When it comes to popular music, there’s crazy and then there’s CRAZY. According to a lot of the songs in our play-list today, crazy is how you feel when you’re infatuated with someone and hey, while that can be confusing, its also a lot of fun. Even Sigmund Freud acknowledged: “one is very crazy when in love”.
The good thing about being a bit loopy is that it can produce some great songwriting. And while we included a lot of “crazy in love” type tunes in the show this week, we also entered into some heavy territory with material written by a few of our tortured souls. The truth is that any song about mental illness can make you uncomfortable to some extent, either because its too frivolous or because its too close to the bone. But you know that here at the Theme Park we like to live dangerously.
We opened the show with Gary Jules’ cover of the Tears for Fears song MAD WORLD. I first heard this version on the brilliantly eccentric movie Donnie Darko. Requested by Clare, it proved to be a great start to a show full of songs about trying to stay sane in this crazy, crazy world.
We moved on with a couple of fairly harmless tunes about losing your marbles – and from completley different ends of the musical spectrum: I THINK I’M PARANOID from Garbage and TWISTED from jazz legend Annie Ross, with help from Dave Lambert and Jon Hendricks.
A country tune that regards the issue of mental health very seriously indeed is called PSYCHO. The version we played was by Jack Kittel and, to be honest, it really creeped me out. So I was happy to follow with the more innocent NERVOUS BREAKDOWN, essentially an upbeat love song from the great Eddie Cochran.
Let’s get the Australian attitude to insanity into perspective: I had an email during the week from Sue, asking me for the origin of the expression ‘mad as a meat axe’, meaning ‘nuts, crazy or insane’. Here’s what I discovered: this is a uniquely Australian expression that you won’t find anywhere else in the world. It joins a whole group of expressions that start with the words ‘as mad as’ such as ‘mad as a beetle’ (the insect that is), ‘mad as a dingbat’, ‘mad as a gum tree full of galahs’ and ‘mad as a cut snake’. These expressions are recorded as far back as 1910 and are nothing more than verbal creativity gone wild.
And talking of wild, we had to include James Brown’s song about his fear that, if his girlfriend leaves him, he’ll GO CRAZY. And then it was one of the craziest songs (and videos) ever: The Avalanches with FRONTIER PSYCHIATRIST:
Had to include Gnarls Barkley’s hit CRAZY because, not only is it pop perfection, it was requested by both Lynden and Robyn. Al Royal from BayFM’s Friday 10pm slot, asked for INSANE IN THE BRAIN from Cypress Hill. And how could I refuse?
There’s always room for a great jazz standard and this week we included Peggy Lee with YOU’RE DRIVING ME CRAZY. Judi tells me she’s a huge Patsy Cline fan and so, as predictable as it might be, there was no way we were leaving out the queen of country’s signature tune, CRAZY.
Changing the tone somewhat, it was time for a track from someone who knows just a little bit about crazy behaviour: Ozzy Osbourne and Black Sabbath with PARANOID. And you’ve got to love Goldie Lookin’ Chain’s YOUR MISSUS IS A NUTTER, supposedly about Posh & Becks.
According to The Pixies songwriter, Black Francis, WAVE OF MUTILATION is about “Japanese businessmen doing murder-suicides with their families because they’d failed in business, and they’re driving off a pier into the ocean.” Wild concepts like this make The Pixies a hard act to follow, but Beth Hart gives it a good shot with a cover of Belinda Carlisle’s LEAVE THE LIGHT ON:
The novelty song, HOORAY, HOORAY, I’M GOING AWAY was recorded in 1947, by Beatrice Kay, and it’s an obvious forerunner to Napolean 14th’s 60’s hit, THEY’RE COMING TO TAKE ME AWAY, HA HA. Born in 1907, Beatrice was a singer, vaudevillian, stage and film actress and she even hosted her own radio show. She died in 1979.
Still alive and kicking is the wonderful Mose Allison who gave us one of the ‘crazy in love’ songs that make up a lot of this week’s show: LOST MIND. But if you’re looking for authenticity in your songs about madness, then country singer Porter Wagoner is your man. He wrote THE RUBBER ROOM after spending some time in a mental hospital for a little R&R.
Which brings us to 19th NERVOUS BREAKDOWN from the Rolling Stones. Released in 1966 on the Aftermath album, it’s well known for Bill Wyman’s dive-bombing bass line at the end of the song:
But if you want to talk scary mad, then it has to be the brilliant PSYCHO KILLER from the one and only Talking Heads.
Whew, I was feeling the need for a little more lightness in the list. Relief came with one of the great Blues artists, Little Walter, with CRAZY MIXED UP WORLD. And despite the title of the song, there is nothing but pure joy in the song that gave a certain Ska group their name: from Prince Buster it is, of course, MADNESS. Here he is performing alongside Suggs and Georgie Fame. How good is that?
