This week we’re celebrating that Australia finally has a female PrimeMinister in Julia Gillard – it only took 109 years! The show was on the F word, no not THAT word – I’m talking FEMINIST SONGS, GRRRL POWER. It’s a complex topic and I had to have a criterion for the list, otherwise I would have gone absolutely nuts trying to make a selection. So it came down to the lyrics. Obviously what I think makes a feminist song is totally subjective, but hopefully my choices made for an interesting and fun couple of hours.
Le Tigre kicked the show off with HOT TOPIC, a song that pays tribute to dozens of female visual artists, musicians, writers and feminists who have inspired them, including Yoko Ono, Aretha Franklin, The Slits and others. Le Tigre was founded by Kathleen Hanna. She’d previously fronted the band Bikini Kill, a leading light in the Gen X Riot Grrrl movement of the early 90’s. Riot Grrrls didn’t just create music. They published zines, produced their artwork and group exhibitions. The movement spawned current performance artists like Amanda Palmer, Peaches and M.I.A. Have a peek at Le Tigre:
Moving into the show proper, we travelled back in time to 1963 when Peggy Lee recorded I’M A WOMAN. This was at a time when multi-tasking meant being able to do all the housework andpowder your nose at the same time. By 1975 Loretta Lyn had released the first song about birth control, called THE PILL, about a little dose of hormones that would change society and history forever. Can you believe that it was banned from radio? In 1975! We have come a long way baby.
Now you were probably wondering whether any songs about women, written by men, met with my approval. Well, there were a few, (not many mind you). Here’s one: In 1978, Queen speculated that it wasn’t gravity but, in fact, FAT BOTTOMED GIRLS that made the earth go round. Fascinating. Thirty years later the scientific community is still to respond, even though Queen’s guitarist Brian May (who wrote this track) was studying for a PhD in astronomy at the time, which lends some sort of credibility to the argument don’t you think? Over the years this song has proved a useful rebuff to the portrayal of women in popular culture as little more than skinny minnies. And, at the very least, you have to congratulate a song with the lyrics, “Take me to them lardy ladies every time!”.
Keeping to the theme, let’s talk about an artist who has the sisterhood in a quandry. Beyonce sings all about being an independent woman and, yet, she still wants her fella to put a ring on it. But I must admit a liking for Destiny’s Child and especially the track BOOTYLICIOUS. Here are women in possession of their own bodies, their own sexuality and their own lives. When they solemnly announce “I don’t think you’re ready for this jelly” in their ode to the joys of shakeable bottoms, the cheering from millions of pear-shaped women world-wide is deafening.
We followed with a song by the Scissor Sisters called SHE’S MY MAN, a song that tells of a woman who “takes her drinks with dust and rusty razor blades”. It then goes on to assert that “She’s my man and we got all the balls we need”. Not sure if this is a tribute to a transvestite or a particularly gutsy woman, but I’m somewhat encouraged by the fact, that in this age of sexual equality, it doesn’t really matter.
A couple of great duets were lined up next: Aretha Franklin and Annie Lennox with the 1985 anthem SISTERS ARE DOING IT FOR THEMSELVES and the 2003 release of CAN’T HOLD US DOWN by Christina Aguilerra and Lil Kim.
An artist who must surely qualify for our pro-feminist list is Peaches. She writes provocative lyrics that challenge traditional notions of gender. Her songs are nearly always sexually explicit which means that I can’t always include her in my playlists but there is one that did get away with playing this week, as it’s quite tame, for her anyway. Here she is with BOYS WANNA BE HER. Kick-ass band too.
The fight for sexual equality has always been one of the cornerstones of the feminist movement but back in the 40’s, way before we burnt our bras, the early Blues and jazz singers got away with murder with their proudly promiscuous and highly enjoyable music. You just heard Big Mama Thornton with her twist on the Sonny Boy Williamson song Good Mornin’ Little School Girl. Her version is called, what else, SCHOOL BOY. And then it was Julia and Her Boyfriends who know exactly what they want in GOTTA GIMME WATCHA GOT.
At the show’s half way mark Lesley Gore belted out YOU DON’T OWN ME, recorded in 1964 and covered later by Dusty Springfield and Joan Jett, among others. It also featured on the soundtrack of the film THE FIRST WIVES CLUB, a nice little revenge flick about three divorced women whose husbands have left them for younger models. It does happen you know! Here’s Lesley:
Next up it was a suggestion from Cath: Bluegrass duo Truckstop Honeymoon with BAD ATTITUDE. And to follow I chose an artist who has attitude with a capital ‘A’, M.I.A. with PAPER PLANES, on which she samples The Clash’s STRAIGHT TO HELL.
Had to include the wonderful Neko Case with PRETTY GIRLS, a song about abortion and the guilt-trip that’s put on women, particularly if they’re good looking. A nice pairing in tone, for this one, was WOMAN from John Lennon, a bloke who towards the end of his short life at least was very much the feminist.
If you’re looking for opinionated, then you can’t go past the next two tracks: First up, the great Patti Labelle with NEW ATTITUDE and Madison Avenue with WHO THE HELL ARE YOU?
Just saw the new film RUNAWAYS which I thought was going to be about Joan Jet but its not. It’s based on Cherry Bomb, the vocalist with the band, played to perfection by Dakota Fanning. Couldn’t help but be disappointed however with Kristin Stewart’s depiction of Joan. So, let’s make up for it with the stand out ‘up yours’ track, BAD REPUTATION. Here’s Joan Jett & The Blackhearts:
This one was a given: Aretha Franklin with a song that served both the Women’s Liberation & Civil Rights movements equally well. It is, of course, her cover of Otis Redding’s RESPECT.
Ani DiFranco is certainly no damsel in distress on NOT A PRETTY GIRL from the album of the same name, released in 1995 on her own record label with the fabulous name of Righteous Babe Records. Way to go: control the means of production!
Had to include another John Lennon track because he really was a card-carrying feminist. Here’s a clip of him performing WOMAN IS THE NIGGER OF THE WORLD on the Dick Cavett show. Having said all that, it does disturb me somewhat how submissive Yoko appears to be. Hmmmm. And, like, what’s with the drumming?
Heading towards the end of the show, there was just time to play Jeannie C. Riley’s HARPER VALLEY PTA about the struggles of a single mum in a small town, recorded in 1968. Riley was the first women ever to top the US pop and country singles charts with this song. The achievement would not be repeated until 1981 when Dolly Parton topped the same charts with the song you heard next – 9 to 5 – from the movie of the same name, about equality in the workplace.
Who better to close the show than Janis Joplin? This song was originally recorded by Big Mama Thornton and covered to perfection by Janis and Big Brother and the Holding Company in 1967. Here they are performing in Germany, 1969. The song: BALL & CHAIN.
Next week the theme will be UNLIKELY COVERS. Think Johnny Cash covering the Nine Inch Nails track HURT or Sonic Youth’s version of the Carpenters SUPERSTAR, that kind of thing. I’d love to hear from you with your own suggestions.
Here’s this week’s full playlist:
Hot Topic – Le Tigre
I’m A Woman – Peggy Lee
The Pill – Loretta Lynn
Fat Bottomed Girls – Queen
Bootylicious – Survivor, Destiny’s Child
She’s My Man, Ta-Dah, Scissor Sisters
Courtship of Eddie’s Father – Movie clip
Sisters Are Doin’ It For Themselves, Aretha Franklin/Annie Lennox
Can’t Hold Us Down – Stripped, Christina Aguilera and Lil Kim
Boys Wanna Be Her, Impeach My Bush, Peaches
Don’t Call Me Baby, Madison Avenue
School Boy – Ball n Chain, Big Mama Thornton
Gotta Gimme Watcha Got – Sugar in My Bowl, Julia & Her Boyfriends
You Don’t Own Me, Billboard Top 100 of 1964, Lesley Gore
Bad Attitude – Diamohds in the Asphalt, Truckstop Honeymoon
Paper Planes – Kala, M.I.A.
Pretty Girls – Blacklisted, Neko Case
Woman – Double Fantasy, John Lennon
New Attitude – Patti Labelle
Who The Hell Are You? – Madison Avenue
Women Know Your Limits – Harry Enfield BBC (Comedy Clip)
Bad Reputation – Joan Jett & The Blackhearts
Respect – Aretha Franklin
Not A Pretty Girl – Not A Pretty Girl, Ani DiFranco
Woman Is The Nigger of the World, The John Lennon Collection, John Lennon
Harper Valley P.T.A. – 60 Number One Hits of the 60’s, Jeannie C. Riley
9-5 – The Essential Dolly Parton, Dolly Parton
Ball & Chain – Cheap Thrills, Janis Joplin/Big Brother & the Holding Company
Next week: UNLIKELY COVERS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Our playlist this week was dedicated to SONGS WITH MEANINGLESS WORDS. We’re talking Na-na-na songs, obla-di songs, even la-la-la songs. Because, let’s face it, without meaningless words we may have missed out on some of our favourite pop anthems.
So WHO PUT THE BOMP IN THE BOMP, BOMP, BOMP, BOMP, BOMP? Well the original was recorded by Barry Mann in 1961. It parodied the nonsense words of the doo-wop songs that were popular during that period. Two that he refers to are the Marcels’ BLUE MOON and The Edsels’ RAMA LAMA DING DONG, which had both charted earlier that same year.
Ella Fitzgerald’s HOW HIGH THE MOON is a great example of scat singing, where the vocals are improvised using random and nonsense syllables. Fitzgerald is generally considered to be one of the greatest scat singers in jazz history. Pioneering Jamaican DJ and singer, Sister Nancy, also incorporates some scat into her chat with BAM BAM. Don’t ask me, I have no idea what BAM BAM means. And I’m not sure what BOM BOM means either. That was the title of our very own Daddy Cool’s contribution to this week’s list.
Time then for a counterpoint to all the merriment. There aren’t too many performers who could turn a “sha la la la” song” into one of romantic longing, but Tom Waits does so briliantly in JERSEY GIRL. And yes, I know that Bruce Springsteen does a version of this too, but it’s got to be Tom’s original version for me.
Way back in the 50’s The Gladiolas recorded LITTLE DARLIN’ in which they used their voices as instruments (adding an extra layer to the already full-on percussion). Their main aim wasn’t to experiment, however. All they wanted to do was to get you up dancing. As did The Crystals in 1963 with DA DO RON RON.
Yes, songs with MEANINGLESS WORDS have served generations of American black music very well indeed. And today, it seems it’s still all about the moves, baby. You only have to check out Beyonce’s SINGLE LADIES and my point is proven.
What I love about a show on SONGS WITH MEANINGLESS WORDS is that it gives me a great opportunity to play some comedy. Spike Milligan claimed that he wrote the YING TONG SONG as a bet with his brother, who claimed that Spike couldn’t get a song into the hit parade that only had two chords (in this case G and D7th). And Spike won!
We followed with punk group The Dickies with their version of BANANA SPLITS (The Tra-La La Song), from the soundtrack to the film Kick Arse and to round out the set, another fruit related song with some meaningless words, the wonderful Little Richard with TUTTI FRUTTI. I’m not sure where or when this concert took place, but I wish I’d been there!
Is there anyone in the world that doesn’t know the refrain from HEY JUDE by The Beatles? Na, Na, Na, Na- Na- Na. I don’t think so. That one was for Judi who listens via the Internet from Far North Queensland and who has sent me a very nice email. So big shout out to Jude!
It’s true that you can’t help but sing along to SONGS WITH MEANINGLESS WORDS isn’t it? Even Mr. Grumpy himself, Van Morrison, can’t help but deliver a song that, ironically, has made a lot of people very happy over the years: BROWN EYED GIRL.
Donna Summer’s version of STATE OF INDEPENDENCE was released in 1982 and featured a choir that included Michael Jackson, Dionne Warwick, Kenny Liggins, Lionel Richie, Stevie Wonder and others. She’s always been known for her powerhouse vocal delivery and she’s one of the most successful recording artists of the 1970s. Her website states that she has sold more than 130 million records worldwide. One of today’s most fascinating artists is Lady Gaga and we played BAD ROMANCE from her Fame Monster album which also has a few meaningless words in it. As of April 16, 2010, her music videos gained over one billion viral views, becoming the first artist to reach this milestone. So she obviously doesn’t need any help from me so I’m going to get you to have a peek at Donna Summer instead!
Its been mooted that catchy songs are just that because they’re easy to sing along to. Meaningless words seem to help that process. Here’s another example for you: The J. Geils Band with CENTERFOLD. We played this one in our ‘Fashion’ show, but its such a good example of meaningless words in a song, it had to be included here too. Na, na, na, na, na,
A great triple play of classics followed: Reggae artist Barrington Levy with HERE I COME, the great Otis Redding with FA-FA-FA-FA-FA (SAD SONG) and Major Lance with UM, UM, UM, UM, UM. Another classic that wouldn’t be the same without its meaningless words is NA NA HEY HEY KISS HIM GOODBYE from Steam. It may have been a bit of a one-hit wonder but its served sports fans very well, ever since it was recorded in 1969.
All girl Aussie band, The Spazzys, offered up SUNSHINE DRIVE, which first appeared on their Aloha Go Bananas! album. I found my copy on the soundtrack to the film Suburban Mayhem. Its easy to see that they’re influenced by The Ramones who had a song of their own called PINHEAD that produced their concert catch-cry “Gabba, Gabba, Hey!”. For some reason that I can’t fathom, I didn’t actually play this song but, as penance, here’s a clip to satisfy all you Ramones fans. Who said punk was dead?
Back to some Pommy classics: the Kinks with DAVID WATTS, the Beatles with OB-LA-DI, OB-LA-DA and Manfred Mann with DO WAH DIDDY DIDDY. How upbeat is this little ditty? Check it out:
Pocket rocket, Brenda Lee recorded a very catchy tune that uses meaningless words, DUM DUM. No idea what the words mean and I’m not sure that Sting and the Police have a clue what they’re singing about when they declare DE DO DO DO, DE DA DA DA.
Another couple of classic tunes with meaningless words came from The Drifters with I COUNT THE TEARS and the Delfonics with LA LA MEANS I LOVE YOU. Does that mean that if you go to local club La La Land you’ll find love? Hmmmmm, don’t think so somehow.
We signed off with a doozy: GOOD MORNING STARSHINE by Oliver. Impossible not to singalong to this one.
Next week’s show will be on SHELTER. I’m thinking of both interpretations of the word. It could be a building or it could be the protection or refuge you find in something or someone. So get those suggestions in and, yes of course, the Stones GIMME SHELTER is a given!
Here’s this week’s playlist:
Who Put the Bomp (In the Bomp, Bomp, Bomp) – #1 Hits of the ’50s Volume 4, Barry Mann
Rama Lama Ding Dong – The Rama Lama Ding Dong EP, The Edsels
Blue Moon – The Original 60’s Summer Album, The Marcels
How High The Moon – Conﬁrmation, Ella Fitzgerald
Bam Bam – One Two, Sister Nancy
Bom Bom – The Essential Daddy Cool [Disc 1], Daddy Cool
Jersey Girl – Heartattack And Vine, Tom Waits
Little Darlin’ – Rock n’ Roll Boogie Hits Of ’57, The Gladiolas
Da Do Ron Ron (Re-Recorded / Remastered) – – Soundtrack To The ’60s (Re-Recorded / Remastered, The Crystals
Single Ladies (Put A Ring On It) – Beyoncé
Ying Tong Song – Let’s All Sing Along With The Goons, The Goons
Banana Splits (The Tra La La Song) – Dickies
Tutti Frutti – Little Richard, Little Richard
Hey Jude – The Beatles
Brown Eyed Girl – Van Morrison
Bad Romance (Album Version) – Lady Gaga
State of independence – Donna Summer, Donna Summer
Centerfold – Best Of The J Geils Band, The J Geils Band
Here I Come – Here I Come, Barrington Levy
Fa-Fa-Fa-Fa-Fa (Sad Song) – Otis Redding
Um Um Um Um Um – Soul Masters: Um Um Um Um Um, Major Lance
Na Na Hey Hey Kiss Him Goodbye – ’60s: Gold, Steam
Heebie Jeebies – A Portrait Of New Orleans Jazz CD1, Louis Armstrong
The Sunshine Drive – Suburban Mayhem Soundtrack, The Spazzys
Do Wah Diddy Diddy – The British Invasion: History of British Rock, Vol. 2, Manfred Mann
Ob-La-Di, Ob-La-Da – The Beatles (White Album) [Disc 1], The Beatles
David Watts – Greatest Hits, The Kinks
Dum Dum – Sweet Nothin’s, Brenda Lee
de do do do, de da da da – The Very Best, Sting & The Police
I Count The Tears – Greatest Hits, The Drifters
La La Means I Love You – The Legend of The Delfonics, The Delfonics
Good Morning Starshine – Billboard Top 100 Of 1969, Oliver
Next week: SHELTER
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time