Despite what some of our American cousins may think, America is not the centre of the Universe. But credit where credit is due: its influence on music cannot be challenged. So, falling on the 4th of July, it was only fitting that our show this week be dedicated to the ultimate musical melting pot – the old US of A.
The playlist is, I think, a balanced one. There are songs that celebrate America and some that are intent on a reality check. You can find that list and lots of links to further information at the BayFM site. Here’s one of my favourite tracks of the day:
Ah, bugger it, here’s another one!
Next week, the show will be on ARGUMENTS. Which means that the song could be about the subject or, more interesting of course, the song could take on the form of an argument. Love to see what you come up with. Get in contact!
Listen to Lyn McCarthy at the Theme Park on BayFM at the new time of Mondays 1–2pm, Sydney time
Also streaming via BayFM
Email me at: firstname.lastname@example.org
I hear there’s a big wedding happening this Friday, so for my last show at this time slot, I decided to take a look at a quaint tradition that seems to be making a comeback. The subject of marriage is a perfect theme for songwriters as music has the ability to influence our mood and eat into our soul. It keeps us afloat when love is fresh, and life seems full of promise. But it can also reveal our deepest fears about a relationship, making problems seem way beyond repair. There are, of course, cynical songs about marriage but I tried to keep these to a minimum. No one likes a killjoy at an otherwise joyful time, now do we?
We launched the show with a great old Savoy recording. WEDDING BOOGIE features Little Esther and Johnny Otis with Esther as the bride, Mel Walker as the groom and Lee Graves as the preacher, and its hysterical.
That old romantic Al Green made a suggestion that a lot of you gals wait a lifetime to hear: LET’S GET MARRIED. Martha Reeves and the Vandellas celebrate getting their fella to the alter on THIRD FINGER LEFT HAND. And UK folk rock group Oysterband give a vibrant description of a wedding breakfast on BLOOD WEDDING.
If you’re after a real soul classic, then you can’t go past Freda Payne’s BAND OF GOLD. On this hit single, Freda’s guy is missing in action and she’s only got a ring to show for all her lovin’. Sweet Inspirations have a good piece of advice for Freda: WHY MARRY? They ask. Indeedy.
Ani diFranco does a gorgeous cover of Dusty Springfield’s WISHIN’ AND HOPIN’. It was used for the title sequence of the film My Best Friend’s Wedding, starring Julia Roberts and directed by Aussie filmmaker P.J.Hogan (who also directed Muriel’s Wedding).
Here’s another classic, this time in the rock genre: Nick Lowe KNEW THE BRIDE WHEN SHE USED TO ROCK N ROLL.
Rock n Roll legend Chuck Berry reckons that YOU NEVER CAN TELL. And from the soundtrack to the film, The Harder They Come, it was Toots and the Maytals with SWEET AND DANDY. Such a thrill it was to see them perform the song among their set at the Byron Bay Blues Fest this weekend.
Another of my favourites from the Blues Fest is Eli Paperboy Reed. What a voice. Here he is performing STAKE YOUR CLAIM: “Yeah, if you love me then take my name”. Oh Eli you sweet old fashioned boy you!
UK group, The Wombats released a terrific song about going to your exes’ wedding (never a good idea, I say). MY FIRST WEDDDING is from their album A Guide to Love, Loss and Desperation.
The weather here in the Northern Rivers has been erratic, to say the least, so a good weather song, and a wonderful tune about love and marriage to boot, came from Ray Charles: COME RAIN OR COME SHINE.
Dancehall and reggae artist Yellowman turned the sound up a notch with a great version of I’M GETTING MARRIED IN THE MORNING, followed closely by doo-wop group The Cadets with CHURCH BELLS MAY RING.
The 5th Dimension gave us a medley of THE WORST THAT COULD HAPPEN and WEDDING BELL BLUES. Billy Davis and Marilyn McCoo, from the group, have been happily married for over 40 years and have even written a book about what makes their marriage work. Top tip: You’ve got to like the person you’re with, not just love them, because once the first flush of love subsides you need to know that you’re in a relationship with your best friend as well as your lover. Can’t disagree with that!
You can never claim that Theme Park doesn’t have a diverse playlist. The Easybeats followed with their 60’s hit, WEDDING RING, followed by Billy Idol’s WHITE WEDDING, which was written as a disapproving commentary on his sister’s shotgun wedding. How very conservative of him. Still, the video clip is a hoot:
The lovely Amy Rigby, married by the way to punk rocker Wreckless Eric, does a great song she wrote after divorcing her first husband, called WE’RE STRONGER THAN THAT. And, the always brilliant, Lyle Lovett contributed SHE’S NO LADY, (SHE’S MY WIFE) to the list. I think this clip is from the 80’s – check out Lyle’s hair. But better still, check out his wonderful voice. Like all the best artists, he’s a one-off.
Ernie K Doe and the Blue Diamonds sing about the bane of many a good marriage: MOTHER IN LAW. Of course, I’m not speaking from personal experience! Best to move on, and there’s no better way to put some romance back into the show than with more Al Green. One of my favourites is LET’S STAY TOGETHER. Here’s a live performance from 1972:
The Temptations followed with the delightfully delusional JUST MY IMAGINATION. And then it was another fantastic performer from the Blues Fest: Irma Thomas, with a song that she included in her set: YOU CAN HAVE MY HUSBAND BUT DON’T MESS WITH MY MAN.
Over the last three years of the show, I keep returning to two of my favourite artists – Louis Armstrong and Roy Orbison. And, of course they had songs on marriage for me this week as well. Louis with WE HAVE ALL THE TIME IN THE WORLD and Roy with WEDDING DAY. But I had to close the show with a song for my husband of 23 years, sadly taken from us five years ago this week. Barry White’s very sexy YOU’RE THE FIRST, MY LAST, MY EVERYTHING is for you Graeme. Thanks for the music and the wonderful memories.
For the next 6 months, at least, you’ll find me still at BayFM, still churning out theme shows at the new time of 1-2pm on Mondays and I really hope to have your company next Monday on BayFM 99.9 or streaming at http://www.bayfm.org. As always I’ll keep putting my playlist and other info up at the blog, so keep checking in.
Next Monday’s theme will be MOTORVATIN’ MAMAS, just in time for Mothers Day. Send me your requests and suggestons. I’d love to hear from you.
Have a great week! Here’s the playlist:
Wedding Boogie - Little Esther Let's Get Married - Al Green Third Finger, Left Hand - Martha Reeves and The Vandellas Blood Wedding - Oysterband Band Of Gold - Freda Payne Why Marry? - Sweet Inspirations Wishin' And Hopin' - Ani DiFranco I Knew The Bride (When She Used To Rock And Roll) - Nick Lowe You Never Can Tell - Chuck Berry Sweet And Dandy - Toots and The Maytals Chapel Of Love - The Dixie Cups Stake Your Claim - Eli "Paperboy" Reed & The True Loves My First Wedding - The Wombats Come Rain or Come Shine - Ray Charles I'm Getting Married In The Morning - Yellowman Church Bells May Ring - The Cadets (Medley) The Worst That Could Happen, Wedding Bell Blues - 5th Dimension Wedding Ring - The Easybeats White Wedding - Billy Idol We're Stronger Than That - Amy Rigby She's No Lady - Lyle Lovett Mother-in-Law - Ernie K-Doe and the Blue Diamonds Let's Stay Together - Al Green Just My Imagination (Running Away With Me) - The Temptations (You Can Have My Husband But) Don't Mess With My Man - Irma Thomas We Have All The Time In The World - Louis Armstrong Wedding Day - Roy Orbison You're The First, The Last, My Everything - Barry White
Next week: MOTORVATIN’ MAMAS
I decided to be more playful than usual this week as I set out to compile a playlist of song titles that mentioned numbers. Easy-peasy, you’re thinking. Sure, but there was a condition. The songs had to be played in numerical sequence. I got to choose from pop, rock, country & jazz so it couldn’t be that hard, right? Right.
The show kicked off with LESS THAN ZERO by Elvis Costello and moved right into a beautiful track from Lamb, ZERO. Numero Uno was a piece of cake as I have already done a whole show just on the #1 so plenty to choose from there. I decided that should go with my #1 favourite artist, Roy Orbison with a song from the album, Mystery Girl, THE ONLY ONE. Another fave took over the #2 spot: Marvin Gaye and Kim Weston with IT TAKES TWO. And for #3 it was none other than the great Sarah Vaughan who, like a lot of us, only needs THREE LITTLE WORDS.
FOUR STRONG WINDS is a classic Canadian song by the legendary Canadian singer Neil Young. The perfect follow-up came from the adorable Nanci Griffith with LOVE AT THE FIVE AND DIME. Here she is performing live at the BBC:
The great reggae artist Gregory Isaacs, known as the ‘Cool Ruler’ sadly passed away late last year. His song SIX MONTHS filled the #6 spot and for #7 it had to be The White Stripes with SEVEN NATION ARMY. Such a shame that they’ve gone their separate ways.
There was only one #8 for this baby boomer: The Beatles with EIGHT DAYS A WEEK. And, for #9 Wilson Pickett with ENGINE NUMBER NINE, of course. Pure funk.
Brothers, by the Black Keys, was one of my album picks of 2010 so including TEN CENT PISTOL from that album was a no-brainer. Here they are performing live on Late Night with Jimmy Fallon. Excellent.
Cyndi Lauper features on David Byrne and Fat Boy Slim’s concept album Here Lies Love which is based on the lives of Imelda Marcos and her nanny Estrella Cumpas. The official video clip of ELEVEN DAYS is set against a Philippine movie of 1965 “Iginuhit ng Tadhana: The Ferdinand E. Marcos Story”, starring Gloria Romero and Luis Gonzalez.
I do love a bit of gospel singing, so Buddy Greene was in with TWELVE GATES TO THE CITY. Dickie Thompson is also evangelical, but not in the usual sense. He sings about THIRTEEN WOMEN and only one man in town. Now if I was a bloke I’d say he was a lucky b…..d! But being a woman, living in a small town, it sounds irritatingly familiar!
Next up, it was the genius that is Tiny Tim with all kinds of things to say about the number FOURTEEN. Not the usual Tiny Tim we’re used to hearing. I, for one, miss the ukelele I must admit. And I miss Tiny Tim who died of a heart attack in 1996 at the age of 64.
Number 15 in our playlist was another no-brainer: the almighty Radiohead with 15 STEPS. Here they are peforming live for their VH1 special:
We kept moving through the teenage years with gusto as Chuck Berry took the #16 spot with SWEET LITTLE SIXTEEN. And then Janis Ian calmed everything down with her incredibly insightful tune, AT SEVENTEEN.
The Stellas took the 18th spot with 18 from their 2008 album Cry Baby Cry. Time then for another classic: Steely Dan’s HEY NINETEEN. “Way back in 1967….”
For all the Bluegrass fans, I had to include Jimmy Martin’s 20:20 VISION and then it was a nice piece of rockabilly, suggested by Andy, Eddie Cochran’s TWENTY FLIGHT ROCK.
Rappers 50 cent and Nate Dogg have 21 QUESTIONS for their girlfriend. Not sure us girls need that much interrogation, but hey what do I know? This video has already gathered over 35million hits on You Tube! With lines like “I loves you like a fat kid likes cake”. Go figure!
Lily Allen knows how to churn out pop tunes and 22 is a good example. We followed that with the wonderful Brothers Johnson and another soul standard, STRAWBERRY LETTER 23.
Our two hours was almost up so only time for two more tunes in our attempt to get from zero to infinity. The #24 spot was filled by Bobby Bland’s TWENTY FOUR HOUR BLUES and the finale was handed to Edwin Starr’s TWENTY FIVE MILES. OMG what a voice! Brilliant. Wish I’d been at this particular concert.
We’ll continue our numerical exercise next week, starting at #26. So why not send me a message with suggestions for that list which should probably limit itself from 26-51. Let’s see how we go.
Until then, here’s this week’s full playlist:
Less Than Zero – Elvis Costello, My Aim Is True Pop
Zero – Lamb, Lamb
The Only One – Roy Orbison, Mystery Girl
It Takes Two – Marvin Gaye and Kim Weston, Ready Steady Go! The Sixties Sound Of Motown [Disc 1]
Three Little Words – Sarah Vaughan, The Mercury Jazz Story [Disc 1]
Four Strong Winds – Neil Young, Comes a Time
Love at the Five and Dime – Nanci Griffith, The Last of the True Believers
Six Months – Gregory Isaacs, Brand New Me
Seven Nation Army – The White Stripes, Elephant
Eight Days A Week – The Beatles, Beatles For Sale
Engine Number Nine – Wilson Pickett , Chronicles
Ten Cent Pistol – The Black Keys, Brothers
Eleven Days – David Byrne and Fatboy Slim, Here Lies Love
Twelve Gates To The City – Buddy Greene, A Few More Years
Thirteen Women – Dickie Thompson, Ultimate Rhythm & Soul Collection [Disc 1]
Fourteen – Tiny Tim, Girl
15 Step – Radiohead, In Rainbows
Sweet Little Sixteen – Chuck Berry, Yesterdays Gold Vol 07
At Seventeen – Janis Ian, Echoes Of The Radio [Disc 1]
18 – The Stellas, Cry Baby Cry
Hey Nineteen – Steely Dan, A Decade Of Steely Dan
20:20 Vision – Jimmy Martin
Twenty Flight Rock – Eddie Cochran, Big Artist Selection – Eddie Cochran
21 Questions – 50 Cent & Nate Dogg
22 – Lily Allen, It’s Not Me, It’s You
Strawberry Letter 23 – The Brothers Johnson, Strawberry Letter 23/The Very Best Of The Brothers Johnson
Twenty-Four Hour Blues – Bobby “Blue” Bland, Dreamer
Twenty-Five Miles – Edwin Starr
Next week: FROM NOUGHT TO WHATEVER (Part 2)
This week’s theme is inspired by the fact that Iggy Pop is headlining our major youth concert, The Big Day Out this month. And Bob Dylan, Elvis Costello and Jethro Tull will all be here in April for the Byron Blues Festival. I’m a baby boomer, so I’m ecstatic to be able to see all my heroes from the 60’s still performing. But, I have to ask: what is it about the first generation of rock n rollers – what keeps them going?
The reality is that from the moment rock music arrived on the scene it was a young person’s game: music made by young people for young people. It never intended to grow up or grow old. But it did. So what happens when rock’s youthful rebelliousness is delivered wrapped in wrinkles?
Lemmy from Motorhead has a formula for staying alive. He reckons you just breath (at all times). Lemmy, like Keith Richards, is one of the all time rock n roll survivors and therefore much revered by fans of a similar vintage.
Much to the dismay of our children, we baby boomers have carried on being the oldest swingers in town. We haven’t shown any sign of giving up on rock concerts, taking recreational drugs, (if we want to), and staying up all night. It’s why the biggest earners for rock concerts aren’t the Lady Gagas of the world, but veteran performers like AC/DC, The Eagles, Paul McCartney and The Who.
On MY GENERATION The Who were actually saying that they hoped they’d die before they got old. Hey, hold on a minute, they’re still singing it and they ARE old. What happened?
What happened started in the 50s when an entirely new species emerged with its very own music. They were called teenagers. And their music was called rock n roll:
Rock n roll created something special: The joy of hearing your parents shout out: “Turn that bloody racket down!” Because one of the social functions of rock has always been the defiance of the older generation. For performers like Elvis every gesture, every note was all about social disenfranchisement and rebellion. Elvis hit the scene wearing pink and black and leather outfits. He looked more like a pimp than a musician. “Outrageous!” reeled the grown-ups. But to the teenagers, he represented an escape from the stuffiness of the post-World War Two era.
No-one, even the musicians themselves, took rock and pop seriously, though. It was seen as a novelty, something that wasn’t meant to last. As the soundtrack to growing pains, it was temporary and disposable just like the people who made it.
By the early 60’s Beatlemania was gripping youth’s attention. The Establishment, however, remained doubtful that it was a fever that would last. Even the Beatles accepted the idea of their own inbuilt obsolescence.
With Beatlemania, and the British Invasion in general, many of the young established groups were being left behind. The tyranny of youth dictated that if you didn’t change with the times, you were old hat. One of the new incumbents was the band Manfred Mann.
In 1965 The Who recorded one of the ultimate anthems to youth, one that damned growing up and growing old. The young went on the offensive claiming their territory through guitar, bass and drums. The older generation were still recovering from a World War and all they wanted was some peace and quiet. To the younger generation old age just seemed really boring.
Ironically, the British Beat boom of the mid 60’s was based on music that was already old. Bands like the Stones, The Animals & Manfred Mann worshipped American Blues of the 20s 30s and 40s. Their recording heroes were still alive, but by rock roll’s new standards they were old men. Charlie Parker was born in 1920, Miles Davis in 1926 & Muddy Waters in 1913.
The self-absorbed rebelliousness of rock n roll gathered speed with the Rolling Stones. While the Who were busy burying the older generation, the Stones were singing about finding their satisfaction in sex.
The arrival of album culture in the late 60s proved that rock n roll was now thinking more in the long term. It didn’t sound disposable anymore. It was growing up, just like the people who made it. The Beatles Sgt Peppers album dared to imagine what life would be like at SIXTY FOUR. Up until now that was completely unthinkable for the baby boomer generation.
In the same year that the Beatles released the Sgt Peppers album, Procol Harum had a hit single with WHITER SHADE OF PALE. Things had started to get serious. The more experienced young musicians began wondering how far they could take their music. And they took their diehard fans with them. In many cases the fans had grown up with these bands and, along the way, they’d developed an appreciation of lyrics and music with more depth.
The end of the sixties saw the beginning of the rock n roll casualty list. The death of Brian Jones in 1969 seemed to crystalise a ‘live fast, die young’ attitude and brought a new reality to “I hope I die before I get old.” Janis Jopliin, Jim Morrison, Jimi Hendrix all died at 27, confirming the myth that if you wanted to be a rock legend you had to die young.
The Stones, however, seemed determined to mature. After the death of Brian Jones they picked themselves up and went back on the road. For the band, it wasn’t over yet.
By the end of the 60’s the Stones had discovered the secret of survival, at least for now. Unfortunately, the Beatles didn’t. As if to prove that longevity and rock n roll was difficult for a group of young guys growing up together, they split in 1970. The Fab Four would go on to enjoy successful solo careers for many years to come but the surge of creativity that fed them in their youth proved more elusive for them and their generation as they grew older.
Today, Mick Jagger, Paul McCartney and Pete Townsend can play arenas 45 years after they first had hits. Which is great. But the real question is: are they writing great songs? Or is the outpouring of creativity that launched their careers a factor of youth?
Herman’s Hermits got together in 1963 when lead singer Peter Noone was only 16. Their very first release, I’M INTO SOMETHING GOOD, was a #1 hit and although future recordings would get into the top ten, they were never to have a UK #1 again. The band, without Noone, continue to perform to this day and Peter Noone has gone on to have a successful career as both a singer and actor.
In the early 70’s, no performer demonstrated rock n roll’s reliance on youthful invention and raw power more than Iggy Pop. Here’s a great little doco that illustrates why he is known as the “Godfather of Punk”:
Not all rock n roll of the early 70’s was an expression of sexual energy and youthful physicality. By now prog rock was plundering the classical music collections so beloved of its middle class parents, as proof of its intention to last. It’s perpetrators, bands like Yes & Jethro Tull, seemed to be contemplating careers beyond the age of 30.
Performers found themselves living with their songs and growing into their material. One of the most requested songs from troops serving in Vietnam was I GOTTA GET OUT OF THIS PLACE by Eric Burdon & The Animals. Burdon continues to perform this song today when he entertains servicemen and women in Iraq and Afghanistan. In fact, it’s written into his contract. That’s what they call an anthem, folks.
In 1976, before the 60’s generation had a chance to mature, they were rudely cast aside by punk. It was a three-chord reign of terror, the ultimate Oedipal act. Snarling, spitting and clawing its way to the stage.
These weren’t the kids of the optimistic 60’s but a new young generation who felt abandoned. Everyone was in their way and, as always, no one understood them.
The bands of the post-punk era, like the Specials and Madness, while less dismissive of the past, still believed that rock and pop music were part of an essentially young experience.
In the early 80’s the Stones were back, yet again, having been absent from the stage for 6 years – while punk and its aftermath were the centre of attention. They were proving that they were in for the long haul.
In July 1985 the benefits of hanging in for the long term reached unexpected and unprecedented heights, with Live Aid. The international event sometimes looked like a version of Dad’s Army with acts like Paul McCartney, Bob Dylan, The Who, and the Beach Boys joining pop stars of the 80s on stage. Watched by more than 400 million viewers in 60 countries, this was the rock n roll survivor’s finest hour. Suddenly being 40 didn’t seem so uncool. These were the masters, the legends, the acts deemed capable of feeding the world.
A lot of young people heard some of the older bands for the first time, saying “These bands are fantastic.” And then, the most hated people in their musical vocabulary, their parents, responded with “Yeah, we know, we love them too!”
What had begun with Live Aid in the 80’s continued into the 90s with projects like War Child. Performers from three generations of rock n roll – Paul McCartney, Paul Weller and Noel Gallagher recorded COME TOGETHER, in the new spirit of multi-generational tolerance. It was no longer a case of ‘My Generation’ but ‘Your Generation too”. Just as importantly, audiences for the music also started to span generations.
The new millennium witnessed an entirely new phenomenon: the revival and the comeback. Leonard Cohen, already in his 70’s, had decided to stop performing and recording altogether. At least that was the plan. But after having all his money misappropriated by a crooked manager, he had to go back on the road. And guess what, he loves it!
Audiences who had grown up and grown old with their heroes wanted them back. Age had invested their favourite bands with a new authenticity. Performers couldn’t believe their luck. Even Brian Wilson returned from the wilderness to be a Beach Boy once again.
Rock n roll is now revelling in a long life. What was about risk and youth is now about enjoying a grand old age. It’s about longevity, survival, nostalgia. Refusing to grow up, give up or shut up. The whole point of the baby boomer generation is that we made it up from the beginning and we’ve been making it up ever since. We’ve been pushing the boundaries, and unlike our parents, we’ve refused to accept old age.
Many thanks to BBC and You Tube community for the wealth of material, without which this week’s show would not be possible.
Next week, my special guests will be The Fridays, performing live in the studio, plus lots of songs about RESOLUTIONS. Any suggestions/requests, please leave me a message here.
In the meantime, here’s this week’s complete playlist:
Lust For Life, Trainspotting soundtrack, Iggy Pop
My Generation, Austin Powers: The Spy Who Shagged Me soundtrack, The Who
Johnny B. Goode, Martin Scorsese Presents the Blues, Chuck Berry
Jailhouse Rock, Elvis Presley
Get A Job, Get a Job, The Silhouettes
Paul McCartney quote
Twist And Shout, Please Please Me, The Beatles
Paul Jones quote
Come Tomorrow, The Five Faces of Manfred Mann, Manfred Mann
(I’m Your) Hoochie Coochie Man, Martin Scorsese Presents the Blues, Muddy Waters
Let’s Spend The Night Together, Hot Rocks 1964-1971, The Rolling Stones
When I’m Sixty-Four, Sgt. Peppers Lonely Hearts Club Band, The Beatles
She’s Leaving Home, Sgt Peppers Lonely Hearts Club Band, The Beatles
A Whiter Shade Of Pale, The Big Chill soundtrack, Procol Harum
Brown Sugar, Sticky Fingers, The Rolling Stones
Peter Noone quote
I’m Into Something Good, The Original 60’s Summertime album, Herman’s Hermits
Iggy Pop i/view
Search And Destroy, Raw Power, Iggy Pop & The Stooges
Too Old To Rock ‘N’ Roll, Too Young To Die, Jethro Tull
We’ve Gotta Get Out Of This Place, The Most of the Animals, The Animals
God Save The Queen, Never Mind the Bollocks, The Sex Pistols
Too Much Too Young, The Singles Collection, The Specials
Baggy Trousers, Complete Madness, Madness
Mick Jagger quote
Start Me Up, Tattoo You, The Rolling Stones
Rockin’ All Over The World, Rockin’ All Over The World, Status Quo
Surfin’ USA, Endless Summer Legends, The Beach Boys
We Will Rock You, News of the World, Queen
Come Together, Help (War Child Benefit), Paul Weller & Friends
1969 (with i/view), Iggy Pop
In My Secret Life, Ten New Songs, Leonard Cohen
God Only Knows, Pet Sounds, The Beach Boys
Forever Young, Napolean Dynamite soundtrack, Alphaville
Next week: RESOLUTIONS
What’s captalism’s favourite pastime? Well, SHOPPING of course! Some of the songs in this week’s list were critical of the commodification of our society while others celebrated shopping as retail therapy. Objects of desire included everything from clothes and cars to food and liquor and we shopped in that threatened species, the little corner store, as well as their replacements, the supermarkets and malls. We gave away tickets to local charity event, The Spring Into Bangalow Fashion Parade, and welcomed local girl-group The Swinging Cowgirls into the studio for a live performance. All in all, a fun show.
The program kicked off at a rather luxurious looking pet shop, where Patti Page asks HOW MUCH IS THAT DOGGIE IN THE WINDOW? Let’s face it, if you’re a shop-a-holic you could do a lot worse than rescue a pup from being a living and breathing window display. I call that charity work myself.
The Coasters sang of being in a high-end department store without any credit on SHOPPING FOR CLOTHES. And we followed with Smokey Robinson & The Miracles, whose Mum told them to always SHOP AROUND when it comes to looking for love. Not bad advice actually.
Ben Folds does a great cover of the Clash song LOST IN THE SUPERMARKET for the kids film Over the Hedge, which had to make the list. As did The Kinks with the very appropriate DEDICATED FOLLOWER OF FASHION. Check this clip from 1973. I love Ray Davies: “Let’s have a laugh, because no-one’s here for art.” Genius.
Chuck Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics focusing on teen life and consumerism. On this week’s show he went shopping for a car on NO MONEY DOWN.
Here’s De La Soul with their critique of hip-hoppin’, gold-diggin’ girlfriends on SHOPPING BAGS. Its from the underrated album The Grind Date:
Up here in the village of Mullumbimby, the locals have lost the fight to stop a large Woolworths complex from being built in town. So I included a couple of songs for all those activists who are trying to preserve their quality of life. First up, Jonathan Richman bemoans the disappearance of the CORNER STORE. We followed with a perfect partner, Eugene McDaniels with SUPERMARKET BLUES: “I’ve got the supermarket blues, If I could choose, its really them I’d like to lose.” Yes, indeedy.
Two very funny tunes on the list are They Might Be Giants’ I AM A GROCERY BAG and TOO HIGH FOR THE SUPERMARKET from The Uninvited. It’s tough finding the ingredients for a simple tuna sandwich in a huge supermarket, especially when focus is a problem. Hilarious.
Fergie knows that shopping for labels is just shopping for affection on LABELS OF LOVE, from the soundtrack to the film Sex & The City, which is basically just a big ad for Manola’s etc. The Beatles have a bit of advice for the shopaholic in all of us on CAN’T BUY ME LOVE.
I’m not a big fan of The Pet Shop Boys but their 1987 techno-pop tune SHOPPING, which is more about political corruption than a day in the mall, proved to be especially suitable for this week’s show.
Margo Timmins, of The Cowboy Junkies, is going to buy you something small and frail and plastic. As she puts it: ‘CAUSE CHEAP IS HOW I FEEL. Brilliant.
Dolly Parton is also a bit partial to a little metaphor on THE BARGAIN STORE. And lending a little gravity to the list was good ol’ boy Bruce Springsteen with QUEEN OF THE SUPERMARKET.
Jonathan Richman championed the LONELY LITTLE THRIFT STORE and Bruno Mars, with a little help from Damian Marley, sang about the LIQUOR STORE BLUES.
And then I happily welcomed the Swingin’ Cowgirls into the studio for a bit of a jam and a singalong. They are going to be performing at the upcoming charity fashion event, Spring into Bangalow, and going by what we saw on the show, it will be a great night. Here they are performing at another local event, earlier this year:
We said goodbye to the Swingin’ Cowgirls with an equally sassy dame, Lily Allen. She’s giving her granny a hard time on NAN, YOU’RE A WINDOW SHOPPER.
The Replacements’ punk rock defense of the CUSTOMER was followed by Paul Weller and The Jam with MAN IN THE CORNER SHOP, a song about some middle-class punk rockers who suddenly have a whole lot of money but nothing substantial to spend it on.
Before Steven Patrick Morrissey was simply Morrissey, he was lead singer of The Smiths, a band who never charted higher than #10 but who nevertheless generated a cult following. Here they are with SHOPLIFTERS OF THE WORLD UNITE:
Sublime’s influences were reggae, punk and ska and our final track was an old ska song that they recorded a version of in 1996 called PAWN SHOP. The story goes that lead singer Brad Nowell’s raging addiction saw his guitar being pawned quite often, with their manager having to pay to get it out before their gigs. Sort of puts all those songs about SHOPPING into perspective doesn’t it?
Next week the show will be one of pure joy. Every song will feature HANDCLAPPING. I’d love to hear from you if you would like to request a track, or you may have an idea for a theme for an upcoming show. Let me know! Love to have your input.
Here’s this week’s playlist:
How Much Is That Doggie In The Window – Everlasting In Original 125 Golden Oldies (Vol.3), Patti Page
Shopping for Clothes – Atlantic Rhythm & Blues (1958-62) Vol. 4, The Coasters
Shop Around – The Ultimate Collection, Smokey Robinson & The Miracles
Lost In The Supermarket (Clash cover) – Over The Hedge soundtrack, Ben Folds
Dedicated Follower Of Fashion – The Complete Collection, The Kinks
No Money Down – After School Session, Chuck Berry
Shopping Bags (She Got from You) – The Grind Date, De La Soul
Corner Store – Jonathan Goes Country, Jonathan Richman
Supermarket Blues – Headless Heroes of the Apocalypse, Eugene McDaniels
I Am A Grocery Bag – TMBG UnLtd April, They Might Be Giants
Too High for the Supermarket. – Too High, The Uninvited
Labels Or Love – Sex And The City, Fergie
Shopping – Actually, Pet Shop Boys
‘Cause Cheap Is How I Feel – The Caution Horses, Cowboy Junkies
Can’t Buy Me Love – Hey Jude, The Beatles
Shopping Carts – (comedy skit), Steven Wright
The Bargain Store – The RCA Years 1967-1986 [Disc 2], Dolly Parton
Queen Of The Supermarket – Working On A Dream, Bruce Springsteen
Liquor Store Blues (feat. Damian Marley) – Single, Bruno Mars
The Lonely Little Thrift Store – I’m So Confused, Jonathan Richman
Nan You’re A Window Shopper – Alright, Still Lily Allen
Customer – Sorry Ma, Forgot To Take Out the Trash, The Replacements
Man In The Corner Shop – Direction, Reaction, Creation, The Jam
Shoplifters Of The World Unite – The Best Of Part 1, The Smiths
Pawn Shop – Sublime, Sublime
Our theme this week was about a place that’s linked to money, sunshine, fame and freedom. It sounds a lot like my home town of Byron Bay, but no, this week’s program was about the equally tantalising American state of CALIFORNIA.
We started with Al Jolson’s CALIFORNIA HERE I COME. Written for the 1921 Broadway musical Bombo, it’s often called the unofficial state song of California. Another standard is the Mamas & The Papas’ love song to their home state: CALIFORNIA DREAMING. Bobby Womack’s version is, in my opinion, just sublime. Here’s some original footage and images of California in the 50’s, set against his music:
Chuck Berry wrote THE PROMISED LAND while in jail and, apparently, he used the prison library to plot his hero’s trip from Virginia to Los Angeles.
Train is a band that comes from San Francisco so their song, SAVE ME SAN FRANCISCO, is, we assume, straight from the heart. And like a lot of the tunes in today’s list, it’s really about missing someone you’ve left behind. The songs is from the album of the same name, released in 2009.
Led Zeppelin’s GOING TO CALIFORNIA is reportedly about Joni Mitchell. The story goes that Robert Plant and Jimmy Page were both infatuated with her at the time. They were all in their early 20’s and it was crazy days for all and sundry. Here’s Led Zepp. playing live at Earls Court in 1975:
Arlo Guthrie contributed a song that’s based on him going through LA airport with a couple of joints in his pocket. Not that I condone that kind of behaviour, of course (!) He performed COMING INTO LOS ANGELES live at Woodstock in 1969 where, it appears, it went down a treat:
Yes, Arlo Guthrie just wants to have some fun. I don’t think he’s the only one. Sheryl Crowe is in a similar state of mind on ALL I WANNA DO.
The Rivieras are also out there havin’ fun on CALIFORNIA SUN, a hit for them in 1964. Albert Hammond’s IT NEVER RAINS IN SOUTHERN CALIFORNIA also reminds me of Byron Bay. Must be the sub-tropical thing. Does this ring a bell? “It Doesn’t Rain in California but girl don’t they warn ya, it pours, it pours.” Sounds like Byron to me.
We followed with the Red Hot Chilli Peppers. The title of CALIFORNICATION was borrowed for the title of one of my favourite television shows.
Two of the best voices ever belong to Dionne Warwick and Roy Orbison. Warwick sings of being a deflated Hollywood hopeful heading home, on DO YOU KNOW THE WAY TO SAN JOSE? Orbison, who can’t wait to get back to where his lover is – and therefore where the sun always shines – is brilliant on CALIFORNIA BLUE. It’s from his comeback album, Mystery Girl, recorded just before he died in 1988.
I bet you were wondering how long it would take me to play HOTEL CALIFORNIA by The Eagles? Only an hour! Yes how could I not play this song on a show dedicated to songs about California?
Latest media favourite, pop-singer Kate Perry, gets a little bit of help from Snoop Dogg on CALIFORNIA GURLS. Can you believe that this video clip has racked up nearly 50 million hits? Sweet.
Unbelievably, I found a slice of hip-hop I could use with no swear words in it! 2PAC and Dr Dre are almost subdued on CALIFORNIA LOVE. We followed with some Thin Lizzy who know how hard it is to make it in HOLLYWOOD (When you’re down on your luck).
The Sir Douglas Quintet’s MENDOCINO is also a classic. It’s a song about a county in the north of California, renowned for distinctive Pacific Ocean coastline, old growth forests, wine production and liberal views on cannabis. Sounds like it should be Byron Shire’s sister state, doesn’t it?
Everclear do a song about my favourite part of Los Angeles, SANTA MONICA. It’s a place, also not unlike Byron, with a great beach, fantastic restaurants, farmers markets and a laid-back feel to it. The song was written by the band’s lead singer Art Alexakis and its actually quite a melancholy tune about suicide.
When Otis Redding sang about SITTIN’ ON THE DOCK OF THE BAY, it was the very groovy city of San Francisco he was referring to. We followed that with a piece of music that pays homage to the Mexican population of California: The brilliant Chicano rock band Thee Midniters with WHITTIER BOULEVARD.
The Red Hot Chilli Peppers seem to be obsessed with California as they have recorded quite a few tracks about the area. Our second Peppers track was DANI CALIFORNIA which we followed with a number by Tom Petty. FREE FALLING references areas of Los Angeles, from the San Fernando Valley to Ventura Boulevard and Mulholland Drive, all of which conjure up various movies out of Hollywood. Petty has been qouted as saying that the multitude of acoustic guitars on the track were used to create a dreamlke quality.
Now if you really want dreamy, then you can’t go past the epitome of Californian folk/rock, Joni Mitchell, with CALIFORNIA. You can sort of see what those bad boys from Crosby, Stills & Nash and Led Zeppelin saw in her, can’t you?
The song we had to have,of course, was CALIFORNIA GIRLS.When you think of California, you can’t help but think of surfing and, of course, The Beach Boys. They recorded the song in 1965 and it maintains its popularity today, simply because it sums up everything that is great about the beach lifestyle.
Even Kings of Leon do a song about this sunny state. However, CALIFORNIA WAITING doesn’t sound like too much fun somehow. Here they are performing on the Jonathan Ross show:
We finished the show with LA WOMAN, from the last studio album recorded by The Doors before Jim Morrison’s death in July 1971. It’s arguably the most blues/rock oriented tracks that the band recorded.
Now if you would like to contribute to next week’s show, and I hope you do, then the topic will be one that’s close to my heart: SHOPPING. Drop me a line if you have a suggestion or a request.
And as the governor of California would say….. I’LL BE BACK.
Here’s this week’s complete playlist:
California Here I Come – Al Jolson
California Dreaming – The Very Best of Bobby Womack, Bobby Womack
The Promised Land – Chuck Berry Greatest Hits, Chuck Berry
Save Me San Francisco – Save Me San Francisco, Train
Going to California – Led Zeppelin IV, Led Zeppelin
Coming into Los Angeles – Woodstock 1969, Arlo Guthrie
All I Wanna Do – Sheryl Crow
California Sun – The Rivieras
It Never Rains In Southern California – Albert Hammond
Californication – Californication, Red Hot Chili Peppers
Do You Know the Way to San Jose – Her All Time Greatest Hits, Dionne Warwick
California Blue – Mystery Girl, Roy Orbison
Hotel California – Hotel California, Eagles
California Gurls – California Gurls, Kate Perry ft. Snoop Dogg
California Love – All Eyez On Me, 2pac ft. Dr.Dre
Hollywood (Down On Your Luck) – Renegade, Thin Lizzy
Mendocino – Sir Douglas Quintet
California – Orange County Soundtrack, Phantom Planet
Santa Monica – Everclear
Sittin’ On The Dock Of The Bay – Otis Redding
Whittier Blvd. – Latin Oldies, Thee Midniters
Dani California – Stadium Arcadium, Red Hot Chili Peppers
Free Falling – Tom Petty
California – Joni Mitchell, Joni Mitchell
California Girls – Made in U.S.A., The Beach Boys
California Waiting – Holy Roller Novocaine, Kings of Leon
LA Woman – Legacy: The Absolute Best, The Doors
As someone who relies on trying to create a diverse playlist, week after week, the topic of MUSIC GENRES is one that’s dear to my heart. Useful as they are though, identifying genres is a murky and nebulous exercise, open to countless individual interpretations. Just go into any music store and try to establish why Ian Dury’s Sex & Drugs & Rock & Roll can find itself in pop, rock and alternative, all at the same time, and you’ll know what I mean.
In 1979 Malcolm McLaren’s art school classmate Robin Scott had a one hit wonder with POP MUZIK, an ironic and mischievous little tune, under his pseudonym, M: “New York, London, Paris, Munich…. everybody’s talking ’bout pop music.”
According to Bob Seger, today’s music doesn’t have the same soul. He’s feeling nostalgic for some OLD TIME ROCK N ROLL. Sugarhill Gang, on the other hand, are more interested in hip-hop. Their song, RAPPERS DELIGHT, while not the first single to feature rapping, is generally considered to be the song that first made hip hop popular.
Wild Cherry’s song PLAY THAT FUNKY MUSIC is autobiographical in that Wild Cherry was mostly a hard rock outfit. In 1976, however, the Disco era was all the rage and many of the group’s loyal followers were asking for more dance songs. And so was born the request: “play that funky music, white boy”:
Back in 1970, Lou Reed and the Velvet Underground celebrated ROCK & ROLL with their hit song of the same name. By 1977, Bob Marley – together with Steve Tyler & Joe Perry – were giving us three genres for the price of one on ROOTS, ROCK AND REGGAE.
Punk rocker Wreckless Eric took a swipe at the record companies, for the pressure they put on artists to produce a hit single, on POP SONG: “Just a two minute song with a snazzy middle eight.” Yeah, that’s all they wanted.
The Bonzo Dog Doo-Dah Band refuse to take anything too seriously, even the blues. So if you merge music hall and blues, it begs the question: CAN BLUE MEN SING THE WHITES? Our girl Joan Jett is nothing but a rock chick so of course she’s going to sing, I LOVE ROCK N ROLL.
Brooklyn rappers Stetsasonic responded to early criticisms of their sampling by releasing TALKIN’ ALL THAT JAZZ which used a clever collage of borrowings from the likes of Lonnie Liston Smith and Donald Byrd.
I think Lynyrd Skynyrd may know a little bit about the track, SWAMP MUSIC. This style of music is particular to America’s south, particularly Louisiana and Southeastern Texas but it’s developed a worldwide following and I, for one, love it.
It’s both funny and revealing that The Killers wrote INDIE ROCK N ROLL to poke fun at the pretentious and sterile independent scene in their native Las Vegas, only to find that the song was embraced world-wide as a cheerfully un-ironic anthem. Here they are playing live and sounding great:
The Beatles take Chuck Berry’s ROCK N ROLL MUSIC and attack it with such intensity that it seems to symbolise what became known as the British Invasion of the 60’s. In total contrast is Wilco’s wistful ode to youth on HEAVY METAL DRUMMER, from the album Yankee Hotel Foxtrot:
Stevie Wonder ‘s contribution to this week’s topic came in the form of his dedication to Duke Ellington and other jazz greats on SIR DUKE. Arthur Conley did something similar, with his shout out to all the soul icons, on SWEET SOUL MUSIC:
Time for some blues, Creole style, with BOOGIE WOOGIE ZYDECO from Chubby Carrier & the Bayou Swamp Band. Then it was a great piece of music, that recognises the enormous influence of Jazz on all kinds of music: JAZZ THING from Gang Starr. It’s from the soundtrack to the Spike Lee film MO BETTER BLUES, starring Denzel Washington. Absolutely brilliant clip.
There are so many songs that pay tribute to rock n roll that I had to be careful to not let them dominate. But there’s one that I couldn’t leave out – Ian Dury and the Blockheads with the rock n roll anthem, SEX & DRUGS & ROCK N ROLL. I hate the overuse of the word ‘awesome’ but in this case, it’s warranted – AWESOME!!
A song that merges soul and reggae is the very appropriately named REGGAE GOT SOUL from Toots and the Maytals. There are also loads of songs with Blues in the title, so many in fact that I had to restrain myself in this department too. But if you’re going to play one of them, you can’t get better than Buddy Guy with THE FIRST TIME I MET THE BLUES. In this clip he performs with bass player David Myers. It’s from the film CHICAGO BLUES, made in 1970. Now that’s what I call real music.
Bet you thought I wouldn’t give classical a mention. Well, Chuck Berry helped me out there with ROLL OVER BEETHOVEN. Here he expresses the desire for rhythm and blues to replace classical music on his local radio station. On this video clip he’s having a little bit of fun on a French TV show. Not sure of the year, but the song was recorded in 1956:
Couldn’t let disco get away with just a passing mention, so space was made for FRENCH DISKO by Stereolab. The Ramones rescue their disco queen and introduce her to something a bit more rebellious. Now, SHEENA IS A PUNK ROCKER.
We closed the show with a classic from Dire Straits – a song about a jazz band called SULTANS OF SWING.
Love to have your input for next week’s show. The theme is FUNNY SONGS: Songs that make you laugh or at least smirk because they are clever and witty. Ooh I’m looking forward to seeing what you send me.
