There’s something about seeing an act in concert that, (if they’re good that is), makes you a fan forever. One of the first concerts I ever attended was by The Beatles. I know, I know, I’m showing my age! I had to get my Mum’s permission to go and, to be honest, we couldn’t hear a thing for all the screaming, much of which came from my best friend Helen. But we thought we were the ants pants and I’ve never forgotten that day.
So, it was fitting that SGT PEPPERS LONELY HEARTS CLUB BAND opened our show on CONCERTS. Check out this clip from the movie ‘The Beatles Yellow Submarine’ and you’ll have to agree it was a perfect kick off to this week’s program:
Every concert is unique of course, but LCD Soundsystem reckon that DAFT PUNK IS PLAYING AT MY HOUSE. Oh, if only it were true!
Now, that would be a hard gig to follow. For something completely different, look no further than Bonzo Dog Doo Dah Band with THE BRIDE STRIPPED BARE BY THE ‘BACHELORS’, a great piece of satire about performing on the English club circuit.
STAGE FRIGHT by The Band is a song that just may resonate with some of you. It tells the story of a performer who sings just like a bird but is terrified every time he has to get up in front of an audience. Here’s a clip from the film The Last Waltz, directed by Martin Scorsese in 1978. Rick Danko R.I.P.
Not shy at all are Dire Straits. SULTANS OF SWING is about a band blowing Dixie in double four time. A perfect concert song, if ever there was one. And here they are performing it live. Excellent. It’s the seminal concert at which they recorded the album ‘Alchemy: Dire Straits Live’. The album cover, btw, was taken from a painting by Australian artist Brett Whitely.
Wild Cherry’s PLAY THAT FUNKY MUSIC is autobiographical. The group were a rock band, but in 1975 were competing with Disco for their loyal followers attention. So they wrote a song to suit the times and it’s probably the most recognised funk song there is.
The lyrics of SMOKE ON THE WATER, by Deep Purple, tell a true story too. It was December 1971 and Frank Zappa and the Mothers of Invention were performing in concert at the Montreux Casino Theatre. In the middle of Don Preston’s King Kong synthesizer solo the place suddenly caught alight. Deep Purple were staying on the other side of the lake and witnessed the fire and the smoke on the water and the rest, as they say, is history.
Arguably, the most famous outdoor concert is Woodstock. And one of the most famous songs about that concert is Joni Mitchell’s WOODSTOCK. She wrote the song after being told about it by her then boyfriend Graham Nash. She wasn’t actually there herself. I prefer Matthews Southern Comfort’s version, which is probably heresy to all you Joni fans. But take a listen. I think its got a really relaxed tone to it that suits the material well. Some cool images of the Woodstock concert in this clip too.
David Bowie’s ZIGGY STARDUST is from the album The Rise and Fall of Ziggy Stardust and the Spiders of Mars . A concert film of the same name was directed by D.A. Pennebaker in 1973. Here’s Bowie singing the song on the Jonathan Ross show in 2002. Is it just me, or does the Dude just get better and better?
Sadly all the soul legends referred to in Arthur Conley’s classic SWEET SOUL MUSIC are no longer with us. How good it would have been to see them all in concert. Arthur Conley passed away himself in 2003. Here he is, on the way to the Go-Go in 1966:
I do like to play a little country music now and again, and Johnny Cash’s song about THE NIGHT HANK WILLIAMS CAME TO TOWN fitted the playlist to a tee. As did Camera Obscura’s brilliant version of Abba’s SUPERTROUPER. But the finale of the show had to go to Jackson Browne’s ode to the hard-working roadie. THE LOAD OUT was a perfect finish to a show dedicated to concerts.
Next week’s show will be on SECRET VICES/GUILTY PLEASURES. I’ve been glued to the tele watching the Eurovision Song Contest this past weekend, so that’s my guilty pleasure at the moment. What’s yours? And have they written a song about it? Let me know!
