I reckon animals are just like people. I look at my pets and, to be honest, I recognise myself. My little dog Charlie likes nothing better than eating and sleeping and my Abyssinian cat is a bit of a talker. In fact you can’t shut him up. Songwriters share my affliction, which is probably why most songs supposedly “about” animals aren’t really about animals at all.
Our opening song, SPIDERS AND SNAKES, had Jim Stafford waxing lyrical about it would take to win over the object of his affection. Somehow I don’t think spiders and snakes and frogs were what they seemed, if you know what I mean. Thanks to Sandy for suggesting that one.
The Tenors’ 1968 rocksteady tune RIDE YOUR DONKEY is, on the face of it, not a delightful ditty about a mule, but a song about a child’s musical shortcomings. I have a feeling, however, that there may be a bit of a sexual subtext going on there too.
No point trying to figure out what Captain Beefheart meant with ICE CREAM FOR CROW. I’ll leave it up to you to figure that out:
Edie Izzard wonders about the logic of making a toad with an hallucinogenic back on his comedy album Stripped. Tim Finn sang the Cane Toad Blues which featured on Mark Lewis’ quirky hit documentary CANE TOADS. Mark has now made a follow up, in 3D no less, called CANE TOADS: THE CONQUEST and we had tickets to the film to give away. Congrats to BayFM subscriber Yvonne, who won those.
We had a whole show on Cats & Dogs a while back so I had to look a little wider for a track about our canine friends. I love what I found: WOLVES (SONG OF THE SHEPHERD’S DOG), from Iron & Wine, better known to his Mum as Sam Beam.
Sunhouse came together to provide the soundtrack to a couple of films by British filmmaker Shane Meadows. One of my very favourite films of his is TwentyFourSeven and it has a cracking soundtrack by the band, which includes MONKEY DEAD. They went on to record an album called Crazy Weekend, which also includes the song. Here they are performing on French television:
Nina Persson, lead singer of Swedish group The Cardigans tells us that she’s found her herself A GOOD HORSE. Every girl’s dream, I’m sure.
Big Mama Thornton’s I SMELL A RAT pushes the concept of anthropomorphism to its limit. It’s when you give human characteristics to non-human things. And pretty much every song on today’s playlist does just that.
Except for maybe Screamin’ Jay Hawkins. ALLIGATOR WINE appears to be about some voodoo concoction that not only uses alligator blood, there’s a dash of fish eye, some frog’s skin and a cup of swamp water to boot. Not sure whether Louis Jordan is being literal or not when he declares there AIN’T NOBODY HERE BUT US CHICKENS.
If you’re a regular visitor to this blog, you’ll know that I have a soft spot for the Bonzo Dog Doo Dah Band, so I had to include BABA’S CAMEL from their Cornology album.
The legendary Little Willie John pleads with you to LEAVE MY KITTEN ALONE and the late, great, reggae artist Gregory Isaacs is out on a RAT PATROL.
One of my favourite contemporary groups is the Villagers and the song SET THE TIGERS FREE has made it onto my funeral list (everyone should have one – you don’t really want someone else picking the music at your wake do you?).
We closed the show with LOVE CATS from the Cure who are performing in Sydney on Wednesday night. So jealous of any of you who have tickets!
Thank you to the sponsors of our giveaway of tickets to CANE TOADS: THE CONQUEST in 3D. I hope to see as many of you as possible at this BayFM Fundraiser. Its at the Dendy on Wednesday night at 7pm and will be followed by a party at The Owl & Pussy Cat. Thanks also to Radio Pictures, Pinnacle Films, the Byron Cane Juice Company for your sponsorship of this benefit.
Next week I’ll be joined by swinging cowgirl and Dolphin Award winner Kathryn Jones who will be putting together a guest list of songs. I have no idea what she’ll be bringing in, and that’s half the fun. The other half will be hearing why Kathryn picked the particular songs she did.
Here’s this week’s playlist on Critters:
Spiders & Snakes – Jim Stafford
Ride Your Donkey – The Tennors
Ice Cream for Crow – Captain Beefheart And The Magic Band
Toads – Eddie Izzard Stripped (Live)
Cane Toad Blues – Tim Finn
Wolves (Song of the Shepherd’s Dog) – Iron & Wine
Monkey Dead – Sunhouse
A Good Horse – The Cardigans
I Smell A Rat – Big Mama Thornton
Alligator Wine – Screamin’ Jay Hawkins
Ain’t Nobody Here But Us Chickens – Louis Jordan
Ali Baba’s Camel – Bonzo Dog Doo-Dah Band
Leave My Kitten Alone – Little Willie John
Rat Patrol – Gregory Isaacs
Set The Tigers Free – Villagers
The Love Cats – The Cure
Next week: GUEST LIST – KATHRYN JONES
There’s something about seeing an act in concert that, (if they’re good that is), makes you a fan forever. One of the first concerts I ever attended was by The Beatles. I know, I know, I’m showing my age! I had to get my Mum’s permission to go and, to be honest, we couldn’t hear a thing for all the screaming, much of which came from my best friend Helen. But we thought we were the ants pants and I’ve never forgotten that day.
So, it was fitting that SGT PEPPERS LONELY HEARTS CLUB BAND opened our show on CONCERTS. Check out this clip from the movie ‘The Beatles Yellow Submarine’ and you’ll have to agree it was a perfect kick off to this week’s program:
Every concert is unique of course, but LCD Soundsystem reckon that DAFT PUNK IS PLAYING AT MY HOUSE. Oh, if only it were true!
Now, that would be a hard gig to follow. For something completely different, look no further than Bonzo Dog Doo Dah Band with THE BRIDE STRIPPED BARE BY THE ‘BACHELORS’, a great piece of satire about performing on the English club circuit.
STAGE FRIGHT by The Band is a song that just may resonate with some of you. It tells the story of a performer who sings just like a bird but is terrified every time he has to get up in front of an audience. Here’s a clip from the film The Last Waltz, directed by Martin Scorsese in 1978. Rick Danko R.I.P.
Not shy at all are Dire Straits. SULTANS OF SWING is about a band blowing Dixie in double four time. A perfect concert song, if ever there was one. And here they are performing it live. Excellent. It’s the seminal concert at which they recorded the album ‘Alchemy: Dire Straits Live’. The album cover, btw, was taken from a painting by Australian artist Brett Whitely.
Wild Cherry’s PLAY THAT FUNKY MUSIC is autobiographical. The group were a rock band, but in 1975 were competing with Disco for their loyal followers attention. So they wrote a song to suit the times and it’s probably the most recognised funk song there is.
The lyrics of SMOKE ON THE WATER, by Deep Purple, tell a true story too. It was December 1971 and Frank Zappa and the Mothers of Invention were performing in concert at the Montreux Casino Theatre. In the middle of Don Preston’s King Kong synthesizer solo the place suddenly caught alight. Deep Purple were staying on the other side of the lake and witnessed the fire and the smoke on the water and the rest, as they say, is history.
Arguably, the most famous outdoor concert is Woodstock. And one of the most famous songs about that concert is Joni Mitchell’s WOODSTOCK. She wrote the song after being told about it by her then boyfriend Graham Nash. She wasn’t actually there herself. I prefer Matthews Southern Comfort’s version, which is probably heresy to all you Joni fans. But take a listen. I think its got a really relaxed tone to it that suits the material well. Some cool images of the Woodstock concert in this clip too.
David Bowie’s ZIGGY STARDUST is from the album The Rise and Fall of Ziggy Stardust and the Spiders of Mars . A concert film of the same name was directed by D.A. Pennebaker in 1973. Here’s Bowie singing the song on the Jonathan Ross show in 2002. Is it just me, or does the Dude just get better and better?
Sadly all the soul legends referred to in Arthur Conley’s classic SWEET SOUL MUSIC are no longer with us. How good it would have been to see them all in concert. Arthur Conley passed away himself in 2003. Here he is, on the way to the Go-Go in 1966:
I do like to play a little country music now and again, and Johnny Cash’s song about THE NIGHT HANK WILLIAMS CAME TO TOWN fitted the playlist to a tee. As did Camera Obscura’s brilliant version of Abba’s SUPERTROUPER. But the finale of the show had to go to Jackson Browne’s ode to the hard-working roadie. THE LOAD OUT was a perfect finish to a show dedicated to concerts.
Next week’s show will be on SECRET VICES/GUILTY PLEASURES. I’ve been glued to the tele watching the Eurovision Song Contest this past weekend, so that’s my guilty pleasure at the moment. What’s yours? And have they written a song about it? Let me know!
Meanwhile, here’s this week’s complete playlist:
Sgt. Pepper’s Lonely Hearts Club Band – The Beatles
Daft Punk Is Playing At My House – LCD Soundsystem
The Bride Stripped Bare By ‘Bachelors’ – Bonzo Dog Doo-Dah Band
Stage Fright – The Band
Sultans Of Swing – Dire Straits
Play That Funky Music – Wild Cherry
Smoke On The Water – Deep Purple
Woodstock – Matthews’ Southern Comfort
Ziggy Stardust – David Bowie
Sweet Soul Music – Arthur Conley
The Night Hank Williams Came To Town – Johnny Cash
Super Trouper – Camera Obscura
The Load-Out – Jackson Browne
Next week: SECRET VICES
I’ve been away in my home town of Sydney for a couple of weeks but you can’t keep me from Byron Bay for long, so I was all fired up for this week’s show on SONGS WITH SOUND FX in them. I’ve discovered that many a song has been enhanced by a clever piece of non-musical noise and our opening song, MY BROTHER MAKES THE NOISES FOR THE TALKIES summed up the program beautifully. It’s by the very entertaining UK group, the Bonzo Dog Doo Dah Band.
Sounds of thunder accompany a song that suits the weather we’re having up here at the moment. WALKING IN THE RAIN is by the Ronettes, best known for their work with Phil Spector. With their beehive hairdos and tight skirts, they were known as the ‘bad girls’ of rock n roll. And now you know where Amy Winehouse go her ‘look’.
The sound of lapping waves welcomes in Otis Redding’ standard, SITTIN’ ON THE DOCK OF THE BAY. Redding wrote this song while living on a houseboat in Sausalito on the San Francisco Bay. It was recorded shortly before his tragic death at the age 0f 26. Released posthumously, it is his biggest hit ever.
There’s lots of playground noise on Cat Steven’s (REMEMBER THE DAYS OF) THE OLD SCHOOL YARD. And The Beatles use all kinds of carnival noises on BEING FOR THE BENEFIT OF MR. KITE.
Jazz great Charles Mingus got his band to use their instruments to sound like foghorns and other harbour sounds on the remarkable A FOGGY DAY. In complete contrast, but somehow weirdly complementary, is M.I.A.’s PAPER PLANES. She utilizes the sounds of a cash register and heavy gunshot noise on this very provocative piece of hip-hop.
There were lots of requests for MONEY by Pink Floyd. And it had to be played, if not for the very good use of various sound effects, but because, well ….. it’s Pink Floyd!
Another fantastic song with sound effects is NO TIENE BILLET from Fruko y Sus Tesos. The rifle fire that tears through this brilliant Colombian tune implies that the eruption of violence, in a very poor country especially, is almost inevitable. On NITE CLUB, by the Specials, the only aggression heard is raised voices and the clinking of glasses.
George Gershwin’s AN AMERICAN IN PARIS, written in 1928, is full of imagery gone wild. It’s a brilliant song and a brilliant film too. This was Gene Kelly’s magnum opus. His choreography was of such a standard that the Academy of Motion Picture Sciences created a special Oscar that year in recognition of his achievement. Dancing to a segment of George Gershin’s stunning music, here is Kelly’s duet with the beautiful Leslie Caron:
Michael Jackson uses sound effects to the hilt on THRILLER and the Doors gave us another perfect weather song, with its thunder and lighting sound effect: RIDERS ON A STORM.
There are some very suggestive street sounds on what happens to be one of my all time favourite songs: LOOKING FOR THE HEART OF SATURDAY NIGHT from the sublime Mr. Tom Waits. And then there’s a beautiful song that reminds me of my home town, Sydney: The Platters’ HARBOR LIGHTS.
Yep, that’s a baby gurgling throughout Stevie Wonder’s ISN’T SHE LOVELY. And as far as car sounds go, you can’t go past the highly influential electronic pioneers, Kraftwerk, with AUTOBAHN. Check this out:
Talking of road sounds, you didn’t actually think I was going to leave out LEADER OF THE PACK by the Shangri Las did you? This clip is from the television show ‘Ive Got a Secret’, recorded in 1964. The ‘bikie’ is Robert Goulet!
Dancehall queen, Lady Saw, inserts self-made creaking sounds on BED NOISE. They’re so convincing that I can hear the neighbours complaining already! Neo Ska group, The Specials, seem to put sound effects on most of their songs. This is one of their big hits: GHOST TOWN. These guys have been around for 30 years and still going strong. Here they are on Top of the Pops in 1981. Blast from the past. Love, love, love.
The Surfaris break a surfboard just to make a point on WIPEOUT. Creaking doors and other creepy sounds illustrate MONSTER MASH, by the marvellously named Boris Pickett and the Crypkickers. And crashing glass introduces Billy Joel’s YOU MAY BE RIGHT. How’s that for a trio of songs with sound effects? And just because I can, here’s a nice little clip with lots of fun horror film clips, backed up by MONSTER MASH. Do you see where Michael Jackson got his inspiration for Thriller?
Our last song went out to Des who so ably sat in for me while I was away for a few weeks. His favourite is Bob Dylan and it seems that Bob isn’t against using a sound effect either. There’s a mean sounding whistling siren on HIGHWAY 61 REVISITED.
Hopefully I won’t need to use any alarms to keep you awake during next week show on SLEEP AND INSOMNIA. Lots of great songs in this category so get your thinking caps on and send me your suggestions. But remember, we’ve done DREAMING and TIREDNESS, so the list has to be specifically about sleeping, or not.
Here’s this week’s complete playlist:
My Brother Makes The Noises For The Talkies – Bonzo Dog Doo-Dah Band
Walking In The Rain – The Ronettes
(Sittin’ On) The Dock Of The Bay – Otis Redding
(Remember The Days Of The) Old School Yard – Cat Stevens
Being For The Benefit Of Mr. Kite! – The Beatles
A Foggy Day – Charlie Mingus
Paper Planes – M.I.A.
Money – Pink Floyd
No Tiene Billete – Fruko y Sus Tesos
Nite Club – The Specials
An American In Paris – George Gershwin
Thriller – Michael Jackson
Riders on the Storm – The Doors
(Looking For) The Heart Of Saturday Night – Tom Waits
Harbor Lights – The Platters
Isn’t She Lovely – Stevie Wonder
Autobahn – Kraftwerk
Leader Of The Pack – The Shangri-Las
Bed Noise – Lady Saw
Ghost Town – The Specials
Wipe Out – The Surfaris
Monster Mash – Bobby (Boris) Pickett and the Crypt-kickers
You May Be Right – Billy Joel
Highway 61 Revisited – Bob Dylan
Next week: SLEEP AND INSOMNIA!
As someone who relies on trying to create a diverse playlist, week after week, the topic of MUSIC GENRES is one that’s dear to my heart. Useful as they are though, identifying genres is a murky and nebulous exercise, open to countless individual interpretations. Just go into any music store and try to establish why Ian Dury’s Sex & Drugs & Rock & Roll can find itself in pop, rock and alternative, all at the same time, and you’ll know what I mean.
In 1979 Malcolm McLaren’s art school classmate Robin Scott had a one hit wonder with POP MUZIK, an ironic and mischievous little tune, under his pseudonym, M: “New York, London, Paris, Munich…. everybody’s talking ’bout pop music.”
According to Bob Seger, today’s music doesn’t have the same soul. He’s feeling nostalgic for some OLD TIME ROCK N ROLL. Sugarhill Gang, on the other hand, are more interested in hip-hop. Their song, RAPPERS DELIGHT, while not the first single to feature rapping, is generally considered to be the song that first made hip hop popular.
Wild Cherry’s song PLAY THAT FUNKY MUSIC is autobiographical in that Wild Cherry was mostly a hard rock outfit. In 1976, however, the Disco era was all the rage and many of the group’s loyal followers were asking for more dance songs. And so was born the request: “play that funky music, white boy”:
Back in 1970, Lou Reed and the Velvet Underground celebrated ROCK & ROLL with their hit song of the same name. By 1977, Bob Marley – together with Steve Tyler & Joe Perry – were giving us three genres for the price of one on ROOTS, ROCK AND REGGAE.
Punk rocker Wreckless Eric took a swipe at the record companies, for the pressure they put on artists to produce a hit single, on POP SONG: “Just a two minute song with a snazzy middle eight.” Yeah, that’s all they wanted.
The Bonzo Dog Doo-Dah Band refuse to take anything too seriously, even the blues. So if you merge music hall and blues, it begs the question: CAN BLUE MEN SING THE WHITES? Our girl Joan Jett is nothing but a rock chick so of course she’s going to sing, I LOVE ROCK N ROLL.
Brooklyn rappers Stetsasonic responded to early criticisms of their sampling by releasing TALKIN’ ALL THAT JAZZ which used a clever collage of borrowings from the likes of Lonnie Liston Smith and Donald Byrd.
I think Lynyrd Skynyrd may know a little bit about the track, SWAMP MUSIC. This style of music is particular to America’s south, particularly Louisiana and Southeastern Texas but it’s developed a worldwide following and I, for one, love it.
It’s both funny and revealing that The Killers wrote INDIE ROCK N ROLL to poke fun at the pretentious and sterile independent scene in their native Las Vegas, only to find that the song was embraced world-wide as a cheerfully un-ironic anthem. Here they are playing live and sounding great:
The Beatles take Chuck Berry’s ROCK N ROLL MUSIC and attack it with such intensity that it seems to symbolise what became known as the British Invasion of the 60’s. In total contrast is Wilco’s wistful ode to youth on HEAVY METAL DRUMMER, from the album Yankee Hotel Foxtrot:
Stevie Wonder ‘s contribution to this week’s topic came in the form of his dedication to Duke Ellington and other jazz greats on SIR DUKE. Arthur Conley did something similar, with his shout out to all the soul icons, on SWEET SOUL MUSIC:
Time for some blues, Creole style, with BOOGIE WOOGIE ZYDECO from Chubby Carrier & the Bayou Swamp Band. Then it was a great piece of music, that recognises the enormous influence of Jazz on all kinds of music: JAZZ THING from Gang Starr. It’s from the soundtrack to the Spike Lee film MO BETTER BLUES, starring Denzel Washington. Absolutely brilliant clip.
There are so many songs that pay tribute to rock n roll that I had to be careful to not let them dominate. But there’s one that I couldn’t leave out – Ian Dury and the Blockheads with the rock n roll anthem, SEX & DRUGS & ROCK N ROLL. I hate the overuse of the word ‘awesome’ but in this case, it’s warranted – AWESOME!!
A song that merges soul and reggae is the very appropriately named REGGAE GOT SOUL from Toots and the Maytals. There are also loads of songs with Blues in the title, so many in fact that I had to restrain myself in this department too. But if you’re going to play one of them, you can’t get better than Buddy Guy with THE FIRST TIME I MET THE BLUES. In this clip he performs with bass player David Myers. It’s from the film CHICAGO BLUES, made in 1970. Now that’s what I call real music.
Bet you thought I wouldn’t give classical a mention. Well, Chuck Berry helped me out there with ROLL OVER BEETHOVEN. Here he expresses the desire for rhythm and blues to replace classical music on his local radio station. On this video clip he’s having a little bit of fun on a French TV show. Not sure of the year, but the song was recorded in 1956:
Couldn’t let disco get away with just a passing mention, so space was made for FRENCH DISKO by Stereolab. The Ramones rescue their disco queen and introduce her to something a bit more rebellious. Now, SHEENA IS A PUNK ROCKER.
We closed the show with a classic from Dire Straits – a song about a jazz band called SULTANS OF SWING.
Love to have your input for next week’s show. The theme is FUNNY SONGS: Songs that make you laugh or at least smirk because they are clever and witty. Ooh I’m looking forward to seeing what you send me.
Meanwhile, here’s this week’s complete playlist:
Pop Muzik – Pop Muzik, M
Old Time Rock N’ Roll – Bob Seger
Rappers Delight – Sugarhill Gang
Play That Funky Music – Those Fabulous ’70s, Wild Cherry
Rock and Roll – Velvet Underground
Roots, Rock, Reggae – Chant Down Babylon, Bob Marley + Steven Tyler + Joe Perry
A Pop Song – Big Smash, Wreckless Eric
Can Blue Men Sing The Whites? – Cornology [Disc 1], Bonzo Dog Doo-Dah Band
I Love Rock and Roll – Joan Jett
Mambo Italiano – Latin Fever [Disc 1], Shaft
Talkin’ All That Jazz – Hed Kandi: Back to Love, Vol. 4 Disc 2, Stetsasonic
Swamp Music – Lynyrd Skynyrd
Indie RnR – Demo, The Killers
Rock And Roll Music – Live At The BBC [Disc 2], The Beatles
Heavy Metal Drummer – Yankee Hotel Foxtrot, Wilco
Sir Duke (Duke Ellington) – Songs In The Key Of Life, Stevie Wonder
Sweet Soul Music – 60’s Soul, Arthur Conley
Boogie Woogie Zydeco – Boogie Woogie Zydeco, Chubby Carrier & the Bayou Swamp Band
Jazz Thing – Moment of Truth, Gang Starr
Sex & Drugs & Rock & Roll – No Thanks! – The ’70s Punk Rebellion (Disc 3), Ian Dury
Soul Makossa – Makossa Man: The Very Best Of Manu Dibango, Manu Dibango
Reggae Got Soul – True Love, Toots & The Maytals
First Time I Met The Blues – Martin Scorsese Presents The Blues – A Musical Journey, Buddy Guy
Roll Over Beethoven – 1956-Rock & Roll Era, Chuck Berry
French Disko – Refried Ectoplasm, Stereolab
Sheena Is A Punk Rocker – All The Stuff (And More), The Ramones
Sultans of Swing – Dire Straits
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
In my opinion, a ‘list’ song, if it’s genuine, should feature at least half a dozen items. In compiling this week’s playlist I didn’t feel it was good enough to include songs that simply rattled off one number after another or letters of the alphabet, although place names and girl’s names did get a bit of a look in. So it was a bit of a challenge, but that’s what makes it so much fun.
We opened the program with the Bonzo Dog Doo-Dah Band’s spoof of band leader introductions, INTRO & OUTRO, in which each instrument is played by an unlikely public figure: “Looking very relaxed, Adolf Hitler on vibes. Nice.” I couldn’t find a video clip of the original song but here are the Bonzos performing a version with the cast of the pre-Python show, “Do Not Adjust Your Set”, 1967-1969:
That song set a pretty high benchmark for the rest of the show. The only thing to do was to take a completely different direction and consequently it was a couple of R&B standards: Sam Cooke with WHAT A WONDERFUL WORLD and The Temptations with THE WAY YOU DO THE THINGS YOU DO.
Bob Dylan’s SUBTERRANEAN HOMESICK BLUES is a lively example of the list song if ever there was one. I’ve played this before and also posted the video clip, so let’s don’t do that again. Instead let’s have a look at feminist electro-punk trio Le Tigre, who pay tribute to dozens of female visual artists, musicians, writers, feminists and others who have inspired them, in HOT TOPIC.
Just to stir things up, we followed with UK group Pop Will Eat Itself with CAN U DIG IT. It’s a list of their favourite things including disco, comic books, AC/DC and the Twilight Zone. Somehow I don’t think that Le Tigre and PWEI should ever meet.
In the 40’s & 50’s list songs were sophisticated affairs, delivered with polite confidence. There’s no better example than Sarah Vaughan singing THEY CAN’T TAKE THAT AWAY FROM ME. Vaughan died 10 years ago this week. Jazz commentator Scott Yanow described her as having “one of the most wondrous voices of the 20th century” and I couldn’t agree more.
John Lennon wasn’t concerned with being polite on his 1971 recording of GIMME SOME TRUTH. In fact, just the opposite, as he expressed frustration with deceptive politicians at the time of the Vietnam War: “short-haired, yellow bellied sons of Tricky Dicky”. It’s from the Imagine album. Here’s an extract of the documentary on the making of the album, featuring GIMME SOME TRUTH:
It’s also the 10th anniversary of Ian Dury’s death (on March 27th). He was a master of the ‘list’ song. Hard to choose, but decided to go with REASONS TO BE CHEERFUL (Part 3). If ever there was a tune that encapsulated Durie”s love for jazz, rock & vaudeville and his collaborator Chaz Jankel’s love of funk, then this is it. Here’s an extended version performed live in 1985.
If you are ready to ditch someone from your life, it was probably time to take a few notes from Simon & Garfunkle as they explained about the 50 WAYS TO LEAVE YOUR LOVER.
If you’re looking for a female perspective on the subject then Carole Bayer Sager is your girl. She’s in total control as she tells her ex-lover YOU’RE MOVING OUT TODAY. Lucinda Williams goes one step further. She’s CHANGED THE LOCKS:
Two more of the great jazz and blues singers are Etta James and Nina Simone. We played James’ THESE FOOLISH THINGS REMIND ME OF YOU and Simone’s AIN’T GOT NO, I GOT LIFE.
LOSING MY EDGE was LCD Soundsystem’s first single in 2002 and was born out of James Murphy’s horror at realising that he was being branded ‘cool’. It’s laugh out loud funny in my books and, not to mention, has a great vinyl list to cross check your ‘coolness’ against:
“But have you seen my records? This Heat, Pere Ubu, Outsiders, Nation of Ulysses, Mars, The Trojans, The Black Dice, Todd Terry, the Germs, Section 25, Althea and Donna, Sexual Harrassment, a-ha, Pere Ubu, Dorothy Ashby, PIL, the Fania All-Stars, the Bar-Kays, the Human League, the Normal, Lou Reed, Scott Walker, Monks, Niagra, Joy Division, Lower 48, the Association, Sun Ra, Scientists, Royal Trux, 10cc, Eric B. and Rakim, Index, Basic Channel, Soulsonic Force (“just hit me”!), Juan Atkins, David Axelrod, Electric Prunes, Gil! Scott! Heron!, the Slits, Faust, Mantronix, Pharaoh Sanders and the Fire Engines, the Swans, the Soft Cell, the Sonics, the Sonics, the Sonics, the Sonics.”
Moving back in time it was Wilson Pickett with LAND OF 1,000 DANCES and a track that I held back from my HAIR show last week because it was so perfect for this theme, BALD-HEADED LENA from Piano Red, later known as Dr. Feelgood. And to round out the triple play, it was Screamin’ Jay Hawkins with a recipe, which of course is nothing but a list. The song: ALLIGATOR WINE.
The Queens of the Stone Age delivered FEEL GOOD HIT OF THE SUMMER. Apart from the single word “and”, their salute to stimulants is nothing but a list, performed with the enthusiasm of those who know of what they speak. Unlike myself of course. Here’s the official clip with a nice piece of animation.
If you’re after something a little more highbrow, and also quite funny, then you can’t go past Divine Comedy with BOOKLOVERS. It lists over 70 different authors for you. Names that live forever.
Here’s a beauty – Monty Python with a song that asserts that all of the great philosophers were drunks – BRUCE’S PHILOSOPHY SONG. Here they are performing at the Hollywood Bowl. Hilarious.
And now for something completely different: Antonio Carlos Jobim with Elis Regina singing the Brazilian classic AGUAS DE MARCO, an impressionistic flood of nouns representing the journey of life towards death. The title is translated as WATERS OF MARCH. Here’s a link to a very good blog that will tell you more about ‘Tom’ Jobim and will also give you the English version of the lyrics: http://leftbankpress.blogspot.com/2006/02/aguas-de-marco-waters-of-march.html
And, from me (and YouTube, of course), a clip of the duo performing the song live:
Having put you in a Latin mood, it was time for some Latin fusion and the next number would surely have had you up and dancing. Lou Bega’s MAMBO NUMBER 5. Can you believe that it was Australia’s #1 single in 1999?
As we were heading towards the end of the program it was great to get my dose of Roy Orbison by including The Travelling Wilburys in the show. George Harrison, Jeff Lynne, Bob Dylan, Tom Petty and Roy Orbison made up the super group. Legends, one and all, they contributed an interesting little ditty called DIRTY WORLD, with Bob Dylan on lead vocals. And then it was time for two other ex-Beatles with songs about LISTS: Paul McCartney and Wings with LET EM IN and, how could we leave out John Lennon’s GIVE PEACE A CHANCE?
Billy Joel defended the Baby Boomer generation with his hit WE DIDN’T START THE FIRE. As the song goes: “We didn’t start the fire. It was always burning since the world was turning.” Well, yeah, but …
We closed the show with REM’s IT’S THE END OF THE WORLD AS WE KNOW IT (AND I FEEL FINE). Inspired by Bob Dylan’s SUBTERRANEAN HOMESICK BLUES, the track is known for its quick flying lyrics taking the form of what appears to be a stream of consciousness. Michael Stipe says that he wrote the song after dreaming that he was at a birthday party where all the other guests had the initials L.B. hence “Leonard Bernstein, Leonid Brezhnev, Lenny Bruce and Lester Bangs, birthday party, cheesecake, jelly bean, boom!”
And on that note it was fini. Next week the theme will be FRIENDS & NEIGHBOURS, so get your thinking caps on. And try to avoid themes for sit-coms. Yes, it’s going to be harder than it looks.
Here’s the complete playlist for this week:
Intro And The Outro – Bonzo Dog Doo-Dah Band
What A Wonderful World – Sam Cooke
The Way You Do The Things You Do – The Temptations
Subterranean Homesick Blues – Bob Dylan
Hot Topic – Le Tigre
Can U Dig It – Pop Will Eat Itself
They Can’t Take That Away From Me – Sarah Vaughan
Night Train – James Brown
Gimme Some Truth – John Lennon
Reasons To Be Cheerful (Part 3) – Ian Dury and The Blockheads
Fifty ways to leave your lover – Simon & Garfunkel
You’re Moving Out Today – Carol Bayer Sager
Changed The Locks (Live) – Lucinda Williams
These Foolish Things (Remind M – Etta James
Ain’t Got No I Got Life – Nina Simone
Losing My Edge – LCD Soundsystem
Land Of 1000 Dances – Wilson Pickett
Bald-Headed Lena – Piano Red (Dr. Feelgood)
Alligator Wine – Frenzy Screamin’ Jay Hawkins
Feel Good Hit of the Summer – Queens of the Stone Age
The Booklovers – Divine Comedy
Bruce’s Philosophers song – Monty Python
Aguas de Março – Elis Regina & Antonio Jobim
Mambo No.5 – Lou Bega
Dirty World – Traveling Wilburys
Let ‘Em In – Paul McCartney & Wings
Give Peace A Chance – John Lennon
We Didn’t Start the Fire – Billy Joel
It’s the End of the World As We Know It (And I Feel Fine) – R.E.M.
Hair is more than just the stuff that sits on top of your head. Hair can be a metaphor for life, for youth, for sensuality. And, as such, the subject has created a lot of interest from songwriters. The long and the short of it is that hair, or the lack thereof, lends itself to every genre of popular music.
So, just to be quirky, we started the show with two songs about having no hair at all. The very appropriately named Professor Longhair gave us BALD HEAD and Eddie ‘Cleanhead’ Vinson contributed CLEANHEAD BLUES in which he claims that if it wasn’t for women he’d still have his curly locks. Oh yeah, sure. I’m not sure how old this clip is, but what a great venue!
Donna Simpson of The Waifs is a blonde who is much darker underneath than her image projects. Or so their song, THE HAIRCUT goes. So, let’s talk colour. McFly know a girl with FIVE COLOURS IN HER HAIR. If they were any cuter, they would have to be arrested. They remind me of the Monkees. Not sure if that’s a good thing.
Still on colour, Louis Jordan wants to know why YOU DYED YOUR HAIR CHARTREUSE. That’s the green colour your hair goes if you get a bad bleaching job, by the way.
There were no blonde jokes in the show this week, and certainly no ginger jokes. All in support of the sisterhood, you understand. And the brotherhood for that matter! But I do have a great quote for you from Dolly Parton. When asked whether she was offended by blonde jokes she responded by saying no, because she knew she wasn’t dumb. And she also knew she wasn’t blonde. Boom Boom.
Country singer Eddie Noack reckons that GENTLEMEN PREFER BLONDES but he’s not fussy about hair colour at all. As long as you’re a female, you’re in with a chance. The Meteors, on the other hand, are definitely suckers for LONG BLOND HAIR. Sonny Burgess likes a RED HEADED WOMAN, although he does sound rather ambivalent about her. Check out this clip from 2008 where he is performing at a Rockabilly Festival. He must be at least 80 years of age and he’s still going strong. Brilliant.
Bonzo Dog Doo-Dah Band give us the song that we had to have on our show about HAIR. Yes, a little ditty about dandruff, KING OF SCURF. “I had alot of acne and pimples, I had to stay at home. Eventually, no one came near me, all I had was my comb”. Hilarious.
Time for something a little more serious, perhaps. Easily fixed by Nina Simone with BLACK IS THE COLOUR OF MY TRUE LOVE’S HAIR and we followed with India Arie and I AM NOT MY HAIR.
Now if you want proof positive that you can write a song about any old thing in the 70’s, take a listen to Crosby Stills Nash & Young with ALMOST CUT MY HAIR. They’re performing at Wembley Stadium in 1974, although I don’t see any sign of Neil Young.
George Thorogood followed with another track that will resonate with all you baby boomers: GET A HAIRCUT. And continuing the theme, The Sensational Alex Harvey Band sang about LONG HAIRED MUSIC.
Our only Motown track this week was LET YOUR HAIR DOWN by the Temptations. Letting your hair down means that you behave in a free or uninhibited manner. The origin of the saying goes back to the 17th century when women’s hair was normally pinned up and was only let down for brushing or washing. The term used for this at the time was dishevelling. Anyone who is unkempt and generally untidy might now be described as disheveled, but then it applied specifically to hair which was unpinned. There you go. A little bit of trivia for you.
Beck was next with DEVIL’S HAIRCUT followed by Owen who sang about that lover’s dilemma in WHO FOUND WHO’S HAIR IN WHO’S BED? There is a slight language warning on this one, but can you blame the poor guy for swearing?
Yay, we did include one for those of you with short hair: SHORT-HAIRED WOMAN from Lightning Hopkins. Reportedly, Michael Hutchence of INXS wrote SUICIDE BLONDE with, then girlfriend, Kylie Minogue in mind. Neil Young, whose true love’s hair is enormously important too, wants to live with a CINNAMON GIRL.
We enjoyed a lot of great guitar work on this week’s show. And amongst them is the band Wishbone Ash, considered one of the major innovators of the harmony twin lead guitar format. In BLOWIN’ FREE they hanker after a girl with golden brown hair, “blowin’ free like a cornfield’. I said they were great guitarists, I didn’t say anything about the lyrics now did I? Here they are performing in 1973:
I have to declare a bit of a thing for Led Zeppelin so had to play THE GIRL I LOVE SHE GOT LONG BLACK WAVY HAIR. As all good rock chicks do, of course. Me, being a red-head, doesn’t qualify I’m afraid.
One of my favourite acts from last year’s Byron Bay Blues Festival were THE DRIVE BY TRUCKERS. I discovered an amazing song of theirs, set in the week before Easter. Perfect. It’s about a preacher who was murdered by his wife all because of THE WIG HE MADE HER WEAR. I think its one of the most interesting things they’ve done. Unfortunately no decent clip available as yet.
But I do have a great clip of Little Birdy performing her hit, HAIRDO. Great voice.
We followed with PJ Harvey’s rendition of HAIR which revisits the story of Samson, who, as we know, was incredibily vulnerable without his locks.
We needed a song about the good old fringe, or ‘bangs’ as the Americans call it. And what better than BANGS by They Might Be Giants. The Beatles made their version of ‘bangs’ – the mop-top – world-famous and early in their career they covered Carl Perkins’ LEND ME YOUR COMB, so I thought I’d include Perkins version in this week’s show too.
BayFM will be at this year’s Byron Bay Blues Fest at our very own tent. I’ll be there Saturday April 3, between 12 and 3:30 so drop in and say hello.
It was appropriate then to close the show with a tune from one of the great Blues performers: Magic Slim and the Teardrops with GIVE ME BACK MY WIG.
Have a wonderful Easter! Here’s the complete playlist:
Next week: The topic is LISTS.
Mistress Lyn at your service with a few songs to scare the hell out of you, some that are just plain silly and all of which celebrate Halloween. Welcome to the dark side.
We opened the show with THE GRAVEYARD BY MOONLIGHT, a spine-chilling instrumental piece from one of the most commercial goth bands out there, Cradle of Filth. Then it was a track that can either be seen as very creepy or extremely silly (or both): HOUSE OF 1,000 CORPSES, from Rob Zombie’s album The Sinister Urge. Named after Ed Wood’s 1961 film of the same name, Rob used the track as the opening credits for his own horror flick, made in 2003, also called HOUSE OF 1,000 CORPSES. Check out the trailer for the film which looks like my favourite kind of horror film – very dark and extremely camp.
We caught our breath with Talking Heads’ deceptively funky PSYCHO KILLER, with lyrics that get into the head of a serial murderer. And then it was The Specials with GHOST TRAIN. More a political statement than anything, but still very creepy.
Nox Arcana’s BRIDES TO DARKNESS is from their Transylvania album and is the band’s tribute to the most famous and influential of all vampire novels, Bram Stoker’s Dracula.
Screamin Jay Hawkins is absolutely hilarious when he splutters out I PUT A SPELL ON YOU. Recorded in 1956, Hawkins has been reported as saying that he was so drunk when he recorded the song, that he can’t remember doing so. I believe him. Then it was a more controlled Bo Diddley with BO MEETS THE MONSTER, followed by Jazz singer, Herb Jeffries with THE DEVIL IS A WOMAN. Jeffries sang for many years with Duke Ellingon and this track, which was recorded in 1953, is on that crazy list of songs that was banned by the BBC. Go Figure.
We couldn’t leave out MONSTER MASH by Boris Pickett and the Cryptkickers, now could we? But the need for real Goth was overwhelming and who better than Concrete Blonde with BLOODLETTING (THE VAMPIRE SONG) from their Still in Hollywood album. Excellent.
There’s lots of spooky music associated with the Blues: Howlin’ Wolf warned us about all the EVIL that’s goin’ on out there and Blind Willie Johnson condenses all of human misery into a wordless, incomprehensible moan in DARK WAS THE NIGHT, COLD WAS THE GROUND. It was up to Otis Spann to elevate our mood with IT MUST HAVE BEEN THE DEVIL followed by the equally rockin’ Leon Redbone with THE WITCH QUEEN OF NEW ORLEANS.
I resisted the urge to play Michael Jackson’s THRILLER because I think we’ve all heard a lot of it lately. But there’s one of his that doesn’t get as much airplay and that’s GHOSTS. As usual, he knew how to make a great video:
More silly than sinister is David Bowie’s SCARY MONSTERS AND SUPER CREEPS and The Who’s BORIS THE SPIDER. I reckon only the Cure know how to frighten the bejezzes out of us when it comes to spiders though. Take a look at LULLABY. Haunting and beautifully dark.
Only Nick Cave can possibly surpass The Cure’s Robert Smith when it comes to Goth. Here’s Nick and the Bad Seeds performing THE CARNY from the album Your Funeral…My Trial, originally released in 1986, and recently remastered and re-released as a CD/DVD set. The clip was filmed for Live and Loud on MTV on 18 May 1997 after Cave had been nominated for the best 1996 male artist and refused the honor (see his letter to MTV on www.nick-cave.com).
I love Tom Waits album Rain Dogs and the track, SINGAPORE, from that album is a fitting song for this show, with its sinister warning to those setting sail for unknown places. Can’t wait to see Terry Gilliam’s latest film, THE IMAGINARIUM OF DR. PARNASSUS, starring the late Heath Ledger and featuring Toms Waits as, (what else?), the Devil. Check out the trailer:
Perfect follow up to that was Robert Palmer’s CASTING A SPELL from his Heavy Nova album of 1988. And to close the show, a beautifully benign tune, after all those scary songs, Bonzo Dog Doo Dah Band’s take on the Frankenstein myth: LOOK OUT THERE’S A MONSTER COMING.
I’m happy to say that Theme Park will be back for another season on BayFM so next Tuesday wlll be our first anniversary and it’s also the day that Australia’s biggest horse race takes place: the Melbourne Cup. Like last year there will be a sweep, lots of prizes and we’ll cross to Flemington for the big race. And the music? I’ve decided that as last year’s was HORSES, this year it will be LUCK. Wishing you all good fortune.
Here’s this week’s playlist:
The Graveyard By Moonlight – Cradle of Filth
House of 1000 Corpses – Rob Zombie
Psycho Killer – Talking Heads
Ghost Town – The Specials
Brides to Darkness – Nox Arcana
I Put A Spell On You – Screamin’ Jay Hawkins
Bo Meets the Monster – Bo Diddley
The Devil Is A Woman – Herb Jeffries
Monster Mash- Bobby (Boris) Pickett And The Crypt-Kickers
Bloodletting (The Vampire Song) – Concrete Blonde
Evil – Howlin’ Wolf
Little Red Riding Hood – Sam the Sham
Plan 9 From Outer Space – Movie Clip
Ghosts – Michael Jackson
Dark Was The Night, Cold Was The Ground – Blind Willie Johnson The Blues – A Musical
It Must Have Been The Devil – Otis Spann
The Witch Queen of New Orleans – Leon Redbone
Scary Monsters (and Super Creeps) – David Bowie
Boris the Spider – The Who
Lullaby – The Cure
Jeepers Creepers – Siouxie and the Banshees
The Carny – Nick Cave & The Bad Seeds
Abbott and Costello Meet the Wolfman – Movie Clip
Hells Bells – ACDC
Singapore – Tom Waits
Casting A Spell – Robert Palmer
Look Out, There’s A Monster Coming – Bonzo Dog Doo-Dah Band
Next Week: LUCK (Suggestions always very welcome!)
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
Tragically also on Facebook: http://www.facebook.com/maccalyn