It’s Easter, so I set myself the challenge this week of compiling a list of songs about RESURRECTION. Yes, I know I could have looked at chocolate or bunny rabbits, but hey, you know I like to shake things up a bit! The meaning and long traditions behind the concept of resurrection make it a powerful device for the songwriter. It can be used in the biblical context, or figuratively to describe some sort of rebirth or re-emergence from darkness. Music fans, of course, will be familiar with musicians coming back from the dead, but we’re not dealing with comebacks here. We’ll keep that subject for another show.
Ashton, Gardner & Dyke’s one hit wonder, RESURRECTION SHUFFLE, delivered a terrifically upbeat start to the program. Here they are on Top of the Pops in the 70s:
The prince of darkness, Nick Cave, has the perfect resurrection song in DIG, LAZARUS, DIG!! Here he is with the Bad Seeds performing live on Jools Holland (I’ll say it again, what a brilliant, brilliant show!). The year was 2008 and that’s Jack White on the sidelines looking in absolute awe of the band.
Eric Burdon wrestles with doubt on his version of Blind Willie Johnson’s SOUL OF A MAN. Melbourne group The Temper Trap, now based in the U.K have a great song called RESURRECTION on their Aria Award winning album “Condition”. Then it was Ian Hunter and Mott the Hoople with ROLL AWAY THE STONE. This clips is from Top of the Pops 1973. Scary.
With possibly the longest name on our playlist, Sufjan Stevens contributed our first zombie song on the list. Come on, zombies were a given, surely, on a show about coming back from the dear. THEY ARE ZOMBIES!! THEY ARE NEIGHBORS. THEY HAVE COME BACK FROM THE DEAD, AHHHH! is, I think, absolutely brilliant.
What’s a show on the subject of resurrection without gospel singer Sister Rosetta Tharpe and her Easter song, CAN’T NO GRAVE HOLD MY BODY DOWN?. Sister Rosetta sings about rolling the stone away. Vic Chesnutt, on the other hand sings of leaving the stone in place. Apparently imagining himself as Jesus in his tomb, he’s also wracked by self-doubt on STAY INSIDE.
Dido and AR Rahman sing IF I RISE. It’s the beautiful theme to the film 127 Hours. Adore the film and the song.
Gil Scott-Heron is one of those performers that came back from the dead musically and aren’t we glad he did? On B MOVIE he suggests that this life is just a rehearsal of sorts and that there’s another life waiting for us when the great director in the sky calls cut. Well, I’m not sure I believe that. But who knows?
You know you’ve always got to have your sense of humour firmly intact at the Theme Park, because nothing is sacred. We had a chuckle with Spinal Tap and their 2009 release BACK FROM THE DEAD. That was followed by Nancy Sinatra and the Bond theme, YOU ONLY LIVE TWICE.
The Moody Blues gave us their ode to Timothy Leary: LEGEND OF A MIND. According to them, he’s not dead, he’s just astral travelling! But of course he is. It was the 70’s when this was recorded after all.
Single File gave us our second zombie song on the list with the very amusing ZOMBIES ATE MY NEIGHBOURS. And then it was Alison Moyet with LOVE RESURRECTION, from her 1983 album Alf. According to Alison, when it comes to love, everyone needs a little divine intervention.
Pink Floyd’s COMING BACK TO LIFE is from a live performance album they released in 2009. Then it was The Stone Roses with their anti-Christianity song I AM THE RESURRECTION. Feeling that we probably should show some impartiality on matters religious, we included Frightened Rabbit with HEAD ROLLS OFF. They seem to believe in God and an afterlife but nevertheless promote the idea that what you do while you’re alive is the most important thing. Can’t argue with that.
M. Ward gets a little help from Norah Jones on ONE LIFE AWAY where he imagines that, when you walk on peoples graves, they are “listening to the sound of the living people living their lives away”. Here’s the awesome Mark Lanegan performing on Irish TV in 2004. The track is RESURRECTION SONG. Brilliant as always.
Now it would be a serious omission if I didn’t mention this weekend’s Byron Bay Blues Fest, so as a tribute to that we closed with songs on Resurrection from two of the icons appearing at the event: First up, the marvellous Mavis Staples with WILL THE CIRCLE BE UNBROKEN, which I dedicate to my Dad who died 20 years ago this week. And finally, it was ‘born again’ Bob Dylan with IN THE GARDEN. For my Dad, here’s Mavis on the Jools Holland show:
For next week’s show I’ve been inspired by the Royal Wedding (I kid you not) and the show will be on WEDDINGS AND MARRIAGE. I think we can have some fun with this. I’ll be transforming the BayFM studio into the Chapel of Love. And it will be my last show at this time slot. After that I’ll be presenting Theme Park in a shorter and sweeter one hour format on Monday’s 1-2pm, so I hope that you tune in then.
Have a great Easter! Here’s the complete playlist:
Resurrection Shuffle – Ashton, Gardner and Dyke
Dig, Lazarus, Dig!!! – Nick Cave and The Bad Seeds
Soul Of A Man – Eric Burdon
Resurrection – The Temper Trap
Roll Away The Stone – Mott The Hoople
They Are Night Zombies!! They Are Neighbors!! They Have Come Back from the Dead!! Ahhhh!! – Sufjan Stevens
Can’t No Grave Hold My Body Down – Sister Rosetta Tharpe
Stay Inside – Vic Chesnutt
If I Rise – A.R. Rahman
B Movie – Gil Scott-Heron
Back From The Dead – Spinal Tap
You Only Live Twice – Nancy Sinatra
Legend Of A Mind – The Moody Blues
Zombies Ate My Neighbors – Single File
Love Resurrection – Alison Moyet
Coming Back To Life – Pink Floyd
I Am The Resurrection – The Stone Roses
Head Rolls Off – Frightened Rabbit
One Life Away – M. Ward
Resurrection Song – Mark Lanegan
Will The Circle Be Unbroken – Mavis Staples
In The Garden – Bob Dylan
Next week: MARRIAGE
I’ve been away in my home town of Sydney for a couple of weeks but you can’t keep me from Byron Bay for long, so I was all fired up for this week’s show on SONGS WITH SOUND FX in them. I’ve discovered that many a song has been enhanced by a clever piece of non-musical noise and our opening song, MY BROTHER MAKES THE NOISES FOR THE TALKIES summed up the program beautifully. It’s by the very entertaining UK group, the Bonzo Dog Doo Dah Band.
Sounds of thunder accompany a song that suits the weather we’re having up here at the moment. WALKING IN THE RAIN is by the Ronettes, best known for their work with Phil Spector. With their beehive hairdos and tight skirts, they were known as the ‘bad girls’ of rock n roll. And now you know where Amy Winehouse go her ‘look’.
The sound of lapping waves welcomes in Otis Redding’ standard, SITTIN’ ON THE DOCK OF THE BAY. Redding wrote this song while living on a houseboat in Sausalito on the San Francisco Bay. It was recorded shortly before his tragic death at the age 0f 26. Released posthumously, it is his biggest hit ever.
There’s lots of playground noise on Cat Steven’s (REMEMBER THE DAYS OF) THE OLD SCHOOL YARD. And The Beatles use all kinds of carnival noises on BEING FOR THE BENEFIT OF MR. KITE.
Jazz great Charles Mingus got his band to use their instruments to sound like foghorns and other harbour sounds on the remarkable A FOGGY DAY. In complete contrast, but somehow weirdly complementary, is M.I.A.’s PAPER PLANES. She utilizes the sounds of a cash register and heavy gunshot noise on this very provocative piece of hip-hop.
There were lots of requests for MONEY by Pink Floyd. And it had to be played, if not for the very good use of various sound effects, but because, well ….. it’s Pink Floyd!
Another fantastic song with sound effects is NO TIENE BILLET from Fruko y Sus Tesos. The rifle fire that tears through this brilliant Colombian tune implies that the eruption of violence, in a very poor country especially, is almost inevitable. On NITE CLUB, by the Specials, the only aggression heard is raised voices and the clinking of glasses.
George Gershwin’s AN AMERICAN IN PARIS, written in 1928, is full of imagery gone wild. It’s a brilliant song and a brilliant film too. This was Gene Kelly’s magnum opus. His choreography was of such a standard that the Academy of Motion Picture Sciences created a special Oscar that year in recognition of his achievement. Dancing to a segment of George Gershin’s stunning music, here is Kelly’s duet with the beautiful Leslie Caron:
Michael Jackson uses sound effects to the hilt on THRILLER and the Doors gave us another perfect weather song, with its thunder and lighting sound effect: RIDERS ON A STORM.
There are some very suggestive street sounds on what happens to be one of my all time favourite songs: LOOKING FOR THE HEART OF SATURDAY NIGHT from the sublime Mr. Tom Waits. And then there’s a beautiful song that reminds me of my home town, Sydney: The Platters’ HARBOR LIGHTS.
Yep, that’s a baby gurgling throughout Stevie Wonder’s ISN’T SHE LOVELY. And as far as car sounds go, you can’t go past the highly influential electronic pioneers, Kraftwerk, with AUTOBAHN. Check this out:
Talking of road sounds, you didn’t actually think I was going to leave out LEADER OF THE PACK by the Shangri Las did you? This clip is from the television show ‘Ive Got a Secret’, recorded in 1964. The ‘bikie’ is Robert Goulet!
Dancehall queen, Lady Saw, inserts self-made creaking sounds on BED NOISE. They’re so convincing that I can hear the neighbours complaining already! Neo Ska group, The Specials, seem to put sound effects on most of their songs. This is one of their big hits: GHOST TOWN. These guys have been around for 30 years and still going strong. Here they are on Top of the Pops in 1981. Blast from the past. Love, love, love.
The Surfaris break a surfboard just to make a point on WIPEOUT. Creaking doors and other creepy sounds illustrate MONSTER MASH, by the marvellously named Boris Pickett and the Crypkickers. And crashing glass introduces Billy Joel’s YOU MAY BE RIGHT. How’s that for a trio of songs with sound effects? And just because I can, here’s a nice little clip with lots of fun horror film clips, backed up by MONSTER MASH. Do you see where Michael Jackson got his inspiration for Thriller?
Our last song went out to Des who so ably sat in for me while I was away for a few weeks. His favourite is Bob Dylan and it seems that Bob isn’t against using a sound effect either. There’s a mean sounding whistling siren on HIGHWAY 61 REVISITED.
Hopefully I won’t need to use any alarms to keep you awake during next week show on SLEEP AND INSOMNIA. Lots of great songs in this category so get your thinking caps on and send me your suggestions. But remember, we’ve done DREAMING and TIREDNESS, so the list has to be specifically about sleeping, or not.
Here’s this week’s complete playlist:
My Brother Makes The Noises For The Talkies – Bonzo Dog Doo-Dah Band
Walking In The Rain – The Ronettes
(Sittin’ On) The Dock Of The Bay – Otis Redding
(Remember The Days Of The) Old School Yard – Cat Stevens
Being For The Benefit Of Mr. Kite! – The Beatles
A Foggy Day – Charlie Mingus
Paper Planes – M.I.A.
Money – Pink Floyd
No Tiene Billete – Fruko y Sus Tesos
Nite Club – The Specials
An American In Paris – George Gershwin
Thriller – Michael Jackson
Riders on the Storm – The Doors
(Looking For) The Heart Of Saturday Night – Tom Waits
Harbor Lights – The Platters
Isn’t She Lovely – Stevie Wonder
Autobahn – Kraftwerk
Leader Of The Pack – The Shangri-Las
Bed Noise – Lady Saw
Ghost Town – The Specials
Wipe Out – The Surfaris
Monster Mash – Bobby (Boris) Pickett and the Crypt-kickers
You May Be Right – Billy Joel
Highway 61 Revisited – Bob Dylan
Next week: SLEEP AND INSOMNIA!
I’ve been on a mission to play as many songs as I can with numbers in the title. But the real challenge has been to play them in numerical sequence. Last week we successfully navigated our way from Elvis Costello’s Less Than Zero all the way to Edwin Starr’s Twenty Five Miles . So, this week we were off again, starting with our opening number, OCTOBER 26 (REVOLUTION) from The Pretty Things. This is a great track from what I consider a grossly under recognised band of the 60’s. It’s from their 1970 album Parachute.
TWENTY SEVEN STRANGERS is from The Villagers, who put out one of the best albums of last year – Becoming A Jackal. Here’s the band’s singer and songwriter, Conor J O’Brien, performing solo. Beautiful song. Perfect in its simplicity.
A band called Why? gave us our #28 song, (called exactly that, 28). Ryan Adams’ contribution was the track TWENTYNINE from the album 29 and the #30 spot was filled by Aussie band The Lucksmiths. The song, $30 is a very cute proposition: They know that they owe you $30 but how about they write you a song instead? Cheeky!
Aimee Mann thought her life would be different somehow, when she turned 31. Check out this live performance of 31 TODAY in Studio Q.
Another brilliant singer/songwirter is Ani DiFranco . Here she is performing live in 1997. The song: 32 FLAVOURS.
We don’t often play instrumental tracks but funky jazz outfit The New Mastersounds certainly livened things up with THIRTY THREE. We followed with little known, (well to me anyway), American band Promenade with 34 from their Save the Radio album. Then it was Joe Pug with a decent Bob Dylan impression on HYMN #35 and Bobby “Blue” Bland with his favourite numbers 35:22:36.
Then another excellent double : STRAIGHT IN AT 37 from The Beautiful South, now called simply South, and 38 YEARS OLD from Canadian band The Tragically Hip.
Hip Hop producer Re-animator has a great track called SYMPHONY NUMBER THIRTY-NINE on his album, evocatively titled Music to Slit Wrists. Dido has got to have one of the most beautiful voices of recent times, and she uses it to perfection on SEE YOU WHEN YOU’RE 40:
Gregory Hoskins gave us his track 41 and then it was Aussie and, Hunters & Collectors with 42 WHEELS. On 43 Mary Lou Lord justifies seeing a younger man by the fact that he’s 17, going on 43. And talking of excuses, I love any reason to go back to the 60’s so the Zombies were in with CARE OF CELL 44. Terrific band, still performing too.
An artist I’ve only just discovered, but like very much is Todd Snider . Here he is performing FORTY FIVE MILES in December 2010 in Tampa, to a very appreciative audience I might add. It’s an amateur video, but worth watching. He’s supported by Will Kimbrough.
If you’re after some good old fashioned Blues then check out Memphis Slim, Jump Jackson and Arbee Stidham. They gave us a fast version of 46TH STREET BOOGIE to fill our #46 spot. Number 47 was looking tough until I found a real cutie: Andy Kirk & His Orchestra, featuring June Richmond on vocals. She was one of the first black women to front an all white band. The song is 47th STREET JIVE.
Enough with songs named after New York streets (surely that’s another show!). A complete change of tone followed with the amazing, enduring, Suzi Quatro with 48 CRASH. I had to play this original clip from 1973, as she looks so great (still does actually). The ultimate rock chick.
Our number 49 song was for Des who presents BayFM’s Colours of Byron every Sunday morning. He’s a big Dylan fan, so DAYS OF 49 was especially for him and all the other Dylan fans. Number 50 couldn’t be anything but Simon & Garfunkle’s FIFTY WAYS TO LEAVE YOUR LOVER, which wasn’t dedicated to anyone in particular, because I don’t want to get myself in any trouble in that department! Here’s a live performance by Paul Simon with legendary drummer Steve Gadd:
Well we got all the way to #50 with time to spare. We closed the show with a #51 song that also previews next week’s show: Pink Floyd’s COME IN NUMBER 51, YOU’RE TIME IS UP from the soundtrack to the film Zabriskie Point. As one of the comments on YouTube states: it’s the film that inspired countless people to lose their virginity to Pink Floyd. (The music that is, not the actual band members). Here’s the trailer, featuring that music, with some of the worst promotional jargon I’ve ever heard!
So, next week I’ll be hosting an Oscars special. I’ll be playing lots of songs that were recorded especially for films. Some will have won Oscars, some should have but didn’t. I’d love to have your suggestions and requests. And, of course, your company 4-6pm Tuesdays on www.bayfm.org.
Here’s this week’s full playlist:
October 26 (Revolution) – The Pretty Things, Unrepentant [Disc 1]
Twenty Seven Strangers – Villagers, Becoming A Jackal
Twenty Eight – Why? Alopecia
Twentynine – Ryan Adams, 29
$30 – The Lucksmiths, Spring a Leak
31 Today – Aimee Mann, Smilers
32 Flavors – Ani DiFranco
Thirty Three – The New Mastersounds, 102% Funk
34 – Promenade, Save the Radio
Hymn 35 – Joe Pug, Nation of Heat EP
36-22-36 – Bobby “Blue” Bland, Bobby “Blue” Bland: The Anthology
Straight In At 37 – The Beautiful South, Welcome to the Beautiful South
38 Years Old – The Tragically Hip, Up to Here
Symphony Number Thirty-nine – Reanimator, Music To Slit Wrists By
See You When You’re 40 – Dido, Life For Rent
41 – Gregory Hoskins, The Beggar Heart
42 Wheels – Hunters & Collectors, Under One Roof
43 – Mary Lou Lord, Baby Blue
Care of Cell 44 – The Zombies, Odessey and Oracle
Forty Five Miles – Todd Snider, Happy to Be Here
46th Street Boogie (Fast Boogie) – Memphis Slim, Jump Jackson and Arbee Stidham
47th St Jive – Andy Kirk & His Clouds of Joy, Jukebox Hits 1936-1949
48 Crash – Suzi Quatro, Suzi Quatro: Greatest Hits
Days of 49 – Bob Dylan, Self Portrait
Fifty Ways To Leave Your Lover – Simon & Garfunkel , The Concert in Central Park
Number 51, Your Time Is Up – Pink Floyd, Zabriskie Point (Soundtrack from the Motion Picture)
Next week: SONGS RECORDED FOR FILM
Occasionally, a songwriter writes a tune that’s essentially a letter to a musical peer or fellow composer. Sometimes that message is delivered in the form of a tribute and sometimes it’s delivered as an angry diatribe. Our playlist today features both but, like our opening track JAZZ THING from Gang Starr, most of our songs are marks of respect.
I like to include a little country music every now and again, especially if its by the great Johnny Cash. As a contribution to this week’s playlist, he sings about his country music idol on THE NIGHT HANK WILLIAMS CAME TO TOWN. Punk rockers The Ramones praise the rock artists who preceded them on DO YOU REMEMBER ROCK N ROLL RADIO. And then it was UK group Television Personalities, who are obviously Pink Floyd fans with I KNOW WHERE SYD BARRETT LIVES.
The most familiar soul hit on the airwaves during 1967 was Arthur Conley’s SWEET SOUL MUSIC on which he paid tribute to other great soulmen like Otis Redding and James Brown:
When it comes to soul, Stevie Wonder knows how much is owed to our jazz legends. SIR DUKE is his tribute to Duke Ellington, the influential jazz legend who died in 1974. He also acknowledges Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald.
In 1980 Dexy’s Midnight Runners appeared out of nowhere, with a sound all their own. Nobody else at the time would have dreamt of producing an impassioned, brass-powered tribute to neglected 1960s soul singer Geno Washington, but they did and they took GENO to #1 in the UK.
Dexy’s Midnight Runners also recorded a version of JACKIE WILSON SAID, but I’m faithful to the original by Van Morrison which had to be part of the list too.
A little more country music was up next with the gorgeous Gillian Welch singing the ELVIS PRESLEY BLUES. This was followed closely by the one and only Ian Dury with his incredible piece of hero worship, SWEET GENE VINCENT. On this video Mick Jones of the Clash joins the band, The Blockheads. And as Dury quips to Jones: “Listen, we’ve got four chords on this one Michael!” Great band, great song. How does Mick Jones get through this number without once dropping the ciggie from his mouth? Hilarious.
Ian Hunter and Mott the Hoople’s reluctant youth anthem, ALL THE YOUNG DUDES was written by David Bowie. It namechecks T-Rex and references The Beatles and The Stones. Here they are, (with Bowie on back up!), performing at the Freddie Mercury tribute at Wembley Stadium:
The wonderful Jonathan Richman never disappoints me and he delivers again for this week’s playlist. On his song VELVET UNDERGROUND he even performs a few bars of the Velvet Underground’s Sister Ray in between dispensing eloquent insights into his heroes’ dark magic. How good is that!
Bono says that U2’s song STUCK IN A MOMENT YOU CAN’T GET OUT OF is a tribute to INXS singer Michael Hutchence. According to Bono it’s the conversation he wishes had actually taken place.
John Martyn, who died at a relatively early age himself, extends a concerned hand to a fading Nick Drake on the devastatingly tender SOLID AIR.
Canadian group Barenaked Ladies recorded a hit song about mental illness that references Beach Boy BRIAN WILSON. And just in case you’re wondering, Brian Wilson does do a version during his own live shows. And why wouldn’t he? It’s a great song. Fellow Canadian Allanah Myles also had a huge hit with my favourite of all the Elvis tribute songs: BLACK VELVET.
Paul Jones and Dave Kelly honour Blues legend SONNY BOY WILLIAMSON and Neil Young references Johnny Rotten of the Sex Pistols on HEY, HEY, MY MY (Into the Black). The line ‘It’s better to burn out than to fade away’ also became infamous in modern rock after being quoted in Kurt Cobain’s suicide note.
On a cheerier note, The Saw Doctors sing I’D LOVE TO BANG THE BANGLES, which pretty much speaks for itself. If you thought that was a wild proposition, you should take a listen to Bongwater’s NICK CAVE DOLLS. But hang in for the punchline on that one. A perfect follow up to that tune is Adam Ant’s GOODIE TWO SHOES, supposedly a critique of Cliff Richards virtuous and conservative image. “Don’t drink, don’t smoke… what do you do?”
A terrific song from Dory Previn is STONE FOR BESSIE SMITH. It isn’t just about the Blues singer Bessie Smith; it’s primarily about Janis Joplin who paid for Bessie Smith’s headstone but forgot to put anything aside for her own.
Early in his career, David Bowie often wrote about artists he admired, from Lou Reed to Andy Warhol to Iggy Pop. On SONG FOR BOB DYLAN a pre-Ziggy Bowie adopted Dylan’s nasal vocal style in order to pay tribute.
Down By Law also do an excellent tribute to the best rock band in the world: I WANNA BE IN AC/DC. Me too guys, me too.
It was hard choosing a song to go out on. Yes, of course there’s American Pie and Losing My Edge and the various spats between Paul McCartney and John Lennon, but in an effort not to be too predictable I’ve chose TUNIC (Song for Karen). Sonic Youth’s Kim Gordon does a beautiful job of casting herself as the tragic Karen Carpenter reporting back from heaven.
I’ve got a marathon effort lined up for the next couple of weeks and I need your help! The playlist next week will start with a song referencing Zero or less and I’ll progressively play songs in numerical order until I run out of ideas. For example I could start with Elvis Costello’s Less Than Zero progress to Yeah yeah yeah’s Zero then Bob Marley’s One Love … you get the idea. Let’s see how far I get. If you help me we could be doing this for weeks! To make it easy to participate I’ll be posting onto the Theme Park Radio Facebook page.
But in the meantime, here’s this week’s complete playlist to peruse:
Jazz Thing – Gang Starr – Moment of Truth
The Night Hank Williams Came To Town – Johnny Cash – The Best Of Johnny Cash
Do You Remember Rock ‘N’ Roll Radio – The Ramones Shrek OST
I Know Where Syd Barrett Lives – Television Personalities And Don’t The Kids Just Love It
Sweet Soul Music – Arthur Conley – 60’s Soul
Sir Duke – Stevie Wonder – Songs In The Key Of Life [Disc 1]
Jackie Wilson Said (I’m In Heaven When You Smile) – Van Morrison
Geno – Dexys Midnight Runners – Searching For The Young Soul Rebels
Elvis Presley Blues – Gillian Welch – Time (The Revelator)
Sweet Gene Vincent – Ian Dury and The Blockheads – The Very Best Of Ian Dury And The Blockheads
Blackbird, Bye Bye – Keith Jarrett, Gary Peacock, Jack DeJohnette – Bye Bye Blackbird
All The Young Dudes – Mott The Hoople – Rock Classics 60’s & 70’s Volume 2
Velvet Underground – Jonathan Richman – I, Jonathan
Stuck In A Moment You Can’t Get Out Of – U2 – The Best Of 1990-2000 & B-Sides CD1
Solid Air – John Martyn – No Little Boy
Brian Wilson – Barenaked Ladies – Barenaked Radio: Easter Special
Sonny Boy Williamson – Paul Jones & Dave Kelly – Live In London
Black Velvet – Alannah Myles – The Very Best of Alannah Myles
Hey Hey, My My (Into The Black) – Neil Young – Rust Never Sleeps (Live)
Goodbye Pork Pie Hat – Charles Mingus – Mingus Ah Um
I’d Love To Kiss The Bangles – The Saw Doctors – Play it Again Sham
Nick Cave Dolls – Bongwater – Box of Bongwater
Goody Two Shoes – Adam Ant – Antics In The Forbidden Zone
Stone For Bessie Smith – Dory Previn – Mythical Kings And Iguanas
Song For Bob Dylan – David Bowie – Hunky Dory
(I Wanna Be In) AC/DC – Down By Law – Windwardtidesandwaywardsails
Tunic (Song For Karen) – Sonic Youth – Goo (Deluxe Edition) [Disc 1]
Next week: NOUGHT TO WHATEVER (Part 1)
Now, you may think I’m a bit behind the eight ball, doing a show on RESOLUTIONS AND FRESH STARTS in mid January, but I have a policy of not even thinking about New Year Resolutions until after my birthday, which is around this time. I’m not prepared to give up my wicked ways until those celebrations are well out of the way. And, to be honest, that could take up to 6 months at least.
So, I’ll allow the playlist to do the job for me. The wonderful Nina Simone set the tone with FEELING GOOD. She’s full of optimism because it’s a new day, a new life and she’s feeling good. I wonder how long that lasted? Because, as we all know, new resolutions and fresh starts are often accompanied by regret and, unfortunately, they almost always carry the potential for failure. But, let’s at least try and maintain some hope.
The Allman Brothers Band have had their ups and downs, so on a song like CHANGE MY WAY OF LIVING they’re sounding mighty ambitious. But hey, let’s give them the benefit of the doubt.
It was great to have Blues/Roots duo The Fridays in the studio for a chat and some live music. They’re from Adelaide and presently in Byron performing and promoting their EP Woh Oh. Kimberly McKenzie and Kelly Breuer’s original material melds rock out riffs with beautiful harmonies. A couple of the songs had me laughing out loud. As well as playing ROMANCE COMEDY from their EP we were able to have them perform two other numbers live and it was such a pleasure. If you get a chance to catch them perform, anywhere, don’t miss out on supporting some fantastic up and coming Australian talent.
Motown giants The Supremes and The Temptations got together to record a version of Dee Dee Warwick’s I’M GONNA MAKE YOU LOVE ME and it became a huge hit for them in 1969. We followed that with the very appropriate NEW YEAR’S RESOLUTIONS from two more soul greats, Otis Redding and Carla Thomas.
If only Thin Lizzy’s Phil Lynot had followed through on his resolution, he might still be with us. Instead, I’VE GOT TO GIVE IT UP, is a sad memorial to this amazing talent who died at 36.
Something a little less serious: Husker Du reckon they’re NEVER TALKING TO YOU AGAIN. Oh come on guys, never say never. Bob Dylan is equally resolute. He swears he’s never going to work on MAGGIES FARM no more. Fair enough.
The Who are convinced that they WON’T GET FOOLED AGAIN. A good resolution if ever I heard one, but, like a lot of resolutions, not that easy to keep.
Mama Kin is very convincing on her resolution song I’M GONNA DO IT. As is Bobby Bland who says he AIN’T GONNA BE THE FIRST TO CRY.
John Legend gets a little bit of help from Snoop Dogg on I CAN CHANGE. On this video clip he carries the day on his own (and you get the bonus of Spottie as well). Its a live performance in London with a terrific band and back-up.
George Thorogood & The Destroyers contributed one of those songs full of promises. You know the ones: men make them in order to win the woman of their dreams. In this case George says I’LL CHANGE MY STYLE.
Bobbie Gentry, who’s obviously met a few ‘Georges’ in her time swears I’LL NEVER FALL IN LOVE AGAIN.
Nick Cave, apparently has all the right intentions, he just has trouble delivering on his resolutions because RIGHT NOW HE’S A ROAMING. Steve Winwood knows that if you’re really serious about wanting a fresh start you have to make it happen WHILE YOU SEE A CHANCE.
Somehow I don’t think Ian Dury and the Blockheads were serious at all when they sang I WANT TO BE STRAIGHT.
Princess Superstar’s QUITTING SMOKING SONG was edited a little, otherwise we wouldn’t have been able to play it on radio, and that would have been a pity, I reckon. Meanwhile, Black Kids are promising I’M NOT GOING TO TEACH YOUR BOYFRIEND HOW TO DANCE WITH YOU. Quite right too.
A fun couple of songs to exit on: Mary Martin and the cast of South Pacific with I’M GONNA WASH THAT MAN RIGHT OUT OF MY HAIR. And one of my favourites, the wonderfully eccentric and optimistic Jonathan Richman, who knows all about fresh starts on I’M JUST BEGINNING TO LIVE.
Thanks to The Fridays for coming in and entertaining us in the first hour of the program. Don’t forget they’re performing at the Rails Hotel in Byron Bay on Thursday January 20th so get along and support them.
Thanks also to Lina, Chilla, Shel, Allan, Andy and Victoria for letting us know what their New Year Resolutions were for this year.
Next week’s show will be ALL AUSTRALIAN. Lots of nostalgia and some new stuff as well.
Until then, here’s this week’s playlist:
Feeling Good / Nina Simone
Change My Way Of Living / The Allman Brothers Band
Romance Comedy / The Fridays
I’m Gonna Make You Love Me / The Supremes
New Year’s Resolution / Otis Redding and Carla Thomas
Got To Give It Up / Thin Lizzy
Never Talking To You Again / Hüsker Dü
Maggie’s Farm / Bob Dylan
Won’t Get Fooled Again / The Who
I’m Gonna Do It / Mama Kin
I Ain’t Gonna Be The First To Cry / Bobby “Blue” Bland
I Can Change ft. Snoop Dogg / John Legend
I’ll Never Fall In Love Again / Bobbie Gentry
I’ll Change My Style / George Thorogood and The Destroyers
Right Now I’m A-Roaming / Nick Cave and The Bad Seeds
I Want To Be Straight / Ian Dury and The Blockheads
While You See A Chance / Steve Winwood
One Way Or Another / Blondie
Quitting Smoking Song / Princess Superstar
I’m Not Gonna Teach Your Boyfriend How To Dance With You / Black Kids
I’m Gonna Wash That Man Right Out of My Hair / Mary Martin and The Girl’s Chorus of South Pacific
I’m Just Beginning To Live /Jonathan Richman and The Modern Lovers
Next week: 40 YEARS OF CLASSIC AUSTRALIAN ROCK
This week’s theme is inspired by the fact that Iggy Pop is headlining our major youth concert, The Big Day Out this month. And Bob Dylan, Elvis Costello and Jethro Tull will all be here in April for the Byron Blues Festival. I’m a baby boomer, so I’m ecstatic to be able to see all my heroes from the 60’s still performing. But, I have to ask: what is it about the first generation of rock n rollers – what keeps them going?
The reality is that from the moment rock music arrived on the scene it was a young person’s game: music made by young people for young people. It never intended to grow up or grow old. But it did. So what happens when rock’s youthful rebelliousness is delivered wrapped in wrinkles?
Lemmy from Motorhead has a formula for staying alive. He reckons you just breath (at all times). Lemmy, like Keith Richards, is one of the all time rock n roll survivors and therefore much revered by fans of a similar vintage.
Much to the dismay of our children, we baby boomers have carried on being the oldest swingers in town. We haven’t shown any sign of giving up on rock concerts, taking recreational drugs, (if we want to), and staying up all night. It’s why the biggest earners for rock concerts aren’t the Lady Gagas of the world, but veteran performers like AC/DC, The Eagles, Paul McCartney and The Who.
On MY GENERATION The Who were actually saying that they hoped they’d die before they got old. Hey, hold on a minute, they’re still singing it and they ARE old. What happened?
What happened started in the 50s when an entirely new species emerged with its very own music. They were called teenagers. And their music was called rock n roll:
Rock n roll created something special: The joy of hearing your parents shout out: “Turn that bloody racket down!” Because one of the social functions of rock has always been the defiance of the older generation. For performers like Elvis every gesture, every note was all about social disenfranchisement and rebellion. Elvis hit the scene wearing pink and black and leather outfits. He looked more like a pimp than a musician. “Outrageous!” reeled the grown-ups. But to the teenagers, he represented an escape from the stuffiness of the post-World War Two era.
No-one, even the musicians themselves, took rock and pop seriously, though. It was seen as a novelty, something that wasn’t meant to last. As the soundtrack to growing pains, it was temporary and disposable just like the people who made it.
By the early 60’s Beatlemania was gripping youth’s attention. The Establishment, however, remained doubtful that it was a fever that would last. Even the Beatles accepted the idea of their own inbuilt obsolescence.
With Beatlemania, and the British Invasion in general, many of the young established groups were being left behind. The tyranny of youth dictated that if you didn’t change with the times, you were old hat. One of the new incumbents was the band Manfred Mann.
In 1965 The Who recorded one of the ultimate anthems to youth, one that damned growing up and growing old. The young went on the offensive claiming their territory through guitar, bass and drums. The older generation were still recovering from a World War and all they wanted was some peace and quiet. To the younger generation old age just seemed really boring.
Ironically, the British Beat boom of the mid 60’s was based on music that was already old. Bands like the Stones, The Animals & Manfred Mann worshipped American Blues of the 20s 30s and 40s. Their recording heroes were still alive, but by rock roll’s new standards they were old men. Charlie Parker was born in 1920, Miles Davis in 1926 & Muddy Waters in 1913.
The self-absorbed rebelliousness of rock n roll gathered speed with the Rolling Stones. While the Who were busy burying the older generation, the Stones were singing about finding their satisfaction in sex.
The arrival of album culture in the late 60s proved that rock n roll was now thinking more in the long term. It didn’t sound disposable anymore. It was growing up, just like the people who made it. The Beatles Sgt Peppers album dared to imagine what life would be like at SIXTY FOUR. Up until now that was completely unthinkable for the baby boomer generation.
In the same year that the Beatles released the Sgt Peppers album, Procol Harum had a hit single with WHITER SHADE OF PALE. Things had started to get serious. The more experienced young musicians began wondering how far they could take their music. And they took their diehard fans with them. In many cases the fans had grown up with these bands and, along the way, they’d developed an appreciation of lyrics and music with more depth.
The end of the sixties saw the beginning of the rock n roll casualty list. The death of Brian Jones in 1969 seemed to crystalise a ‘live fast, die young’ attitude and brought a new reality to “I hope I die before I get old.” Janis Jopliin, Jim Morrison, Jimi Hendrix all died at 27, confirming the myth that if you wanted to be a rock legend you had to die young.
The Stones, however, seemed determined to mature. After the death of Brian Jones they picked themselves up and went back on the road. For the band, it wasn’t over yet.
By the end of the 60’s the Stones had discovered the secret of survival, at least for now. Unfortunately, the Beatles didn’t. As if to prove that longevity and rock n roll was difficult for a group of young guys growing up together, they split in 1970. The Fab Four would go on to enjoy successful solo careers for many years to come but the surge of creativity that fed them in their youth proved more elusive for them and their generation as they grew older.
Today, Mick Jagger, Paul McCartney and Pete Townsend can play arenas 45 years after they first had hits. Which is great. But the real question is: are they writing great songs? Or is the outpouring of creativity that launched their careers a factor of youth?
Herman’s Hermits got together in 1963 when lead singer Peter Noone was only 16. Their very first release, I’M INTO SOMETHING GOOD, was a #1 hit and although future recordings would get into the top ten, they were never to have a UK #1 again. The band, without Noone, continue to perform to this day and Peter Noone has gone on to have a successful career as both a singer and actor.
In the early 70’s, no performer demonstrated rock n roll’s reliance on youthful invention and raw power more than Iggy Pop. Here’s a great little doco that illustrates why he is known as the “Godfather of Punk”:
Not all rock n roll of the early 70’s was an expression of sexual energy and youthful physicality. By now prog rock was plundering the classical music collections so beloved of its middle class parents, as proof of its intention to last. It’s perpetrators, bands like Yes & Jethro Tull, seemed to be contemplating careers beyond the age of 30.
Performers found themselves living with their songs and growing into their material. One of the most requested songs from troops serving in Vietnam was I GOTTA GET OUT OF THIS PLACE by Eric Burdon & The Animals. Burdon continues to perform this song today when he entertains servicemen and women in Iraq and Afghanistan. In fact, it’s written into his contract. That’s what they call an anthem, folks.
In 1976, before the 60’s generation had a chance to mature, they were rudely cast aside by punk. It was a three-chord reign of terror, the ultimate Oedipal act. Snarling, spitting and clawing its way to the stage.
These weren’t the kids of the optimistic 60’s but a new young generation who felt abandoned. Everyone was in their way and, as always, no one understood them.
The bands of the post-punk era, like the Specials and Madness, while less dismissive of the past, still believed that rock and pop music were part of an essentially young experience.
In the early 80’s the Stones were back, yet again, having been absent from the stage for 6 years – while punk and its aftermath were the centre of attention. They were proving that they were in for the long haul.
In July 1985 the benefits of hanging in for the long term reached unexpected and unprecedented heights, with Live Aid. The international event sometimes looked like a version of Dad’s Army with acts like Paul McCartney, Bob Dylan, The Who, and the Beach Boys joining pop stars of the 80s on stage. Watched by more than 400 million viewers in 60 countries, this was the rock n roll survivor’s finest hour. Suddenly being 40 didn’t seem so uncool. These were the masters, the legends, the acts deemed capable of feeding the world.
A lot of young people heard some of the older bands for the first time, saying “These bands are fantastic.” And then, the most hated people in their musical vocabulary, their parents, responded with “Yeah, we know, we love them too!”
What had begun with Live Aid in the 80’s continued into the 90s with projects like War Child. Performers from three generations of rock n roll – Paul McCartney, Paul Weller and Noel Gallagher recorded COME TOGETHER, in the new spirit of multi-generational tolerance. It was no longer a case of ‘My Generation’ but ‘Your Generation too”. Just as importantly, audiences for the music also started to span generations.
The new millennium witnessed an entirely new phenomenon: the revival and the comeback. Leonard Cohen, already in his 70’s, had decided to stop performing and recording altogether. At least that was the plan. But after having all his money misappropriated by a crooked manager, he had to go back on the road. And guess what, he loves it!
Audiences who had grown up and grown old with their heroes wanted them back. Age had invested their favourite bands with a new authenticity. Performers couldn’t believe their luck. Even Brian Wilson returned from the wilderness to be a Beach Boy once again.
Rock n roll is now revelling in a long life. What was about risk and youth is now about enjoying a grand old age. It’s about longevity, survival, nostalgia. Refusing to grow up, give up or shut up. The whole point of the baby boomer generation is that we made it up from the beginning and we’ve been making it up ever since. We’ve been pushing the boundaries, and unlike our parents, we’ve refused to accept old age.
Many thanks to BBC and You Tube community for the wealth of material, without which this week’s show would not be possible.
Next week, my special guests will be The Fridays, performing live in the studio, plus lots of songs about RESOLUTIONS. Any suggestions/requests, please leave me a message here.
In the meantime, here’s this week’s complete playlist:
Lust For Life, Trainspotting soundtrack, Iggy Pop
My Generation, Austin Powers: The Spy Who Shagged Me soundtrack, The Who
Johnny B. Goode, Martin Scorsese Presents the Blues, Chuck Berry
Jailhouse Rock, Elvis Presley
Get A Job, Get a Job, The Silhouettes
Paul McCartney quote
Twist And Shout, Please Please Me, The Beatles
Paul Jones quote
Come Tomorrow, The Five Faces of Manfred Mann, Manfred Mann
(I’m Your) Hoochie Coochie Man, Martin Scorsese Presents the Blues, Muddy Waters
Let’s Spend The Night Together, Hot Rocks 1964-1971, The Rolling Stones
When I’m Sixty-Four, Sgt. Peppers Lonely Hearts Club Band, The Beatles
She’s Leaving Home, Sgt Peppers Lonely Hearts Club Band, The Beatles
A Whiter Shade Of Pale, The Big Chill soundtrack, Procol Harum
Brown Sugar, Sticky Fingers, The Rolling Stones
Peter Noone quote
I’m Into Something Good, The Original 60’s Summertime album, Herman’s Hermits
Iggy Pop i/view
Search And Destroy, Raw Power, Iggy Pop & The Stooges
Too Old To Rock ‘N’ Roll, Too Young To Die, Jethro Tull
We’ve Gotta Get Out Of This Place, The Most of the Animals, The Animals
God Save The Queen, Never Mind the Bollocks, The Sex Pistols
Too Much Too Young, The Singles Collection, The Specials
Baggy Trousers, Complete Madness, Madness
Mick Jagger quote
Start Me Up, Tattoo You, The Rolling Stones
Rockin’ All Over The World, Rockin’ All Over The World, Status Quo
Surfin’ USA, Endless Summer Legends, The Beach Boys
We Will Rock You, News of the World, Queen
Come Together, Help (War Child Benefit), Paul Weller & Friends
1969 (with i/view), Iggy Pop
In My Secret Life, Ten New Songs, Leonard Cohen
God Only Knows, Pet Sounds, The Beach Boys
Forever Young, Napolean Dynamite soundtrack, Alphaville
Next week: RESOLUTIONS
When it comes to song lyrics, the most common causes of TIREDNESS are those that also create the most activity: we’re talking sex and drugs again people. Edwin Starr doesn’t mention anything about stimulants to keep him awake, however. The powerful pull of a sexy woman seems to be all he needs to keep him walking those TWENTY FIVE MILES to see her. He must be keen because it’s going to take three days and two lonely nights to get there. No wonder he’s exhausted:
There is a song that appears to be simply about tiredness from working too hard. On WORKING IN THE COALMINE, Lee Dorsey sings that by Saturday he’s too tired to have any fun at all. Pearl Bailey is TIRED of just about everything. Oh dear. Here she is with a brilliant performance from the 1947 film Variety Girl:
The Cox Family is a Bluegrass family group who became world-known when they appeared on the soundtrack for the Coen Brothers film O Brother Where Art Thou . The song I AM WEARY is particularly poignant. In July 2000, shortly after recording the song, Willard Cox and his wife Marie were seriously injured in a traffic accident near their home in Cotton Valley. In February 2009, Marie died from cancer. Alison Krauss was among the many that attended the funeral.
A triple-play, that gave our theme of TIREDNESS a real work-out, included Fats Domino with SICK AND TIRED. Then a brilliant suggestion from Andrew: TOO POOPED TO POP from the La De Das, followed by the all girl band The Hissyfits (how good is that name?) with a song that expresses how fed up they are with a certain relationship. It’s called simply, TIRED.
Tired of being lonely seems to be a recurring theme in these tiredness songs. One of the best ever recorded, and requested here by Claire, is TIRED OF BEING ALONE from the Reverend Al Green:
Another track, with the same name, came from Clifton Chenier. His version of TIRED OF BEING ALONE was sung Creole style, known as the Zydeco Blues. And talking of Blues, I found a great tune from the 40’s: Washboard Sam also sounds pretty fed up on I’M JUST TIRED.
THE WEARY KIND, sung by Ryan Bingham, is the excellent theme song to a great film, Crazy Heart. Jeff Bridges’ performance won him an Academy Award and Ryan Bingham and T-Bone Burnett also won Best Song at the 2009 Academy Awards as well as a Golden Globe.
Just to prove that a show about TIREDNESS could also be a lot of fun, I included the very funny I’M TIRED from the film Blazing Saddles. Madeline Kahn, otherwise known as Lily Von Schtupp is all tuckered out. As she puts it, “Let’s face it, everything from the waist down is kaput”. Hysterical.
Indie rockers, The Zutons, have no patience whatsoever. As they sing it, they’re TIRED OF HANGING AROUND. Country icon Chet Atkins has a beef with his girlfriend. He asks her, AIN’T CHA TIRED OF MAKIN’ ME BLUE? A close relative of country music is Rockabilly. Another great suggestion from Andrew filled that bill – Eddie Cochran is exhausted from walking up twenty flights of stairs to see his lover, when the elevator breaks down. The song: TWENTY FLIGHT ROCK. Here’s a scene from the film The Girl Can’t Help It on which the song featured:
Mose Allison’s SO TIRED was requested by jazz aficionado, Quinton, from BayFM’s Q’s Jazz & Blues. So happy to oblige.
Time for some more indie rock. The Pixies love Lou Reed and the Velvet Underground. They even reference them on I’VE BEEN TIRED. Charlotte wanted to hear IF ONLY TONIGHT WE COULD SLEEP from The Cure. But my favourite had to be Weezer who say they are making love every night of the week. It should be noted that Lyn get’s a mention on Tuesdays. How appropriate. Turns out though, like all of us, they’re really looking for true love and reckon they’re TIRED OF SEX. And you thought that meaningful lyrics were a thing of the past! Here they are performing live in Japan:
An interesting track comes from a Spanish group from the 80’s called Mecano. It’s their debut single HOY NO ME PUEDO LEVANTAR which translates as I CAN’T GET UP TODAY. It’s a song about youth, boredom and hangovers. I think we’ve all been there, right?
A couple of great suggestions from Des followed: John Lennon is losing sleep because he can’t stop thinking about his lover on I’M SO TIRED. It’s from The Beatles White Album. Then it was The Kinks with TIRED OF WAITING FOR YOU.
I had to include Eric Clapton’s SICK AND TIRED and fellow Brit Blues artists, Savoy Brown, with I’M TIRED before bringing in k.d.lang, with a song that offers a solution to all this tiredness: BLACK COFFEE.
You all know by now that I love Roy Orbison. So it was great to welcome him back to the playlist with a Travelling Wilburys’ track. On their song, HANDLE WITH CARE, Orbison has the most relevant lines for this week’s theme: “I’m so tired of being lonely, I’ve still got some love to give.”
MOONLIGHT MILE is a rare example of Mick Jagger letting go of his public persona and singing of the weariness associated with keeping up appearances as a sex-drugs and rock & roll star. Ah yes, Mick, I’m sure it’s very tiresome! Seriously though, great song from the Rolling Stones’ Sticky Fingers album and a terrific close to the show.
Next week’ program, which I’m really excited about, is shaping up to be a doozy. The theme is MUSIC GENRES. I’m looking for songs that make reference to a particular style of music: it could be rock’n’roll, blues, country, rap, reggae, swing – in fact the quirkier the better. Think of tracks that shed some light on the topic. Suggesting every song ever made with the word “blues” in the title is just too easy. I know you’re all smarter than that, so put your thinking caps on. Thanks to the Parkies who contributed to this week’s list: Andrew, Claire , Quinton and Des and apologies to those whose requests didn’t make the list. Keep them coming though!
Here’s this week’s complete list:
Twenty-ﬁve Miles – Billboard Top 100 of 1969, Edwin Starr
Working In A Coalmine – Replay/Gold – Vol 1, Lee Dorsey
Tired – Let There Be Love, Pearl Bailey
I am Weary – O Brother Where Art Thou?, The Cox Family
Sick And Tired (Digitally Remastered) – Rock ‘N’ Roll Jukebox, Fats Domino
Too Pooped To Pop – The La De Das
Tired – Letters From Frank, The Hissyﬁts
Tired of Being Alone – Greatest Hits, Al Green
Tired Of Being Alone – Zydeco Festival, Clifton Chenier
I’m Just Tired – Washboard Sam Vol. 7 1942-1949, Washboard Sam
The Weary Kind – Original Motion Picture OST ‘Crazy Heart’, Ryan Bingham
Sleep Deprivation – Attack Decay Sustain Release, Simian Mobile Disco
I’m Tired – Blazing Saddles Soundtrack, Madeline Kahn/Mel Brooks
Tired Of Hanging Around – Tired Of Hanging Around, The Zutons
That Lucky Old Sun – All Time Greats Vol 3 – The People, Dean Martin
Ain’ tcha Tired of Makin’ Me Blue – High Rockin’ Swing, Chet Atkins
Twenty Flight Rock – Eddie Cochran, Eddie Cochran
So Tired – Gimcracks and Gewgaws, Mose Allison
I’ve Been Tired – Surfer Rosa & Come On Pilgrim, The Pixies
If Only Tonight We Could Sleep (MTV Unplugged) – The Cure
Tired of Sex – Pinkerton, Weezer
Hoy no me puedo levantar – Ana Jose Nacho, Mecano
All Tired Horses – Self Portrait, Bob Dylan
I’m So Tired – White Album (Disc 1), Beatles
Tired Of Waiting For You – Greatest Hits, The Kinks
Sick And Tired – Pilgrim, Eric Clapton
I’m Tired – Rock ‘N’ Roll Warriors, Savoy Brown
Black Coffee – Live By Request, k.d. lang
Handle With Care – Traveling Wilburys [Disc 1], Traveling Wilburys
Moonlight Mile – Sticky Fingers (2009 Remastered Version), The Rolling Stones
Next week: MUSIC GENRES
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Whenever I think of Spring, with its warmer days and all the pleasures the better weather inspires, I can’t help but want to put on some reggae. So IN THE SPRINGTIME from Maxi Priest was a perfect opener for this week’s show on possibly the best season of the year.
I must admit, too, that my mind also turns to Spring Cleaning. After all the rain we had during winter, I just want to air everything, get those windows clean and get ready for the beautiful weather ahead of us. Fats Waller’s energetic ditty, SPRING CLEANING, reflects that mood. Ella Fitzgerald has a different outlook on Spring. Without her man, she’s GOT THE SPRING FEVER BLUES.
Another wonderful jazz singer is Blossom Dearie and C’EST LE PRINTEMPS (IT MIGHT AS WELL BE SPRING) was a great addition to the playlist. Sung in French, Blossom was actually American. She moved to France in 1952 and it’s where she met her future husband, the Belgian musician Bobby Jaspar. Blossom had an amazing career, performing right through until her 80’s. She passed away in 2009.
I dedicated that track to Ben from local band The Blackbirds, because I know he loves Blossom as much as I do. The Blackbirds need your support right now to fund their first independent album release and Australian tour. So if you would like to donate even the smallest amount, to this wonderful local group, go to fundbreak.com.au and search for ‘Blackbirds’.
You know, there are so many songs that link Springtime with Paris, that it’s almost a cliche. A version of I LOVE PARIS that surprised me was from the incorrigible Screamin’ Jay Hawkins. I also adore Little Willie John. He was actually the first one to record Fever, in 1956. It was made famous when Peggy Lee had a hit with it in 1958. His contribution to our Springtime show was I’VE GOT SPRING FEVER.
With all this jazz I thought I’d better slip in some 70’s rock/pop and who better than Electronic Light Orchestra? The track MR BLUE SKY is from their 1977 album Out of the Blue, written and produced by ELO frontman Jeff Lynne.
So many songs about Paris in springtime, so it was good to play an authentic French track. Jacques Brel’s AU PRINTEMPS was ideal. We followed with a nice jazz instrumental, I LOVE PARIS IN THE SPRINGTIME from Jacky Terrasson. And to round things out, some Latin freestyle with Stevie B, SPRING LOVE. Does this one take you back to the 80’s?
New Zealand band Dragon’s APRIL SUN IN CUBA was written, like many of Dragon’s hits, by keyboard player Paul Hewson who unfortunately died from a drug overdose in 1985. Lead singer Marc Hunter also passed away in 1998 from smoking related oesophageal cancer. The band continues to perform and are currently led by Marc’s brother Todd Hunter. Here’s a clip of the original line-up.
A great Aussie band from the 70’s were the Go-Betweens. The version of SPRING RAIN we played was recorded live at the Tivoli in Brisbane. The focal point of the Go-Betweens was the song writing skills of Robert Foster and Grant McLennan. Described by Village Voice critic, Robert Christgau, as “the greatest songwriting partnership working today.” Grant McLennan died of a heart attack in 2000.
I must admit that I do like a bit of ukelele so Claire’s suggestion of Leah Flanagan’s SEPTEMBER SONG sat well with me. There’s something about the uke, isn’t there? You can’t help but think of sunny times.
Which bring me to HERE COMES THE SUN from The Beatles:
A great little double that plays on the notion that Springtime is the ideal season for mating followed: The Marvelettes with WHEN YOU’RE YOUNG AND IN LOVE and the Dixie Cups with CHAPEL OF LOVE. Here’s a clip of the Dixie Cups. Loving the frocks girls.
Here’s a unforgettable piece of comedy for you. It’s from the soundtrack to the film The Producers. Remember SPRINGTIME FOR HITLER?
How good is Dinah Washington? SEPTEMBER IN THE RAIN was just one of a couple of songs that I was happy to include in our Springtime show. A track that’s usually associated with Christmas is IT MAY BE WINTER OUTSIDE BUT IN MY HEART IT’S SPRING by the Love Unlimited Orchestra. The show aired on the last day of Winter here in the southern hemisphere, so it was a perfect fit. We followed with Teena Marie’s YOU MAKE LOVE LIKE SPRINGTIME, whatever that means.
Next it was a song for all of you who supported BayFM during our Major Subscriber Drive. IF NOT FOR YOU from Bob Dylan.
Jolie Holland reckons that SPRINGTIME CAN KILL YOU. Hope not. A really beautiful tune is ANDORINHA DA PRIMAVERA from Portugese band Madredeus. They became world renowned after performing on the soundtrack of the Wim Wender’s film ‘Lisbon Story’.
The Flaming Lips reckon that YOU CAN’T STOP THE SPRING. This song is full of imagery, some of which I can’t pretend to understand, like “There she was just walking down the street, Smoking with her hands and walking with her feet, Keeping her paint cans underneath the seat, Keeping her hair dryer on her favorite piece of meat.” Hmmm.
The Magnetic Fields certainly know how to play with imagery too. Case in point: LOVE GOES HOME TO PARIS IN THE SPRING. Does it matter that they’re probably singing about Paris Tennesee, not Paris France? Not really.
The Velvets just tell it like it is on the doo-wop tune SPRING FEVER. And then it was time to close the show which we did with the very appropriate EVR’Y TIME WE SAY GOODBYE from Dinah Washington and YOUNGER THAN SPRINGTIME from Chet Baker and Art Pepper.
A big thank you again to all of you who subscribed to BayFM and mentioned Theme Park. Congrats to all our winners especially Carolyn Adams who gets to donate the Camp Quality holiday to a family in need, in her name.
Next week’s show reflects how I’m feeling right now: SONGS ABOUT BEING TIRED will be the theme. I tell you, we worked really hard during the Major Subscriber Drive! So get your thinking caps on and see what you’ve got for me. Here’s some inspiration: TIRED OF SEX by Weezer or WORKING IN THE COALMINE from Lee Dorsey. You get the idea.
Here’s this week’s complete playlist:
In The Springtime – Best Of Me, Maxi Priest
Spring Cleaning – Fats Waller Essential 15, Fats Waller
I Got The Spring Fever Blues – Ella Fitzgerald – All My Life, Ella Fitzgerald
C’est Le Printemps – From State Fair/Jazz Goes Hollywood, Blossom Dearie
I Love Paris – Screamin’ Jay Hawkins
I’ve Got Spring Fever – Essential Masters, Little Willie John
Mr. Blue Sky – Out of the Blue, Electronic Light Orchestra
Au printemps – Jacques Brel, Jacques Brel
I love Paris in the Springtime – Jacky Terrasson
Spring Love – Stevie B.
Cherry Pink And Apple Blossom – Perez Prado & His Orchestra
April Sun in Cuba – 30 Years of Classic Hits of the 60’s, Dragon
Spring Rain – Live at the Tivoli, Brisbane 06/08, The Go-Betweens
September Song – Nirvana Nights, Leah Flanagan
Here Comes The Sun – The Beatles
When You’re Young And In Love – Tamla Motown Gold (Dics 2), The Marvelettes
Chapel Of Love -Replay/Gold – Vol 1 No 5, The Dixie Cups
Springtime for Hitler – The Producers
September In The Rain – The Queen Of The Blues, CD4, Dinah Washington
It May Be Winter Outside – Now Thats What I Call Xmas, The Love Unlimited Orchestra
You Make Love Like Springtime – Irons In The Fire, Teena Marie
If Not For You – Essential Bob Dylan, Bob Dylan
In the Spring – Steppin’ Out, Braxton Brothers
Springtime Can Kill You – Springtime Can Kill, You Jolie Holland
A Andorinha da Primavera – O Paraiso, Madredeus
Love Goes Home to Paris In the S… 2:26 Magnetic Fields
Can’t Stop The Spring – Oh My Gawd!!, The Flaming Lips
Spring Fever – Doo Wop Classics, The Velvets
Ev’ry Time We Say Goodbye – The Queen Of The Blues, CD4, Dinah Washington
Younger Than Springtime – The Route, Art Pepper/Chet Baker
Next week: TIREDNESS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
You’re born, you learn, you work, you may reproduce and then you die. That’s pretty much it. But being human, we’re designed to question, argue and seek meaning in our life. We don’t all want the same thing: the kind-hearted want an explanation for poverty and suffering; the ambitious try to rise above everyone else and if you’re depressed you may be looking for a reason to even get out of bed in the morning. Yes, life’s a puzzle and I’m not sure that there are any definite answers. But songwriters can’t help themselves. Like all artists they’re fascinated by life’s mysteries.
HAPPY TALK, by jazz greats Nancy Wilson and Cannonball Adderley, is a great example of a Life Lesson song. Yeah, if you don’t have a dream, how are you going to make a dream come true? My dream for the next two weeks, at least, is that our wonderful community radio station, BayFM 99.9, gets as many annual subscriptions as possible because we’re in full Major Subscriber Drive mode at the moment. It made for a really busy show which was also loads of fun.
We got the show moving with one of my favourite artists. It’s a song that has one of the best messages, especially for an optimist like me: YOU CAN GET IT IF YOU REALLY WANT by Jimmy Cliff. Here he is perfoming the song with the Jools Holland Rythymn & Blues Band:
My choice of a Bob Marley song, and there were a few with life lesson lyrics to choose from, was his energetic attack on religions – the ones that neglect to preach “what life is worth”. The song, of course, is GET UP STAND UP.
Bob Dylan has a great life lesson song: DON’T THINK TWICE, IT’S ALRIGHT. Something I didn’t have to thinktwice about was the opportunity to work with Camp Quality over the next two weeks of BayFM’s Subscriber Drive. Camp Quality is a fantastic organisation that supports children suffering from cancer. They believe that laughter is the best medicine and so they aim to bring optimism and happiness to these children and their families. Jana Ayre, who volunteers for Camp Quality in the Northern Rivers co-hosted the show with me this week, because we had a very special prize for Theme Park listeners who subscribe to the station before August 29th.
Thanks to Possum Creek Eco Lodge in the hinterland of Byron Bay, we are offering a Camp Quality family a respite break. This holiday will be donated in one lucky subscriber’s name and that subscriber then receives the tax deduction for the donation. It’s a fantastic prize, based on kindness and community spirit – and you can’t get better than that! If you’re reading this and are inspired to subscribe and help keep community radio alive, whether you live in the Northern Rivers or not, just go online to http://www.bayfm.org and follow the prompts. Don’t forget to cite Theme Park as your favourite program!
Someone who did call in during the show to subscribe was a new resident in Byron, David Bridge. And he gets a special mention here because he also requested a terrific life lesson song for the show: UP THE JUNCTION from Squeeze. Thank you David! Now, this is how to write a complete story about everyone’s life in a little over 3 minutes:
Another goodie from our British songwriters is ON THE EDGE OF A CLIFF from The Streets, known to his Mum as Mike Skinner. Check it out:
I became a big fan of The Drive By Truckers when they appeared at the Byron Blues Festival a couple of years back. I even bought the t-shirt (now that’s commitment!). They do a great Life Lesson song – most people share the experience described by singer Patterson Hood and his 83-year-old friend on WORLD OF HURT: “To love is to feel pain.” The lesson here, I think, is to accept that pain can also be a positive thing.
De La Soul have a different kind of lesson. They reckon that sometimes you just have to TREAD WATER. They use cartoon creatures to get the message across. Very cute.
SO YOU WANT TO BE A ROCK N ROLL STAR? Well, the Byrds have some advice for you: All you have to do is get an electric guitar, take some time and learn how to play? Sounds easy enough. But maybe life is like that: Practice makes perfect.
Midway through the show the lovely Gaudi from a new restaurant in Byron, Italian at the Pacific, came in to draw the daily prize for one lucky subscriber. The prize, a day with the chef of the restaurant and dinner for 8 people was won by Craig McGregor whose daughter Claire is a regular contributor to the show (sorry couldn’t fit in Coward of the Country this week Claire!) and another daughter Sarah, a fantastic musician. So I know that this big family will absolutely love this brilliant prize.
THAT LUCKY OLD SUN, by Dean Martin, our weather song for today was suggested by Andrew who also subscribed again this year on Theme Park, so thank you so much for supporting BayFM Andy.
Next up it was a double dose of Ska: Jools Holland and Prince Buster with ENJOY YOURSELF and Dandy Livingstone with RUDY, A MESSAGE TO YOU.
Lots of subscribers ringing in by this stage (thank you one and all!), so I thought a great piece of disco was appropriate ’cause my spirit was uplifted by all the support. The song is one that really speaks to me: YOUNG HEARTS RUN FREE from Candi Staton. Here she is with a 1999 re-recording and video of her 1976 classic:
I think that QUE SERA, SERA (“whatever will be, will be”) has to be the ultimate Life Lesson song, don’t you? Look, I know that Doris Day pretty much owns this tune but the version we played this week was by Sly & The Family Stone. I was feeling in a funky mood, you see.
One of many suggestions from regular contributor Robyn had to be included, if only because it’s title was perfect: LIFE’S LESSONS from Lynyrd Skynyrd. And then it was one for Frank Zappa fanatic, Hudson: COSMIK DEBRIS:
Our major prize for those subscribing this year is an amazing trip to Broome and the Kimberley region of Western Australia. It’s in conjunction with the environmental group, Save The Kimberley. A great supporter of this cause is musician Xavier Rudd. And a great song with a life lesson, that he does so well, is BETTER PEOPLE.
Robyn had another request for a perfect Life Lesson song: DON’T STOP BELIEVING from Journey. So the least I can do is upload the video clip:
We closed the show with a classic: “You have to know when to hold em, you have to know when to fold em, know when to walk away, know when to run”. Yep, Kenny Rogers with THE GAMBLER. There was just a little bit of time, too, for a snatch of the Stones with YOU CAN’T ALWAYS GET WHAT YOU WANT. So because we didn’t get to play it all the way through, I’ll give them their due here. Check out a very young David Frost and an even younger Rolling Stones performing live in 1969:
Thanks to Jana from Camp Quality for coming in and helping host the show this week and to the many listeners who rang to subscribe. Thank you for your support of BayFM, Theme Park and Camp Quality. And if you haven’t subscribed yet, there is still time to get involved in this particular promotion. Just go to the BayFM website at: http://www.bayfm.org and follow the prompts to subscribe. You can also listen to the show online, there, as well.
I’d also love to hear from you with your requests for next week’s show when the topic will be THE ENVIRONMENT. You may be surprised at how many great songs there are on this topic, from all genres. I think this is going to be a very special show.
Here’s this week’s full playlist:
Happy Talk – Nancy Wilson & Cannonball Adderley,
You Can Get It If You Really Want – The Harder They Come, Soundtrack, Jimmy Cliff
Get Up Stand Up – Back To Zion, Bob Marley & The Wailers (incl. Peter Tosh)
Don’t Think Twice, It’s Alright – Best Of Bob Dylan
You’ve Got To Learn – Family/Friends/French Lesson, Nina Simone
Up The Junction – Singles, Squeeze
On The Edge Of A Cliff – Everything Is Borrowed, The Streets
A World Of Hurt – A Blessing And A Curse, Drive By Truckers
Tread Water – Feet High And Rising, De La Soul
So You Want To Be A Rock ‘n’ Roll Star – Byrds/20 Essentia,l The Byrds
That Lucky Old Sun – All Time Greats Vol 3 – The People, Dean Martin (Weather song for this week)
Enjoy yourself – Best Sellers, Jools Holland & Prince Buster
Rudy, A Message To You – This Is Ska!: 16 Original Ska Classics, Dandy Livingstone
Young Hearts Run Free – 54, Vol. 1, Candi Staton
Que Sera Sera (Whatever Will Be Will Be) – Take The Lead (Soundtrack), Sly And The Family Stone
Life’s Lessons – Vicious Cycle, Lynyrd Skynyrd
Cosmik Debris – Apostrophe, Frank Zappa
Better People – White Moth, Xavier Rudd
Don’t Stop Believing – Journey
The Gambler – Kenny Rogers
You Can’t Always Get What You Want – Hot Rocks, 1964-1971 [Disc 2] The Rolling Stones
Next week: THE ENVIRONMENT
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
You may have heard that revenge is sweet but the truth is that it can be devastating, (well for one of you at the very least!). Hey, but I’m not here to give you a reality check. We all know that being sensible is incredibly difficult when you’re the one suffering from jealousy, or you’re demoralized, humiliated or simply just mad as hell. It’s times like these that you can’t be blamed for at least fantasizing about acts of vengeance.
Songwriters are in a great position to retaliate against slings and arrows than us mere mortals. They can attack their enemies in song and get away with it. Its non-violent and, (here’s the best bit), they even get paid to do it! How good is that? Maybe success is the best revenge!
We started the show with the ‘Godfather of Soul’, Mr. James Brown, singing THE PAYBACK from the album of the same name, released in 1974. The song’s lyrics are about the revenge Brown intends to take against the man who betrayed him, stole his money and his woman. Triple ouch! Here’s a clip from a show he did in Zaire in the same year as the album was recorded. Loving the bling.
Why shouldn’t Ben Folds get a little upset on SONG FOR THE DUMPED? After all, she took off with his black t-shirt. Unforgiveable.
Two of the great revenge songs have been covered ad infinitum. Wilson Pickett does a great version of STAGGER LEE as does Sam Cooke with FRANKIE & JOHNNY so, of course, both had to be included in the list.
When Alanis Morissette recorded the album Jagged Little Pill it changed the course of her career. The whole album is a revenge tactic against an old boyfriend but YOU OUGHTA KNOW is the standout track. Here’s a clip recorded live at Nulles Part Aillerurs in 1995. No longer the pop/dance artist of her teenage years, she’s quite the rock chick by this stage.
Lily Allen is hilarious on her revenge song, NOT BIG. Is there a better way to get revenge on a guy than to suggest that he doesn’t stack up in a certain department? The gorgeous Rihanna, on the other hand resorts to BREAKIN’ DISHES when her man has been out all night cheatin’. Of course this was way before a certain incident indicated that breaking dishes wasn’t going to make much difference to this girl’s love life. But let’s don’t go there. There’s been enough said, surely. Let’s just check out a very hot performance:
It was time for a response from the male sector: Robert Cray tried to convince us that he came out on top in I GUESS I SHOWED HER. And on BB King’s and Etta James’ THERE’S SOMETHING ON YOUR MIND, you have to wait a while for the punchline, but it’s worth it.
The Beatles deliver a nice little revenge tale with ROCKY RACOON, from their White Album, and The Dixie Chicks use comedy to get away with murder in a song aimed squarely at the issue of domestic violence on GOODBYE EARL.
Jimi Hendrix does a great version of HEY JOE, about a guy who takes retribution when his wife cheats on him. Here he is performing on the TV show ‘It’s Lulu’, sometime in the 70’s, and I love the expression on his face when the guitar goes out of tune for a second. A bit of a bonus too, with an extra song – dedicated to Cream – ‘Sunshine of Your Love’.
Mississipi John Hurt sings about a woman who takes some drastic action when her man does her wrong on FRANKIE. Bob Dylan’s revenge song steers away from domestic dilemmas and, instead, is aimed squarely at the Greenwich Village residents who criticized his departure from traditional folk towards the electric guitar and rock music. The song is POSITIVELY 4th STREET.
Robyn requested IT’S ALL OVER NOW BABY BLUE. She loves the song so much she suggested that I could play any version I like. So here’s Graham Bonnet with his excellent cover of the Bob Dylan classic. The clip is dated 1977. Thanks Rob!
I also included two New Wave songs that fit our theme of ‘Revenge’ very nicely. First up, another request from Robyn: Graham Parker gives the bird to all those girls that rejected him once upon a time on LOCAL GIRLS. And Deborah Harry sounds something akin to a ‘bunny boiler’ on a track that takes me back – ONE WAY OR ANOTHER.
Next up, it was a brilliant revenge song from the Drive By Truckers. THE WIG HE MADE HER WEAR is from their latest album The Big To Do and is, in my humble opinion, the best thing on it. Wish I had a decent clip of this track for you but alas, nowhere to be found.
Another request came from Judi. She wanted to hear any version of CRY ME A RIVER. When you give me carte blanche like that what am I to do than to take the opportunity to slip in the very sensuous voice of Julie London? Judi, who lives miles away in Cairns, Northern Queensland, tells me that she listens on the Internet. You can do that too you know. Just go to the BayFM.org site at the time the show is on air and press the listen button. Simple as that.
For something completely different, it had to be Kate Miller-Heidke with a song that I had to censor a little for radio. But no problem with uploading a clip here on the blog, assuming you don’t mind very funny, if explicit, lyrics. Here’s a live version of ARE YOU F****ING KIDDING ME? (THE FACEBOOK SONG).
Had to include the classic revenge song, Nancy Sinatra’s THESE BOOTS ARE MADE FOR WALKING and something just a little more serious, J.J. Cale’s quite disturbing song about retribution, RIVER RUNS DEEP. But for a different kind of revenge song altogether, how about WHAT IF WE ALL STOPPED PAYING TAXES?, from Sharon Jones and the Dapkings. Yeah, let’s get back at the government! Brilliant idea.
We closed the show with an amazing track from The Decemberists: THE MARINER’S REVENGE SONG, a song filled with evil sea captains, vengeful mariners, giant whales, and much sea-faring woe. Revenge of the nerds, indeed.
Next week I won’t be here, but the lovely Des will be filling in for me with a show on MEN and I’ll be back the following week with a show on MADNESS.
In the meantime, remember that the greatest revenge is to live well.
Here’s this week’s complete playlist:
The Big Payback – The Big Payback, James Brown
Song for the Dumped – Whatever and Ever Amen, Ben Folds Five
Stagger Lee – I’m in Love, Wilson Pickett
Frankie & Johnny – Greatest Hits, Sam Cooke
You Oughta Know – Jagged Little Pill, Alanis Morissette
Not Big – Lily Allen
Breakin’ Dishes – Good Girl Gone Bad, Rhianna
I Guess I Showed Her – Strong Persuader, Robert Cray
There’s Something On Your Mind – BB King & Etta James
Revenge of the Sugar Plum Fairy – Transiberian Orchestra
Rocky Racoon – The Beatles (White Album) [Disc 1], The Beatles
Goodbye Earl – Fly, Dixie Chicks
Hey Joe – Jimi Hendrix
Frankie – Martin Scorsese Presents The Blues, Mississippi John Hurt
Positively 4th Street – Biograph (Disc 2), Bob Dylan
It’s All Over Now Baby Blue – Graham Bonnet
Local Girls – Squeezing out Sparks, Graham Parker
One Way or Another – Parallel Lines, Blondie/Deborah Harry
The Wig He Made Her Wear – The Big To-Do, Drive By Truckers
Cry Me A River – Diva Classics Icons, Julie London
Are You F*cking Kidding Me (Facebook Song) – Live At the Hi-Fi, Kate Miller-Heidke
These Boots Are Made For Walking – Boots, Nancy Sinatra
River Runs Deep – Naturally, J.J. Cale
What If We All Stopped Paying Taxes – The Dynamic Funk and Soul Sound of Daptone Records, Sharon Jones & The Dap-Kings
The Mariner’s Revenge Song – Picaresque, The Decemberists
Week after next: MADNESS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Tragically also on Facebook: http://www.facebook.com/maccalyn