Meanwhile, here’s this week’s complete playlist:
Sgt. Pepper’s Lonely Hearts Club Band – The Beatles
Daft Punk Is Playing At My House – LCD Soundsystem
The Bride Stripped Bare By ‘Bachelors’ – Bonzo Dog Doo-Dah Band
Stage Fright – The Band
Sultans Of Swing – Dire Straits
Play That Funky Music – Wild Cherry
Smoke On The Water – Deep Purple
Woodstock – Matthews’ Southern Comfort
Ziggy Stardust – David Bowie
Sweet Soul Music – Arthur Conley
The Night Hank Williams Came To Town – Johnny Cash
Super Trouper – Camera Obscura
The Load-Out – Jackson Browne
Next week: SECRET VICES
Ok, so there are intros and then they’re are great intros. What qualifies as great in my books? In this week’s playlist some songs feature opening segments that are totally independent from the rest of the track. Others just start with the main riff. Our opening song, INTRO/SWEET JANE is from Lou Reed’s live album Rock n Roll Animal, released in 1974, and it’s a terrific example of a great intro. The opening jam from guitarists Steve Hunter and Dick Wagner creates an air of anticipation for what is still to come. The quality of this video clip isn’t great but I had to include it because any chance to see Lou and the band performing in 1974 is worth the annoyance.
The Breeders, (what a brilliant name for an almost all girl band), was formed in 1988 by Kim Deal of The Pixies and Tanya Donnelly of Throwing Muses. Their most successful album Last Splash produced the hit single CANNONBALL and the outstanding part of that song’s intro is the bass line, performed by Josephine Wiggs. The music video was directed by Kim Gordon and Spike Jonze and its a doozy:
The opening salutation on Stevie Wonder’s SIR DUKE is not an introduction that blends into the song; those actual chords are never repeated. It’s a tribute to Duke Ellington and so the intro sets the tone for the piece as a whole, foreshadowing the looser, jazzier solos later in the song.
On Isaac Hayes’ brilliant funk version of the Dionne Warwick classic WALK ON BY the intro becomes a song within a song. On this clip Isaac performs live at Music Scene in 1969. OMG: Sex on a stick. But, about those girls dresses…..
The song ONE STEP BEYOND is from the Madness album of the same name. It was originally written and recorded by the Jamaican ska musician Prince Buster. The spoken line, “Don’t watch that, watch this” in the intro is from another Prince Buster song The Scorcher. Here they are at Glastonbury 2007 showing why they have such a great reputation for live performance:
One of the most recognisable intros in rock history is HOTEL CALIFORNIA from The Eagles. But when it comes to intros that get your attention and then drag you in, kicking and screaming, it has to be rock legends Led Zeppelin. IMMIGRANT SONG is famous for Robert Plant’s distinctive wailing cry at the beginning and the recurring staccato riff from Jimmy Page, John Paul Jones and, (sigh), John Bonham.
The Rolling Stones’ GIMME SHELTER starts rather timidly, with Keith Richards’ set of wavering chords, but it soon builds into a crescendo dominated by the lead guitar line. Here they are performing live in Amsterdam, 1995 with Lisa Fisher on back-up. Watch until the end and get a little bonus from Charlie Watts.
SMOKE ON THE WATER from Deep Purple is known for Ritchie Blackmore’s instantly recognisable opening riff. The lyrics of the song tell a true story: on 4 December 1971 Deep Purple had set up camp in Montreux Switzerland to record an album using a mobile recording studio at the entertainment complex that was part of the Montreux Casino. On the eve of the recording session a Frank Zappa and The Mothers of Invention concert was held in the casino’s theatre. In the middle of Don Preston’s synthesizer solo on “King Kong”, the place suddenly caught fire when somebody in the audience fired a flare gun into the rattan covered ceiling. The resulting fire destroyed the entire casino complex, along with all the Mothers’ equipment. The “smoke on the water” that became the title of the song referred to the smoke from the fire spreading over Lake Geneva from the burning casino as the members of Deep Purple watched the fire from their hotel across the lake.
It was difficult to pick from AC/DC’s repertoire of great introductions but I went with my all-time favourite, THUNDERSTRUCK. Angus Young gets the crowd going during this intro at Donnington 1991:
Derek & The Dominoes’ LAYLA has got to be one of rock’s definitive love songs. The introduction contains an overdub-heavy guitar solo, a duet of sorts between Duane Allman’s slide guitar and Eric Clapton’s bent notes.
A couple of controversial tracks followed, both with unique introductions. FIRESTARTER, by UK band The Prodigy, caught attention because the song was deemed, by some, to be violent. The video clip, directed by Walter Stern, further fueled these claims. Shot in stark black and white, in an used part of the London Underground, some television stations refused to air the clip. Which just makes me want to show it to you, even more! I think its brilliant.