Green Day’s contribution to our line-up of loony tunes was BASKET CASE and we followed with one of the first grunge/garage bands, The Sonics, with PSYCHO. Love that band! Kurt Cobain cited them as a great influence, so it was fitting that we included a track from the group whose lead singer and songwriter suffered from manic depression and drug dependency that, unfortunately, led to his suicide. I chose the Nirvana song they wrote about another tragic public figure: FRANCES FARMER WILL HAVE HER REVENGE ON SEATTLE.
But if you want to talk influential then The Ramones are on everyone’s list. So much to choose from with these guys and requests by multiple listeners, but for me it had to be I WANNA BE SEDATED.
Bruce Hornsby is a versatile and prolific artist. Known for the spontaneity and creativity of his live performances, Hornsby draws frequently from classical, jazz, bluegrass, folk, Motown, rock, blues and jam band musical traditions with his songwriting. But we didn’t play one of his originals today but instead it was a great version he does of Elton John’s MADMAN ACROSS THE WATER.
Theme Park is followed by a great show called Postmodern Backlash, (still not quite sure what that means!), and its hosted by Hudson. So because I know that he loves his calypso music I also included The Mighty Sparrow with MAD BOMBER.
We finished the show with Pink Floyd’s SHINE ON YOU CRAZY DIAMOND. The song is their tribute to former band member Syd Barrett who left the band in 1968 amidst speculation of mental illness aggravated by heavy drug use. As gloomy as that sounds it’s a beautiful piece of music and a fitting end to the program.
Next week I’ll be celebrating Australia’s first female Prime Minister (go Julia!) with a show on WOMEN. I’d love to receive your requests and suggestions.
And here’s my final word on madness: Remember what Hunter S Thompson had to say: “I wouldn’t recommend sex, drugs or insanity for everyone, but they’ve always worked for me.”
Here’s this week full list:
Mad World – Donnie Darko Soundtrack, Gary Jules
I Think I´m Paranoid – Version 2.0, Garbage
Twisted – Jazz Legends: Divas (Disc 2), Annie Ross +Lambert/Hendricks
Movie Clip – Insane Asylum
Psycho – Jack Kittel
Nervous Breakdown – Eddie Cochran
I’ll Go Crazy – Try Me, James Brown
Frontier Psychiatrist – Frontier Psychiatrist, The Avalanches
Crazy – Gnarls Barkley
Insane in the Brain – Black Sunday, Cypress Hill
You’re Driving Me Crazy – While We’re Young, Peggy Lee
Crazy – Patsy Cline
Paranoid – Paranoid, Black Sabbath
Mad Lad – You Never Can Tell (His Complete Chess Recordings, Chuck Berry
Your Missus Is A Nutter – Goldie Lookin’ Chain
Wave of Mutilation – Pump up the Volume [Motion Picture Soundtrack], The Pixies
Leave The Light On – Leave the Light On, Beth Hart
Hooray Hooray I’m Going Away – Beatrice Kay
Lost Mind – Promised Land, Mose Allison
The Rubber Room – Porter Wagoner
19th Nervous Breakdown – Hot Rocks, 1964-1971 [Disc 1], The Rolling Stones
Clockwork Orange clip
Psycho Killer – Talking Heads
Crazy Mixed Up World – Rock N’ Roll ’50s Blues Essentials, Little Walter
Madness – Prince Buster
Basket Case – Dookie, Green Day
Sound grab: Psycho/The Murder – Psycho/Hitchock, Composer Bernard Hermann/Los Angeles Philharmonic
Psycho – Maintaining My Cool, The Sonics
Frances Farmer Will Have Her Revenge on Seattle – In Utero, Nirvana
I Wanna Be Sedated – The Ramones
Madman Across the Water – Two Rooms: Celebrating the Songs of Elton John, Bruce Hornsby
Mad Bomber – King Sparrow’s Calypso Carnival, The Mighty Sparrow
Shine On You Crazy Diamond – Wish You Were Here, Pink Floyd
Next week: WOMEN
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Just to prove that I don’t take anything too seriously, especially sex, we opened this week’s show with BUSINESS TIME from the absolutely brilliant Flight of the Conchords.
The ‘sexy’ theme seemed to connect with many of our listeners because I had quite a bit of input this week. And its clear that different music serves different moods. For smooth and erotic you can’t go past R&B and for hot and heavy it has to be rock or funk. I tried to steer away from the patently obvious, but some sex anthems just couldn’t be omitted because, hey what the hell, they do it for me!
What makes a song sexy? Sometimes it’s in the smallest details. It can be an erotic tone to the voice or a throbbing bassline. A song that does both has to be AM I THE ONE from the amazing Beth Hart.
