wipe Out – The Perfect Wave, The Surfaris

Smoke On The Water – Machine Head, Deep Purple

Thunderstruck – Razor’s Edge, AC/DC

Layla – Layla & Other Assorted Love Songs, Derek and The Dominos

Firestarter – Fat of the Land, The Prodigy

Inertia Creeps – Mezzanine, Massive Attack

Papa Was A Rollin’ Stone – Motown: The Classic Years [Disc 2], The Temptations

Young Americans – Young Americans [Bonus Tracks], David Bowie

I Put A Spell On You – Replay/Gold – Vol 1 No 5, Screamin’ Jay Hawkins

I Feel Fine – Beatles 1, The Beatles

Tin Soldier – The Best Sixties Album In The World Ever III-[Disc 2],  The Small Faces

Baker Street – City To City, Gerry Rafferty

Money – Pink Floyd, Pink Floyd

Foxy Lady – Experience Hendrix: The Best Of Jimi Hendrix, Jimi Hendrix

Kashmir – Physical Graffiti, Led Zeppelin

Next week:  MULLUMBIMBY MUSIC FESTIVAL PREVIEW

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Also streaming via BayFM
Tragically also on Facebook and Twitter
Email me at: lyn.themeparkradio@gmail.com
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