The Prodigy are a hard act to follow but I think we succeeded with the compelling and dark Massive Attack track INTERTIA CREEPS. It’s from their excellent album Mezzanine.
When The Temptations’ PAPA WAS A ROLLING STONE was released in 1972 it was 12 minutes long! Thankfully there is a shorter version that’s suitable for radio that keeps that amazing intro intact. It begins with an extended instrumental starting with a solo plucked bass guitar, backed by hi-hat cymbals. Other instruments including a blues guitar, wah-wah guitar, Wurlitzer Electric Piano, handclaps, horns and strings gradually join in.
In 1974 David Bowie became obsessed with soul music and it resulted in the album YOUNG AMERICANS, which he created with the help of the great soul singer Luther Vandross. Here’s the Thin White Duke on the Dick Cavett Show in 1974 with, amongst others, Vandross singing back-up! Loving the shoulder pads.
The Beatles track I FEEL FINE was the first recorded song to feature guitar feedback. The story goes that, while recording, John Lennon accidentally left his guitar too close to his amp, producing the interesting whine that’s in tune with the riff’s opening note.
As an intro to our Gig Guide, I couldn’t resist playing some of Screamin’ Jay Hawkins’ I PUT A SPELL ON YOU. The demented opening and the cabaret style act, together with a cigarette smoking skull called ‘Henry’, laid the foundation for future ‘shock rock’ performers like Dr. John.
Another iconic opener belongs to the The Small Faces tune TIN SOLDIER. Here’s some rare coverage of the band with P.P.Arnold on Belgium TV in 1968. Go the Mods!
Quentin, from BayFM’s ‘Q’s Blues & Jazz’ suggested I do a show on Roads and Streets but I’d already done that quite a while ago. (I know, even I can’t remember what themes I’ve covered most of the time!). But she planted a seed that led me to Gerry Rafferty BAKER STREET and that consequently led to this week’s theme. So thank you Q! BAKER STREET has a stand-out opening with its prominent eight-bar saxophone hook, played by Raphael Ravenscroft.
As we headed for the close of the show, my favourite rock groups came to the fore. Pink Floyd’s MONEY had to be included for its distinctive opening of an impressive bass line and its seven-beat loop of money related sound effects.
While the Beatles may have been the first band to use feedback on a recording, the incredible Jimi Hendrix perfected the art. Again, which track to choose? FOXY LADY has always been a favourite and it does feature that almost excrutiating feedback at the beginning.
Our final track had me pushing up the sound and dancing out of the studio. Led Zeppelin seem to specialise in fantastic opening segments. A track that I absolutely adore is KASHMIR.
Next week we’ll be previewing the Mullumbimby Music Festival. Lots of great music and, I hope, an interview or two. Should be fun.
Here’s the complete playlist from this week’s show on Great Introductions:
Intro / Sweet Jane – Rock And Roll Animal, Lou Reed
Cannonball – Last Splash, The Breeders
Sir Duke – Songs In The Key Of Life [Disc 1], Stevie Wonder
Walk On By – Dead Presidents, Isaac Hayes
One Step Beyond – Total Madness: The Very Best Of Madness Madness
Hotel California – Hotel California, The Eagles
Immigrant Song – Rock 3, Led Zeppelin
Gimme Shelter – Hot Rocks, 1964-1971 [Disc 2], The Rolling Stones
Wipe Out – The Perfect Wave, The Surfaris
Smoke On The Water – Machine Head, Deep Purple
Thunderstruck – Razor’s Edge, AC/DC
Layla – Layla & Other Assorted Love Songs, Derek and The Dominos
Firestarter – Fat of the Land, The Prodigy
Inertia Creeps – Mezzanine, Massive Attack
Papa Was A Rollin’ Stone – Motown: The Classic Years [Disc 2], The Temptations
Young Americans – Young Americans [Bonus Tracks], David Bowie
I Put A Spell On You – Replay/Gold – Vol 1 No 5, Screamin’ Jay Hawkins
I Feel Fine – Beatles 1, The Beatles
Tin Soldier – The Best Sixties Album In The World Ever III-[Disc 2], The Small Faces
Baker Street – City To City, Gerry Rafferty
Money – Pink Floyd, Pink Floyd
Foxy Lady – Experience Hendrix: The Best Of Jimi Hendrix, Jimi Hendrix
Kashmir – Physical Graffiti, Led Zeppelin
Next week: MULLUMBIMBY MUSIC FESTIVAL PREVIEW
The weather has been in the news, more than usual of late, what with hurricanes, tornadoes and our own Lennox Head being declared a national disaster area after a mini tornado destroyed homes and caused chaos to this beautiful little coastal town. What’s a girl to do but to create a playlist around BAD WEATHER?
We opened the show with a request from Robyn: the incredibly seductive BABY ITS COLD OUTSIDE by Ray Charles and Betty Carter. The song could just as easily fitted into our Sexy Songs list for last week, but glad we held it over.
Now when it comes to songs about the weather, rain seems to be the metaphor of choice. It can describe heartache or happiness, and lots more in-between. The Ronettes daydream about the qualities that make up the perfect boyfriend on WALKING IN THE RAIN. However, the Walker Brothers – with their remake of Frankie Valli’s THE SUN AIN’T GONNA SHINE ANYMORE – see bad weather as a symbol of loneliness. Either way, two great songs. Here’s a blast from the past for all you baby boomers, the Walker Brothers on Ready, Steady, Go in 1966:
Next it was Status Quo with RAIN from their Blue for You album, released in 1976. The track was originally intended for the album On The Level, but at the time of the recording sessions Rick Parfitt had not completed the song and so it was held over to the band’s next release.
Shirley Manson only seems to be happy when she’s miserable in the Garbage song I’M ONLY HAPPY WHEN IT RAINS. Fitting then that we followed with the Prince of Darkness himself, Nick Cave. The song TUPELO, with its great sound effects and talk of black clouds, was also a perfect fit for a show on Bad Weather.
A great song that carries an emotional whallop is LOUISIANA 1927, a devastating account of the great Mississippi floods, which has become identified with the more recent Hurricane Katrina. Written, and originally recorded by Randy Newman, Aaron Neville’s version is sublime. Here he is performing at the Concert for Hurricane Relief in 2008:
We followed with the great Muddy Waters and BLOW WIND BLOW and then it was Leon Russell with a cover of the Bob Dylan classic, A HARD RAINS A GONNA FALL. This track was requested by for Judi, listening in Cairns, where they know a little bit about a rainy season. The song STORMY WEATHER is one of my favourites. Written and originally recorded in 1933, its been covered by all the greats, but I do particularly like the Etta James version that we played this week.
The inspiration for RAIN, by the Beatles – according to Neil Aspinall, the Beatles roadie, and John Lennon – was Australia’s own weather. Apparently when they arrived here to tour, the weather was so bad that Lennon was quoted as saying that: “I’ve never seen rain as hard as that.” He went on to say that RAIN was “about people moaning about the weather all the time”. Three promotional films were made for the song. These videos, along with other Beatles videos at the time, sparked George Harrison to say during the Beatles Anthology, “So I suppose, in a way, we invented MTV”.
The Red Hot Chilli Peppers track SNOW may not be about the kind of snow that makes cute little snowmen, but it is a great song in any case. Its from the Stadium Arcadium album. And while we’re talking of metaphor, Tom Waits has a lot to say about the weather on EMOTIONAL WEATHER REPORT. The track is featured on the album Nighthawks at the Diner, recorded in 1975. The title was inspired by Edward Hopper’s 1942 painting Nighthawks. Here’s Tom performing the song at the Rockpalast in Koln, West Germany in 1977:
Irma Thomas is quite rightfully called “the Soul Queen of New Orleans” and she has several songs about the weather that fitted the bill, but none better, in my opinion, than ITS RAINING SO HARD. We followed with Bill Withers and AIN’T NO SUNSHINE WHEN SHE’S GONE. Neil Young was lucky enough to get some help on harmonies from the wonderful Nicolette Larsen on FOUR STRONG WINDS. Larsen, who died in 1997, had a big hit with a cover of Young’s LOTTA LOVE in 1978.
I couldn’t do a show on Bad Weather and not include AC/DC’s THUNDERSTRUCK. Rumour is that the song was inspired by Angus Young’s hair-raising experience when a plane he was on was struck by lightning. Not sure if that’s true or not.
What I do know is that Natalie Merchant and the 10,000 Maniacs “get a shiver in their bones” just thinking about the climate conditions on LIKE THE WEATHER. We followed with Blur and THIS IS A LOW, which was inspired by, of all things, a shipping forecast.
Back to some rock with Creedence Clearwater Revival’s HAVE YOU SEEN THE RAIN and a song for Alex in Sydney, and all the other Deep Purple fans, STORMBRINGER.
When it comes to R&B, The Temptations just want the weather to match their mood on I WISH IT WOULD RAIN but Anne Peebles finds the weather brings back unwanted memories of a past love on I CAN’T STAND THE RAIN.
I love the infectious tone of Bob Dylan’s RAINY DAY WOMEN, which is matched by the very excellent COLD COLD FEELING from T-Bone Walker. As much as I was enjoying myself, we closed the show with The Doors and RIDERS ON THE STORM. The song was inspired by the song “Ghost Riders in the Sky: A Cowboy Legend”. It incorporates real sound effects of thunder and rain, along with Ray Manzarek’s Fender Rhodes electric piano playing, which emulates the sound of rain. Good stuff.
The topic for next week’s show is a doozy. They say success is the best revenge, but, when it comes to musos a bitchy payback song seems to fit the bill. I thing we’ll have a lot of fun with our playlist of REVENGE SONGS, so I hope you’ll join me then. And if you have any suggestions for the playlist please get in touch. It’s always great to have your input.
Here’s this week’s playlist:
Baby, It’s Cold Outside – Soulful Christmas, Ray Charles & Betty Carter
Walking In The Rain – Phil Spector Wall of Sound Vol. 1 – The Ronettes
The Sun Ain’t Gonna Shine Anymore – Walker Brothers
Rain – Blue For You, Status Quo
I’m Only Happy When It Rains – Garbage, Garbage
Tupelo – The Best Of Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds
Louisiana 1927 – Warm Your Heart, Aaron Neville
Blow Wind Blow – Baby Please Don’t Go, Muddy Waters
A Hard Rains A-Gonna Fall – Remember the Titans (Movie Soundtrack), Leon Russell
Frosty – Martin Scorsese Presents The Blues – A Musical Journey, Albert Collins
Stormy Weather – At Last!, Etta James
Rain – Past Masters Volume Two, The Beatles
Snow ((Hey Oh)) – Stadium Arcadium, Red Hot Chili Peppers
Emotional Weather Report – Nighthawks at the Diner, Tom Waits
It’s Raining So Hard – Irma Thomas
Ain’t no Sunshine – Bill Withers
Four Strong Winds – Comes a Time, Neil Young
Thunderstruck – The Razors Edge, ACDC
Like The Weather – MTV Unplugged, 10,000 Maniacs
This Is A Low – Parklife, Blur
Have You Ever Seen The Rain – Creedence Clearwater Revival
Stormbringer – Deepest Purple: The Very Best of Deep Purple, Deep Purple
I Wish It Would Rain – My Girl: The Very Best Of The Tempations [Disc 1], The Temptations
I Can’t Stand The Rain – I Can’t Stand The Rain, Ann Peebles
Rainy Day Women – Forrest Gump (Movie Soundtrack), Bob Dylan
Cold Cold Feeling – The Talkin Guitar (The Best Of), T-Bone Walker
Riders on the storm – The Doors (movie soundtrack), The Doors
Next week: REVENGE SONGS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
I’m baaaack! And this week’s theme was influenced by my recent road trip down the coast: STREETS AND ROADS. Street songs also include their close relations avenues, lanes and boulevards. They all tend to be about a particular destination. Songs about roads and highways, on the other hand, are inclined to reflect on a journey of some kind, metaphorical or not. Some of these songs immortalise where they came from, others where they’re going, but all seem to have something significant to say.
We opened the show with the Drifters’ ON BROADWAY – a road that reflects the best and worst of New York. The famous entertainment strip is the epitome of success for some but it’s also a desperate place to be if you are one of the less fortunate. Check out the Drifters doing a great job, but what’s with the outfits? Pyjamas with fringing. What the??????
TOBACCO ROAD was written by country singer John D. Loudermilk and inspired by Erskine Caldwell’s Depression-era novel of the same name. The song reeks of the American south. A group calling themselves the Nashville Teens recorded the original version, although they actually hailed from England. And I don’t think it was even Southern England, cheeky sods!
