We’re well and truly into Summer and where are all those beautiful sunny days that this season promises? As I write this, I’m looking out at torrential rain. So, it was definitely wishful thinking that propelled me into this week’s playlist on THE SUN.
We opened the show with a song that radiates optimism, the Beatles GOOD DAY SUNSHINE, written by Paul McCartney and released on the 1966 album Revolver. A relatively new track comes from Michael Franti. I dedicated THE SOUND OF SUNSHINE to the lovely Suzie M. and her grandchildren, Reem & Aliyah who are huge Michael Franti fans.
Local lad Christian Pyle did a great job at the recent Mullumbimby Music Festival and although I played RAY OF YOUR SUNSHINE during my interview with him a couple of weeks ago, it such a great number I had to play it again. It’s from his Nothing Left to Burn album.
The Cream’s SUNSHINE OF YOUR LOVE is an absolute classic and is still their best-selling song of all time. Here’s Eric Clapton, Ginger Baker and Jack Bruce playing live circa 1968.
Beth Orton does a brilliant cover of The Ronettes I WISH I NEVER SAW THE SUNSHINE. I found it on the soundtrack to the film Twentyfourseven (brilliant film btw), but its also on her 1996 debut album ‘Trailer Park’. Here she performs live and is accompanied by the very talented Ted Barnes.
The wonderful Katie Noonan possibly does the best cover ever of Soundgarden’s BLACK HOLE SUN that I have ever heard. I usually don’t like to play videos that are simply photo montages, but I can’t give up the opportunity of putting her voice out there. Sublime.
There was no way I was doing a show on THE SUN without playing Stevie Wonder’s YOU ARE THE SUNSHINE OF MY LIFE. Here he is giving a rare studio concert at London’s Teddington Studios following the release of his ‘Conversation Peace’ album. A sensual ride for an intimate audience of less than 200 fans. You get the bonus of SUPERSTITION on this clip too, which I have to admit is actually my favourite Stevie Wonder number.
Bobby Hebb’s SUNNY is another very optimistic song, considering that it was written in response to his brother’s violent death which occurred on the same day of JFK’s assassination.
Two great songs that were released in 1966 are Donovan’s SUNSHINE SUPERMAN and The Kinks’ SUNNY AFTERNOON. The Kink’s strong Music Hall flavour and lyrical focus was part of a stylistic departure for the band, who had risen to fame in 1964-65 with a series of hard-driving, power-chord rock hits. Ironically, the promotional video for the single featured the band performing in a cold, snowy environment:
Nina Simone’s cover of George Harrison’s HERE COMES THE SUN is an almost religious experience. Starting slowly at first it builds to a flood of warmth and wonder. Unlike the weather here at the moment, unfortunately.
For Ros, and all the other reggae fans, we played Bob Marley’s SUN IS SHINING and followed with the Bill Withers standard – a perfectly apt song for Byron Bay at the moment: AIN’T NO SUNSHINE.
Let’s don’t get too despondent about the weather. As Elaine Page suggests “the sun will come out TOMORROW“. From the musical Annie that song went out to BayFM’s Tommy T-Jet who hosts All Things Camp Friday’s at 1pm.
The Eagles song TEQUILA SUNRISE was written by Don Henley and Glenn Frey and is from the album Desperado. I’ve been meaning to do a show just on The Eagles and its certainly on the agenda.
A show on THE SUN wouldn’t be the same if it didn’t include the Beach Boys. I had lots of suggestions for various tunes but I chose the very evocative THE WARMTH OF THE SUN. It was the B-side to Dance, Dance, Dance released in 1964.
Violent Femmes released their debut album in 1982. The music was an innovative combination of American folk music and punk rock, which would much later come to be known as “folk punk”. The lyrics were the common themes of yearning for love, sex and affection. The group quickly gained a following that never veered into mainstream commercialism. One of the songs that gained recognition was A BLISTER IN THE SUN.
2010 is the 25th anniversary of the very infectious WALKING ON SUNSHINE released by Katrina and the Waves. Can you believe it?
I don’t think the The Beloved were getting up with the birds to see the SUN RISING. Somehow I imagine they were on their way home from a big night out.
Australian band The Waifs recorded their 2007 album SUN DIRT WATER in Nashville and it was released on Jarrah Records, a fully independent label they share with John Butler Trio and MGM Distribution.
A couple of oldies but goodies come in the shape of THE SUN AIN’T GONNA SHINE ANYMORE from The Walker Brothers and DON’T LET THE SUN CATCH YOU CRYING from Gerry & The Pacemakers.
A while back I put together a show of songs that ask questions. And here’s a couple more: The Velvet Underground want to know WHO LOVES THE SUN and They Might Be Giants ask WHY DOES THE SUN SHINE?
The Spazzys is an all girl punk band from Melbourne who are heavily influenced by the Ramones. They’ve even taken their band’s name as their surname – Kat Spazzy, Lucy Spazzy and Ally Spazzy. Cool. The song SUNSHINE DRIVE is on their Aloha! Go Bananas album released in 2004 but my copy came from the soundtrack of the very good Australian film Suburban Mayhem.
One of The Kinks best known and most acclaimed songs is WATERLOO SUNSET. Ray Davies says, in a 2008 interview, that the song was a fantasy about his sister going off with her boyfriend and emigrating to another country.
Little Village were a supergroup who only released one album. Band members included Ry Cooder, John Hiatt, Nick Lowe and Jim Keitner. Sung by John Hiatt, the track SOLAR SEX PANEL certainly suggests a good use for the sun’s rays!
We closed the show with Pink Floyds’s very trippy SET THE CONTROLS FOR THE HEART OF THE SUN.
Next week, I’m going to celebrate the Xmas Party season with SONGS ABOUT DRINKING. I’m looking for everything from rowdy singalongs to barfly melancholia and guilty hangover confessionals. That should cover everything! It will be the day after the BayFM Xmas party, so I should be suitably hungover!
Here’s this week’s complete playlist:
Good Day Sunshine – Revolver, The Beatles
The Sound Of Sunshine – The Sound Of Sunshine, Michael Franti and Spearhead
Ray of Your Sunshine – Nothing Left to Burn, Christian Pyle
Sunshine Of Your Love – Eric Clapton Story, Cream
I Wish I Never Saw The Sunshine – Twentyfourseven Soundtrack, Beth Orton
Black Hole Sun – Time To Begin, Katie Noonan
You Are The Sunshine Of My Life – Ballad Collection, Stevie Wonder
Sunny – Rhythm & Blues, Bobby Hebb
Sunshine Superman [Extended] – Try For The Sun, Donovan
Sunny Afternoon – Lost And Found 1962-1969, The Kinks
Solar – Chet In Chicago, Chet Baker
Here Comes The Sun – The Very Best Of Nina Simone, Nina Simone
Sun Is Shining – Bob Marley Collection, Bob Marley
Ain’t No Sunshine – Lean On Me: Priceless Collection, Bill Withers
Tomorrow – Elaine Paige LIVE , Elaine Paige
Tequila Sunrise – The Very Best Of The Eagles, The Eagles
The Warmth Of The Sun – Shut Down Volume 2, The Beach Boys
Blister In The Sun – Violent Femmes, Violent Femmes
Walking On Sunshine – Sounds Of The Eighties: 1985, Katrina and The Waves
The Sun Rising – Single File, The Beloved
Sun Dirt Water – Sun Dirt Water, The Waifs
The Sun Ain’t Gonna Shine Anymore – The Walker Brothers
Don’t Let The Sun Catch You Crying – Gerry & The Pacemakers, Gerry and The Pacemakers
Who Loves The Sun – High Fidelity [Bonus Tracks], The Velvet Underground
Why Does The Sun Shine? – Severe Tire Damage, They Might Be Giants
The Sunshine Drive – Suburban Mayhem Soundtrack, The Spazzys
Waterloo Sunset – The Ultimate Collection [Disc 1], The Kinks
Solar Sex Panel – Little Village, Little Village
Set The Controls For The Heart Of The Sun – A Saucerful Of Secrets, Pink Floyd
Next week: SONGS ABOUT DRINKING
Memories can haunt us, no matter how much we want to escape them. There are false memories, conflicting memories of the same event and memories that clash with the reality of the present. Thanks to mass media, memory isn’t something that only belongs to us as individuals. When we see scenes at the cinema or television or on DVDs over and over again, they become part of our collective memory. Even if you’ve never seen the film King Kong you know that there’s a scene where a big gorilla climbs up the Empire State Building with a human girl in his hand. And whenever a comedy show or film features a scene where someone is killed or threatened in a shower most people understand it’s a parody of Psycho. So mass media, film and television in particular, have contributed hugely to a memory that we share with millions of other people.
Unfortunately, we remember melancholy and pleasure in equal measure. The concept of looking back in hindsight is also a bit complicated. It’s easy to write off youthful idealism as simply being naïve as Stevie Wonder did in our opening number YESTERME, YESTERYOU, YESTERDAY. According to Stevie it was all “a cruel and foolish game we used to play”. Well that’s how he remembers it anyway.
And talking of cruel, I can’t imagine anything worse than getting Alzheimer’s disease and Elvis Costello’s song VERONICA is all about that. It tells the story of an old lady who lives in a nursing home and is gradually losing her memory. It was inspired by Costello’s grandmother.
The Ramones want to know DO YOU REMEMBER ROCK ‘N’ ROLL RADIO? Has it ever gone away?
Collecting objects that remind us of old times should bring back good memories, but that’s not always the case as Soft Cell tell it in MEMORABILIA. Sarah Vaughan would rather experience something that didn’t work out than never do anything at all in I’D RATHER HAVE A MEMORY THAN A DREAM. The real classic of this triple play, however, was the Shangri-Las with their ode to a lost love affair: REMEMBER (WALKIN IN THE SAND). Here’s a great clip from the excellent “Songmakers Collection” DVD, with interviews with Mary Weiss and writer producer George ‘Shadow’ Morton about this track and their other hit, LEADER OF THE PACK.
Jurassic 5 dug deep into their memory banks for REMEMBER HIS NAME. As did Fall Out Boy for THNKS FR TH MMRS . The Zutons, REMEMBER ME is about those kind of friends who seem to forget you once they are entrenched in a romantic relationship. Don’t you just hate that!
THOSE WERE THE DAYS is from Cream’s 1968 album Wheels of Fire. The album cover was designed by Australian artist Martin Sharpe and it won the the New York Art Directors Prize for best album cover in 1969. The sound on the album was characterised by a hybrid of blues, hard rock and psychdelic rock, combined with Eric Clapton’s blues guitar, Ginger Baker’s jazz-influenced drumming and the basslines and voice of Jack Bruce.
One of the most beautiful voices I’ve heard belongs to Sarah McLachlan. And one of my favourite songs of hers is one that I first heard on the soundtrack to the film The Brothers McMullen. It’s called I WILL REMEMBER YOU.
Otis Redding’s name is synonymous with the term ‘soul’ and we had to include his classic with I’VE GOT DREAMS TO REMEMBER. Redding died at the very early age of 26 but his memory is kept alive with the Youth Educational Dream Foundation and a very good website. Go to: http://www.otisredding.com/
British group Bloc Party look back regretfully on an opportunity for love that wasn’t realised in I STILL REMEMBER:
The Kinks wonder what ever happened to their childhood friend in DO YOU REMEMBER WALTER? It’s from their album The Kinks Are the Village Green Preservation Society.
The Supremes reflected on the good and bad memories of a love that used to be in REFLECTIONS while Jimi Hendrix had only good memories of a past love, (he even wants her back!), in REMEMBER.
Relationships that survive depend partly on shared memories, but those memories need constant topping up. Indie rockers, Yo La Tengo document this well in OUR WAY TO FALL.
There was a fair bit of nostalgia in this week’s show, (well what did you expect?) and one of my faves was The Platters with REMEMBER WHEN. Also fitting the bill was Elvis Presley who seems somewhat confused in I FORGOT TO REMEMBER TO FORGET.
Memories, daydreams, disconnected thoughts – they fill our minds in a never-ending rush. Our next song, THE WINDMILLS OF YOUR MIND, evoked this beautifully, conveying the incredible weirdness of our thought processes. If you’re after nostalgia then what about Noel Harrison with the original version of the song that served the film The Thomas Crown Affair so well.
Ok back to recent memories. Jack Johnson wonders DO YOU REMEMBER? and P.M. Dawn are SET ADRIFT ON A MEMORY. Thanks to Lynden for suggesting that one and several others on our list today.
One of my favourite films deals with amnesia. Memento, starring Guy Pearce, and directed by Christopher Nolan, is a fascinating story about someone who can’t store new memories. A song about about the subject is I DON’T REMEMBER by Peter Gabriel.
Bob Dylan’s memory song is a love ballad from the Empire Burlesque album: I’LL REMEMBER YOU. And if its nostalgia that you’re after, consider MEMORIES ARE MADE OF THIS from Dean Martin. An oldie but a goodie, as they say.
I’ll never forget Michael Jackson with REMEMBER THE TIME from the Dangerous album. Another sad memory for me is Freddy Mercury singing THOSE WERE THE DAYS OF OUR LIVES which many think was the song he dedicated to his fellow Queen members when he knew that he was dying.
Back to the 70’s and some Aussie based punk rock: remember The Saints and MEMORIES ARE MADE OF THIS?
We closed the show with a cover of a song that I swore I wouldn’t play this week, but this version is so sweet it had to make the cut: The Waifs with a little help from Clare Bowditch. They’re singing Frank Ifields I REMEMBER YOU.
This week’s theme on MEMORY segues nicely into next week’s topic. My computer crashed last week and I had to invest in a drive with a lot more memory to cope with all the songs that I collect for these shows. So next week its MACHINES, ROBOTS AND COMPUTERS. No Television or Radio songs please because you know they are a whole theme to themselves. and no modes of transport, for the same reason. But any other gadget or gizmo is up for grabs.
Here’s this week’s complete playlist. All songs available on iTunes.
Yesterme Yesteryou Yesterday – Stevie Wonder
Veronica – Elvis Costello
Do You Remember Rock ‘N’ Roll Radio – The Ramones
Memorabilia – Soft Cell
I’d Rather Have a Memory Than a Dream – Sarah Vaughan
Remember (Walkin’ in the Sand) – The Shangri-Las
Remember his name – Jurassic 5
Thnks fr th Mmrs – Fall Out Boy
Remember Me – The Zutons
Those Were The Days – Cream
I Will Remember You – Sarah Mclachlan
I’ve Got Dreams To Remember – Otis Redding
I Still Remember – Bloc Party
Do You Remember Walter – The Kinks
Reﬂections – Diana Ross & the Supremes
Remember – The Jimi Hendrix Experience
Our Way to Fall – Yo La Tengo
Remember When – The Platters
I Forgot to Remember to Forget – Elvis Presley
Do You Remember – Jack Johnson
The Windmills Of Your Mind – Noel Harrison
Set Adrift On Memory Bliss – P.M. Dawn
I Don’t Remember – Peter Gabriel
I’ll Remember You – Bob Dylan
Memories Are Made Of This – Dean Martin
Remember The Time – Michael Jackson
Memories Are Made of This – The Saints
Those Were The Days Of Our Lives – Queen
Remember You (feat. Clare Bowditch) – The Waifs
Slip on your kaftans and tie-dye t-shirts. Adorn yourself with flowers and beads. We’re going to light-up some joss-sticks, “ban the bomb” and “make love not war!” This week’s theme is dedicated to that period in 1967 that saw as many as 100,000 people converge on the Haight-Ashbury neighbourhood of San Francisco, creating what was to become known as the counterculture movement. The melting pot of music, psychedelic drugs, sexual freedom, creative expression and politics became a defining moment of the 60’s and forever more will be known as THE SUMMER OF LOVE.
It’s easy to reject songs that seem to have been around forever, but consider the context of these songs’ origins and you’ll realize that what many of these musicians were doing hadn’t been done before and, in many cases, would never be done again. So respect to the hippies and the funk soul sisters & brothers and the year 1967 – a time of exploration and finding new ways of expression.
We opened the show with the THE ACID COMMERCIAL from Country Joe & The Fish and then it was the Beatles with ALL YOU NEED IS LOVE. Arguably the greatest band in the world at the top of their powers, Lennon’s anthem to love may not be his strongest but it’s definitely his catchiest. The Beatles made a worldwide television broadcast of the song, in between sessions of transcendental meditation, and it became a #1 hit in both the US & UK. Check out the clip from this transmission and see if you can see Mick Jagger in the audience.
A song that summed up the mood of those flocking to Haight-Ashbury in that Summer of 67 is, of course, Scott McKenzie’s IF YOU’RE GOING TO SAN FRANCISCO, (be sure to wear flowers in your hair). Written by John Phillips of the Mamas & The Papas, it was originally created to promote the 1967 Monterey Pop Festival, which is regarded as being the beginning of the Summer of Love.
FOR WHAT ITS WORTH, by Buffalo Springfield, is about the closing of the Pandora’s Box Club on the Sunset Strip in Los Angeles and the clash that followed between the police and kids. But the song quickly took on a larger meaning, symbolizing the generational friction happening all across the country as the hippies and flower children freaked out the authorities from coast to coast. Here’s a great clip from the Monterey Festival:
When you listen to PURPLE HAZE, from Jimi Hendrix’s ‘Are You Experienced?’ album, you can’t help but imagine the rush of a million wanna-be guitarists running into music stores hoping to be just like Jimi. Check out this video from 1967 with Jimi Hendrix on Guitar, Noel Redding on Bass and Mitch Mitchell on Drums:
In the early sixties The Beach Boys were synonymous with surfing and Californian youth culture. By the mid-sixties, however, their musical style had become a little more complex. A 1967 example of this new sophisticated sound was HEROES AND VILLAINS. We followed with a song that had the distinction of being the first track to be played on BBC Radio One when it launched in 1967, FLOWERS IN THE RAIN by The Move. And, to round out the triple play, The Turtles with HAPPY TOGETHER. This track can lift anyone’s mood. While their vocal harmonies verged on sugar-sweet, I don’t know anyone that doesn’t like this song.
I’M A BELIEVER, the Monkees’ hit, was written by none other than Neil Diamond. The song stayed at the top of the charts for six weeks and was the biggest selling single of 1967. That’s right, they even outsold the Beatles and the Stones, and while Neil Diamond, continued to write and perform, he never really needed to work another day in his life after this song took off. The Mamas & Papas hit, DEDICATED TO THE ONE I LOVE, was originally a hit for the Shirelles in 1961. Here are the Mamas & The Papas with their ’67 version:
Three more classics of the period: Cream’s I FEEL FREE, the Byrds’ SO YOU WANT TO BE A ROCK N ROLL STAR and Jefferson Airplane’s SOMEBODY TO LOVE. And then it was Procol Harum with WHITER SHADE OF PALE. This track contains perhaps the most recognizable Hammond B-3 organ rock line ever, snatched from Bach and perhaps a soul player or two. The vague lyrics, however, aren’t very memorable, making the organ bit seem even more imposing and significant than it probably deserves. But hey, what do I know? Here they are on Top of the Pops 1967. Make up your own mind.
Three more songs from that magical time in 1967 referred to as THE SUMMER OF LOVE include I’M A MAN from The Spencer Davis Group, written by Steve Winwood, SAN FRANCISCO NIGHTS from Eric Burdon & the Animals and GET TOGETHER from the Youngbloods.
But the band that epitomised the musical creativity of the sixties is The Beatles. A DAY IN THE LIFE, from their Sgt Pepper’s Lonely Hearts Club Band album, utilised a 40 piece orchestra taking 24 bars to go from the lowest note on their instruments to the highest and six people banging on three pianos at the same time in order to produce one huge power chord. The song obliterated every rule that ever existed for what a pop song should sound like and how it should be made, simple as that. Check it out:
One of the most instantly recognizable riffs in rock history is SUNSHINE OF YOUR LOVE, from Cream. And one of the most representative of the period is the Small Faces tune ITCHYCOO PARK. For me, though, when it comes to this period, I can’t overlook Janis Joplin. So an essential track from 1967 has to be Big Brother and the Holding Company with Janis Joplin singing DOWN ON ME.
Jimi Hendrix also deserved another play and this time it was FOXEY LADY. It’s probably worth mentioning here that up until this point Blues guitarists would never have done what Hendrix does on this track. The rule was that the guitar sound should be clean and pure. Jimi however, never got that memo and thank goodness for that.
As well as a time that was marked by anti-Vietnam demonstartions, 1967, unfortunately, was also a time of race riots, which also fed into the peace movement and hippie revolution with its ideals of compassion, awareness and love. So, in deference to our soul brothers and sisters, it was time for some R&B with I HEARD IT THROUGH THE GRAPEVINE by Gladys Knight and the Pips. This song became a #2 hit in 1967 and Marvin Gay’s renditon hit #1 the following year. But sticking to the plan, we listened to The Pips version and followed with the one and only Jackie Wilson with his landmark single, HIGHER AND HIGHER.
Although they were a white band, the Young Rascals GROOVIN’ was pure soul with its memorable Afro-Cuban mood and mid-tempo groove. Timeless song. Check out the clip of them performing live.
The next track was a bit of a cheat, since it wasn’t released until 1969, after the band had broken up. But TIME OF THE SEASON by The Zombies was written and recorded in August 1967 and the vibe is pure SUMMER OF LOVE, baby. And then it was the Who with I CAN SEE FOR MILES, the only real hit from their crazy concept album The Who Sell Out and SHE’S A RAINBOW from the Rolling Stones. We’ll overlook the Stones vain attempt of trying to one-up the Beatles and just concentrate on those first seven piano notes, which have been likened to the musical equivalent of heroin.
We closed the show with STRAWBERRY FIELDS FOREVER from the Beatles. The band recorded a version by themselves in one key and then they did a version with an orchestra in a different key. The version you know and love is BOTH versions mixed together, speeding the band version up and the orchestral version down. Magic. This promotional video was filmed in January 1967 and was directed by Peter Goldmann, at the time a Swedish TV director.
Now next week’s show is going to be hotter than hot. As a tribute to the upcoming Summer holiday season the theme will be HEAT. Put your thinking caps on and get in touch!
Here’s this week’s complete playlist:
Next week: HEAT
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
I can’t say that I’m the sporty type. I simply adopted my Dad’s football team as my own, (Go the Tigers!), and I think cricket’s got to be the most boring game on earth. No correspondence on this issue please! It’s probably an indication of how much I like a challenge that I chose SPORT as our topic for this week. And because I thought it might also be a good idea to get a ‘bloke’s’ perspective on the subject matter, The Captain returned to co-present the show.
We got the show started with a fantastic song from the late Kirsty MacColl: ENGLAND 2 COLUMBIA 0. She uses the first round of the 1998 World Cup as backdrop and metaphor for romantic deceit. Here she is on ‘Later with Jools Holland’ in 2000. The band is made up of Chucho Merchan, James Knight, Pete Glenister, Dave Ruffy, Michelle Drees Ben Storey and Joey de Jesus. Very nice.
I have to admit to a guilty pleasure: I don’t mind a bit of boxing (yes, best not to cross me!). I can’t justify it. I know that it’s a violent sport but I grew up with a younger brother and we were both addicted to watching both boxing and wrestling on the tele. Boxing being so incredibly visceral and exciting and wrestling being just plain silly. So, here’s two boxing songs for you: SO YOU WANT TO BE A BOXER from the soundtrack to the film Bugsy Malone and Eminem and Shaggy sampling EYE OF THE TIGER from the film Rocky.
A couple of baseball songs followed: Billy Bragg and Wilco with an ode to one of America’s heroes: JOE DIMAGGIO DONE IT AGAIN and then John Fogerty begged “Put me in coach, I’m ready to play” in CENTERFIELD. Check out this video clip of John Fogerty performing live in 2007. Worth a look to view the guitar he uses – made from a baseball bat! Cool.
James Taylor has recently done a great covers album and we included one of the tracks this week. Originally by Jnr. Walker, the song is I’M A ROAD RUNNER. Then it was Teddy Pendergrass’s turn with LOVE TKO, a song that simply borrows from sports jargon to express the singer’s heartbreak.
The Bonzo Dog Doo-Dah Band’s song SPORT (THE ODD BOY) is a memento to school sports days. It even includes a sick note from Mum. Gotta love that.
Then it was two songs set in a pool hall: Johnny Lang with RACK EM UP and JIm Croce’s DON’T MESS AROUND WITH JIM. The lyrics of the latter song concern the fate of a ‘pool-shooting son-of-a-gun’ by the name of ‘Big’ Jim Walker when his ‘mark,’ Slim, from a south Alabama Honkytonk shows up to get a refund from being hustled or get revenge. Check out the video clip:
I would have been in real trouble if I hadn’t played any surfing songs, as the radio station is situated in one of Australia’s premier beach communities. My choice: The Beach Boys with SURFIN’ SAFARI and we followed that with Loudon Wainwright’s SWIMMING SONG. Here’s Loudon with this very catchy tune that even mentions the Australian Crawl.
Mic Conway’s National Junk Band are always good value as they were this week with RACE CALL OF LIFE TO DEATH from their Corporate Chook album. Very clever. Wish I had a video clip of it.
Will Smith went on to play Muhammad Ali in the biopic of the great boxer’s life but he has trouble doing even one round in I THINK I CAN BEAT MIKE TYSON. Here he is with DJ Jazzy. The video includes with cameos from Don King and Mike Tyson. Funny stuff. The year was 2005.
How could we forget to mention the bicycle? Nicely fixed when we played Pink Floyd’s BIKE and Red Hot Chilli Peppers BICYCLE SONG.
Let’s talk about Bowling. Lawn bowls really took off for a while there with everyone and his dog (literally) playing mufti bowls. And now Tenpin Bowling is experiencing a resurgence of popularity. My, otherwise groovy, 22 year old son and his mates have formed a team and they play in a league every week down in Sydney. It seems to be mandatory that bowling team names require bad puns. Examples: the Lucky Strikes, Rolling Pins, Spare Me, Pin Pals and my favourite: I Can’t Believe It’s Not Gutter. Personally I’m all in favour of a sport that has two toned shoes (golf being another goodie).
I didn’t discover any tracks on golf but I did find two great Bowling songs: Stephen Lynch with BOWLING SONG and TAKE THE SKINHEADS BOWLING from Camper Van Beethoven.
Now any tune that uses the term “silly mid-on” in a song, deserves to be in the list. WHEN AN OLD CRICKETER LEAVES THE CREASE, from Roy Harper, is actually quite a good song despite being about Cricket. Cream, on the other hand, are more interested in Tennis. Check out this incredibly droll clip of ANYONE FOR TENNIS? from around 1968. Could Clapton look any more bored? Hysterical.
We didn’t forget the skaters out there and happy to include HEAVEN IS A HALFPIPE from OPM. But then it was time for more football, um soccer, um football. We call it soccer, the English call it football. But whatever you call it, on a global level this game is HUGE. Even highly credible rock bands can’t stop themselves from penning songs to their heroes. The Fall gave us THEME FROM SPARTA FC and The Lightning Seeds delivered THREE LIONS. Here you go all you Soccer fans, well the English ones anyway, a clip with lots of footie, um soccer, in it.
I saw Mental As Anything live last week and they’re still belting out those party tunes. I decided to close the show with a tune of theirs that pretty much sums up the Australian way of life, being the sports mad nation that we are: SURF & MULL & SEX & FUN.
Thank you to Spirit Gym for our giveaway today of some personal training sessions. Much appreciated. And thanks to the Captain whose hilarious news items kept us entertained betweeen tracks.
Here’s the complete playlist:
England 2 Columbia 0 – Kirsty MacColl
So You Want To Be A Boxer – Bugsy Malone soundtrack
Eye Of The Tiger – Eminem Ft. Shaggy
Joe Dimaggio Done It Again – Billy Bragg & Wilco
Centerfield – John Fogerty
(I’m A) Road Runner – James Taylor (Jnr Walker & Allstars cover)
Love TKO – Teddty Pendergrass
Sport (The Odd Boy) – Bonzo Dog Doo-Dah Band
Rack ‘Em Up – Johnny Lang
You Don’t Mess Around With Jim – Jim Croce
Surfin’ Safari – The Beach Boys
The Swimming Song (Live) – Loudon Wainwright III
Race Call Of Life To Death – Mic Conway’s National Junk Band
I Think I Can Beat Mike Tyson – DJ Jazzy Jeff & the Fresh Prince
Black Superman – Muhammad Ali – Johnny Wakelin
Bike – Pink Floyd
Bicycle Song – Red Hot Chili Peppers
Bowling Song – Stephen Lynch
Take The Skinheads Bowling – Camper Van Beethoven
When An Old Cricketer Leaves The Crease – Roy Harper
Anyone for Tennis? – Cream
Heaven Is a Halfpipe – OPM
Three Lions – The Lightning Seeds
Theme from Sparta FC – The Fall
Surf & Mull & Sex & Fun – Mental As Anything
Hey Micky – Toni Basil
Next week: Songs about FAMOUS PEOPLE.
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
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