Meanwhile, here’s this week’s complete playlist:
Pop Muzik – Pop Muzik, M
Old Time Rock N’ Roll – Bob Seger
Rappers Delight – Sugarhill Gang
Play That Funky Music – Those Fabulous ’70s, Wild Cherry
Rock and Roll – Velvet Underground
Roots, Rock, Reggae – Chant Down Babylon, Bob Marley + Steven Tyler + Joe Perry
A Pop Song – Big Smash, Wreckless Eric
Can Blue Men Sing The Whites? – Cornology [Disc 1], Bonzo Dog Doo-Dah Band
I Love Rock and Roll – Joan Jett
Mambo Italiano – Latin Fever [Disc 1], Shaft
Talkin’ All That Jazz – Hed Kandi: Back to Love, Vol. 4 Disc 2, Stetsasonic
Swamp Music – Lynyrd Skynyrd
Indie RnR – Demo, The Killers
Rock And Roll Music – Live At The BBC [Disc 2], The Beatles
Heavy Metal Drummer – Yankee Hotel Foxtrot, Wilco
Sir Duke (Duke Ellington) – Songs In The Key Of Life, Stevie Wonder
Sweet Soul Music – 60’s Soul, Arthur Conley
Boogie Woogie Zydeco – Boogie Woogie Zydeco, Chubby Carrier & the Bayou Swamp Band
Jazz Thing – Moment of Truth, Gang Starr
Sex & Drugs & Rock & Roll – No Thanks! – The ’70s Punk Rebellion (Disc 3), Ian Dury
Soul Makossa – Makossa Man: The Very Best Of Manu Dibango, Manu Dibango
Reggae Got Soul – True Love, Toots & The Maytals
First Time I Met The Blues – Martin Scorsese Presents The Blues – A Musical Journey, Buddy Guy
Roll Over Beethoven – 1956-Rock & Roll Era, Chuck Berry
French Disko – Refried Ectoplasm, Stereolab
Sheena Is A Punk Rocker – All The Stuff (And More), The Ramones
Sultans of Swing – Dire Straits
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
How come every songwriter hasn’t written at least one song about schooldays? Come on, it has all the vital ingredients for a hit: that age-old conflict between discipline and rebellion, close friendships, sexual awakenings and enough traumatic experiences to feed a healthy persecution complex for the rest of your life. Mind you, while every songwriter may not have taken up the opportunity to reveal all about their schooldays, those that did contributed to a pretty good playlist this week.
We opened the show with SCHOOL DAYS by Chuck Berry who turns the joy of hearing the final bell into some hot rock’n’roll. Then it was Young MC who seems well versed in being sent to the PRINCIPAL’S OFFICE, while the Pipettes LIKE A BOY IN UNIFORM. Don’t we all?
Belle & Sebastian could pretty much compile an album of songs about classroom politics but the pick of the bunch is EXPECTATIONS, from the soundtrack to Juno. The song’s misfit heroine wins the heart of every indie boy by “making life-size models of the Velvet Underground from clay”. Now why didn’t I go to that school?
Jack White is a bit of a hero of mine, so I had to include The White Stripes with WE’RE GOING TO BE FRIENDS. Everyone needs a best buddie at school that’s for sure.
A couple of real classics followed. I would have been sent to detention if I hadn’t included ANOTHER BRICK IN THE WALL from Pink Floyd or Ian Dury and the Blockheads’ fantastic diss on school, JACK SHIT GEORGE.
Steely Dan had us bopping along to the fact that they are “never going back to” MY OLD SCHOOL. And then it was Sam Cooke with WHAT A WONDERFUL WORLD.
Sonny Boy Williamson contributed one of the most provocative tracks on the playlist this week, GOOD MORNIN’ LITTLE SCHOOLGIRL. This blues classic was written about the schoolgirl as sexual fantasy. It’s since been covered by every classic-rock band under the sun, but I think the original is still the best.
ME AND JULIO DOWN BY THE SCHOOL YARD is a song performed by Paul Simon from his 1972 self-titled album. In my opinion he’s one of the best contemporary songwriters we have. Here he is performing the song live:
The music video of BAGGY TROUSERS, by Madness, was shot in an English school and park. The band’s saxophone player, Lee Thompson, decided he wanted to fly through the air for his solo, with the use of wires hanging from a crane. The resulting shot is one of the most popular of any of the Madness music videos.
ROCK N ROLL HIGH SCHOOL by The Ramones was followed by a personal pick: CATHOLIC SCHOOL GIRLS RULE, by the Red Hot Chilli Peppers. Yes, being an old tyke, or as they say in the trade a “lapsed Catholic”, I have to agree that Catholic Schoolgirls do rule!
A couple of little morality tales followed. James Brown warned DON’T BE A DROPOUT and then it was the wonderful Brenda Holloway performing with the Supremes, as back-up (how’s that!). The song was PLAY IT COOL, STAY IN SCHOOL. All good advice of course.
Cat Stevens took a trip down memory lane with OLD SCHOOL YARD and Busted revealed, THAT’S WHAT I GO TO SCHOOL FOR, a disarmingly frank pop tune about having a crush on a teacher.
Babs Gonzalez taught us a bit about Bebop with PROFESSOR BOP while Nat King Cole favours all things extra-curricular in YOU DON’T LEARN THAT IN SCHOOL.
Boomtown Rats followed with I DON’T LIKE MONDAYS and then it was Billy Bragg with the brilliant, THE SATURDAY BOY which I’ve played before, but with its school setting was a certainty to be played again this week.
Like most of The Coaster’s songs, CHARLIE BROWN was written by the songwriting team of Leiber And Stoller. They wrote hits for many artists, including Elvis Presley, The Drifters, and Ben E. King. The songs they wrote for The Coasters were usually more comical. In this case, the song is about a kid who is always getting in trouble and asks “why is everyone always picking on me?”
A nice piece of reggae followed, suggested by Lynden in Sydney: Dennis Alcapone with TEACH THE CHILDREN.
Otis Rush’s distinctive guitar style features a slow burning sound and long bent notes. With similar qualities to Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and is cited as an influence on many musicians, including Eric Clapton. Rush is left-handed and, unlike many left-handed guitarists, plays a left-handed instrument strung upside-down with the low E string at the bottom. He played often with the little finger of his pick hand curled under the low E for positioning . It is widely believed that this contributes to his distinctive sound. Check it out on this video where he performs HOMEWORK:
A little change of pace then with The Smiths and THE HEADMASTER RITUAL followed by Graham Parker & The Rumour with BACK TO SCHOOLDAYS.
Jerry Lee Lewis uses high school as a setting, rather than a storyline, in HIGH SCHOOL CONFIDENTIAL. This would have been his fourth consecutive hit in a row, if controversy hadn’t raged about the fact that his new wife was hardly old enough to be in high school. Oops. Doesn’t seem to bother the audience at this concert in London in the 60’s:
It was nearly time for the final bell, but we still squeezed in another triple play: The Hollies with CARRIE ANNE, N.R.B.Q. with STILL IN SCHOOL and WAITIN’ IN SCHOOL from Ricky Nelson.
Our finale was reserved for a song that divides people. Personally I have a bit of a soft spot for TO SIR WITH LOVE, from the film of the same name. How gorgeous was Sidney Poitier? Here’s a clip of Lulu performing the song very recently, (I think it may have been 2008). And how good does she look?
Next week, I’m going to go against the grain. Yes I know that Valentines Day is coming up soon but the cynic in me has decided to mount an ANTI LOVE show. So, if you have any suggestions drop me a line.
Here’s the complete playlist from this week:
Next week: ANTI-LOVE