There are so many versions of the that definitive road song, ROUTE 66, but I rather like the Nat King cole rendition. Eddy Grant took us back to the 80’s with ELECTRIC AVENUE about a market street in Brixton, London. You may remember a cover version by Aussie band Men at Work, but there’s nothing like the original. Check it out:
The wonderful Emmylou Harris dueted with Dave Matthews on GULF COAST HIGHWAY. Now I don’t believe that there is an actual Gulf Coast Highway, but who cares when the song is so beautiful?
It was a toss up when it came to Bruce Springsteen’s contribution to the show – Both Thunder Road and Racing the Streets were worthy contenders but I had to give it to the Oscar winning anthem, STREETS OF PHILADELPHIA.
Louis Armstrong paid homage to his favourite street in New Orleans in BASIN STREET BLUES and although I gave it a spin on the AUTOMOBILE show, Grace Jones deserved another outing with PULL UP TO THE BUMPER, from her critically acclaimed album NIGHTCLUBBING.
Bobby ‘Blue’ Bland was going FARTHER UP THE ROAD while Bob Dylan delivered the classic HIGHWAY 61 REVISITED. And here’s some trivia about that particular highway, which travels from New Orleans through to the Canadian border. Bessie Smith met her death in an automobile accident on that road, Robert Johnson was said to have lost his soul to the devil at the crossroads of Highway 61 and Highway 49, Elvis Presley grew up in the housing projects built along it and Martin Luther King Jnr would later be murdered in a motel just off Highway 61.
The Beatles sang about PENNY LANE while David Byrne and the Talking Heads took the ROAD TO NOWHERE:
A show about roads needed a bit of hard rock and the obvious, of course, is Acca Dacca and HIGHWAY TO HELL. But I thought I’d give them a rest this week and instead, in celebration of the Deep Purple tour reaching Brisbane next month (yay!) it was HIGHWAY STAR instead. Once listed in the Guiness Book of Records as the Word’s loudest rock band, here they are performing live in 1972. Ian Gillian, you are hot! Can’t wait for them to reach Bris-vegas.
Kirsty MacColl calmed things down just a little with WALKING DOWN MADISON, a song that deals with the disparity between rich and poor on the most expensive street in New York, Madison Avenue. As the song goes: “From the sharks in the penthouse to the rats in the basement, it’s not that far”. Gerry Rafferty sang all about London’s BAKER STREET, probably most famous for the literary address of Sherlock Holmes’ residence.
Lots of our songs this week dealt with being down and out, so it was great to include a number by the wonderful Dinah Washington. She’s definitely got the right attitude as she goes walking ON THE SUNNY SIDE OF THE STREET. Recorded in 1956 with orchestra under the direction of Hal Mooney, the song was originally composed in 1930 by Jimmy McHugh and Dorothy Fields for the Broadway musical “International Revue” starring Gertrude Lawrence. The song has since become a jazz standard recorded by many.
In complete and utter contrast came the Australian Aria award winning hip-hop group, The Hilltop Hoods, with a song about life’s choices: THE HARD ROAD.
Chris Rea’s song, ROAD TO HELL, was apparently inspired by rush hour on a motorway. After being in Sydney I know how he feels! It’s been way too long since I played some Roy Orbison, so I DROVE ALL NIGHT was in, as it fitted so perfectly.
Green Day’s BOULEVARD OF BROKEN DREAMS is, I assume, about Sunset Boulevard in Los Angeles. Similar to New York’s BROADWAY, Sunset Boulevard is the primary location for live entertainment, as well as being the red-light district and a hang for the homeless.
A fitting follow-up was Ray Charles with LONELY AVENUE and it was up to Junior Walker and the Allstars to brighten the mood somewhat with ROAD RUNNER.
Another fantastic and, I think, optimistic song about leaving home and heading off for freedom, is VENTURA HIGHWAY, a 1972 hit for America.
The Mamas and Papas sang a song reportedly about the place where they all met, a bar in CREEQUE ALLEY while Ray Charles and the Stray Cats combined on a great version of HIT THE ROAD, JACK.
For anyone living on a rural property, like I do, Lucinda Williams’ CAR WHEELS ON A GRAVEL ROAD will resonate, for sure.
I returned from my trip to Sydney to hear the very sad news that our friend Susie McNair had passed away quietly on Tuesday March 16th. The final song of the program was dedicated to her memory. The Beatles, THE LONG AND WINDING ROAD, was the final single that they recorded as a group. R.I.P. Susie.
Thanks to the following listeners for contributing to this week’s list: Judi, Rebecca and Katie. Next week’s theme is HAIR, so get your thinking caps on!
Meanwhile, here’s this week’s complete playlist:
Now I know that in reality fire is pretty frightening, and I don’t take the current fire warnings lightly, but for songwriters, flames represent love, dancing and, above all, passion. And that just can’t be a bad thing.
In reggae and punk, however, fire has a moral – almost purging – quality to it. Recorded as riots swept Britain in 1979, the Ruts incredibly tense BABYLON’S BURNING foresees the demise of western civilisation. Extra points, too, for starting the song with a fire alarm and siren. Excellent.
DISCO INFERNO from the Trammps, would normally be a scary newspaper headline but when you’re grooving away to very this funky track, you know that it’s more about burning up the dance floor, rather than burning down the building. Here’s a clip from the song that is probably best remembered from the film Saturday Night Fever :
The Pointer Sisters know all about passion. Cause when they kiss, its oooooh FIRE. Dido, on the other hand is way more restrained in her rendition of FEELS LIKE FIRE, her contribution to Carlos Santana’s album Shaman. This is a very interesting album and worth a listen with its mix of hip-hop, rap and pop artists.
Last week in our Covers show, Patricia Barber did a great version of the Doors’ LIGHT MY FIRE. I wasn’t beyond playing the tune again, as it suits the theme, but this time it was the very sexy version by the beautiful Julie London. In complete contrast, M.I.A. came out fighting with FIRE, FIRE as she reckons relationships are more like a battlefield. Fair enough.
Country fans weren’t ignored. First it was a classic from Johnny Cash – RING OF FIRE – that I teamed with BABY I’M BURNIN’ from the wonderful Dolly Parton. To round out the set, who else but, Bruce Springsteen burning up the airwaves with I’M ON FIRE.
Time: 1983. Place: Any Disco in Town. Talking Heads creepy dance track, BURNING DOWN THE HOUSE, was inspired by the crowd at a Funkadelic concert shouting ‘Burn Down the House’ but David Byrnes’ penetrating delivery suggests that he may have taken it way too literally. At the same time Madonna was emerging as the next big thing and she exhibits the combination of erotic heat and disco fever that would keep her in good stead for the rest of her career. The song, of course, was BURNING UP. Here’s a clip of Talking Heads with BURNING DOWN THE HOUSE, a great example of art-school punks of the 80’s.
In a show about FIRE we can’t leave out Deep Purple’s SMOKE ON THE WATER. So, we didn’t. Here’s a clip of the original Mark II lineup in New York, 1973. One of the final performances, this is one of the only videos of the band performing it in the 70’s with Ian Gillan and Roger Glover.
The second hour of the show was suitably launched with the Lord of Hellfire himself, Arthur Brown with FIRE. That was followed by Brian Eno’s strange little song, BABY’S ON FIRE. It started Eno’s post-Roxy Music solo career and owes as much to Robert Fripp’s guitar solo as it does to Eno’s sinister vocals. Then it was time for some lovin’ music and Teddy Pendergrass & Stephanie Mills were definitely burning with desire with their song FEEL THE FIRE.
Last week on our Covers show I played some Elvis, (Presley that is, not Costello), and Mel from BayFM’s Rollin’ program told me that she was sorry that we didn’t hear more of the King on local radio, so who am I disappoint the gorgeous Mel, especially when it fits so beautifully with this week’s theme? So it was one of Elvis’ best: BURNING LOVE.
Here’s a great triple play: Jimi Hendrix with FIRE, Prodigy with their first UK number one single, the controversial FIRESTARTER and then it was the Stones with PLAY WITH FIRE. This track was the B side to ‘The Last Time’. Released in 1965, it was recorded the night before they left to tour Australia. The video for this track is quite pedestrian, so I’d rather show you something wild – and so, the Prodigy’s official video for FIRESTARTER it is. Enjoy.
There was still time for Nirvana’s LAKE OF FIRE and Natalie Merchant’s THIS HOUSE IS ON FIRE. I really liked the combination in this set. And then it was time to finish up with Aussie made good Daniel Merriweather supported by Adele, with WATER AND FLAME. The final song was a guilty pleasure (as if I didn’t include enough of them already!) – a song that I probably should have included in the program on FAMOUS PEOPLE – Billy Joel’s WE DIDN’T START THE FIRE. Check it out and you’ll understand why:
Here’s the complete playlist: