Let me ask you this: who else has known you your entire life and witnessed your family’s capacity for love and/or dysfunction? Brothers and Sisters! Sibling relationships run deep, that’s for sure. Maybe it’s because of this that the chemistry between siblings can be quite complex, sometimes verging on the volatile. They don’t call it sibling rivalry for nothing. I can remember having actual fisty cuffs with my sister who is only 18months younger than me, but if anyone else threatened her, they had hell to pay.
So, lots of reason to pay tribute to our brothers and sisters. We started the show with a request from the lovely Nicky from Fridays breakfast program ‘That Friday Feeling’: Sister Sledge with WE ARE FAMILY. We followed with a request from Judi – The Hollies and HE AIN’T HEAVY HE’S MY BROTHER.
Robyn is a regular contributor to the show and she always has great suggestions. One of the best from her this week was JJ Cale and Eric Clapton’s DON’T CRY SISTER. It’s rare that the distinctive quality of sibling relationships is captured so well in song. Here’s a couple more that do it for me: In This Mortal Coil’s YOU AND YOUR SISTER, the lover’s sister is of the overprotective variety. Being the eldest of three kids, I can’t help but think this was written for me. Another is from brother and sister duo, The Knife, with PASS THIS ON. Their tense, steel drum electro adds a whole other dimension to the lyrics. ‘I’m in love with your brother’, Karin Dreijer urgently confides. “You’ll pass this on, wont you?”. Oooh, risky request that one. I really love this video clip though:
Des from BayFM’s Colours of Byron program suggested an oldie but a goodie, Elvis Presley with one for all the younger sisters out there: LITTLE SISTER.
When choosing music for our show about Brothers and Sisters I tried to choose songs that were about the biological kind over those about the brotherhood of man but songs like Tom Waits version of BROTHER CAN YOU SPARE ME A DIME, had to be included. I just love Tom’s idiosyncratic style.
Robyn could program this show all on her own, so prolific is she with her suggestions each week. Thanks Rob! Two more of Rob’s requests were Patti Labelle with LADY MARMALADE and Terence Trent D’Arby’s DANCE LITTLE SISTER. What ever happened to him? Come back wherever you are!
Switching genres, it was time for some southern rock, with a song from Johnny Van Zant, lead singer of Lynyrd Skynyrd and younger brother of Lynyrd Skynyrd co-founder, and former lead vocalist, Ronnie Van Zant. The song, BRICKYARD ROAD, is about Ronnie who was killed in a plane crash in 1977.
DANIEL is a song written by Elton John and Bernie Taupin, and recorded by John for his album Don’t Shoot Me I’m Just the Piano Player. The song tells the story of a returning Vietnam vet, from his brother’s point of view. Another great song about a brother was written by Billy Corgan of the Smashing Pumpkins. SPACEBOY is about his younger brother who has a rare genetic chromosomal disorder.
“Hey Little Sister What have you done?” asks Billy Idol on WHITE WEDDING. Yet, another great suggestion from Robyn:
Our next song touched a nerve because it’s a saying that my daughter used to say to me when she started kindergarden, although in this case its about a sibling asserting himself. It’s They Might Be Giants with YOU’RE NOT THE BOSS OF ME NOW. We’ll follow with a great song from The Kinks: COME DANCING. It’s a fond tribute to Ray Davies’ older sister and the demise of the local dance hall. We followed with a little samba from Brazilian Jorge Benjor, TAKE IT EASY MY BROTHER CHARLES.
Bobby Hebb wrote SUNNY after President Kennedy was assassinated and his own brother was killed in a knife fight outside a Nashville nightclub on the same day: November 22, 1963. Considering the circumstances its a beautifully optimistic piece of music.
Funnily enough, so is Bruce Springsteen’s HIGHWAY PATROLMAN. The song recounts how lawman Joe Roberts runs into his black-sheep brother, only to find that blood is thicker than water. I like the sentiment expressed in this one: “a man turns his back on his family, he just ain’t no good.” Johnny Cash also does a brilliant version of this track, but I rarely play Springsteen, so he got a run this week. We followed with a great piece of country, Steve Earle’s TELEPHONE ROAD.
Marvyn Gaye’s WHAT’S HAPPENING BROTHER is about Gaye’s brother who was serving in Vietnam at the time. The song is a precursor to WHAT’S GOING ON which was based on the same brothers letters. We followed with real life siblings, The Neville Brothers, and BROTHER JOHN.
It was good to be able to include something local: Sarah McGregor’s GOODNIGHT SISTERS is a gorgeous ode to her two sisters. And then it was the incredibly versatile group The Arcade Fire with NEIGHBORHOOD #2.
John Fogarty has said in interviews that Creedence Clearwater Revival’s HAVE YOU SEEN THE RAIN is about rising tensions within CCR and the imminent departure of his brother Tom from the band. See, and you thought it was about the Vietnam War didn’t you. Me too!
Lily Allen has a brother, not unlike my own, so her song ALFIE was dedicated to my younger brother who isn’t well at the moment. Keep smiling Pete.
Our final choice was a beautiful song, suggested by Des. It’s by Antony & The Johnsons with some help from Boy George. It’s called YOU ARE MY SISTER and I dedicated this one to my sister who celebrated her birthday on July 27.
Next week, its a subject that all of us in the Northern Rivers area of New South Wales are familiar with: INSECTS AND SPIDERS. I’ll need some help on this one, so get in touch!
Here’s this week’s complete playlist:
We Are Family – The Full Monty Soundtrack, Sister Sledge
He Ain’t Heavy He’s My Brother -The Hollys
Don’t Cry Sister – JJ Cale & Eric Clapton
You and Your Sister – Blood, This Mortal Coil
Pass this On – Deep Cuts, The Knife
Little Sister – Rare Elvis, Vol. 3, Elvis Presley
Brother Can You Spare A Dime? – Brother, Can You Spare a Dime, Tom Waits
Lady Marmalade – Best of Patti Labelle, Patti Labelle
Dance Little Sister – Terence Trent Darby
Brickyard Road – Brickyard Road, Johnny Van Zant
Daniel – Don’t Shoot Me, I’m Just the Piano Player, Elton John
Spaceboy – Siamese Dream, The Smashing Pumpkins
White Wedding – Wedding Singer, Billy Idol
Boss Of Me – They Might Be Giants
Come dancing – The Kinks
Take It Easy My Brother Charles – Pure Brazil: Electric Samba Groove, Jorge Benjor
Sunny – Bobby Hebb
Highway Patrolman – Nebraska, Bruce Springsteen
Telephone Road – Steve Earle
What’s Happening Brother – What’s Going On, Marvin Gaye
Brother John – The Very Best of the Neville Brothers, The Neville Brothers
Goodnight Sisters – Beautiful Thing, Sarah McGregor
Neighborhood #2 (Laika) – Funeral, The Arcade Fire
Have You Ever Seen The Rain – Creedence Clearwater Revival
Alﬁe – Lily Allen
You Are My Sister (feat. Boy George) – I Am A Bird Now, Antony & The Johnsons
Next week: INSECTS & SPIDERS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
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A while back I did a show on ‘Covers That Are Better Than The Originals’ and I had so much fun with that. So this week it was UNLIKELY COVERS. Anything in the previous show was excluded, just to keep me on my toes. But have no fear, there were plenty more, and even quirkier versions, to choose from.
We opened the show with Peter Sellers’ hilarious version of the Beatles A HARD DAY’S NIGHT, in the style of Lawrence Olivier’s Richard 111. Thanks to Andrew for this request.
Andrew also requested the next track on our list: Hellsongs’ version of THUNDERSTRUCK. Hellsongs is an acoustic three-piece that plays what is best described as Lounge Metal. That means metal classics performed with surprisingly clear female vocals, soft guitars, an organ and two male choir-boys. They do a brilliant job of this AC/DC cover.
Stevie Wonder’s version of the Beatles classic WE CAN WORK IT OUT is a good example of what I think defines an UNLIKELEY COVER. Not only does he switch genre, he also reinterprets the emotions that underpin the track, taking it from melancholia to pure elation. So, here’s a treat: A clip from the recent 2010 Glastonbury Festival where Stevie sings both Master Blastin’ and We Can Work It Out. Enjoy.
I’LL BE MISSING YOU by P. Diddy, Faith Evans and 112, borrows the melody and arrangement of Police’s EVERY BREATH YOU TAKE to create a song that was recorded in memory of rap artist Notorious B.I.G., murdered in 1997. Thanks to Robyn for that suggestion.
Scottish alternative pop band Camera Obscura do a great version of the Abba hit SUPERTROUPER, so that had to be included. As did Nick Cave, with the very unlikely cover of Louis Armstrong’s WHAT A WONDERFUL WORLD.
Algerian musician Rachid Taha does an intriguing Arabic version of the Clash standard ROCK THE CASBAH. Check it out:
As someone who loves their Bluegrass and is a hardcore Queen fan, (what’s not to love?), Hayseed Dixie appealed with their cover of Queen’s BOHEMIAN RHAPSODY. Come on, you’ve got to get a chuckle out of this, surely:
We followed with a very gentle rendition of the Guns & Roses’ track SWEET CHILD OF MINE. It’s from Swedish singer Victoria Bergstrom, under her Taken By Trees moniker.
SWITCHED ON BACH is the name of an album by Walter (later to become Wendy) Carlos. Recorded in 1968, using the Moog synthesiser, it became the highest selling classical music recordings of its era. We played one of the best tracks from that album, SINFONIA 35. Carlos went on to make many more recordings, including scores for the Stanley Kubrick films A Clockwork Orange and The Shining.
Paul Kelly only needs his guitar, and his great voice, to create a knock-out acoustic version of the Amy Winehouse signature tune REHAB. I found this on one of the very excellent Triple J Like a Version albums.
One of my favourite films of all time is JUNO and one of the best songs on that soundtrack is Sonic Youth’s cover of The Carpenter’s SUPERSTAR. Karen would have been proud:
The phones ran hot when this next track was played: Legends Willie Nelson and Waylon Jennings gave Procol Harum’s A WHITER SHADE OF PALE a country voice. And then the totally indiosyncratic William Shatner covered Pulp’s COMMON PEOPLE.
But if you thought that was crazy, how about Ani DiFranco and Jackie Chan (yes, that’s correct, Jackie Chan the Hong Kong actor). They contributed a bizarre duet of Nat King Cole’s UNFORGETTABLE. Ani’s voice is great, but methinks that Jacki should just stick to acting (or maybe not!).
We followed with The Clash’s version of Junior Murvin’s reggae classic POLICE & THIEVES. While a punk rock group covering reggae does seem a bit unusual, Joe Strummer makes this great track his own.
Gee, it was hard choosing one of Johnny Cash’s covers. His album American IV: The Man Comes Around is particularly good for UNLIKELY COVERS. My favourite is his version of the Nine Inch Nails song HURT but I have played that before, so I thought I’d bring you his cover of Depeche Mode’s PERSONAL JESUS instead. This album is especially moving as Cash died soon after its release.
Lesley Gore, (that’s right, she of IT’S MY PARTY AND I’LL CRY IF I WANT TO), gave us a great version of AD/DC’s DIRTY DEEDS DONE DIRT CHEAP. Just to prove that she can sing anything she wants to!
R & B great Billy Preston does an interesting cover of pop band Duran Duran’s GIRLS ON FILM. As do the Ramones when they do a punk version of Creedence Clearwater Revival’s HAVE YOU EVER SEEN THE RAIN?
Here’s a combination I really love: C.W. Stoneking, with another track from Triple J’s Like a Version compilation: the White Stripes SEVEN NATION ARMY. Two of my favourite artists, Stoneking and Jack White. I think what makes this so good is that Stoneking hadn’t even heard the song before it was suggested that he do a cover, so it has this incredible freshness to the interpretation. Here’s an interview and his performance live in the studio. So jealous of that presenter!
We followed that with a great pairing: Jim Morrison and The Doors with their version of Howlin Wolf’s BACK DOOR MAN and Patti Smith’s amazing cover of Prince’s WHEN DOVES CRY. Thanks again to Rob for suggesting that one.
How perfect is Sid Vicious’s punk version of MY WAY, made famous originally by Frank Sinatra? Let’s face it, he couldn’t sing, couldn’t play but gee he knew how to take the piss out of society. Miss that.
What to finish the show with? Well, a cover of Led Zeppelin’s STAIRWAY TO HEAVEN seemed an obvious choice but which version? Rolf Harris came to mind, especially after his recent appearance at Glastonbury but I’m not a big fan. Instead, the honour went to one of the best musicians in rock history, Frank Zappa.
Next week the theme is a staple of pop music: SWEETS, all those yummy sugary foods that symbolise so much about personal relationships. Let me know if you have any good suggestions. Love having your input.
For now, here’s this week’s complete playlist:
A Hard Day’s Night (Beatles cover) – Time To Remember 1965, Peter Sellers
Thunderstruck (AC/DC cover) – Hymns In The Key Of 666, Hellsongs
We Can Work It Out (Beatles) – Greatest Hits, Vol. 2, Stevie Wonder
I’ll Be Missing You (Police) – P. Diddy
Super Trouper (Abba cover) – Tears For Affairs, Camera Obscura
What a Wonderful World (Louis Armstrong cover) – B-Sides & Rarities, Nick Cave/The Bad Seeds
Rock el Casbah (Clash cover) – Arabian 2000 & 1 Nights, Rachid Taha
Bohemian Rhapsody (Queen cover) – Killer Grass, Hayseed Dixie
Sweet Child Of Mine (Guns & Roses cover) – Taken By Trees (Victoria Bergsman)
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Rehab (Amy Winehouse cover) – Like A Version Four, Paul Kelly
Superstar (Carpenters Cover) – Juno Soundtrack, Sonic Youth
A Whiter Shade of Pale (Procol Harum cover) – Always On My Mind, Willie Nelson & Waylon Jennings
Common People (Pulp) – Triple J Hottest 100: Volume 12 William Shatner/Joe Jackson
Unforgettable (Nat King Cole)- When Pigs Fly: Songs You Never Thought You’d Hear, Ani DiFranco & Jackie Chan
Police & Thieves (Junior Murvin) – The Clash, The Clash
Personal Jesus (Depeche Mode) – American IV: The Man Comes Around, Johnny Cash
Dirty Deeds Done Dirt Cheap (AC/DC cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Lesley Gore
Girls on Film (Duran Duran cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Billy Preston
Have You Ever Seen the Rain (Creedence Clearwater) – The Ramones
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Seven Nation Army (White Stripes cover) – Like A Version Four, C.W. Stoneking
Back Door Man (Howlin Wolf cover)- The Doors, Jim Morisson/The Doors
When Doves Cry (Prince cover) – When Doves Cry, Patti Smith
Surﬁn’ USA (Beach Boys) – The Jesus & Mary Chain
My Way (Frank Sinatra) – The Great Rock ‘N’ Roll Swindle, Sid Vicious
Stairway To Heaven (Led Zepelin Cover) – Frank Zappa
Next week: SWEETS (Yummy, yummy, yummy I’ve got love in my tummy!)
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
The weather has been in the news, more than usual of late, what with hurricanes, tornadoes and our own Lennox Head being declared a national disaster area after a mini tornado destroyed homes and caused chaos to this beautiful little coastal town. What’s a girl to do but to create a playlist around BAD WEATHER?
We opened the show with a request from Robyn: the incredibly seductive BABY ITS COLD OUTSIDE by Ray Charles and Betty Carter. The song could just as easily fitted into our Sexy Songs list for last week, but glad we held it over.
Now when it comes to songs about the weather, rain seems to be the metaphor of choice. It can describe heartache or happiness, and lots more in-between. The Ronettes daydream about the qualities that make up the perfect boyfriend on WALKING IN THE RAIN. However, the Walker Brothers – with their remake of Frankie Valli’s THE SUN AIN’T GONNA SHINE ANYMORE – see bad weather as a symbol of loneliness. Either way, two great songs. Here’s a blast from the past for all you baby boomers, the Walker Brothers on Ready, Steady, Go in 1966:
Next it was Status Quo with RAIN from their Blue for You album, released in 1976. The track was originally intended for the album On The Level, but at the time of the recording sessions Rick Parfitt had not completed the song and so it was held over to the band’s next release.
Shirley Manson only seems to be happy when she’s miserable in the Garbage song I’M ONLY HAPPY WHEN IT RAINS. Fitting then that we followed with the Prince of Darkness himself, Nick Cave. The song TUPELO, with its great sound effects and talk of black clouds, was also a perfect fit for a show on Bad Weather.
A great song that carries an emotional whallop is LOUISIANA 1927, a devastating account of the great Mississippi floods, which has become identified with the more recent Hurricane Katrina. Written, and originally recorded by Randy Newman, Aaron Neville’s version is sublime. Here he is performing at the Concert for Hurricane Relief in 2008:
We followed with the great Muddy Waters and BLOW WIND BLOW and then it was Leon Russell with a cover of the Bob Dylan classic, A HARD RAINS A GONNA FALL. This track was requested by for Judi, listening in Cairns, where they know a little bit about a rainy season. The song STORMY WEATHER is one of my favourites. Written and originally recorded in 1933, its been covered by all the greats, but I do particularly like the Etta James version that we played this week.
The inspiration for RAIN, by the Beatles – according to Neil Aspinall, the Beatles roadie, and John Lennon – was Australia’s own weather. Apparently when they arrived here to tour, the weather was so bad that Lennon was quoted as saying that: “I’ve never seen rain as hard as that.” He went on to say that RAIN was “about people moaning about the weather all the time”. Three promotional films were made for the song. These videos, along with other Beatles videos at the time, sparked George Harrison to say during the Beatles Anthology, “So I suppose, in a way, we invented MTV”.
The Red Hot Chilli Peppers track SNOW may not be about the kind of snow that makes cute little snowmen, but it is a great song in any case. Its from the Stadium Arcadium album. And while we’re talking of metaphor, Tom Waits has a lot to say about the weather on EMOTIONAL WEATHER REPORT. The track is featured on the album Nighthawks at the Diner, recorded in 1975. The title was inspired by Edward Hopper’s 1942 painting Nighthawks. Here’s Tom performing the song at the Rockpalast in Koln, West Germany in 1977:
Irma Thomas is quite rightfully called “the Soul Queen of New Orleans” and she has several songs about the weather that fitted the bill, but none better, in my opinion, than ITS RAINING SO HARD. We followed with Bill Withers and AIN’T NO SUNSHINE WHEN SHE’S GONE. Neil Young was lucky enough to get some help on harmonies from the wonderful Nicolette Larsen on FOUR STRONG WINDS. Larsen, who died in 1997, had a big hit with a cover of Young’s LOTTA LOVE in 1978.
I couldn’t do a show on Bad Weather and not include AC/DC’s THUNDERSTRUCK. Rumour is that the song was inspired by Angus Young’s hair-raising experience when a plane he was on was struck by lightning. Not sure if that’s true or not.
What I do know is that Natalie Merchant and the 10,000 Maniacs “get a shiver in their bones” just thinking about the climate conditions on LIKE THE WEATHER. We followed with Blur and THIS IS A LOW, which was inspired by, of all things, a shipping forecast.
Back to some rock with Creedence Clearwater Revival’s HAVE YOU SEEN THE RAIN and a song for Alex in Sydney, and all the other Deep Purple fans, STORMBRINGER.
When it comes to R&B, The Temptations just want the weather to match their mood on I WISH IT WOULD RAIN but Anne Peebles finds the weather brings back unwanted memories of a past love on I CAN’T STAND THE RAIN.
I love the infectious tone of Bob Dylan’s RAINY DAY WOMEN, which is matched by the very excellent COLD COLD FEELING from T-Bone Walker. As much as I was enjoying myself, we closed the show with The Doors and RIDERS ON THE STORM. The song was inspired by the song “Ghost Riders in the Sky: A Cowboy Legend”. It incorporates real sound effects of thunder and rain, along with Ray Manzarek’s Fender Rhodes electric piano playing, which emulates the sound of rain. Good stuff.
The topic for next week’s show is a doozy. They say success is the best revenge, but, when it comes to musos a bitchy payback song seems to fit the bill. I thing we’ll have a lot of fun with our playlist of REVENGE SONGS, so I hope you’ll join me then. And if you have any suggestions for the playlist please get in touch. It’s always great to have your input.
Here’s this week’s playlist:
Baby, It’s Cold Outside – Soulful Christmas, Ray Charles & Betty Carter
Walking In The Rain – Phil Spector Wall of Sound Vol. 1 – The Ronettes
The Sun Ain’t Gonna Shine Anymore – Walker Brothers
Rain – Blue For You, Status Quo
I’m Only Happy When It Rains – Garbage, Garbage
Tupelo – The Best Of Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds
Louisiana 1927 – Warm Your Heart, Aaron Neville
Blow Wind Blow – Baby Please Don’t Go, Muddy Waters
A Hard Rains A-Gonna Fall – Remember the Titans (Movie Soundtrack), Leon Russell
Frosty – Martin Scorsese Presents The Blues – A Musical Journey, Albert Collins
Stormy Weather – At Last!, Etta James
Rain – Past Masters Volume Two, The Beatles
Snow ((Hey Oh)) – Stadium Arcadium, Red Hot Chili Peppers
Emotional Weather Report – Nighthawks at the Diner, Tom Waits
It’s Raining So Hard – Irma Thomas
Ain’t no Sunshine – Bill Withers
Four Strong Winds – Comes a Time, Neil Young
Thunderstruck – The Razors Edge, ACDC
Like The Weather – MTV Unplugged, 10,000 Maniacs
This Is A Low – Parklife, Blur
Have You Ever Seen The Rain – Creedence Clearwater Revival
Stormbringer – Deepest Purple: The Very Best of Deep Purple, Deep Purple
I Wish It Would Rain – My Girl: The Very Best Of The Tempations [Disc 1], The Temptations
I Can’t Stand The Rain – I Can’t Stand The Rain, Ann Peebles
Rainy Day Women – Forrest Gump (Movie Soundtrack), Bob Dylan
Cold Cold Feeling – The Talkin Guitar (The Best Of), T-Bone Walker
Riders on the storm – The Doors (movie soundtrack), The Doors
Next week: REVENGE SONGS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Our theme this week was Star Signs – songs of the zodiac, songs that highlight the way someone’s birth date can influence their very being (or maybe not). All the songs on this week’s list try to deal with the notion that we’re emotionally and intellectually influenced by the movement of some distant stars and planets. Some songwriters are more than happy to go along with the idea and some reject the concept outright. We opened the show with Diana Ross and the Supremes singing NO MATTER WHAT SIGN YOU ARE. Written by Berry Gordy and recorded in the the late 60’s it tried to cash in on the success of the musical HAIR and the hit tune AQUARIUS.
For jazz great Cannonball Adderley the zodiac was so fascinating that he devoted a whole 1972 album to it. With narration by DJ Rick Holmes – noted on the sleeve for his “sophisticated rhetoric” – SOUL ZODIAC is seduction par excellence, not to mention a reflection on an era when ‘The Age of Aquarius’ captured everyone’s imagination. If you’re celebrating your birthday this month, like BayFM presenters Helen from Q’s Jazz & Blues or Post Modern Backlash’s Hudson, or my gorgeous daughter Zoe, then you’re a Pisces. So it was fitting that we chose PISCES from Adderley’s album to move the show along.
Kris Kristofferson reminded us that there was a very famous Capricorn who “ate organic foods, believed in love and peace and never wore no shoes”. Yes, JESUS WAS A CAPRICORN. And then it was Creedence Clearwater Revival with a warning: there’s a BAD MOON RISING. Here they are performing the song live, in a rare video clip:
Curtis Mayfield’s “funky woman” decides, rather unfairly I think, that they’re incompatible because of what she reads in the newspaper. He tells us all about it in READINGS IN ASTROLOGY. The Floaters followed with their very groovy 1977 hit FLOAT ON.
Albert King blames the zodiac for all his troubles in BORN UNDER THE BAD SIGN. Albert was born on April 25, which makes him a Taurian. Seems like negativity might be a Taurian trait.
Jamiriquai were having a BLACK CAPRICORN DAY. Singer Jason Kay was born on December 30 and the song is reputedly autobiographical, telling of how he was kicked out of home as a teenager and surviving on the streets. I’m a Cappie myself, so I know how it feels when those occasional dark times descend. Luckily we’re essentially the zodiac’s eternal optimists so there’s always a silver lining under every black cloud. Check out the Jamiriquai video clip:
Talking of optimists, Adem is totally swept away with the power of the stars in THESE LIGHTS ARE MEANINGFUL. Tori Amos seems to be saying farewell to a February/March lover in GOODBYE PISCES. Cannonball Adderley and DJ Rick Holmes were at it again, this time with what many consider the best track from the SOUL ZODIAC album, CAPRICORN.
The Moody Blues delivered a song for all my crazy, brilliant, Gemini mates: GEMINI DREAM. Check out this video of them performing live in 1984 at Wembley Arena. Little bit of overkill on the smoke machine, methinks, but you’ve got to love the Moodies.
It’s been raining cats and dogs up here in the North, so a dose of the The Fifth Dimension with AQUARIUS and LET THE SUNSHINE IN lifted the mood somewhat and, hopefully, will influence the weatherman.
Some more Cannonball Adderley (it’s a great album, really!): Having already heard about the water sign PISCES and the earth sign CAPRICORN, it was time to find out about the fire sign ARIES. Prince couldn’t care less what sign you are, all he wants is your KISS.
Teenage Fanclub try to dismiss the power a star sign can hold: “Hey, there’s a horseshoe on my door,” they sing, “big deal. Hey, there’s a black cat on the floor, big deal.” But the Fanclub accept that people’s days are changed by whatever they wish to believe. For Rush, the question of whether the “stars aren’t aligned, or the gods are malign” is very simple. “I will choose a path that’s clear,” they proclaim. “I will choose freewill.” Hmmm, now there’s some food for thought. Check out the video of Rush performing live in 1981. Brilliant.
Regina Spektor is another favourite if mine. She’s an Aquarius and she’s recorded a song of the same name that’s intensely personal and worth checking out if you are also one of those highly intelligent, humanitarian people born under this particular water sign.
A great piece of instrumental followed, called SCORPIO, from the brilliant jazz guitarist and ex-Funk Brother, Dennis Coffey. This guy has played with all the soul greats, including Mavin Gaye, The Temptations, The Four Tops, Stevie Wonder….. the list goes on. And he’s white! Just goes to show, there’s no colour barrier to soul. If you’ve got it, you’ve got it.
More Cannonball Adderley (can I help it if the guy’s a genius and he just so happened to record a whole album that suited the theme?). He gives the air sign LIBRA its due attention, and we know that Librans like attention don’t we! . German Big Bander Gunter Noris contributed the track GEMINI from an album called ‘The In Kraut Hip Shaking Grooves”. I kid you not. The 70’s have a lot to answer for.
SAGITTARIUS SILVER ANNOUNCEMENT is from the album Embryonic, by the band that dared to remake Dark Side of the Moon and actually got away with it – the Flaming Lips. I don’t have a decent clip of them performing this great track, but I encourage you to check out their very good website at http://www.flaminglips.com
The next double was a very moving one. First up it was George Harrison with a song about his own star sign, PISCES FISH and we followed with one of the most beautiful tunes I’ve heard of late, GUIDING STAR by Neil Finn. It was recorded on the album Caution: Life Ahead as a fundraiser for the Buttery rehabilitation centre here in the Northern Rivers.
Now I did choose to cover Western Astrology for this week’s show but I want to recognise that this is the Chinese Year of the Tiger. For those of you born under this sign you are courageous, daring, confident and a born leader. But you can be unpredictable and tempestuous, sometimes territorial and possessive. Because 2010 s the Year of the Metal Tiger, it also brings you additional strength and determination. And in celebration of what looks like a dynamic year for all of us, and as a tribute to all the Leos out there, we closed the show with Al Stewart’s YEAR OF THE CAT. Kung Hei Fat Choy! That is, I hope this year brings you all good fortune and prosperity.
I’m often quoted as saying that I’ll do a show on almost anything, including fruit and vegetables and I realized I hadn’t actually created a show about these very healthy food items, so next week FRUIT AND VEGIES it is. Whatchagot?
Here’s this week’s playlist:
As a penance for my birthday indulgence last week, our theme this time was WALKING & RUNNING. ‘Cause a little bit of exercise never hurt anyone, now did it? Still, I think painting the town red must have still been on my mind as we opened the program with Lou Reed’s WALK ON THE WILD SIDE, from the 1972 album Transformer. It was produced by David Bowie who also sang backing vocals.
Here in Byron Bay, ‘doing the lighthouse walk’ is a daily excursion for some people. So, Kate Bush’s RUNNING UP THAT HILL was dedicated to them. It’s a great one to put on your iPod if you’re one of those mad people who walk or run as your preferred form of exercise.
Now you all know I love my Motown. So, WALK AWAY RENEE, released in 1968 by the Four Tops, was a given. As was NOWHERE TO RUN, a signature tune for Martha Reeves & The Vandellas, that was released way back in 1965. Check out this video clip from the same year. What to say about the back up dancers? OMG, the outfits, the dance moves!!!
Annie Lennox contributed WALKING ON BROKEN GLASS (ouch!) and then it was another true classic: Johnny Cash singing I WALK THE LINE and to round out the triple play beautifully, it was Fats Domino with I’M WALKING. Although it’s not the version we played on the show, take a look at this great clip of Fats Domino performing the song with Ricky Nelson. A great combination. And who is that saxophone player? Brilliant.
A little bit of UB40 followed with DON’T WALK ON THE GRASS and then it was Rufus Thomas with one of his biggest hits, WALKING THE DOG.
Empire of the Sun walked away with lots of awards for their debut album, WALKING ON A DREAM and the song of the same name was perfect for our show this week. As was Raphael Saadiq’s very suggestive, LET’S TAKE A WALK. Believe it or not this video, (like the song) was created in 2008. I’m loving the retro feel.
One for all the sleepwalkers – the brilliant R&B voice of Berna Dean singing I WALK IN MY SLEEP. Then it was Jimmy Rogers with WALKING BY MYSELF and a request from Judi, listening in Cairns: Patsy Cline’s I GO WALKING AFTER MIDNIGHT.
Did you know that John Lennon disowned the song RUN FOR YOUR LIFE from the Rubber Soul album? He eventually wrote a much more politically correct tune called JEALOUS GUY. But hey, we live dangerously at the Theme Park, so RUN FOR YOUR LIFE it was. We followed with Steve Winwood and the Spencer Davis Group’s very appropriate, (if you were one of the Beatles’ girlfriends anyway), KEEP ON RUNNING. Check out the very young Steve Winwood in this clip. So cute.
It’s impossible NOT to sing along to WALKING ON SUNSHINE by Katrina and the Waves. It’s such an optimistic, sunny song that suits the fabulous Summer weather we are having here in beautiful Byron Bay.
WALK A MILE IN MY SHOES by Joe South and The Believers is a great song as is WALK ON from, none other than, Mr Roy Orbison. Then it was the incorrigible Tom Waits with WALKING SPANISH from my favourite album of his, Rain Dogs.
More R&B was on the agenda with the great Sam Cooke and I’LL COME RUNNING BACK TO YOU. He would have been 79 this week (January 22). Sadly he died at 33 years of age, in a shooting incident. He is quite rightly considered one of the pioneers and founders of soul music.
A couple of ballads that couldn’t be omitted from our show on WALKING & RUNNING are YOU’LL NEVER WALK ALONE by Gerry & The Pacemakers, (remember them?) and Dionne Warwick’s WALK ON BY.
Jack, in Sydney, requested WALK THIS WAY, from Run DMC and Aerosmith. Excellent choice. Love the combination of hard rock and hip-hop. There should be more of it, I say.
Then it was time for some Blues: One of my favourites from last year’s Byron Bay Blues Festival was Seasick Steve, so I was happy to play WALKING MAN from his album, I Started Out With Nothin’ And I Still Got Most Of It Left. Then it was John Lee Hooker with RUN ON and James Taylor covering Jnr Walker and the Allstars’ I’M A ROAD RUNNER.
Grace Jones is unique. She does an amazing version of WALKING IN THE RAIN, originally recorded by Australian band Flash and the Pan. You’ll find it on her Nightclubbing album, released in 1981.
A show on WALKING & RUNNING wouldn’t be the same without Creedence Clearwater Revival’s hit, RUN THROUGH THE JUNGLE. Or The Modern Lovers’ ROADRUNNER. Or The Bangles’ WALK LIKE AN EGYPTIAN. But my favourite from this week’s show has to be an oldie but a goodie, Helen Shapiro’s WALKING BACK TO HAPPINESS. Can you believe that she was only 14 when she recorded this in 1961? Wow.
Next week, the show falls on Australia Day so I have no choice but to play some of my favourite Australian tracks. Tune in then if you like your music homegrown or are hoping for some appropriate tunes to compliment your Australia Day party.
And in signing off, I offer you this wonderful piece of graffiti that came to my attention this week: “Be happy today. Why wait?”
Here’s this week’s playlist:
The mercury’s rising, summer is here and I’m feeling hot, hot, hot. So, it’s time to get the sarongs out, start mixing up a marghertia or two and celebrate our steamy weather. Yes, folks this week’s show was a sizzler.
We opened with THE HEAT IS ON from American soul and funk group, The Isley Brothers, released in 1975 on the album of the same name and then it was Buster Poindexter, otherwise known as David Johansen of the New York Dolls. His cover of Arrow’s HOT, HOT, HOT apparently haunts him to this day. Well Dave, thats what happens when you record a hit pop tune. Just be happy with the royalties. He’s not looking too unhappy in this clip:
If the weather doesn’t deliver, you can always find other ways to raise the temperature. Ask Martha and the Vandellas who gave us one of the greatest intros in pop music with their song HEATWAVE. The high octane James Brown knows a thing or two about the topic of his tune, BODY HEAT. Here’s a clip from The Lost James Brown Tapes, a 60 minute video tape available on DVD.
One of my all time favourite films is Napoleon Dynamite and the soundtrack to the film is great too. Check out one of the signature tunes, from the film, CANNED HEAT from Jamiroquai:
Every now and again I like to throw a bit of contemporary pop into the mix and this week it was Katy Perry with HOT ‘N’ COLD and we followed with one of my favourite dance tracks, Adam Freeland remixing the wonderful Sarah Vaughan’s version of FEVER.
Anyone remember glam rock? Marc Bolan & T-Rex were up next with one of the best examples of this genre: HOT LOVE. Check out this clip from Top of the Pops, 1971. Ah go-go girls, whatever happened to them? Well, the ones in this clip are probably all grandmothers now. Scary.
More roaming down memory lane: Style Council with LONG HOT SUMMER and then it was The Triffids’ dreamy and disturbing TOO HOT TO MOVE, TOO HOT TO THINK. The song reflects on our hot, Australian summer nights.
The idiosyncratic, and highly influential, Captain Beefheart divides people. I’m a fan, especially of our next song, HOT HEAD. The Captain takes the usual hot-love cliches to deliriously literal extremes with his funky brand of the Blues.
Ella Fitzgerald reckons it’s TOO DARN HOT and Prince Buster agrees. His delicious piece of Jamaican Ska, TOO HOT had me up and grooving in the studio. And then it was time for one of the highlights of the recent Mullumbimby Music Festival, Oka with THAT’S HOT.
I can never listen to Glenn Frey’s THE HEAT IS ON without conjuring up the film BEVERLY HILLS COP. So to put it into context, here’s the official video, using footage from the film, starring Eddie Murphy:
Another favourite of mine is John Fogarty, this time with the wonderful gospel group The Fairfield Four, singing A HUNDRED AND TEN IN THE SHADE from Fogarty’s Blue Moon Swamp album. Great album and worth a listen if you’re a Fogarty or Creedence fan. Here’s a clip to whet your appetite:
Of course we had to include Billy Idol’s HOT IN THE CITY. Not so obvious, maybe, is the next tune we played: MELT YOUR HEART from the divine Jenny Lewis. A nice suggestion too, from listener Zoe: SUMMERTIME CLOTHES from Animal Collective. Andy’s suggestion was Nouvelle Vague’s I MELT WITH YOU and Lynden’s suggestion was a little on the obscure side. But when John Lennon’s goes COLD TURKEY his temperature rises and his fever is high. So, yeah, into the show on HEAT it went.
The great Ray Charles was next with IN THE HEAT OF THE NIGHT along with a little smooth jazz from Paul Hardcastle and the Jazzmasters, with Helen Rogers on vocals for BODY HEAT.
We closed the show with disco queen Donna Summer and HOT STUFF and the Godfather of funk, James Brown with HOT PANTS! Can you believe that this clip from 1985 was just a rehearsal?
Next week’s show is my Christmas A-Go-Go special, so tune in for some surprising Xmas tunes and I’ll have some giveaways especially for my lovely Theme Park listeners. In the meantime, here’s this week’s complete playlist.
So what makes a great cover? I think it’s when an artist makes a song his or her own, while still respecting the essence of the original. There are some exceptional covers that completely redefine a song to the point that we identify the tune with the cover artist forever more. And we had a few of those this week in our show about COVERS THAT ARE BETTER THAN THE ORIGINALS.
John Coltrane transformed The Sound of Music’s perky pick me up MY FAVOURITE THINGS into something of a jazz landmark, so, as our opener, it served as a very good example of a song that was reinvented for the listener. Another supreme example of a good cover is Ray Charles rendition of the Beatles ELEANOR RIGBY. His powerful and moving version uses R & B piano and gospel vocals to create something unique from what was a pretty perfect piece of pop to begin with. Check out this clip from the Dick Cavett show 1972. Loving the Raelettes moves, not to mention the pastel kaftans!
In his latter years Johnny Cash recorded a number of covers that, at first glance, seem at odds with his ‘country’ persona. None is more moving than HURT. Cash takes all the self-pity out of the Nine Inch Nails junkie confessional and turns it into an old man’s devastating deathbed testimonial. Take a look at this video clip. It’s a poignant performance that’s almost haunting, as it was created just prior to Cash’s untimely death. Whether or not you’re a Johnny Cash fan, this performance is powerful and deep with emotion.
ALL ALONG THE WATCHTOWER from Jimi Hendrix was written, and first recorded, by Bob Dylan. He’s one of the most-covered musicians in history for a reason: Besides writing some of the best songs of the rock era, he’s made lots of recordings that sound unfinished, even skeletal.The original of ALL ALONG THE WATCHTOWER is spine-chilling in its own strange way, but the song didn’t become a classic until Jimi Hendrix unleashed his version. Hendrix seems to channel pure myth and mystery. Of course, it wouldn’t work without Dylan’s lyrics and unsettling chords, but the Hendrix solos actually sound like wind howling and wildcats growling, don’t you think?
Canadian band, Cowboy Junkies, version of The Velvet Underground’s SWEET JANE was based on the one that was included in 1969: The Velvet Underground Live. Lou Reed himself described it as “the best and most authentic version I have ever heard”. At the risk of including way too many video clips, I have to show you this:
The Lennon/McCartney single, WE CAN WORK IT OUT, comes from the middle of The Beatles most radical creative reinvention, the 1965 shift from the straightforward pop of Help! To the multi-faceted Rubber Soul, which would revolutionise their music, and by extension, everybody’s else’s. So, it’s fitting that when Stevie Wonder covered the song on 1970’s Signed, Sealed & Delivered, he was in the middle of a similar transition from Motown’s teenage wunderkid to the socially conscious and superfunky artist he became in the mid 70’s. Wonder’s performance is so powerful, in fact, that it changes the meaning of the song without changing a word.
We teamed that with Ike & Tina Turner’s version of PROUD MARY. As Tina explains in the fairly subdued preface: “We never, ever do nothin’ nice and easy. We always do it nice and rough.” The Turners – and their band – then tear the intro to shreds by kicking up the tempo, adding horns and driving it all with a beat that practically demands that people dance. By comparison, Creedence Clearwater Revival’s original mid-tempo rock number sounds positively bland.
One sure-fire way to reinvent a song is to flip the sex of the singer. Two examples of that are Melanie’s version of the Stones’ RUBY TUESDAY and Regina Spektor’s version of John Lennon’s REAL LOVE.
Another is Janis Joplin’s cover of Roger Miller’s ME AND BOBBY MCGEE. Joplin’s version gave her the only number one single of her career and only the second posthumous number one single in rock n roll history (the first was Sittin’ on the Dock of the Bay by Otis Redding).
Back to boys on boys: Edgar & Johnny Winter do a wonderful version of TOBACCO ROAD, recorded originally by the Nashville Teens. And idiosyncratic Melbourne performer, C.W. Stoneking, puts a whole new spin on the White Stripes SEVEN NATION ARMY. The clip is from radio station’s Triple J’s ‘Like A Version’ series, available on CD/DVD. Wild.
My favourite number in this week’s playlist was suggested by a Sydney listener, Lynden (thank you!): Jazz singer Patricia Barber with her interpretation of Sonny & Cher’s THE BEAT GOES ON. And then Stevie Ray Vaughan gave Jimi Hendrix a run for his money with his version of VOODOO WOMAN.
Two of my all time favourite R&B artists followed: Al Green taking the Bee Gees ballad HOW CAN YOU MEND A BROKEN HEART to a whole new level and Aretha Franklin showing us how her version of Otis Redding’s RESPECT made it, not only an anthem for the feminist movement and the civil rights moviement, but, her very own signature song. Here’s a great little doco from Ovation TV looking at Aretha’s background and the important place that the song has in history.
English groups of the 60’s, in particular The Beatles, weren’t adverse to borrowing from the American R&B artists of the day to create some of their early hits (think of the Beatles Please Mr. Postman as an example). One R&B song that achieves a great transformation from R&B to rock is the Rolling Stones cover of the Temptations JUST MY IMAGINATION.
A male rock song that benefited greatly from being sung by a woman is GLORIA. Patti Smith introduced bisexuality and religious guilt to the horny garage rock song, originally recorded by Van Morrison’s band Them.
BY THE TIME I GET TO PHOENIX was originally recorded by Jimmy Webb. Isaac Hayes takes the listener on an epic journey by re-imagining the song’s entire context so persuasively that by the time he starts actually singing, the emotional force just about knocks our socks off.
Sometimes it’s hard to listen to any Doors song with a straight face, let alone LIGHT MY FIRE. Jackie Wilson had a bit of fun with his vastly superior version: its pure funk and I love the way Wilson punctuates it with his trademark squeals and screeches. It’s way sexier than the Doors’ psychedelic original, that’s for sure.
One of those songs that will forever be owned by the cover artist is Sinead O’Connor’s NOTHING COMPARES 2 U. Originally recorded by Prince’s group Family but no-one much remembers that now. Here’s the official clip showing her at the pinnacle of her career. Beautiful.
Now before the messages start filling my inbox, I’m sure that I’ve missed some obvious great covers and two hours is not nearly enough time to give credit where credit is due. Let’s go on the record as saying that, yes, every cover of a Leonard Cohen number is probably better than the original (sorry Leonard) but if I hear HALLELUJA one more time I will scream; that Cat Power is very good, but not a genius and that no-one can do Roy Orbison like Roy Orbison, not even kd lang.
And so I chose to go out with the Clash’s cover of I FOUGHT THE LAW AND THE LAW WON, originally recorded by The Bobby Fuller Four and then it was something quite special: ARE YOU LONESOME TONIGHT? was first published in 1926 and was most notably covered by Elvis Presley in 1960. I have no idea when this version was recorded, most probably when the Beatles toured the US in the mid 60’s. It’s Elvis with Roy Orbison and the Beatles doing back-up. I’ve only been able to find it as a download but if anyone has any back story on this, let me know. And the finale was The Beatles covering TWIST & SHOUT, originally recorded by the Top Notes but most people may be more aware of the Isley Brothers version. The Beatles definitely made this one their own.
Here’s the complete playlist, with original artists in brackets:
My Favourite Things (Julie Andrews/ The Sound Of Music) – John Coltrane
Eleanor Rigby (The Beatles) – Ray Charles
Hurt (Nine Inch Nails) – Johnny Cash
All Along The Watchtower (Bob Dylan) – Jimi Hendrix
Sweet Jane (Lou Reed/Velvet Underground) – Cowboy Junkies
We Can Work It Out (Beatles) – Stevie Wonder
Proud Mary (Creedence Clearwater Revival) – Ike & Tina Turner
Ruby Tuesday (Rolling Stones) – Melanie Safka
Real Love (John Lennon) – Regina Spektor
Seven Nation Army (White Stripes) – C.W. Stoneking
Tobacco Road (Nashville Teens) – Edgar & Johnny Winter
Me And Bobby McGee (Roger Miller) – Janis Joplin
The Beat Goes On (Sonny & Cher) – Patricia Barber
After Midnight (JJ Cale) – Eric Clapton
Voodoo Child (Jimi Hendrix) – Stevie Ray Vaughan
How Can You Mend A Broken Heart? (Bee Gees) – Al Green
Respect (Otis Redding) – Aretha Franklin
Just My Imagination (The Temptations) – The Rolling Stones
Gloria (Van Morrison/Them) – Patti Smith
By The Time I Get To Phoenix (Johnny Rivers/Glen Campbell) – Isaac Hayes
Light My Fire (The Doors) – Jackie Wilson
Nothing Compares 2 U (The Family/Prince) – Sinead O’Connor
I Fought The Law (Bobby Fuller Four) – The Clash
Are You Lonesome Tonight – Elvis Presley & Roy Orbison (with the Beatles as the backup singers)
Twist And Shout (Top Notes/Isley Bros) – The Beatles
With Fathers Day coming up on Sunday, our theme this week was a lay down misere: dads, grandads, step-dads, good dads, bad dads… even sugar daddies got a look in on our show dedicated to FATHERS.
We opened with a song about one of the worst father’s in pop-music. The Temptations PAPA WAS A ROLLING STONE talks of a Dad who was a dishonest, cheating, alcoholic. But hey, not everyone’s perfect! With a huge variety of music in the playlist, I’m sure we addressed the balance.
A song that puts a lump in my throat is Billy Bragg’s TANK PARK SALUTE. There are several songs about grieving for a father who has died, but none seems as powerful as this track. It was written as a way of addressing the silence and denial that surrounded his dad’s illness. Take a look at this 1991 performance:
My Dad died many years ago now and if you’ve been through it you’ll know that the event creates one of life’s turning points. Equally, becoming a parent is also a life-changing event. Most new dads only get to bore their friends, but the proud rock-star dad can annoy the whole world if he chooses. One of the few truly likable songs about fatherhood is David Bowie’s cheerful, self-effacing KOOKS – although advising “Don’t pick fights with the bullies or the cads” is a bit much from someone who christened his poor son Zowie. Another newborn inspired Radiohead’s end-of-the-world lullaby SAIL TO THE MOON.
Creedence Clearwater Revival have a different take on paternity and destiny in FORTUNATE SON: a cry of blue-collar resentment, directed at the privileged elite who used their connections to protect their sons from being sent to Vietnam.
Neil Young gave us OLD MAN with a little bit of help from James Taylor and Linda Ronstadt; Eric Clapton sang of a father he never knew with IN MY FATHERS EYES. And then it was Elvis with the song that his daughter Lisa Marie sang at the 20th anniversary celebrations of his death: DON’T CRY DADDY. Check out this amateur video of the performance. It seems its the only version, unfortunately, as its also on the offical Elvis site.
Luther Vandross’ song, DANCE WITH MY FATHER, won the 2004 Grammy Award for song of the year. We followed that with Bobby ‘Blue’ Bland’s DUST GOT IN DADDY’S EYES and The Winstons’ song COLOR HIM FATHER that was dedicated to all the step-fathers out there.
Not wanting to get too serious at the Theme Park, so it was well and truly time for James Brown and PAPA’S GOT A BRAND NEW BAG. Here’s a clip from the Ed Sullivan show, May 1966. I love the way Ed Sullivan is beaming at the end of the performance and exclaims “Wow, that was exciting wasn’t it!”. Yes, Ed it was. Long live the Godfather of Soul.
Time for some jazz: I didn’t want to overlook one of my favourite kinds of Dads and Julie London’s ode to the Sugar Daddy was perfect. And then it was Big Bad Voodoo Daddy with GO DADDY-O. A very nice segue into Hawkeshaw Hawkins with RATTLESNAKIN DADDY and The Heartbreakers with ROCKIN’ DADDY O.
And we didn’t want to forget the dear old, (or young as the case may be), Grandads: Fats Waller gave us GRAND OLD DAD. A change of pace saw the Dave Matthews Band rock out with DREAMS OF OUR FATHERS and then Everclear lamented an absent father in FATHER OF MINE. Here’s the very cool video clip:
A couple of songs for my children who lost their father when they were quite young: For Jack a song by his father’s favourite artist: John Lennon and BEAUTIFUL BOY. And for Zoe, it was another favourite – Paul Simon singing FATHER AND DAUGHTER. Here’s a live performance of that song from 2006.
When I played Eric Clapton’s very moving TEARS IN HEAVEN I guarantee there wasn’t a dry eye at the station. Clapton wrote the song after losing his son Connor in a terrible accident. And then it was a song that isn’t overtly about fatherhood but I interpret it that way, and you may too. It’s Roy Orbison and the Mavericks doing a cover of Simon & Garfunkle’s BRIDGE OVER TROUBLED WATER.
Ian Hunter grieves that his relationship with his Dad is just like Two Ships That Pass in the Night in his song SHIPS. Ian Dury followed with MY OLD MAN, a quirky, affectionate memento of his Dad, an East End bus driver. At Dury’s funeral in 2000, the song was performed by his own son, Baxter. Here he is with the Blockheads performing live.
Thanks to Ku Promotions for the tickets we gave away to the COOL NIGHTS BIG BAND performance. It encouraged me to go out with a jazz standard: SONG FOR MY FATHER by the Horace Silver Quintet. Released on the Blue Note label, the cover art features a photograph of Silver’s father. If you listen to the opening bass piano notes, you might just recognize what Steely Dan borrowed for their song RIKKI DON’T LOSE THAT NUMBER.
Happy Fathers Day to all you Dads for next Sunday. Here’s this week’s playlist:
Papa Was A Rollin’ Stone – The Temptations
Daddy’s Home – Shep & The Limelites
Tank Park Salute – Billy Bragg
My Father’s Waltz – Hem
Kooks – David Bowie
Sail To The Moon – Radiohead
Fortunate Son – Creedence Clearwater Revival
Old Man – Neil Young
My Father’s Eyes – Eric Clapton
Don’t Cry Daddy – Elvis Presley
Dance With My Father – Luther Vandross
Dust Got Into Daddy’s Eyes – Bobby ‘Blue’ Bland
Color Him Father – The Winstons
Papa’s Got A Brand New Bag – James Brown
Daddy – Julie London
Go Daddy-O – Big Bad Voodoo Daddy
Rattlesnakin’ Daddy – Hawkshaw Hawkins
Rockin’ Daddy O – The Heartbreakers
Grand Old Dad – Fats Waller
Dreams of Our Fathers – Dave Matthews Band
Father Of Mine – Everclear
Daddy’s Song – Harry Nillson
Beautiful Boy – John Lennon
Father and Daughter – Paul Simon
Tears In Heaven – Eric Clapton
Bridge Over Troubled Waters – Roy Orbison & the Mavericks
Ships (That Pass In The Night) – Ian Hunter
My Old Man – Ian Dury & The Blockheads
Song For My Father – Horace Silver
Next week: BIRDS (the feathered variety).
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
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Our show this week acknowledged the 40th anniversary of the first landing on the moon and also the fact that it’s the International Year of Astronomy. So while I had intended to do a show simply on the moon, it seemed even more fitting to honour all kinds of celestial bodies, with the moon getting special consideration. The show took off with the, now very famous, words of NEIL ARMSTRONG, as he first stepped onto the moon’s surface. Chasing closely behind was Deodata’s jazzy version of THEME FROM 2001 A SPACE ODYSSEY. The groundbreaking film, directed by Stanley Kubrick, was shot in 1968, a year before that historical space flight and it continues to be regarded as one Kubrick’s finest.
Moving forward in time, we took a listen to REM’s MAN ON THE MOON from their 1992 album Automatic For The People, Feist with MY MOON MY MAN from the Reminder album and we finished the set with a Van Morrison classic: MOONDANCE.
I’m not surprised that there was a fascination with space travel in the 70s and it was reflected most advantageously in the disco music of the era. Here’s a rare video of Boney M performing NIGHT FLIGHT TO VENUS and RASPUTIN. We only played NIGHT FLIGHT TO VENUS on the show but consider RASPUTIN a bonus for bloggers!
Also cashing in on the mid-70s vogue for all things spacey was soul keyboardist Dexter Wansel. We played his funky disco track LIFE ON MARS. And making space travel sound incredibly light and whimsical, even to someone like me who suffers from a fear of flying, was Julie London singing a wonderful version of FLY ME TO THE MOON that I found on the Mad Men TV series soundtrack.
One of my very favourite contemporary bands is Cowboy Junkies, so it was great to have an excuse to play their great version of Blue Moon, BLUE MOON REVISITED. And on a show that honours the moon, I couldn’t leave out Neil Young and I chose the classic track from the album of the same name: HARVEST MOON. Singing back-up: Linda Ronstadt, James Taylor, Nicollette Larsen, Astrid Young and Larry Cragg. Not a bad line-up!
Had a bit of fun including TV and movie theme music. The theme to Star Trek (The Enterprise) sequed beautifully into David Bowie’s song about a fictional astronaut lost in orbit in 1969. The song, of course, was SPACE ODDITY. Now 40 years later his son, Duncan Jones has directed a sci-fi feature film called ‘Moon’, starring Sam Rockwell and Kevin Spacey. Early reviews are positive and the film recently won Best New British Film at the prestigious Edinburgh Film Festival. One to look out for. Here’s a treat for you: a teaser trailer from the film. After seeing this, I definitely want to see it. Sam Rockwell is amazing.
The fabulous George Clinton & Parliament Funkadelic sang about the MOTHERSHIP CONNECTION and then it was Dinah Washington inviting us to join her in her rocket ship for DESTINATION MOON. The Steve Miller Band contributed some classic rock with SPACE COWBOY and we finished the set with Peter Tosh singing all about OUTTA SPACE. Whew.
Word is that MGMT more than delivered at the recent Splendour in the Grass Festival so I had to include OF MOONS, BIRDS & MONSTERS in this show.
Warning! Warning! One of my guilty pleasures is the LOST IN SPACE TV SHOW, so I enjoyed listening to the theme again. Check out this short clip presenting the ‘new’ series Lost in Space to advertisers, before it officially aired. Far out!
I only included one song about the sun in this show about Celestial Bodies because, let’s face it, the sun should be a topic all on its own. The Pink Floyd track, SET THE CONTROLS FOR THE HEART OF THE SUN, fitted the Space Travel theme perfectly.
Muse’s SUPERMASSIVE BLACK HOLE is wild stuff. Love the song and love Matt Bellamy who has a great voice. Clearly influenced by Queen, but hey, what’s wrong with that? Check out the video clip:
We finished up with a song that was released in the very year that Neil Armstrong took that famous first step onto the moon: 1969. The song? Creedence Clearwater Revival’s timeless BAD MOON RISING. This song is so good that Sonic Youth named an entire album after it! We also happily had time for some advice from the Monty Python crew singing the GALAXY SONG. There’s nothing like a bit of Monty Python to put everything into perspective.
Here’s the complete playlist: