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NOUGHT TO WHATEVER… PART 2

I’ve been on a mission to play as many songs as I can with numbers in the title. But the real challenge has been to play them in numerical sequence. Last week we successfully navigated our way from Elvis Costello’s Less Than Zero all the way to Edwin Starr’s Twenty Five Miles . So, this week we were off again, starting with our opening number, OCTOBER 26 (REVOLUTION) from The Pretty Things. This is a great track from what I consider a grossly under recognised band of the 60’s. It’s from their 1970 album Parachute.

TWENTY SEVEN STRANGERS is from The Villagers, who put out one of the best albums of last year – Becoming A Jackal. Here’s the band’s singer and songwriter, Conor J O’Brien, performing solo. Beautiful song. Perfect in its simplicity.

A band called Why? gave us our #28 song, (called exactly that, 28).  Ryan Adams’ contribution was the track TWENTYNINE from the album 29 and the #30 spot was filled by Aussie band The Lucksmiths. The song, $30 is a very cute proposition: They know that they owe you $30 but how about they write you a song instead? Cheeky!

Aimee Mann thought her life would be different somehow, when she turned  31.  Check out this live performance of 31 TODAY in Studio Q.


Another brilliant singer/songwirter is Ani DiFranco . Here she is performing live in 1997. The song:  32 FLAVOURS.

We don’t often play instrumental tracks but funky jazz outfit The New Mastersounds certainly livened things up with THIRTY THREE. We followed with little known, (well to me anyway), American band Promenade with 34 from their Save the Radio album. Then it was Joe Pug with a decent Bob Dylan impression on HYMN #35 and Bobby “Blue” Bland with his favourite numbers 35:22:36.

Then another excellent double : STRAIGHT IN AT 37 from The Beautiful South, now called simply South, and 38 YEARS OLD from Canadian band The Tragically Hip.

Hip Hop producer Re-animator has a great track  called SYMPHONY NUMBER THIRTY-NINE on his album, evocatively titled Music to Slit Wrists. Dido has got to have one of the most beautiful voices of recent times, and she uses it to perfection on  SEE YOU WHEN YOU’RE 40:

Gregory Hoskins gave us his track 41 and then it was Aussie and, Hunters & Collectors with 42 WHEELS. On 43 Mary Lou Lord justifies seeing a younger man by the fact that he’s 17, going on 43. And talking of excuses, I love any reason to go back to the 60’s so the Zombies were in with CARE OF CELL 44. Terrific band, still performing too.

An artist I’ve only just discovered, but like very much is Todd Snider . Here he is performing FORTY FIVE MILES in December 2010 in Tampa, to a very appreciative audience I might add. It’s an amateur video, but worth watching. He’s supported by Will Kimbrough.

If you’re after some good old fashioned Blues then check out Memphis Slim, Jump Jackson and Arbee Stidham. They gave us a fast version of 46TH STREET BOOGIE to fill our #46 spot. Number 47 was looking tough until I found a real cutie: Andy Kirk & His Orchestra, featuring June Richmond on vocals. She was one of the first black women to front an all white band. The song is 47th STREET JIVE.

Enough with songs named after New York streets (surely that’s another show!). A complete change of tone followed with the amazing, enduring, Suzi Quatro with 48 CRASH. I had to play this original clip from 1973, as she looks so great (still does actually). The ultimate rock chick.


Our number 49 song was for Des who presents BayFM’s Colours of Byron every Sunday morning. He’s a big Dylan fan, so DAYS OF 49 was especially for him and all the other Dylan fans. Number 50 couldn’t be anything but Simon & Garfunkle’s FIFTY WAYS TO LEAVE YOUR LOVER, which wasn’t dedicated to anyone in particular, because I don’t want to get myself in any trouble in that department! Here’s a live performance by Paul Simon with legendary drummer Steve Gadd:

Well we  got all the way to #50 with time to spare. We closed the show with a #51 song that also previews next week’s show: Pink Floyd’s COME IN NUMBER 51, YOU’RE TIME IS UP from the soundtrack to the film Zabriskie Point.  As one of the comments on YouTube states: it’s the film that inspired countless people to lose their virginity to Pink Floyd. (The music that is, not the actual band members). Here’s the trailer, featuring that music, with some of the worst promotional jargon I’ve ever heard!

So, next week I’ll be hosting an Oscars special. I’ll be playing lots of songs that were recorded especially for films. Some will have won Oscars, some should have but didn’t. I’d love to have your suggestions and requests. And, of course, your company 4-6pm Tuesdays on www.bayfm.org.

Here’s this week’s full playlist:

October 26 (Revolution) – The Pretty Things, Unrepentant [Disc 1]

Twenty Seven Strangers – Villagers, Becoming A Jackal

Twenty Eight – Why? Alopecia

Twentynine – Ryan Adams, 29

$30 – The Lucksmiths, Spring a Leak

31 Today – Aimee Mann, Smilers

32 Flavors – Ani DiFranco

Thirty Three – The New Mastersounds, 102% Funk

34 – Promenade, Save the Radio

Hymn 35 – Joe Pug, Nation of Heat EP

36-22-36 – Bobby “Blue” Bland, Bobby “Blue” Bland: The Anthology

Straight In At 37 – The Beautiful South, Welcome to the Beautiful South

38 Years Old – The Tragically Hip, Up to Here

Symphony Number Thirty-nine – Reanimator, Music To Slit Wrists By

See You When You’re 40 – Dido, Life For Rent

41 – Gregory Hoskins, The Beggar Heart

42 Wheels – Hunters & Collectors, Under One Roof

43 – Mary Lou Lord, Baby Blue

Care of Cell 44 – The Zombies, Odessey and Oracle

Forty Five Miles – Todd Snider, Happy to Be Here

46th Street Boogie (Fast Boogie) – Memphis Slim, Jump Jackson and Arbee Stidham

47th St Jive – Andy Kirk & His Clouds of Joy, Jukebox Hits 1936-1949

48 Crash – Suzi Quatro, Suzi Quatro: Greatest Hits

Days of 49 – Bob Dylan, Self Portrait

Fifty Ways To Leave Your Lover – Simon & Garfunkel , The Concert in Central Park

Number 51, Your Time Is Up – Pink Floyd,  Zabriskie Point (Soundtrack from the Motion Picture)

Next week:  SONGS RECORDED FOR FILM

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Also streaming via BayFM
Tragically also on Facebook and Twitter
Email me at: lyn.themeparkradio@gmail.com
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FROM NOUGHT TO WHATEVER…

I decided to be more playful than usual this week as I set out to compile a playlist of song titles that mentioned numbers. Easy-peasy, you’re thinking. Sure, but there was a condition. The songs had to be played in numerical sequence. I got to choose from pop, rock, country & jazz so it couldn’t be that hard, right?  Right.

The show kicked off with LESS THAN ZERO by Elvis Costello and moved right into a beautiful track from Lamb, ZERO. Numero Uno was a piece of cake as I have already done a whole show  just on the #1 so plenty to choose from there. I decided that should go with my #1 favourite artist, Roy Orbison with a song from the album, Mystery Girl,  THE ONLY ONE.  Another fave took over the #2 spot:  Marvin Gaye and Kim Weston with IT TAKES TWO. And for #3 it was none other than the great Sarah Vaughan who, like a lot of us, only needs THREE LITTLE WORDS.

FOUR STRONG WINDS is a classic Canadian song by the legendary Canadian singer Neil Young. The perfect follow-up came from the adorable Nanci Griffith with LOVE AT THE FIVE AND DIME. Here she is performing live at the BBC:

The great reggae artist Gregory Isaacs, known as the ‘Cool Ruler’ sadly passed away late last year. His song SIX MONTHS filled the #6 spot and for #7 it had to be The White Stripes with SEVEN NATION ARMY. Such a shame that they’ve gone their separate ways.

There was only one #8 for this baby boomer: The Beatles with EIGHT DAYS A WEEK. And, for #9 Wilson Pickett with ENGINE NUMBER NINE, of course. Pure funk.

Brothers, by the Black Keys, was one of my album picks of 2010 so including TEN CENT PISTOL from that album was a no-brainer. Here they are performing live on Late Night with Jimmy Fallon. Excellent.

Cyndi Lauper features on David Byrne and Fat Boy Slim’s concept album Here Lies Love which is based on the lives of Imelda Marcos and her nanny Estrella Cumpas.  The official video clip of  ELEVEN DAYS is set against a Philippine movie of 1965 “Iginuhit ng Tadhana: The Ferdinand E. Marcos Story”, starring Gloria Romero and Luis Gonzalez.

I do love a bit of gospel singing, so Buddy Greene was in with TWELVE GATES TO THE CITY. Dickie Thompson is also evangelical, but not in the usual sense. He sings about THIRTEEN WOMEN and only one man in town. Now if I was a bloke I’d say he was a lucky b…..d!  But being a woman, living in a small town, it sounds irritatingly familiar!

Next up, it was the genius that is Tiny Tim with all kinds of things to say about the number FOURTEEN. Not the usual Tiny Tim we’re used to hearing. I, for one, miss the ukelele I must admit. And I miss Tiny Tim who died of a heart attack in 1996 at the age of 64.

Number 15 in our playlist was another no-brainer: the almighty Radiohead with 15 STEPS. Here they are peforming live for their VH1 special:

We kept moving through the teenage years with gusto as Chuck Berry took the #16 spot with SWEET LITTLE SIXTEEN. And then Janis Ian calmed everything down with her incredibly insightful tune, AT SEVENTEEN.

The  Stellas took the 18th spot with 18 from their 2008 album Cry Baby Cry.  Time then for another classic: Steely Dan’s HEY NINETEEN. “Way back in 1967….”


For all the Bluegrass fans, I had to include Jimmy Martin’s 20:20 VISION and then it was a nice piece of rockabilly, suggested by Andy, Eddie Cochran’s TWENTY FLIGHT ROCK.

Rappers 50 cent and Nate Dogg have 21 QUESTIONS for their girlfriend. Not sure us girls need that much interrogation, but hey what do I know? This video has already gathered over 35million hits on You Tube! With lines like “I loves you like a fat kid likes cake”. Go figure!

Lily Allen knows how to churn out pop tunes and 22 is a good example. We followed that with the wonderful Brothers Johnson and another soul standard,  STRAWBERRY LETTER 23.

Our two hours was almost up so only time for two more tunes in our attempt to get from zero to infinity.  The #24 spot was filled by Bobby Bland’s TWENTY FOUR HOUR BLUES and the finale was handed to Edwin Starr’s TWENTY FIVE MILES. OMG what a voice! Brilliant. Wish I’d been at this particular concert.


We’ll continue our numerical exercise next week, starting at #26. So why not send me a message with suggestions for that list which should probably limit itself from 26-51. Let’s see how we go.

Until then, here’s this week’s full playlist:

Less Than Zero – Elvis Costello, My Aim Is True Pop

Zero – Lamb,  Lamb

The Only One – Roy Orbison, Mystery Girl

It Takes Two – Marvin Gaye and Kim Weston, Ready Steady Go! The Sixties Sound Of Motown [Disc 1]

Three Little Words – Sarah Vaughan, The Mercury Jazz Story [Disc 1]

Four Strong Winds – Neil Young, Comes a Time

Love at the Five and Dime – Nanci Griffith, The Last of the True Believers

Six Months – Gregory Isaacs, Brand New Me

Seven Nation Army – The White Stripes, Elephant

Eight Days A Week – The Beatles, Beatles For Sale

Engine Number Nine – Wilson Pickett , Chronicles

Ten Cent Pistol – The Black Keys, Brothers

Eleven Days – David Byrne and Fatboy Slim, Here Lies Love

Twelve Gates To The City – Buddy Greene, A Few More Years

Thirteen Women – Dickie Thompson, Ultimate Rhythm & Soul Collection [Disc 1]

Fourteen – Tiny Tim, Girl

15 Step – Radiohead, In Rainbows

Sweet Little Sixteen – Chuck Berry, Yesterdays Gold Vol 07

At Seventeen – Janis Ian, Echoes Of The Radio [Disc 1]

18 – The Stellas, Cry Baby Cry

Hey Nineteen – Steely Dan, A Decade Of Steely Dan

20:20 Vision – Jimmy Martin

Twenty Flight Rock – Eddie Cochran, Big Artist Selection – Eddie Cochran

21 Questions – 50 Cent & Nate Dogg

22 – Lily Allen, It’s Not Me, It’s You

Strawberry Letter 23 – The Brothers Johnson, Strawberry Letter 23/The Very Best Of The Brothers Johnson

Twenty-Four Hour Blues – Bobby “Blue” Bland, Dreamer

Twenty-Five Miles – Edwin Starr

Next week:  FROM NOUGHT TO WHATEVER (Part 2)

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Also streaming via BayFM
Tragically also on Facebook and Twitter
Email me at: lyn.themeparkradio@gmail.com

FOREVER YOUNG: Rock n roll’s survivors

This week’s theme is inspired by the fact that Iggy Pop is headlining our major youth concert,  The Big Day Out this month. And Bob Dylan, Elvis Costello and Jethro Tull will all be here in April for the Byron Blues Festival. I’m a baby boomer, so I’m ecstatic to be able to see all my heroes from the 60’s still performing. But, I have to ask: what is it about the first generation of rock n rollers – what keeps them going?

The reality is that from the moment rock music arrived on the scene it was a young person’s game: music made by young people for young people. It never intended to grow up or grow old. But it did. So what happens when rock’s youthful rebelliousness is delivered wrapped in wrinkles?

Lemmy from Motorhead has a formula for staying alive. He reckons you just breath (at all times). Lemmy, like Keith Richards, is one of the all time rock n roll survivors and therefore much revered by fans of a similar vintage.

Much to the dismay of our children, we baby boomers have carried on being the oldest swingers in town. We haven’t shown any sign of giving up on rock concerts, taking recreational drugs, (if we want to), and staying up all night. It’s why the biggest earners for rock concerts aren’t the Lady Gagas of the world, but veteran performers like AC/DC, The Eagles, Paul McCartney and The Who.


On MY GENERATION The Who were actually saying that they hoped they’d die before they got old. Hey, hold on a minute, they’re still singing it and they ARE old. What happened?

What happened started in the 50s when an entirely new species emerged with its very own music. They were called teenagers. And their music was called rock n roll:

Rock n roll created something special: The joy of hearing your parents shout out: “Turn that bloody racket down!” Because one of the social functions of rock has always been the defiance of the older generation. For performers like Elvis every gesture, every note was all about social disenfranchisement and rebellion. Elvis hit the scene wearing pink and black and leather outfits. He looked more like a pimp than a musician. “Outrageous!” reeled the grown-ups. But to the teenagers, he represented an escape from the stuffiness of the post-World War Two era.


No-one, even the musicians themselves, took rock and pop seriously, though. It was seen as a novelty, something that wasn’t meant to last. As the soundtrack to growing pains, it was temporary and disposable just like the people who made it.


By the early 60’s Beatlemania was gripping youth’s attention. The Establishment, however, remained doubtful that it was a fever that would last. Even the Beatles accepted the idea of their own inbuilt obsolescence.

With Beatlemania, and the British Invasion in general, many of the young established groups were being left behind. The tyranny of youth dictated that if you didn’t change with the times, you were old hat. One of the new incumbents was the band Manfred Mann.

In 1965 The Who recorded one of the ultimate anthems to youth, one that damned growing up and growing old. The young went on the offensive claiming their territory through guitar, bass and drums. The older generation were still recovering from a World War and all they wanted was some peace and quiet. To the younger generation old age just seemed really boring.

Ironically, the British Beat boom of the mid 60’s was based on music that was already old. Bands like the Stones, The Animals & Manfred Mann worshipped American Blues of the 20s 30s and 40s. Their recording heroes were still alive, but by rock roll’s new standards they were old men. Charlie Parker was born in 1920, Miles Davis in 1926 & Muddy Waters in 1913.

The self-absorbed rebelliousness of rock n roll gathered speed with the Rolling Stones. While the Who were busy burying the older generation, the Stones were singing about finding their satisfaction in sex.

The arrival of album culture in the late 60s proved that rock n roll was now thinking more in the long term. It didn’t sound disposable anymore. It was growing up, just like the people who made it. The Beatles Sgt Peppers album dared to imagine what life would be like at SIXTY FOUR. Up until now that was completely unthinkable for the baby boomer generation.


In the same year that the Beatles released the Sgt Peppers album, Procol Harum had a hit single with WHITER SHADE OF PALE. Things had started to get serious. The more experienced young musicians began wondering how far they could take their music. And they took their diehard fans with them. In many cases the fans had grown up with these bands and, along the way, they’d developed an appreciation of lyrics and music with more depth.

The end of the sixties saw the beginning of the rock n roll casualty list. The death of Brian Jones in 1969 seemed to crystalise a ‘live fast, die young’ attitude and brought a new reality to “I hope I die before I get old.”  Janis Jopliin, Jim Morrison, Jimi Hendrix all died at 27, confirming the myth that if you wanted to be a rock legend you had to die young.

The Stones, however, seemed determined to mature. After the death of Brian Jones they picked themselves up and went back on the road. For the band, it wasn’t over yet.


By the end of the 60’s the Stones had discovered the secret of survival, at least for now. Unfortunately, the Beatles didn’t. As if to prove that longevity and rock n roll was difficult for a group of young guys growing up together, they split in 1970. The Fab Four would go on to enjoy successful solo careers for many years to come but the surge of creativity that fed them in their youth proved more elusive for them and their generation as they grew older.

Today, Mick Jagger, Paul McCartney and Pete Townsend can play arenas 45 years after they first had hits. Which is great. But the real question is:  are they writing great songs? Or is the outpouring of creativity that launched their careers a factor of youth?

Herman’s Hermits got together in 1963 when lead singer Peter Noone was only 16. Their very first release, I’M INTO SOMETHING GOOD, was a #1 hit and although future recordings would get into the top ten, they were never to have a UK #1 again. The band, without Noone, continue to perform to this day and Peter Noone has gone on to have a successful career as both a singer and actor.

In the early 70’s, no performer demonstrated rock n roll’s reliance on youthful invention and raw power more than Iggy Pop. Here’s a great little doco that illustrates why he is known as the “Godfather of Punk”:

Not all rock n roll of the early 70’s was an expression of sexual energy and youthful physicality. By now prog rock was plundering the classical music collections so beloved of its middle class parents, as proof of its intention to last. It’s perpetrators, bands like Yes & Jethro Tull, seemed to be contemplating careers beyond the age of 30.


Performers found themselves living with their songs and growing into their material. One of the most requested songs from troops serving in Vietnam was I GOTTA GET OUT OF THIS PLACE by Eric Burdon & The Animals. Burdon continues to perform this song today when he entertains servicemen and women in Iraq and Afghanistan. In fact, it’s written into his contract. That’s what they call an anthem, folks.

In 1976, before the 60’s generation had a chance to mature, they were rudely cast aside by punk. It was a three-chord reign of terror, the ultimate Oedipal act. Snarling, spitting and clawing its way to the stage.

These weren’t the kids of the optimistic 60’s but a new young generation who felt abandoned. Everyone was in their way and, as always, no one understood them.


The bands of the post-punk era, like the Specials and Madness, while less dismissive of the past, still believed that rock and pop music were part of an essentially young experience.

In the early 80’s the Stones were back, yet again, having been absent from the stage for 6 years – while punk and its aftermath were the centre of attention. They were proving that they were in for the long haul.


In July 1985 the benefits of hanging in for the long term reached unexpected and unprecedented heights, with Live Aid. The international event sometimes looked like a version of Dad’s Army with acts like Paul McCartney, Bob Dylan, The Who, and the Beach Boys joining pop stars of the 80s on stage. Watched by more than 400 million viewers in 60 countries, this was the rock n roll survivor’s finest hour. Suddenly being 40 didn’t seem so uncool. These were the masters, the legends, the acts deemed capable of feeding the world.


A lot of young people heard some of the older bands for the first time, saying “These bands are fantastic.” And then, the most hated people in their musical vocabulary, their parents, responded with “Yeah, we know, we love them too!”

What had begun with Live Aid in the 80’s continued into the 90s with projects like War Child. Performers from three generations of rock n roll – Paul McCartney, Paul Weller and Noel Gallagher recorded COME TOGETHER, in the new spirit of multi-generational tolerance. It was no longer a case of ‘My Generation’ but ‘Your Generation too”. Just as importantly, audiences for the music also started to span generations.

The new millennium witnessed an entirely new phenomenon: the revival and the comeback. Leonard Cohen, already in his 70’s, had decided to stop performing and recording altogether. At least that was the plan. But after having all his money misappropriated by a crooked manager, he had to go back on the road. And guess what, he loves it!


Audiences who had grown up and grown old with their heroes wanted them back. Age had invested their favourite bands with a new authenticity. Performers couldn’t believe their luck. Even Brian Wilson returned from the wilderness to be a Beach Boy once again.


Rock n roll is now revelling in a long life. What was about risk and youth is now about enjoying a grand old age. It’s about longevity, survival, nostalgia. Refusing to grow up, give up or shut up. The whole point of the baby boomer generation is that we made it up from the beginning and we’ve been making it up ever since.  We’ve been pushing the boundaries, and unlike our parents, we’ve refused to accept old age.

Many thanks to BBC and You Tube community for the wealth of material, without which this week’s show would not be possible.

Next week, my special guests will be The Fridays, performing live in the studio, plus lots of songs about RESOLUTIONS. Any suggestions/requests, please leave me a message here.

In the meantime, here’s this week’s complete playlist:

Lust For Life, Trainspotting soundtrack, Iggy Pop

Lemmy/Motorhead  quote

My Generation, Austin Powers: The Spy Who Shagged Me soundtrack, The Who

Johnny B. Goode, Martin Scorsese Presents the Blues, Chuck Berry

Jailhouse Rock, Elvis Presley

Get A Job, Get a Job, The Silhouettes

Paul McCartney quote

Twist And Shout, Please Please Me, The Beatles

Paul Jones quote

Come Tomorrow, The Five Faces of Manfred Mann, Manfred Mann

(I’m Your) Hoochie Coochie Man, Martin Scorsese Presents the Blues, Muddy Waters

Let’s Spend The Night Together, Hot Rocks 1964-1971, The Rolling Stones

When I’m Sixty-Four, Sgt. Peppers Lonely Hearts Club Band, The Beatles

She’s Leaving Home, Sgt Peppers Lonely Hearts Club Band, The Beatles

A Whiter Shade Of Pale, The Big Chill soundtrack, Procol Harum

Brown Sugar, Sticky Fingers, The Rolling Stones

Peter Noone quote

I’m Into Something Good, The Original 60’s Summertime album, Herman’s Hermits

Iggy Pop i/view

Search And Destroy, Raw Power, Iggy Pop & The Stooges

Too Old To Rock ‘N’ Roll, Too Young To Die, Jethro Tull

We’ve Gotta Get Out Of This Place, The Most of the Animals, The Animals

God Save The Queen, Never Mind the Bollocks, The Sex Pistols

Too Much Too Young, The Singles Collection, The Specials

Baggy Trousers, Complete Madness, Madness

Mick Jagger quote

Start Me Up, Tattoo You, The Rolling Stones

Rockin’ All Over The World, Rockin’ All Over The World, Status Quo

Surfin’ USA, Endless Summer Legends, The Beach Boys

We Will Rock You, News of the World, Queen

Come Together, Help (War Child Benefit), Paul Weller & Friends

1969 (with  i/view), Iggy Pop

In My Secret Life, Ten New Songs, Leonard Cohen

God Only Knows, Pet Sounds, The Beach Boys

Forever Young, Napolean Dynamite soundtrack, Alphaville

Next week:  RESOLUTIONS

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Also streaming via BayFM
Tragically also on Facebook and Twitter
Email me at: lyn.themeparkradio@gmail.com



SONGS ABOUT EYES


This week the EYES had it as I created a playlist about what poets call the ‘window of the soul’.  Our 100TH PROGRAM showcased a diverse range of artists, from the 50’s right through until some more recent releases.  We also celebrated this important milestone with a couple of fantastic giveaways for our loyal listeners: tickets to a private screening of the new David Fincher film, The Social Network, courtesy of the Dendy Cinemas, and a copy of the Red Army album from hot reggae band The Red Eyes, courtesy of Ku Promotions. Thanks to everyone for listening (and reading!) during this period. Here’s to the next 100!

In 2001 the list of inductees into the Rock and Roll Hall of Fame included such superstars as Michael Jackson, Paul Simon, and Aerosmith. Further down the list in terms of public recognition were The Flamingos, who were best known for their 1959 hit  I ONLY HAVE EYES FOR YOU.  They are rightfully ranked as one of the most sophisticated doo wop groups in American popular music.

Charles Edward Anderson Berry, otherwise knows as “Chuck” turned 84 on October 18. I don’t think anyone would argue when I claim that he is one of the most influential musicians of his time. He contributed BROWN EYED HANDSOME MAN to the mix. Elvis Costello, surely one of Chuck’s disciples, had his first hit single in 1977 with a song about a girlfriend who couldn’t stop watching television. The song, of course, is WATCHING THE DETECTIVES. “She’s filing her nails while they’re dragging the lake”. Brilliant.

The Chi-Lites also had a huge hit in 1971 with HAVE YOU SEEN HER. Check out this clip for a PBS special featuring guest artist Eugene Record. Loving the zoot suits!

Jazz singer Ernestine Anderson has some good advice on KEEP AN EYE ON LOVE. She reckons that you just have to keep looking for it and eventually it turns up. I’d be careful if I was her though. If the Hall and Oates song PRIVATE EYES is any indicaton, there are a few stalkers out there ready to pounce. These boys are continually watching the object of their affection. But we already know that love makes you do silly things. Right?

LOOK AT THE FOOL is from Tim Buckley’s album of the same name, his ninth and final album before his untimely death in 1975.  Jackson Browne’s  DOCTOR MY EYES was featured on his debut album Jackson Browne, released in 1972. Here he is singing live, with an awesome band, in 2009. As well as DOCTOR MY EYES, this clip includes ABOUT MY IMAGINATION. Browne is still a great performer and his looks don’t seem to have diminished either!

We followed the terrific 1967 funk track,  I SPY FOR THE FBI, from Jamo Thomas, with (See) HOW FAR WE’VE COME, from Matchbox 20’s Exile on Maintream album, released in 2007. The song has been used to promote everything under the sun. But we won’t hold that against them.


Jamesetta Hawkins is better known to us as Etta James. This rendition of  I’D RATHER GO BLIND, where she duets with Dr. John, practically brought me to tears. See if it has the same effect on you:

And as Etta would say ‘At Last!’ we have some nice weather up here in the Northern Rivers, after months of rain. (Although as I write this the rain is back…..aarrggghhhhh). Nevertheless, I had to celebrate a couple of days of brilliant sunshine with I CAN SEE CLEARLY NOW from Jimmy Cliff.

Let me ask you this: What do David Bowie, George Washington and Louis Pasteur have in common? Well they have what’s called heterochromia: i.e. each of their eyes is a different colour. In Bowie’s case one eye is blue and the other brown. Aren’t you glad to know that?

When it comes to songs about eyes, you can’t go past 60’s soul, and our next triple play more than proved the point: Doris Troy was seduced with JUST ONE LOOK, The Contours went gold-digging on FIRST LOOK AT THE PURSE and The Temptations sang I WANT A LOVE I CAN SEE.

Van Morrison’s 1967 single BROWN EYED GIRL would prove to be the impetus for his whole career as a solo artist. It was to be his first single after leaving the band Them and it led to his relocation to the United States and an eventual contract with Warner Brothers Records where he would record his career-defining album Astral Weeks.  In the same year The Who released I CAN SEE FOR MILES AND MILES, the only single from the The Who Sell Out album. Recorded in several separate sessions in studios across two continents, the recording of I CAN SEE FOR MILES exemplifies the increasingly sophisticated studio techniques of rock bands in the late 1960s. The backing tracks were recorded in London, the vocals and overdubbing were performed in New York at Talentmasters Studios, and the album was mastered in Los Angeles at the Gold Star Studios.

The Beatles 1965 hit I’M LOOKING THROUGH YOU was written mainly by Paul McCartney and it first appeared on their Rubber Soul album. It was written about Jane Asher, McCartney’s girlfriend of five years: “You don’t look different, but you have changed,” the lyrics declare, reflecting his dissatisfaction with their relationship.

When I announced that this week’s theme was to be EYES, I was inundated with requests for the Platters version of SMOKE GETS IN YOUR EYES. Well, of course, it had to make the list – an absolute classic.

Winonie Harris reckons that he can tell all sorts of things from looking into a set of BLOODSHOT EYES while Little Milton was out to prove that you can’t always judge a book by its cover on JUST BECAUSE YOU SEE ME SMILING

Billy Idol’s EYES WITHOUT A FACE is from his 1983 album Rebel Yell. Reportedly filmed in a marathon 30-hour session, the video’s extensive filming used fog machines, lighting, and fire sources that nearly fused Idol’s contact lenses. At the conclusion of filming, Idol attempted to leave, and promptly passed out on the studio lawn from exhaustion. Initially mistaken for a vagrant, a police officer who roused Idol was alarmed at his reddened eyes. The officer immediately brought Idol to a local hospital, where doctors were able to coax out the lenses, saving his vision. OMG.


Captain Beefheart was unusually restrained on HER EYES ARE A BLUE MILLION MILES and we followed with Sinead O’Connor’s DAMN YOUR EYES from her 1990 album I Do Not Want What I Haven’t Got. No matter what you think of her political viewpoints, there is no denying the power in her voice.

Being our 100th show, I gave myself a gift and closed the show with two of my favourite artists: As regular listeners know,  according to me Roy Orbison can do no wrong. And how could I resist when he tells me  “One look from me and he drifts away”, on YOU GOT IT.


Tim Buckley is also a favourite and we said goodbye with DEVIL EYES from the outstanding album Greetings From LA.

Next week’s program will be on CARNIVALS, CIRCUSES AND FUNFAIRS. Ooh I’m really looking forward to this one. Let me know if you have any suggestions for the playlist. I can always do with your help!

Until next week, remember what Gandhi said: “An eye for an eye turns the whole world blind.”

Here’s this week’s complete list:

  • I Only Have Eyes For You – Heart of Rock ‘n’ Roll: 59, The Flamingos
  • Smoke Gets In Your Eyes – The Missing Chapters Vol. 5: Glenn Miller Orchestra
  • Brown Eyed Handsome Man – 20th Century Masters: The Millennium Collection, Chuck Berry
  • Watching The Detectives – My Aim Is True, Elvis Costello
  • Have You Seen Her – Greatest Hits, The Chi-Lites
  • Inside Out – Red Army, The Red Eyes
  • Keep An Eye On Love – Testify, Ernestine Anderson
  • Private Eyes – Top Hits Of The 80’s, Hall and Oates
  • Look At The Fool – Twentyfourseven, Tim Buckley
  • Doctor My Eyes – The Next Voice You Hear: The Best Of Jackson Browne, Jackson Browne
  • I Spy For The FBI – Soul Cargo Vol. 1 (The Early Years Of “Groove”,  Jamo Thomas
  • How Far We’ve Come – Exile On Mainstream, Matchbox Twenty
  • I’d Rather Go Blind – The Sweetest Peaches – Part Two (1967-1975), Etta James
  • I Can See Clearly Now – Definitive Collection, Jimmy Cliff
  • Just One Look – Mermaids, Doris Troy
  • First Look At The Purse – This Is Soul, The Contours
  • I Want A Love I Can See – My Girl: The Very Best Of The Temptations, The Temptations
  • Brown Eyed Girl – Best Of Van Morrison, Van Morrison
  • I’m Looking Through You – Rubber Soul, The Beatles
  • I Can See For Miles – The Who Sell Out, The Who
  • Smoke Gets In Your Eyes – Easy Listening Gold: 1958-1959, The Platters
  • Bloodshot Eyes –  The Best of Wynonie Harris, Wynoni Harris
  • Just Because You See Me Smiling – Movin’ to the Country, Little Milton
  • Eyes Without A Face – Top Hits Of The 80’s, Billy Idol
  • Her Eyes Are A Blue Million Miles – Clear Spot, Captain Beefheart
  • Damn Your Eyes – I Do Not Want What I Haven’t Got (Special Edition) Sinéad O’Connor
  • You Got It – Mystery Girl, Roy Orbison
  • Devil Eyes – Greetings From L.A., Tim Buckley
Next week:  SONGS ABOUT CARNIVALS, CIRCUSES & FUNFAIRS

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Also streaming via BayFM
Tragically also on Facebook and Twitter
Email me at: lyn.themeparkradio@gmail.com

SHELTER

This week’s theme is ostensibly about shelter which in the dictionary sense is a building. But it’s hard to express a real sense of bricks and mortar in a song. Let’s face it, do you learn anything about being in jail from Jailhouse Rock? Convincing songs about buildings, or shelters, are really songs about the people who find themselves in them, by design or not.

We started this week’s playlist with music’s most famous home away from home – Elvis Presley’s HEARTBREAK HOTEL. You’ll find it down at the end of Lonely Street. We followed with Lucinda Williams who gets a little bit of help from Elvis Costello. He’s a three-time loser and consequently she’s got a case of JAILHOUSE TEARS. The track is from the very excellent ‘Little Honey’ album.

The Rolling Stones’ GIMME SHELTER is usually associated with the Vietnam War (it was released on the 1969 album Let It Bleed). The lyrics, which speak of seeking shelter from a coming storm, painting a picture of devastation and disaster but it also talks of the power of love. We followed with a fantastic Irish singer, Mary Coughlan with a song about prostitution: THE HOUSE OF ILL REPUTE.

Aretha Franklin funks up Hal David’s lyric, “a-house-is-not-a-home” on THE HOUSE THAT JACK BUILT and we followed with The Temptations, who prove that even Motown wasn’t immune to the Psychadelic era with PSYCHEDELIC SHACK.

Can you believe that Bob Dylan has turned 69? Yikes. We wished him happy birthday for May 24 with SHELTER FROM THE STORM.  The Housemartins’ swansong was a song called BUILD,  about the widespread construction in the 1980s that spelt disaster for working-class communities.

A nice change of tone came from the gorgeous Julie London who wants you to COME ON A MY HOUSE. And she’s got candy. How good is that?

MANSION ON THE HILL is a Neil Young song from his 1990 album ‘Ragged Glory’. The clip is an absolute hoot. Enjoy.

Norwegian singer/songwriter, Ane Brun, who recently toured Europe with Peter Gabriel, sings a great song about shelter called  THE TREEHOUSE SONG. The Basement Jaxx song TAKE ME BACK TO YOUR HOUSE first appeared on their 2006 album ‘Crazy Itch Radio’. The album features Swedish popster Robyn among the guest vocalists. Another interesting video too:

Irma Thomas sent us a great message about the emotional refuge that a true friend can give you during hard times in the song SHELTER IN THE RAIN.  Jimi Hendrix sings about his house on the hill; He’s got a bad, bad feeling his baby don’t live there no more. But, as he so eloquently puts it, ‘That’s Ok cause I’ve still got my guitar”. The song is RED HOUSE.

Blur had a big hit with a song that tapped into a common ideal of escaping the rat race and living in a COUNTRY HOUSE.

SUGAR SHACK refers to a small building n which maple syrup is processed. Its also the name of a song written in 1962 by Keith McCormack and his aunt Fay Voss. It was a hit for Jimmy Gilmer and the Fireballs but I preferred to play the Ricky Nelson version.

Two songs that link houses with fire, at least metaphorically, are Natalie Merchant’s THIS HOUSE IS ON FIRE and  BURNING DOWN THE HOUSE by Talking Heads.

Arguably the most idiosyncratic song in the playlist this week would be Mmmmm… SKYSCRAPER I LOVE YOU by Underworld, otherwise known to their Mums as Karl Hyde and Rick Smith. Not quite Kraftwerk, but still lots of fun.

The Rapture put a cowbell to good use in their very catchy dance-punk number, HOUSE OF JEALOUS LOVERS:

Elvis Costello celebrated the amazing art deco Hoover factory, that welcomes drivers entering London on the Western Avenue, in HOOVER FACTORY. While David Byrne, revisiting themes from his Talking Heads days,  gave us GLASS, CONCRETE & STONE. It’s about a weary worker whose residence is “a house, not a home”. There’s that Hal David lyric again.

The ultimate shelter song for Byron Bay, with our own iconic lighthouse is, of course, THE LIGHTHOUSE SONG from Josh Pyke.

We finished the show on an upbeat note with the B-52s and LOVE SHACK. The song’s inspiration was a cabin in Georgia, complete with tin roof, where the band conceived “Rock Lobster”,  a single from their first album. B-52’s singer Kate Pierson lived in the cabin in the 1970s, and the cabin existed until 2004, when it burned down in a fire.

The topic for next week’s show was requested some time ago by Nicole, but I’ve been waiting until I’m in the right mood. The theme is SEXY SONGS. Now I’m not suggesting that this is a playlist to have sex to. To be honest I don’t think I want to know what other people listen to in bed! Not all the songs will even be about sex, but they will have an erotic charge to them. And, yes, I know its all incredibly subjective but, hey, every week’s show is.  And I may just have a very interesting giveaway for you too. This is one that shouldn’t be missed!

Here’s this week’s complete playlist:

Heartbreak Hotel – The 50 Greatest Hits (Disc 1), Elvis Presley

Jailhouse Tears – Little Honey, Lucinda Williams (with Elvis Costello)

Gimme Shelter – Hot Rocks, 1964-1971 [Disc 2], The Rolling Stones

The House of Ill Repute – Mary Coughlan

The House That Jack Built – 20 Greatest Hits, Aretha Franklin

Psychedelic Shack – My Girl: The Very Best Of The Temptations [Disc 2], The Temptations

Shelter From The Storm – Blood On The Tracks, Bob Dylan

Build – The Beautiful South & The Housemartins, The Housemartins

Come On -A My House – Swing Me An Old Song, Julie London

Rock House – Ultra Lounge, The Ernie Freeman Combo

Mansion On The Hill – Ragged Glory, Neil Young

The Treehouse Song – Ane Brun

Take Me Back To Your House – Triple J 14, Basement Jaxx

Shelter in the Rain – After the Rain, Irma Thomas

Red House – Martin Scorsese Presents The Blues, Jimi Hendrix

Country House – Blur

Sugar Shack – Ricky Nelson

This House Is on Fire – Motherland, Natalie Merchant

Burning Down The House – Classic MTV – Class of 1983, Talking Heads

Mmm.. Skyscraper I Love You  –  Underworld

House of Jealous Lovers – Echoes, The Rapture

Glass, Concrete & Stone – Grown Backwards, David Byrne

Hoover Factory – Get Happy!! Elvis Costello

The Lighthouse Song – Triple J Hottest 100, Vol. 16 [Disc 2], Josh Pyke

Love Shack – B-52s

Next week: SEXY SONGS

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time

Also streaming on http://www.bayfm.org

Tragically also on Facebook: http://www.facebook.com/maccalyn


MEMORY

Memories can haunt us, no matter how much we want to escape them. There are false memories, conflicting memories of the same event and memories that clash with the reality of the present. Thanks to mass media, memory isn’t something that only belongs to us as individuals. When we see scenes at the cinema or television or on DVDs over and over again, they become part of our collective memory. Even if you’ve never seen the film King Kong you know that there’s a scene where a big gorilla climbs up the Empire State Building with a human girl in his hand. And whenever a comedy show or film features a scene where someone is killed or threatened in a shower most people understand it’s a parody of Psycho. So mass media,  film and television in particular, have contributed hugely to a memory that we share with millions of other people.

Unfortunately, we remember melancholy and pleasure in equal measure. The concept of looking back in hindsight is also a bit complicated. It’s easy to write off youthful idealism as simply being naïve as Stevie Wonder did in our opening number YESTERME, YESTERYOU, YESTERDAY. According to Stevie it was all “a cruel and foolish game we used to play”. Well that’s how he remembers it anyway.

And talking of cruel, I can’t imagine anything worse than getting Alzheimer’s disease and Elvis Costello’s song VERONICA is all about that. It tells the story of an old lady who lives in a nursing home and is gradually losing her memory. It was inspired by Costello’s grandmother.

The Ramones want to know DO YOU REMEMBER ROCK ‘N’ ROLL RADIO? Has it ever gone away?

Collecting objects  that remind us of old times should bring back good memories, but that’s not always the case as Soft Cell tell it in MEMORABILIA. Sarah Vaughan would rather experience something that didn’t work out than never do anything at all in  I’D RATHER HAVE A MEMORY THAN A DREAM. The real classic of this triple play, however, was the Shangri-Las with their ode to a lost love affair: REMEMBER (WALKIN IN THE SAND). Here’s a great clip from the excellent “Songmakers Collection” DVD, with interviews with Mary Weiss and writer producer George ‘Shadow’ Morton about this track and their other hit, LEADER OF THE PACK.

Jurassic 5 dug deep into their memory banks for REMEMBER HIS NAME. As did Fall Out Boy for THNKS FR TH MMRS . The Zutons, REMEMBER ME is about those kind of  friends who seem to forget you once they are entrenched in a romantic relationship. Don’t you just hate that!

THOSE WERE THE DAYS is from Cream’s 1968 album Wheels of Fire. The album cover was designed by Australian artist Martin Sharpe and it won the the New York Art Directors Prize for best album cover in 1969. The sound on the album was characterised by a hybrid of blues, hard rock and psychdelic rock, combined with Eric Clapton’s blues guitar, Ginger Baker’s jazz-influenced drumming and the basslines and voice of Jack Bruce.

One of the most beautiful voices I’ve heard belongs to Sarah McLachlan. And one of my favourite songs of hers is one that I  first heard on the soundtrack to the film The Brothers McMullen. It’s called  I WILL REMEMBER YOU.

Otis Redding’s name is synonymous with the term ‘soul’ and we had to include his classic with I’VE GOT DREAMS TO REMEMBER. Redding died at the very early age of 26 but his memory is kept alive with the Youth Educational Dream Foundation and a very good website. Go to: http://www.otisredding.com/

British group Bloc Party look back regretfully on an opportunity for love that wasn’t realised in I STILL REMEMBER:

The Kinks wonder what ever happened to their childhood friend in  DO YOU REMEMBER WALTER? It’s from their album The Kinks Are the Village Green Preservation Society.

The Supremes reflected on the good and bad memories of a love that used to be in REFLECTIONS while Jimi Hendrix had only good memories of a past love, (he even wants her back!),  in REMEMBER.

Relationships that survive depend partly on shared memories, but those memories need constant topping up.  Indie rockers, Yo La Tengo document this well in OUR WAY TO FALL.

There was a fair bit of nostalgia in this week’s show, (well what did you expect?) and one of my faves was The Platters with REMEMBER WHEN. Also fitting the bill was Elvis Presley who seems somewhat confused in I FORGOT TO REMEMBER TO FORGET.

Memories, daydreams, disconnected thoughts – they fill our minds in a never-ending rush. Our next song, THE WINDMILLS OF YOUR MIND, evoked this beautifully, conveying the incredible weirdness of our thought processes. If you’re after nostalgia then what about Noel Harrison with the original version of the song that served the film The Thomas Crown Affair so well.

Ok back to recent memories. Jack Johnson wonders DO YOU REMEMBER? and P.M. Dawn are SET ADRIFT ON A MEMORY. Thanks to Lynden for suggesting that one and several others on our list today.

One of my favourite films deals with amnesia. Memento, starring Guy Pearce, and directed by Christopher Nolan, is a fascinating story about someone who can’t store new memories. A song about about the subject is I DON’T REMEMBER by Peter Gabriel.

Bob Dylan’s memory song is a love ballad from the Empire Burlesque album: I’LL REMEMBER YOU. And if its nostalgia that you’re after, consider MEMORIES ARE MADE OF THIS from Dean Martin. An oldie but a goodie, as they say.

I’ll never forget Michael Jackson with REMEMBER THE TIME from the Dangerous album. Another sad memory for me is Freddy Mercury singing THOSE WERE THE DAYS OF OUR LIVES which many think was the song he dedicated to his fellow Queen members when he knew that he was dying.

Back to the 70’s and some Aussie based punk rock: remember The Saints and MEMORIES ARE MADE OF THIS?

We closed the show with a cover of a song that I swore I wouldn’t play this week, but this version is so sweet it had to make the cut: The Waifs with a little help from Clare Bowditch. They’re singing Frank Ifields I REMEMBER YOU.

This week’s theme on MEMORY segues nicely into next week’s topic. My computer crashed last week and I had to invest in a drive with a lot more memory to cope with all the songs that I collect for these shows. So next week its MACHINES, ROBOTS AND COMPUTERS. No Television or Radio songs please because you know they are a whole theme to themselves. and no modes of transport, for the same reason.  But any other gadget or gizmo is up for grabs.

Here’s this week’s complete playlist. All songs available on iTunes.

Yesterme Yesteryou Yesterday – Stevie Wonder

Veronica – Elvis Costello

Do You Remember Rock ‘N’ Roll Radio – The Ramones

Memorabilia – Soft Cell

I’d Rather Have a Memory Than a Dream – Sarah Vaughan

Remember (Walkin’ in the Sand) – The Shangri-Las

Remember his name – Jurassic 5

Thnks fr th Mmrs – Fall Out Boy

Remember Me – The Zutons

Those Were The Days – Cream

I Will Remember You – Sarah Mclachlan

I’ve Got Dreams To Remember – Otis Redding

I Still Remember – Bloc Party

Do You Remember Walter – The Kinks

Reflections – Diana Ross & the Supremes

Remember – The Jimi Hendrix Experience

Our Way to Fall – Yo La Tengo

Remember When – The Platters

I Forgot to Remember to Forget – Elvis Presley

Do You Remember – Jack Johnson

The Windmills Of Your Mind – Noel Harrison

Set Adrift On Memory Bliss – P.M. Dawn

I Don’t Remember – Peter Gabriel

I’ll Remember You – Bob Dylan

Memories Are Made Of This – Dean Martin

Remember The Time – Michael Jackson

Memories Are Made of This – The Saints

Those Were The Days Of Our Lives – Queen

Remember You (feat. Clare Bowditch) –  The Waifs

Next week: MACHINES, ROBOTS & COMPUTERS

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time

Also streaming on http://www.bayfm.org

Tragically also on Facebook: http://www.facebook.com/maccalyn

GOING OUT AND PARTYING

As a tribute to all the Capricorns celebrating their birthdays at the moment, (including me!), the theme this week was GOING OUT AND PARTYING. Some famous Capricorns include Elvis Presley, who would have turned 75 this week, David Bowie, Annie Lennox, Patti Smith, Janis Joplin, Dolly Parton… the list goes on. Oh, what amazing company I’m in!

We opened the show Pink’s GET THIS PARTY STARTED and if that song can’t get you in the party mood I don’t know what will. If you’ve never seen Pink perform live, you are really missing out. Here’s some footage from her show at the Wembley Arena. Enjoy.

Wanda Jackson also has the right attitude. Her song LET’S HAVE A PARTY was a hit for her in 1959, a year after Elvis Presley released it. I totally adore Louis Jordan and included two of his tracks this week. The first has a great clip to show you. Have a look at LET THE GOOD TIMES ROLL :

The Theme Park party was off to a great start and the party continued with Santana’s INTERPLANETARY PARTY from the 2007 album, Ultimate Santana. But, I ask you, what’s a party without James Brown? One thing you can count on, he’s GONNA HAVE A FUNKY GOOD TIME.  Joe Jackson was also STEPPIN OUT and, as the Showstoppers explained, with their hit of 1968, it AIN’T NOTHIN BUT A HOUSE PARTY.

Loved Sam Cooke’s smooth rendition of WE’RE HAVING A PARTY but I have to admit that I was totally intrigued by Smokey Robinson and the Miracles song title, GOING TO A GO-GO. I have no idea what a Go-Go is, but the song is a sure fire dance floor filler, so it has to be about a party, surely.

The Irish Rovers sound as if it was one hell of a get-together with their ditty WASN’T THAT A PARTY. It’s hard to find a full clip of the Rovers singing any song but here’s one that includes this catchy tune, which they used to open their 80’s television series “Party with the Rovers”. Take a peek:

Claudine Clark’s one-hit wonder of 1962, PARTY LIGHTS, stands out because she wrote the music and the lyrics herself, which was unusual for a female performer during that time.  Sung from the point of view of a teenage girl ordered to her room while her friends were out having a good time, “Party Lights” struck a chord and shot into the Top Five on both the pop and R&B charts.

What’s the purpose of a party? Well, let’s face it life can be pretty serious a lot of the time, so getting together with your friends and celebrating the positive things in life can be a lot of fun. Although I can testify that the after effects don’t always make it worth the effort. But that’s just my hangover talking. I’m sure the wonderful Amos Milburn wouldn’t agree and he has a great song to prove it – LET’S HAVE A PARTY.

Friday night seems to be the favourite night of the week to go out, so I thought it was appropriate to include Lily Allen’s FRIDAY NIGHT and The Specials’ FRIDAY NIGHT, SATURDAY MORNING. Then Three Dog Night claimed that their MOMMA TOLD ME NOT TO COME. They had to find out the hard way that “This is the craziest party there could ever be”. Check out the clip from 1970:

We played PARTY TRAIN by the Dazz Band on our Train show but it deserved a second listen. Smiley Lewis followed with CALADONIA’S PARTY. Now anyone with a name like Caledonia deserves to have a party in her honour, don’t you think?

Bobby Darin was just sitting in his bath, minding his own business and gets out of the bath with just a towel around him. Now how did he know there was a party going on? That’s how he tells it anyway in SPLISH SPLASH.

ZZ Top know how to do party. They’re turning up the radio and having a PARTY ON THE PATIO. Lesley Gore, on the other hand, needs a bit of sympathy. As she tells it, ITS MY PARTY (and I’ll cry if I want to).

The Donnas give short shrift to gatecrashers on WHO INVITED YOU? And for my guilty pleasure it was Kiss: “and you say you wanna go for a spin, the party’s just begun, we’ll let you in, you drive us wild, we’ll drive you crazy.” Yes, indeed, I WANNA ROCK AND ROLL.

Maybe the party lifestyle isn’t what its all cracked up to be. Not according to Elvis Costello and the Attractions, anyway, with PARTY GIRL or Marc Almond and Soft Cell with their reality check of a song, BEDSITTER.

I’m not convinced. Give me the optimisim of Michael Jackson’s OFF THE WALL or anything from the disco era, like Kool and the Gang’s CELEBRATION or Alicia Bridges with the party girl’s anthem, I LOVE THE NIGHLIFE. The song will forever be associated with the film, Priscilla Queen of the Desert, and who am I to change that? Check out the clip:

The Beastie Boys are ready to FIGHT FOR YOUR RIGHT TO PARTY. Excellent. Even Bob Dylan had a song for us about parties – MILLION DOLLAR BASH.

Time to finish the show and what better way than with the brilliant Blossom Dearie with THE PARTY’S OVER followed by the Beatles’ BIRTHDAY. Here’s a cute piece of animation created by Mery, for all the Capricorns out there.

I thought next week I might have to work off some of the birthday cake, so it’s a show more for the walkers, than the talkers. The theme is WALKING AND RUNNING. Any suggestions?

Here’s this week’s playlist:

Get This Party Started – Pink
Let’s Have A Party – Wanda Jackson
Let The Good Times Roll – Louis Jordan
Interplanetary Party – Santana
Gonna Have A Funky Good Time – James Brown
Steppin’ Out – Joe Jackson
Ain’t Nothin’ But a House Party – Showstoppers
Party Time (Soca Steel Drums) – Jimmy Buffett
We’re Having A Party – Sam Cooke
Going To A Go Go – Smokey Robinson And The Miracles
Wasn’t That A Party – Irish Rovers
Party Lights – Claudine Clark
Let’s Have A Party – Amos Milburn
Friday Night – Lily Allen
Friday Night, Saturday Morning – The Specials
Momma Told Me Not To Come – Three Dog Night
Party Train – The Dazz Band
Caldonia’s Party – Smiley Lewis
Splish Splash – Bobby Darin
House Party – Louis Jordan
Party On The Patio – ZZ Top
It’s My Party – Leslie Gore
Who Invited You – The Donnas
I Wanna Rock & Roll All Night – Kiss
Party Girl – Elvis Costello & The Attractions
Bedsitter – Marc Almond & Soft Cell
Off the Wall – Michael Jackson
Celebration – Kool and the Gang
I Love the Nightlife – Alicia Bridges
Fight For Your Right To Party – Beastie Boys
Million Dollar Bash – Bob Dylan
The Party’s Over – Blossom Dearie
Birthday – The Beatles The Beatles
Next week: WALKING AND RUNNING

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.

Also streaming on http://www.bayfm.org

Tragically also on Facebook: http://www.facebook.com/maccalyn

AGE AIN’T NOTHIN’ BUT A NUMBER!

We Baby Boomers, in particular,  seem to be obsessed with aging so I thought it was time to dedicate a show to the older generation. It was also Seniors week  – not that you would know it, as there wasn’t one thing organised to celebrate seniors up here in Northern New South Wales, that I could make out. Now I know that we live in the youth obsessed tourist town of Byron Bay, but come on! One day it will be you and I that will be shuffled into the old people’s home (if we can afford it!). Ah well, there’ll always be the music….

2009_0306_tatoobarbie1Even Barbie, who turned 50 last week, has fallen prey to a mid life crisis: ‘Totally Stylin Barbie’ has landed in the toy stores, complete with trendy threads and several temporary tattoos. Help!

I started the show with the Who’s ‘My Generation’. Roger Daltrey sang “I hope I die before I get old” when he was a 21 year old, in 1965, and he’s still singing it 44 years later! Rock’n’roll has always been devoted to a cult of youth and beautiful corpses. Meanwhile our musical heroes and heroines have turned into reunion tour veterans. Being an aging rocker comes with a lot of irony and a smidgeon of  indignity along with the continuing glory, or so it seems.

Aging, mortality, hard-done by women and dirty old men – the themes aren’t confined to rock. Other musical genres covered it all long ago. Pop, Blues, Soul and, not to forget, country – those cowboys have been churning out hits about the sunset years for decades. So it was a fairly eclectic playlist this week – Jazz, Blues, Rock’n’Roll, Country and even some Hip-Hop! Songs dedicated to our older relatives, philosophical musings on time’s passage and a couple of anxious songs about diminished potency. There were a couple of cheeky songs and  some very touching music recorded, perhaps not surprisingly, by some of our older musical icons. It turns out that, dying after you get old does have some advantages!

267px-elvis_costello_15_june_2005Fats Waller and Bill Withers sang a song dedicated to their Grandad and Grandma, respecitvely,  and then it was onto Elvis Costello with a song that Paul McCartney co-wrote, ‘Veronica’. This is quite a brilliant number from 1989 about an elderly woman slipping into senility. Sassy songstress Lily Allen followed with her 50cent cover ‘Nan, You’re a Window Shopper’ and how could we miss out on ‘Little Old Lady From Pasadena’ from the Beach Boys? That’s Elvis C. in the pic above, in 2005, still rockin it out. Bless.

Steely Dan’s ‘Hey Nineteen’ struck a note with more than one of my girlfriends! As the song goes, as hot as it is having a girlfriend 30 years your junior, it’s kind of a reality check when she’s never heard of Aretha Franklin: “We’ve got nothin’ in common, We can’t talk at all”. No kidding. So here’s a video of a live concert in 2006,  for all those old guys still chasing young skirt….. listen well!

We played a quite a bit of the Beatles today. Sad when you think about it. They wrote quite a few songs about aging and both George and John died relatively young. ‘When I’m Sixty Four’ and ‘In My Life’ are both classics. Buddy Guy and Junior Wells gave us a great rendition of ‘In My Younger Days’, followed by my new favourite, Seasick Steve, with ‘Rockin’ Chair’. We couldn’t leave out Neil Young’s ‘Old Man’ with James Taylor on banjo (tuned like a guitar) and Linda Ronstadt on back up vocals. Here is a video of a concert Young did in London, in 1971, where he explains the origins of the song. He looks so young here – well it was nearly 40 years ago!

My Roy Orbison song this week was quite poignant: ‘Life Fades Away’. And so was ‘End of the Line’ by the Travelling Wilburys. I happily sent out birthday wishes to several of my listeners with the Beatles recording of ‘Birthday’, and then finished the show with the amazing Jimmy Durante singing ‘Young at Heart’. Yep, age ain’t nothin’ but a number.

Here’s the complete playlist:

My Generation (1965) – The Who

Grand Old Dad (1941)  Fats Waller

Grandma’s Hands (1971)  Bill Withers

Young Fashioned Ways (1947)  Muddy Waters

Veronica (1989)  Elvis Costello

Nan You’re A Window Shopper (2006)  Lily Allen

Old Lady from Pasadena (1964)  Beach Boys

Older Guys (1970)  Gram Parsons & The Flying Burrito Brothers B

As Good As I Once Was (2005)  Toby Keith

Hey Nineteen (1985) – Steely Dan

When You Are Old (1953)  Tom Lehrer

When I’m Sixty-Four (1967)  The Beatles

In My Younger Days  Buddy Guy & Junior Wells

Rockin’ Chair (2004)  Seasick Steve & The Level Devils

Old Man (1972) – Neil Young

Touch of Grey (1987)  Grateful Dead

Golden Years (1975)  David Bowie

In My Life (1965)  The Beatles

Life Fades Away  Roy Orbison

Losing My Edge (2002)  LCD Soundsystem

1985 (2004)  Bowling for Soup

Surrender (1977) – Cheap Trick

Forever Young (1984)  Alphaville

Can’t Forget About You  (2006)  Nas Hip 

Against The Wind (1980)  Bob Seger

End of the Line   Travelling Wilburys

Young At Heart (1963) –  Jimmy Durante

Birthday (1968) – The Beatles

Next week I’ll be tackling the theme of Communication. Suggestions for songs always apprecicated.

Listen to Lyn at the Theme Park Tuesdays 2-4pm Sydney time on BayFM 99.9. Also streaming via http://www.bayfm.org

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