I’ve been on a mission to play as many songs as I can with numbers in the title. But the real challenge has been to play them in numerical sequence. Last week we successfully navigated our way from Elvis Costello’s Less Than Zero all the way to Edwin Starr’s Twenty Five Miles . So, this week we were off again, starting with our opening number, OCTOBER 26 (REVOLUTION) from The Pretty Things. This is a great track from what I consider a grossly under recognised band of the 60’s. It’s from their 1970 album Parachute.
TWENTY SEVEN STRANGERS is from The Villagers, who put out one of the best albums of last year – Becoming A Jackal. Here’s the band’s singer and songwriter, Conor J O’Brien, performing solo. Beautiful song. Perfect in its simplicity.
A band called Why? gave us our #28 song, (called exactly that, 28). Ryan Adams’ contribution was the track TWENTYNINE from the album 29 and the #30 spot was filled by Aussie band The Lucksmiths. The song, $30 is a very cute proposition: They know that they owe you $30 but how about they write you a song instead? Cheeky!
Aimee Mann thought her life would be different somehow, when she turned 31. Check out this live performance of 31 TODAY in Studio Q.
Another brilliant singer/songwirter is Ani DiFranco . Here she is performing live in 1997. The song: 32 FLAVOURS.
We don’t often play instrumental tracks but funky jazz outfit The New Mastersounds certainly livened things up with THIRTY THREE. We followed with little known, (well to me anyway), American band Promenade with 34 from their Save the Radio album. Then it was Joe Pug with a decent Bob Dylan impression on HYMN #35 and Bobby “Blue” Bland with his favourite numbers 35:22:36.
Then another excellent double : STRAIGHT IN AT 37 from The Beautiful South, now called simply South, and 38 YEARS OLD from Canadian band The Tragically Hip.
Hip Hop producer Re-animator has a great track called SYMPHONY NUMBER THIRTY-NINE on his album, evocatively titled Music to Slit Wrists. Dido has got to have one of the most beautiful voices of recent times, and she uses it to perfection on SEE YOU WHEN YOU’RE 40:
Gregory Hoskins gave us his track 41 and then it was Aussie and, Hunters & Collectors with 42 WHEELS. On 43 Mary Lou Lord justifies seeing a younger man by the fact that he’s 17, going on 43. And talking of excuses, I love any reason to go back to the 60’s so the Zombies were in with CARE OF CELL 44. Terrific band, still performing too.
An artist I’ve only just discovered, but like very much is Todd Snider . Here he is performing FORTY FIVE MILES in December 2010 in Tampa, to a very appreciative audience I might add. It’s an amateur video, but worth watching. He’s supported by Will Kimbrough.
If you’re after some good old fashioned Blues then check out Memphis Slim, Jump Jackson and Arbee Stidham. They gave us a fast version of 46TH STREET BOOGIE to fill our #46 spot. Number 47 was looking tough until I found a real cutie: Andy Kirk & His Orchestra, featuring June Richmond on vocals. She was one of the first black women to front an all white band. The song is 47th STREET JIVE.
Enough with songs named after New York streets (surely that’s another show!). A complete change of tone followed with the amazing, enduring, Suzi Quatro with 48 CRASH. I had to play this original clip from 1973, as she looks so great (still does actually). The ultimate rock chick.
Our number 49 song was for Des who presents BayFM’s Colours of Byron every Sunday morning. He’s a big Dylan fan, so DAYS OF 49 was especially for him and all the other Dylan fans. Number 50 couldn’t be anything but Simon & Garfunkle’s FIFTY WAYS TO LEAVE YOUR LOVER, which wasn’t dedicated to anyone in particular, because I don’t want to get myself in any trouble in that department! Here’s a live performance by Paul Simon with legendary drummer Steve Gadd:
Well we got all the way to #50 with time to spare. We closed the show with a #51 song that also previews next week’s show: Pink Floyd’s COME IN NUMBER 51, YOU’RE TIME IS UP from the soundtrack to the film Zabriskie Point. As one of the comments on YouTube states: it’s the film that inspired countless people to lose their virginity to Pink Floyd. (The music that is, not the actual band members). Here’s the trailer, featuring that music, with some of the worst promotional jargon I’ve ever heard!
So, next week I’ll be hosting an Oscars special. I’ll be playing lots of songs that were recorded especially for films. Some will have won Oscars, some should have but didn’t. I’d love to have your suggestions and requests. And, of course, your company 4-6pm Tuesdays on www.bayfm.org.
Here’s this week’s full playlist:
October 26 (Revolution) – The Pretty Things, Unrepentant [Disc 1]
Twenty Seven Strangers – Villagers, Becoming A Jackal
Twenty Eight – Why? Alopecia
Twentynine – Ryan Adams, 29
$30 – The Lucksmiths, Spring a Leak
31 Today – Aimee Mann, Smilers
32 Flavors – Ani DiFranco
Thirty Three – The New Mastersounds, 102% Funk
34 – Promenade, Save the Radio
Hymn 35 – Joe Pug, Nation of Heat EP
36-22-36 – Bobby “Blue” Bland, Bobby “Blue” Bland: The Anthology
Straight In At 37 – The Beautiful South, Welcome to the Beautiful South
38 Years Old – The Tragically Hip, Up to Here
Symphony Number Thirty-nine – Reanimator, Music To Slit Wrists By
See You When You’re 40 – Dido, Life For Rent
41 – Gregory Hoskins, The Beggar Heart
42 Wheels – Hunters & Collectors, Under One Roof
43 – Mary Lou Lord, Baby Blue
Care of Cell 44 – The Zombies, Odessey and Oracle
Forty Five Miles – Todd Snider, Happy to Be Here
46th Street Boogie (Fast Boogie) – Memphis Slim, Jump Jackson and Arbee Stidham
47th St Jive – Andy Kirk & His Clouds of Joy, Jukebox Hits 1936-1949
48 Crash – Suzi Quatro, Suzi Quatro: Greatest Hits
Days of 49 – Bob Dylan, Self Portrait
Fifty Ways To Leave Your Lover – Simon & Garfunkel , The Concert in Central Park
Number 51, Your Time Is Up – Pink Floyd, Zabriskie Point (Soundtrack from the Motion Picture)
Next week: SONGS RECORDED FOR FILM
I decided to be more playful than usual this week as I set out to compile a playlist of song titles that mentioned numbers. Easy-peasy, you’re thinking. Sure, but there was a condition. The songs had to be played in numerical sequence. I got to choose from pop, rock, country & jazz so it couldn’t be that hard, right? Right.
The show kicked off with LESS THAN ZERO by Elvis Costello and moved right into a beautiful track from Lamb, ZERO. Numero Uno was a piece of cake as I have already done a whole show just on the #1 so plenty to choose from there. I decided that should go with my #1 favourite artist, Roy Orbison with a song from the album, Mystery Girl, THE ONLY ONE. Another fave took over the #2 spot: Marvin Gaye and Kim Weston with IT TAKES TWO. And for #3 it was none other than the great Sarah Vaughan who, like a lot of us, only needs THREE LITTLE WORDS.
FOUR STRONG WINDS is a classic Canadian song by the legendary Canadian singer Neil Young. The perfect follow-up came from the adorable Nanci Griffith with LOVE AT THE FIVE AND DIME. Here she is performing live at the BBC:
The great reggae artist Gregory Isaacs, known as the ‘Cool Ruler’ sadly passed away late last year. His song SIX MONTHS filled the #6 spot and for #7 it had to be The White Stripes with SEVEN NATION ARMY. Such a shame that they’ve gone their separate ways.
There was only one #8 for this baby boomer: The Beatles with EIGHT DAYS A WEEK. And, for #9 Wilson Pickett with ENGINE NUMBER NINE, of course. Pure funk.
Brothers, by the Black Keys, was one of my album picks of 2010 so including TEN CENT PISTOL from that album was a no-brainer. Here they are performing live on Late Night with Jimmy Fallon. Excellent.
Cyndi Lauper features on David Byrne and Fat Boy Slim’s concept album Here Lies Love which is based on the lives of Imelda Marcos and her nanny Estrella Cumpas. The official video clip of ELEVEN DAYS is set against a Philippine movie of 1965 “Iginuhit ng Tadhana: The Ferdinand E. Marcos Story”, starring Gloria Romero and Luis Gonzalez.
I do love a bit of gospel singing, so Buddy Greene was in with TWELVE GATES TO THE CITY. Dickie Thompson is also evangelical, but not in the usual sense. He sings about THIRTEEN WOMEN and only one man in town. Now if I was a bloke I’d say he was a lucky b…..d! But being a woman, living in a small town, it sounds irritatingly familiar!
Next up, it was the genius that is Tiny Tim with all kinds of things to say about the number FOURTEEN. Not the usual Tiny Tim we’re used to hearing. I, for one, miss the ukelele I must admit. And I miss Tiny Tim who died of a heart attack in 1996 at the age of 64.
Number 15 in our playlist was another no-brainer: the almighty Radiohead with 15 STEPS. Here they are peforming live for their VH1 special:
We kept moving through the teenage years with gusto as Chuck Berry took the #16 spot with SWEET LITTLE SIXTEEN. And then Janis Ian calmed everything down with her incredibly insightful tune, AT SEVENTEEN.
The Stellas took the 18th spot with 18 from their 2008 album Cry Baby Cry. Time then for another classic: Steely Dan’s HEY NINETEEN. “Way back in 1967….”
For all the Bluegrass fans, I had to include Jimmy Martin’s 20:20 VISION and then it was a nice piece of rockabilly, suggested by Andy, Eddie Cochran’s TWENTY FLIGHT ROCK.
Rappers 50 cent and Nate Dogg have 21 QUESTIONS for their girlfriend. Not sure us girls need that much interrogation, but hey what do I know? This video has already gathered over 35million hits on You Tube! With lines like “I loves you like a fat kid likes cake”. Go figure!
Lily Allen knows how to churn out pop tunes and 22 is a good example. We followed that with the wonderful Brothers Johnson and another soul standard, STRAWBERRY LETTER 23.
Our two hours was almost up so only time for two more tunes in our attempt to get from zero to infinity. The #24 spot was filled by Bobby Bland’s TWENTY FOUR HOUR BLUES and the finale was handed to Edwin Starr’s TWENTY FIVE MILES. OMG what a voice! Brilliant. Wish I’d been at this particular concert.
We’ll continue our numerical exercise next week, starting at #26. So why not send me a message with suggestions for that list which should probably limit itself from 26-51. Let’s see how we go.
Until then, here’s this week’s full playlist:
Less Than Zero – Elvis Costello, My Aim Is True Pop
Zero – Lamb, Lamb
The Only One – Roy Orbison, Mystery Girl
It Takes Two – Marvin Gaye and Kim Weston, Ready Steady Go! The Sixties Sound Of Motown [Disc 1]
Three Little Words – Sarah Vaughan, The Mercury Jazz Story [Disc 1]
Four Strong Winds – Neil Young, Comes a Time
Love at the Five and Dime – Nanci Griffith, The Last of the True Believers
Six Months – Gregory Isaacs, Brand New Me
Seven Nation Army – The White Stripes, Elephant
Eight Days A Week – The Beatles, Beatles For Sale
Engine Number Nine – Wilson Pickett , Chronicles
Ten Cent Pistol – The Black Keys, Brothers
Eleven Days – David Byrne and Fatboy Slim, Here Lies Love
Twelve Gates To The City – Buddy Greene, A Few More Years
Thirteen Women – Dickie Thompson, Ultimate Rhythm & Soul Collection [Disc 1]
Fourteen – Tiny Tim, Girl
15 Step – Radiohead, In Rainbows
Sweet Little Sixteen – Chuck Berry, Yesterdays Gold Vol 07
At Seventeen – Janis Ian, Echoes Of The Radio [Disc 1]
18 – The Stellas, Cry Baby Cry
Hey Nineteen – Steely Dan, A Decade Of Steely Dan
20:20 Vision – Jimmy Martin
Twenty Flight Rock – Eddie Cochran, Big Artist Selection – Eddie Cochran
21 Questions – 50 Cent & Nate Dogg
22 – Lily Allen, It’s Not Me, It’s You
Strawberry Letter 23 – The Brothers Johnson, Strawberry Letter 23/The Very Best Of The Brothers Johnson
Twenty-Four Hour Blues – Bobby “Blue” Bland, Dreamer
Twenty-Five Miles – Edwin Starr
Next week: FROM NOUGHT TO WHATEVER (Part 2)
This week’s theme is inspired by the fact that Iggy Pop is headlining our major youth concert, The Big Day Out this month. And Bob Dylan, Elvis Costello and Jethro Tull will all be here in April for the Byron Blues Festival. I’m a baby boomer, so I’m ecstatic to be able to see all my heroes from the 60’s still performing. But, I have to ask: what is it about the first generation of rock n rollers – what keeps them going?
The reality is that from the moment rock music arrived on the scene it was a young person’s game: music made by young people for young people. It never intended to grow up or grow old. But it did. So what happens when rock’s youthful rebelliousness is delivered wrapped in wrinkles?
Lemmy from Motorhead has a formula for staying alive. He reckons you just breath (at all times). Lemmy, like Keith Richards, is one of the all time rock n roll survivors and therefore much revered by fans of a similar vintage.
Much to the dismay of our children, we baby boomers have carried on being the oldest swingers in town. We haven’t shown any sign of giving up on rock concerts, taking recreational drugs, (if we want to), and staying up all night. It’s why the biggest earners for rock concerts aren’t the Lady Gagas of the world, but veteran performers like AC/DC, The Eagles, Paul McCartney and The Who.
On MY GENERATION The Who were actually saying that they hoped they’d die before they got old. Hey, hold on a minute, they’re still singing it and they ARE old. What happened?
What happened started in the 50s when an entirely new species emerged with its very own music. They were called teenagers. And their music was called rock n roll:
Rock n roll created something special: The joy of hearing your parents shout out: “Turn that bloody racket down!” Because one of the social functions of rock has always been the defiance of the older generation. For performers like Elvis every gesture, every note was all about social disenfranchisement and rebellion. Elvis hit the scene wearing pink and black and leather outfits. He looked more like a pimp than a musician. “Outrageous!” reeled the grown-ups. But to the teenagers, he represented an escape from the stuffiness of the post-World War Two era.
No-one, even the musicians themselves, took rock and pop seriously, though. It was seen as a novelty, something that wasn’t meant to last. As the soundtrack to growing pains, it was temporary and disposable just like the people who made it.
By the early 60’s Beatlemania was gripping youth’s attention. The Establishment, however, remained doubtful that it was a fever that would last. Even the Beatles accepted the idea of their own inbuilt obsolescence.
With Beatlemania, and the British Invasion in general, many of the young established groups were being left behind. The tyranny of youth dictated that if you didn’t change with the times, you were old hat. One of the new incumbents was the band Manfred Mann.
In 1965 The Who recorded one of the ultimate anthems to youth, one that damned growing up and growing old. The young went on the offensive claiming their territory through guitar, bass and drums. The older generation were still recovering from a World War and all they wanted was some peace and quiet. To the younger generation old age just seemed really boring.
Ironically, the British Beat boom of the mid 60’s was based on music that was already old. Bands like the Stones, The Animals & Manfred Mann worshipped American Blues of the 20s 30s and 40s. Their recording heroes were still alive, but by rock roll’s new standards they were old men. Charlie Parker was born in 1920, Miles Davis in 1926 & Muddy Waters in 1913.
The self-absorbed rebelliousness of rock n roll gathered speed with the Rolling Stones. While the Who were busy burying the older generation, the Stones were singing about finding their satisfaction in sex.
The arrival of album culture in the late 60s proved that rock n roll was now thinking more in the long term. It didn’t sound disposable anymore. It was growing up, just like the people who made it. The Beatles Sgt Peppers album dared to imagine what life would be like at SIXTY FOUR. Up until now that was completely unthinkable for the baby boomer generation.
In the same year that the Beatles released the Sgt Peppers album, Procol Harum had a hit single with WHITER SHADE OF PALE. Things had started to get serious. The more experienced young musicians began wondering how far they could take their music. And they took their diehard fans with them. In many cases the fans had grown up with these bands and, along the way, they’d developed an appreciation of lyrics and music with more depth.
The end of the sixties saw the beginning of the rock n roll casualty list. The death of Brian Jones in 1969 seemed to crystalise a ‘live fast, die young’ attitude and brought a new reality to “I hope I die before I get old.” Janis Jopliin, Jim Morrison, Jimi Hendrix all died at 27, confirming the myth that if you wanted to be a rock legend you had to die young.
The Stones, however, seemed determined to mature. After the death of Brian Jones they picked themselves up and went back on the road. For the band, it wasn’t over yet.
By the end of the 60’s the Stones had discovered the secret of survival, at least for now. Unfortunately, the Beatles didn’t. As if to prove that longevity and rock n roll was difficult for a group of young guys growing up together, they split in 1970. The Fab Four would go on to enjoy successful solo careers for many years to come but the surge of creativity that fed them in their youth proved more elusive for them and their generation as they grew older.
Today, Mick Jagger, Paul McCartney and Pete Townsend can play arenas 45 years after they first had hits. Which is great. But the real question is: are they writing great songs? Or is the outpouring of creativity that launched their careers a factor of youth?
Herman’s Hermits got together in 1963 when lead singer Peter Noone was only 16. Their very first release, I’M INTO SOMETHING GOOD, was a #1 hit and although future recordings would get into the top ten, they were never to have a UK #1 again. The band, without Noone, continue to perform to this day and Peter Noone has gone on to have a successful career as both a singer and actor.
In the early 70’s, no performer demonstrated rock n roll’s reliance on youthful invention and raw power more than Iggy Pop. Here’s a great little doco that illustrates why he is known as the “Godfather of Punk”:
Not all rock n roll of the early 70’s was an expression of sexual energy and youthful physicality. By now prog rock was plundering the classical music collections so beloved of its middle class parents, as proof of its intention to last. It’s perpetrators, bands like Yes & Jethro Tull, seemed to be contemplating careers beyond the age of 30.
Performers found themselves living with their songs and growing into their material. One of the most requested songs from troops serving in Vietnam was I GOTTA GET OUT OF THIS PLACE by Eric Burdon & The Animals. Burdon continues to perform this song today when he entertains servicemen and women in Iraq and Afghanistan. In fact, it’s written into his contract. That’s what they call an anthem, folks.
In 1976, before the 60’s generation had a chance to mature, they were rudely cast aside by punk. It was a three-chord reign of terror, the ultimate Oedipal act. Snarling, spitting and clawing its way to the stage.
These weren’t the kids of the optimistic 60’s but a new young generation who felt abandoned. Everyone was in their way and, as always, no one understood them.
The bands of the post-punk era, like the Specials and Madness, while less dismissive of the past, still believed that rock and pop music were part of an essentially young experience.
In the early 80’s the Stones were back, yet again, having been absent from the stage for 6 years – while punk and its aftermath were the centre of attention. They were proving that they were in for the long haul.
In July 1985 the benefits of hanging in for the long term reached unexpected and unprecedented heights, with Live Aid. The international event sometimes looked like a version of Dad’s Army with acts like Paul McCartney, Bob Dylan, The Who, and the Beach Boys joining pop stars of the 80s on stage. Watched by more than 400 million viewers in 60 countries, this was the rock n roll survivor’s finest hour. Suddenly being 40 didn’t seem so uncool. These were the masters, the legends, the acts deemed capable of feeding the world.
A lot of young people heard some of the older bands for the first time, saying “These bands are fantastic.” And then, the most hated people in their musical vocabulary, their parents, responded with “Yeah, we know, we love them too!”
What had begun with Live Aid in the 80’s continued into the 90s with projects like War Child. Performers from three generations of rock n roll – Paul McCartney, Paul Weller and Noel Gallagher recorded COME TOGETHER, in the new spirit of multi-generational tolerance. It was no longer a case of ‘My Generation’ but ‘Your Generation too”. Just as importantly, audiences for the music also started to span generations.
The new millennium witnessed an entirely new phenomenon: the revival and the comeback. Leonard Cohen, already in his 70’s, had decided to stop performing and recording altogether. At least that was the plan. But after having all his money misappropriated by a crooked manager, he had to go back on the road. And guess what, he loves it!
Audiences who had grown up and grown old with their heroes wanted them back. Age had invested their favourite bands with a new authenticity. Performers couldn’t believe their luck. Even Brian Wilson returned from the wilderness to be a Beach Boy once again.
Rock n roll is now revelling in a long life. What was about risk and youth is now about enjoying a grand old age. It’s about longevity, survival, nostalgia. Refusing to grow up, give up or shut up. The whole point of the baby boomer generation is that we made it up from the beginning and we’ve been making it up ever since. We’ve been pushing the boundaries, and unlike our parents, we’ve refused to accept old age.
Many thanks to BBC and You Tube community for the wealth of material, without which this week’s show would not be possible.
Next week, my special guests will be The Fridays, performing live in the studio, plus lots of songs about RESOLUTIONS. Any suggestions/requests, please leave me a message here.
In the meantime, here’s this week’s complete playlist:
Lust For Life, Trainspotting soundtrack, Iggy Pop
My Generation, Austin Powers: The Spy Who Shagged Me soundtrack, The Who
Johnny B. Goode, Martin Scorsese Presents the Blues, Chuck Berry
Jailhouse Rock, Elvis Presley
Get A Job, Get a Job, The Silhouettes
Paul McCartney quote
Twist And Shout, Please Please Me, The Beatles
Paul Jones quote
Come Tomorrow, The Five Faces of Manfred Mann, Manfred Mann
(I’m Your) Hoochie Coochie Man, Martin Scorsese Presents the Blues, Muddy Waters
Let’s Spend The Night Together, Hot Rocks 1964-1971, The Rolling Stones
When I’m Sixty-Four, Sgt. Peppers Lonely Hearts Club Band, The Beatles
She’s Leaving Home, Sgt Peppers Lonely Hearts Club Band, The Beatles
A Whiter Shade Of Pale, The Big Chill soundtrack, Procol Harum
Brown Sugar, Sticky Fingers, The Rolling Stones
Peter Noone quote
I’m Into Something Good, The Original 60’s Summertime album, Herman’s Hermits
Iggy Pop i/view
Search And Destroy, Raw Power, Iggy Pop & The Stooges
Too Old To Rock ‘N’ Roll, Too Young To Die, Jethro Tull
We’ve Gotta Get Out Of This Place, The Most of the Animals, The Animals
God Save The Queen, Never Mind the Bollocks, The Sex Pistols
Too Much Too Young, The Singles Collection, The Specials
Baggy Trousers, Complete Madness, Madness
Mick Jagger quote
Start Me Up, Tattoo You, The Rolling Stones
Rockin’ All Over The World, Rockin’ All Over The World, Status Quo
Surfin’ USA, Endless Summer Legends, The Beach Boys
We Will Rock You, News of the World, Queen
Come Together, Help (War Child Benefit), Paul Weller & Friends
1969 (with i/view), Iggy Pop
In My Secret Life, Ten New Songs, Leonard Cohen
God Only Knows, Pet Sounds, The Beach Boys
Forever Young, Napolean Dynamite soundtrack, Alphaville
Next week: RESOLUTIONS
This week’s theme is ostensibly about shelter which in the dictionary sense is a building. But it’s hard to express a real sense of bricks and mortar in a song. Let’s face it, do you learn anything about being in jail from Jailhouse Rock? Convincing songs about buildings, or shelters, are really songs about the people who find themselves in them, by design or not.
We started this week’s playlist with music’s most famous home away from home – Elvis Presley’s HEARTBREAK HOTEL. You’ll find it down at the end of Lonely Street. We followed with Lucinda Williams who gets a little bit of help from Elvis Costello. He’s a three-time loser and consequently she’s got a case of JAILHOUSE TEARS. The track is from the very excellent ‘Little Honey’ album.
The Rolling Stones’ GIMME SHELTER is usually associated with the Vietnam War (it was released on the 1969 album Let It Bleed). The lyrics, which speak of seeking shelter from a coming storm, painting a picture of devastation and disaster but it also talks of the power of love. We followed with a fantastic Irish singer, Mary Coughlan with a song about prostitution: THE HOUSE OF ILL REPUTE.
Aretha Franklin funks up Hal David’s lyric, “a-house-is-not-a-home” on THE HOUSE THAT JACK BUILT and we followed with The Temptations, who prove that even Motown wasn’t immune to the Psychadelic era with PSYCHEDELIC SHACK.
Can you believe that Bob Dylan has turned 69? Yikes. We wished him happy birthday for May 24 with SHELTER FROM THE STORM. The Housemartins’ swansong was a song called BUILD, about the widespread construction in the 1980s that spelt disaster for working-class communities.
A nice change of tone came from the gorgeous Julie London who wants you to COME ON A MY HOUSE. And she’s got candy. How good is that?
MANSION ON THE HILL is a Neil Young song from his 1990 album ‘Ragged Glory’. The clip is an absolute hoot. Enjoy.
Norwegian singer/songwriter, Ane Brun, who recently toured Europe with Peter Gabriel, sings a great song about shelter called THE TREEHOUSE SONG. The Basement Jaxx song TAKE ME BACK TO YOUR HOUSE first appeared on their 2006 album ‘Crazy Itch Radio’. The album features Swedish popster Robyn among the guest vocalists. Another interesting video too:
Irma Thomas sent us a great message about the emotional refuge that a true friend can give you during hard times in the song SHELTER IN THE RAIN. Jimi Hendrix sings about his house on the hill; He’s got a bad, bad feeling his baby don’t live there no more. But, as he so eloquently puts it, ‘That’s Ok cause I’ve still got my guitar”. The song is RED HOUSE.
Blur had a big hit with a song that tapped into a common ideal of escaping the rat race and living in a COUNTRY HOUSE.
A SUGAR SHACK refers to a small building n which maple syrup is processed. Its also the name of a song written in 1962 by Keith McCormack and his aunt Fay Voss. It was a hit for Jimmy Gilmer and the Fireballs but I preferred to play the Ricky Nelson version.
Two songs that link houses with fire, at least metaphorically, are Natalie Merchant’s THIS HOUSE IS ON FIRE and BURNING DOWN THE HOUSE by Talking Heads.
Arguably the most idiosyncratic song in the playlist this week would be Mmmmm… SKYSCRAPER I LOVE YOU by Underworld, otherwise known to their Mums as Karl Hyde and Rick Smith. Not quite Kraftwerk, but still lots of fun.
The Rapture put a cowbell to good use in their very catchy dance-punk number, HOUSE OF JEALOUS LOVERS:
Elvis Costello celebrated the amazing art deco Hoover factory, that welcomes drivers entering London on the Western Avenue, in HOOVER FACTORY. While David Byrne, revisiting themes from his Talking Heads days, gave us GLASS, CONCRETE & STONE. It’s about a weary worker whose residence is “a house, not a home”. There’s that Hal David lyric again.
The ultimate shelter song for Byron Bay, with our own iconic lighthouse is, of course, THE LIGHTHOUSE SONG from Josh Pyke.
We finished the show on an upbeat note with the B-52s and LOVE SHACK. The song’s inspiration was a cabin in Georgia, complete with tin roof, where the band conceived “Rock Lobster”, a single from their first album. B-52’s singer Kate Pierson lived in the cabin in the 1970s, and the cabin existed until 2004, when it burned down in a fire.
The topic for next week’s show was requested some time ago by Nicole, but I’ve been waiting until I’m in the right mood. The theme is SEXY SONGS. Now I’m not suggesting that this is a playlist to have sex to. To be honest I don’t think I want to know what other people listen to in bed! Not all the songs will even be about sex, but they will have an erotic charge to them. And, yes, I know its all incredibly subjective but, hey, every week’s show is. And I may just have a very interesting giveaway for you too. This is one that shouldn’t be missed!
Here’s this week’s complete playlist:
Heartbreak Hotel – The 50 Greatest Hits (Disc 1), Elvis Presley
Jailhouse Tears – Little Honey, Lucinda Williams (with Elvis Costello)
Gimme Shelter – Hot Rocks, 1964-1971 [Disc 2], The Rolling Stones
The House of Ill Repute – Mary Coughlan
The House That Jack Built – 20 Greatest Hits, Aretha Franklin
Psychedelic Shack – My Girl: The Very Best Of The Temptations [Disc 2], The Temptations
Shelter From The Storm – Blood On The Tracks, Bob Dylan
Build – The Beautiful South & The Housemartins, The Housemartins
Come On -A My House – Swing Me An Old Song, Julie London
Rock House – Ultra Lounge, The Ernie Freeman Combo
Mansion On The Hill – Ragged Glory, Neil Young
The Treehouse Song – Ane Brun
Take Me Back To Your House – Triple J 14, Basement Jaxx
Shelter in the Rain – After the Rain, Irma Thomas
Red House – Martin Scorsese Presents The Blues, Jimi Hendrix
Country House – Blur
Sugar Shack – Ricky Nelson
This House Is on Fire – Motherland, Natalie Merchant
Burning Down The House – Classic MTV – Class of 1983, Talking Heads
Mmm.. Skyscraper I Love You – Underworld
House of Jealous Lovers – Echoes, The Rapture
Glass, Concrete & Stone – Grown Backwards, David Byrne
Hoover Factory – Get Happy!! Elvis Costello
The Lighthouse Song – Triple J Hottest 100, Vol. 16 [Disc 2], Josh Pyke
Love Shack – B-52s
Next week: SEXY SONGS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Memories can haunt us, no matter how much we want to escape them. There are false memories, conflicting memories of the same event and memories that clash with the reality of the present. Thanks to mass media, memory isn’t something that only belongs to us as individuals. When we see scenes at the cinema or television or on DVDs over and over again, they become part of our collective memory. Even if you’ve never seen the film King Kong you know that there’s a scene where a big gorilla climbs up the Empire State Building with a human girl in his hand. And whenever a comedy show or film features a scene where someone is killed or threatened in a shower most people understand it’s a parody of Psycho. So mass media, film and television in particular, have contributed hugely to a memory that we share with millions of other people.
Unfortunately, we remember melancholy and pleasure in equal measure. The concept of looking back in hindsight is also a bit complicated. It’s easy to write off youthful idealism as simply being naïve as Stevie Wonder did in our opening number YESTERME, YESTERYOU, YESTERDAY. According to Stevie it was all “a cruel and foolish game we used to play”. Well that’s how he remembers it anyway.
And talking of cruel, I can’t imagine anything worse than getting Alzheimer’s disease and Elvis Costello’s song VERONICA is all about that. It tells the story of an old lady who lives in a nursing home and is gradually losing her memory. It was inspired by Costello’s grandmother.
The Ramones want to know DO YOU REMEMBER ROCK ‘N’ ROLL RADIO? Has it ever gone away?
Collecting objects that remind us of old times should bring back good memories, but that’s not always the case as Soft Cell tell it in MEMORABILIA. Sarah Vaughan would rather experience something that didn’t work out than never do anything at all in I’D RATHER HAVE A MEMORY THAN A DREAM. The real classic of this triple play, however, was the Shangri-Las with their ode to a lost love affair: REMEMBER (WALKIN IN THE SAND). Here’s a great clip from the excellent “Songmakers Collection” DVD, with interviews with Mary Weiss and writer producer George ‘Shadow’ Morton about this track and their other hit, LEADER OF THE PACK.
Jurassic 5 dug deep into their memory banks for REMEMBER HIS NAME. As did Fall Out Boy for THNKS FR TH MMRS . The Zutons, REMEMBER ME is about those kind of friends who seem to forget you once they are entrenched in a romantic relationship. Don’t you just hate that!
THOSE WERE THE DAYS is from Cream’s 1968 album Wheels of Fire. The album cover was designed by Australian artist Martin Sharpe and it won the the New York Art Directors Prize for best album cover in 1969. The sound on the album was characterised by a hybrid of blues, hard rock and psychdelic rock, combined with Eric Clapton’s blues guitar, Ginger Baker’s jazz-influenced drumming and the basslines and voice of Jack Bruce.
One of the most beautiful voices I’ve heard belongs to Sarah McLachlan. And one of my favourite songs of hers is one that I first heard on the soundtrack to the film The Brothers McMullen. It’s called I WILL REMEMBER YOU.
Otis Redding’s name is synonymous with the term ‘soul’ and we had to include his classic with I’VE GOT DREAMS TO REMEMBER. Redding died at the very early age of 26 but his memory is kept alive with the Youth Educational Dream Foundation and a very good website. Go to: http://www.otisredding.com/
British group Bloc Party look back regretfully on an opportunity for love that wasn’t realised in I STILL REMEMBER:
The Kinks wonder what ever happened to their childhood friend in DO YOU REMEMBER WALTER? It’s from their album The Kinks Are the Village Green Preservation Society.
The Supremes reflected on the good and bad memories of a love that used to be in REFLECTIONS while Jimi Hendrix had only good memories of a past love, (he even wants her back!), in REMEMBER.
Relationships that survive depend partly on shared memories, but those memories need constant topping up. Indie rockers, Yo La Tengo document this well in OUR WAY TO FALL.
There was a fair bit of nostalgia in this week’s show, (well what did you expect?) and one of my faves was The Platters with REMEMBER WHEN. Also fitting the bill was Elvis Presley who seems somewhat confused in I FORGOT TO REMEMBER TO FORGET.
Memories, daydreams, disconnected thoughts – they fill our minds in a never-ending rush. Our next song, THE WINDMILLS OF YOUR MIND, evoked this beautifully, conveying the incredible weirdness of our thought processes. If you’re after nostalgia then what about Noel Harrison with the original version of the song that served the film The Thomas Crown Affair so well.
Ok back to recent memories. Jack Johnson wonders DO YOU REMEMBER? and P.M. Dawn are SET ADRIFT ON A MEMORY. Thanks to Lynden for suggesting that one and several others on our list today.
One of my favourite films deals with amnesia. Memento, starring Guy Pearce, and directed by Christopher Nolan, is a fascinating story about someone who can’t store new memories. A song about about the subject is I DON’T REMEMBER by Peter Gabriel.
Bob Dylan’s memory song is a love ballad from the Empire Burlesque album: I’LL REMEMBER YOU. And if its nostalgia that you’re after, consider MEMORIES ARE MADE OF THIS from Dean Martin. An oldie but a goodie, as they say.
I’ll never forget Michael Jackson with REMEMBER THE TIME from the Dangerous album. Another sad memory for me is Freddy Mercury singing THOSE WERE THE DAYS OF OUR LIVES which many think was the song he dedicated to his fellow Queen members when he knew that he was dying.
Back to the 70’s and some Aussie based punk rock: remember The Saints and MEMORIES ARE MADE OF THIS?
We closed the show with a cover of a song that I swore I wouldn’t play this week, but this version is so sweet it had to make the cut: The Waifs with a little help from Clare Bowditch. They’re singing Frank Ifields I REMEMBER YOU.
This week’s theme on MEMORY segues nicely into next week’s topic. My computer crashed last week and I had to invest in a drive with a lot more memory to cope with all the songs that I collect for these shows. So next week its MACHINES, ROBOTS AND COMPUTERS. No Television or Radio songs please because you know they are a whole theme to themselves. and no modes of transport, for the same reason. But any other gadget or gizmo is up for grabs.
Here’s this week’s complete playlist. All songs available on iTunes.
Yesterme Yesteryou Yesterday – Stevie Wonder
Veronica – Elvis Costello
Do You Remember Rock ‘N’ Roll Radio – The Ramones
Memorabilia – Soft Cell
I’d Rather Have a Memory Than a Dream – Sarah Vaughan
Remember (Walkin’ in the Sand) – The Shangri-Las
Remember his name – Jurassic 5
Thnks fr th Mmrs – Fall Out Boy
Remember Me – The Zutons
Those Were The Days – Cream
I Will Remember You – Sarah Mclachlan
I’ve Got Dreams To Remember – Otis Redding
I Still Remember – Bloc Party
Do You Remember Walter – The Kinks
Reﬂections – Diana Ross & the Supremes
Remember – The Jimi Hendrix Experience
Our Way to Fall – Yo La Tengo
Remember When – The Platters
I Forgot to Remember to Forget – Elvis Presley
Do You Remember – Jack Johnson
The Windmills Of Your Mind – Noel Harrison
Set Adrift On Memory Bliss – P.M. Dawn
I Don’t Remember – Peter Gabriel
I’ll Remember You – Bob Dylan
Memories Are Made Of This – Dean Martin
Remember The Time – Michael Jackson
Memories Are Made of This – The Saints
Those Were The Days Of Our Lives – Queen
Remember You (feat. Clare Bowditch) – The Waifs
As a tribute to all the Capricorns celebrating their birthdays at the moment, (including me!), the theme this week was GOING OUT AND PARTYING. Some famous Capricorns include Elvis Presley, who would have turned 75 this week, David Bowie, Annie Lennox, Patti Smith, Janis Joplin, Dolly Parton… the list goes on. Oh, what amazing company I’m in!
We opened the show Pink’s GET THIS PARTY STARTED and if that song can’t get you in the party mood I don’t know what will. If you’ve never seen Pink perform live, you are really missing out. Here’s some footage from her show at the Wembley Arena. Enjoy.
Wanda Jackson also has the right attitude. Her song LET’S HAVE A PARTY was a hit for her in 1959, a year after Elvis Presley released it. I totally adore Louis Jordan and included two of his tracks this week. The first has a great clip to show you. Have a look at LET THE GOOD TIMES ROLL :
The Theme Park party was off to a great start and the party continued with Santana’s INTERPLANETARY PARTY from the 2007 album, Ultimate Santana. But, I ask you, what’s a party without James Brown? One thing you can count on, he’s GONNA HAVE A FUNKY GOOD TIME. Joe Jackson was also STEPPIN OUT and, as the Showstoppers explained, with their hit of 1968, it AIN’T NOTHIN BUT A HOUSE PARTY.
Loved Sam Cooke’s smooth rendition of WE’RE HAVING A PARTY but I have to admit that I was totally intrigued by Smokey Robinson and the Miracles song title, GOING TO A GO-GO. I have no idea what a Go-Go is, but the song is a sure fire dance floor filler, so it has to be about a party, surely.
The Irish Rovers sound as if it was one hell of a get-together with their ditty WASN’T THAT A PARTY. It’s hard to find a full clip of the Rovers singing any song but here’s one that includes this catchy tune, which they used to open their 80’s television series “Party with the Rovers”. Take a peek:
Claudine Clark’s one-hit wonder of 1962, PARTY LIGHTS, stands out because she wrote the music and the lyrics herself, which was unusual for a female performer during that time. Sung from the point of view of a teenage girl ordered to her room while her friends were out having a good time, “Party Lights” struck a chord and shot into the Top Five on both the pop and R&B charts.
What’s the purpose of a party? Well, let’s face it life can be pretty serious a lot of the time, so getting together with your friends and celebrating the positive things in life can be a lot of fun. Although I can testify that the after effects don’t always make it worth the effort. But that’s just my hangover talking. I’m sure the wonderful Amos Milburn wouldn’t agree and he has a great song to prove it – LET’S HAVE A PARTY.
Friday night seems to be the favourite night of the week to go out, so I thought it was appropriate to include Lily Allen’s FRIDAY NIGHT and The Specials’ FRIDAY NIGHT, SATURDAY MORNING. Then Three Dog Night claimed that their MOMMA TOLD ME NOT TO COME. They had to find out the hard way that “This is the craziest party there could ever be”. Check out the clip from 1970:
We played PARTY TRAIN by the Dazz Band on our Train show but it deserved a second listen. Smiley Lewis followed with CALADONIA’S PARTY. Now anyone with a name like Caledonia deserves to have a party in her honour, don’t you think?
Bobby Darin was just sitting in his bath, minding his own business and gets out of the bath with just a towel around him. Now how did he know there was a party going on? That’s how he tells it anyway in SPLISH SPLASH.
ZZ Top know how to do party. They’re turning up the radio and having a PARTY ON THE PATIO. Lesley Gore, on the other hand, needs a bit of sympathy. As she tells it, ITS MY PARTY (and I’ll cry if I want to).
The Donnas give short shrift to gatecrashers on WHO INVITED YOU? And for my guilty pleasure it was Kiss: “and you say you wanna go for a spin, the party’s just begun, we’ll let you in, you drive us wild, we’ll drive you crazy.” Yes, indeed, I WANNA ROCK AND ROLL.
Maybe the party lifestyle isn’t what its all cracked up to be. Not according to Elvis Costello and the Attractions, anyway, with PARTY GIRL or Marc Almond and Soft Cell with their reality check of a song, BEDSITTER.
I’m not convinced. Give me the optimisim of Michael Jackson’s OFF THE WALL or anything from the disco era, like Kool and the Gang’s CELEBRATION or Alicia Bridges with the party girl’s anthem, I LOVE THE NIGHLIFE. The song will forever be associated with the film, Priscilla Queen of the Desert, and who am I to change that? Check out the clip:
The Beastie Boys are ready to FIGHT FOR YOUR RIGHT TO PARTY. Excellent. Even Bob Dylan had a song for us about parties – MILLION DOLLAR BASH.
Time to finish the show and what better way than with the brilliant Blossom Dearie with THE PARTY’S OVER followed by the Beatles’ BIRTHDAY. Here’s a cute piece of animation created by Mery, for all the Capricorns out there.
I thought next week I might have to work off some of the birthday cake, so it’s a show more for the walkers, than the talkers. The theme is WALKING AND RUNNING. Any suggestions?
Here’s this week’s playlist:
We Baby Boomers, in particular, seem to be obsessed with aging so I thought it was time to dedicate a show to the older generation. It was also Seniors week – not that you would know it, as there wasn’t one thing organised to celebrate seniors up here in Northern New South Wales, that I could make out. Now I know that we live in the youth obsessed tourist town of Byron Bay, but come on! One day it will be you and I that will be shuffled into the old people’s home (if we can afford it!). Ah well, there’ll always be the music….
Even Barbie, who turned 50 last week, has fallen prey to a mid life crisis: ‘Totally Stylin Barbie’ has landed in the toy stores, complete with trendy threads and several temporary tattoos. Help!
I started the show with the Who’s ‘My Generation’. Roger Daltrey sang “I hope I die before I get old” when he was a 21 year old, in 1965, and he’s still singing it 44 years later! Rock’n’roll has always been devoted to a cult of youth and beautiful corpses. Meanwhile our musical heroes and heroines have turned into reunion tour veterans. Being an aging rocker comes with a lot of irony and a smidgeon of indignity along with the continuing glory, or so it seems.
Aging, mortality, hard-done by women and dirty old men – the themes aren’t confined to rock. Other musical genres covered it all long ago. Pop, Blues, Soul and, not to forget, country – those cowboys have been churning out hits about the sunset years for decades. So it was a fairly eclectic playlist this week – Jazz, Blues, Rock’n’Roll, Country and even some Hip-Hop! Songs dedicated to our older relatives, philosophical musings on time’s passage and a couple of anxious songs about diminished potency. There were a couple of cheeky songs and some very touching music recorded, perhaps not surprisingly, by some of our older musical icons. It turns out that, dying after you get old does have some advantages!
Fats Waller and Bill Withers sang a song dedicated to their Grandad and Grandma, respecitvely, and then it was onto Elvis Costello with a song that Paul McCartney co-wrote, ‘Veronica’. This is quite a brilliant number from 1989 about an elderly woman slipping into senility. Sassy songstress Lily Allen followed with her 50cent cover ‘Nan, You’re a Window Shopper’ and how could we miss out on ‘Little Old Lady From Pasadena’ from the Beach Boys? That’s Elvis C. in the pic above, in 2005, still rockin it out. Bless.
Steely Dan’s ‘Hey Nineteen’ struck a note with more than one of my girlfriends! As the song goes, as hot as it is having a girlfriend 30 years your junior, it’s kind of a reality check when she’s never heard of Aretha Franklin: “We’ve got nothin’ in common, We can’t talk at all”. No kidding. So here’s a video of a live concert in 2006, for all those old guys still chasing young skirt….. listen well!
We played a quite a bit of the Beatles today. Sad when you think about it. They wrote quite a few songs about aging and both George and John died relatively young. ‘When I’m Sixty Four’ and ‘In My Life’ are both classics. Buddy Guy and Junior Wells gave us a great rendition of ‘In My Younger Days’, followed by my new favourite, Seasick Steve, with ‘Rockin’ Chair’. We couldn’t leave out Neil Young’s ‘Old Man’ with James Taylor on banjo (tuned like a guitar) and Linda Ronstadt on back up vocals. Here is a video of a concert Young did in London, in 1971, where he explains the origins of the song. He looks so young here – well it was nearly 40 years ago!
My Roy Orbison song this week was quite poignant: ‘Life Fades Away’. And so was ‘End of the Line’ by the Travelling Wilburys. I happily sent out birthday wishes to several of my listeners with the Beatles recording of ‘Birthday’, and then finished the show with the amazing Jimmy Durante singing ‘Young at Heart’. Yep, age ain’t nothin’ but a number.
Here’s the complete playlist:
My Generation (1965) – The Who
Grand Old Dad (1941) – Fats Waller
Grandma’s Hands (1971) – Bill Withers
Young Fashioned Ways (1947) – Muddy Waters
Veronica (1989) – Elvis Costello
Nan You’re A Window Shopper (2006) – Lily Allen
Old Lady from Pasadena (1964) – Beach Boys
Older Guys (1970) – Gram Parsons & The Flying Burrito Brothers B
As Good As I Once Was (2005) – Toby Keith
Hey Nineteen (1985) – Steely Dan
When You Are Old (1953) – Tom Lehrer
When I’m Sixty-Four (1967) – The Beatles
In My Younger Days – Buddy Guy & Junior Wells
Rockin’ Chair (2004) – Seasick Steve & The Level Devils
Old Man (1972) – Neil Young
Touch of Grey (1987) – Grateful Dead
Golden Years (1975) – David Bowie
In My Life (1965) – The Beatles
Life Fades Away – Roy Orbison
Losing My Edge (2002) – LCD Soundsystem
1985 (2004) – Bowling for Soup
Surrender (1977) – Cheap Trick
Forever Young (1984) – Alphaville
Can’t Forget About You (2006) – Nas Hip
Against The Wind (1980) – Bob Seger
End of the Line – Travelling Wilburys
Young At Heart (1963) – Jimmy Durante
Birthday (1968) – The Beatles
Next week I’ll be tackling the theme of Communication. Suggestions for songs always apprecicated.
Listen to Lyn at the Theme Park Tuesdays 2-4pm Sydney time on BayFM 99.9. Also streaming via http://www.bayfm.org