On FOXY LADY, Jimi Hendrix’s instrument isn’t so much a guitar as a penis with an amplifier. Even Hendrix might have met his match with Betty Davis, especially when she sings IF I’M IN LUCK I MIGHT JUST GET PICKED UP. Her hubbie, Miles Davis, suspected the two of having an affair at one stage. Despite the song’s title, her carnal, funk-rock delivery leaves no doubt as to who’s picking up who here.
OK, let’s calm down a bit. Time for the wonderful Dusty Springfield with BREAKFAST IN BED. On this track she offers a shoulder to cry on, and much more as well. I have to agree with listener Ian that Al Green just can’t be left out of a playlist of sexy songs, so I included LETS STAY TOGETHER to keep both of us happy.
Dinah Washington and Julia Lee were a couple of free-spirits who used the thin veil of double entendre to sing about their basic desires. Long before she made a name for herself singing the Great American songbooks, Washington often sang from a far more racy playlist that included the blatantly provocative BIG LONG SLIDIN THING. And Julia Lee & Her Boyfriends weren’t ashamed to demand that you DON’T COME TOO SOON.
Chris Isaak is one sexy looking dude and the perfectly pitched WICKED GAME was a certainty for this list. As was the far more explicit HEAD from pocket sexpot Prince. You can’t get a decent Prince clip and I prefer to show you the Isaak clip any old way. Helena Christiansen and Chris Isaak, directed by Herb Ritts. A no-brainer.
Santana’s SAMBA PA TI was suggested by Lynden who says that author Nick Hornby nominated it as a ‘song that exudes sex, despite having no lyrics/ vocals”. I think he may be right.
Alison Goldfrapp is the perfect fusion of disco, glam and electro. Not to mention sex. Check out the video clip of TWIST:
Is there a lyric as sexy as Kate Bush’s breathy, evocative “Mmmm yes” on THE SENSUAL WORLD?
Tim Buckley’s GET ON TOP was requested by Tracey, who assures me that his album, ‘Greetings From LA’ is what you need if you want to rock the Casbah with someone special. I can’t actually argue with that. After all, he talks in tongues and how good is that?
One of my favourite sexy songs comes from ex Belle & Sebastian member, Isobel Campbell, and Queens of the Stone Ager, Mark Lanegan, who sing the very provocative COME ON OVER TURN ME ON. Irresistible. I’d be over in a flash.
Don’t ask me what the title of Happy Mondays BOB’S YER UNCLE means but the lyrics seem to have as much to do with an Uncle Bob as Prince’s Red Corvette is about a car.
Fiona Apple’s song CRIMINAL is apparently a guilty admission about using your sexuality to get what you want. So that’s a bad thing, right?
Two songs that I find pretty sexy, although they couldn’t be more different, followed. On paper, the lines, “Will you come inside me/Do you wanna ride inside my love?” would seem to defy subtlety, but Minnie Riperton’s famous five-octave range lends those words an almost spiritual dimension on INSIDE MY LOVE. Minnie’s polar opposite is the one and only Janis Joplin. From one of my top 10 albums, Cheap Thrills, I chose the desperate yearning of I NEED A MAN TO LOVE.
How sexy is Marvyn Gaye’s LET’S GET IT ON? Here he is a the 1980 Monreux Festival. Someone hand that man a towel! Hotter than hot.
Another sexy song, from the gorgeous vamp Meow Meow, is I’M HUNGRY (AND THAT AIN’T RIGHT). She’s a fantastic New York based cabaret performer that I saw in Sydney in March. If you ever get a chance to catch her act, do it!
Heading towards the end of the show and I hadn’t played any hard rock! Easily fixed with AC/DC’s YOU SHOOK ME ALL NIGHT LONG. The music video has proven to be somewhat controversial with its use of leather clad women and a mechanical bull. During the shot with the bull, the woman playing lead singer Brian’s lover accidentally jabbed herself with her spur twice. The roadie who came to her aid married her a year later. Angus gave them a mechanical bull for a wedding present as a joke. When asked about the meaning of the video, the band said that its goal was to, quote, “be as politically incorrect as possible.” See what you think:
A natural closer was another rock classic – WHOLE LOTTA LOVE, by Led Zeppelin and we even got to fit in about 20 seconds of disco queen Donna Summer’s LOVE TO LOVE YOU BABY. Oh, come on, I had to have at least one disco cliche in there, surely.
Thanks to Steve from Sax Leather in the Byron Industrial Estate for a great giveaway of some very saucy sex toys. And thanks too to the Gay Mardi Gras Film Festival, which is taking place this weekend at the Dendy Cinemas, for their ticket giveaway.
Thanks also to Lynden, Tracey, Julie, and Steve for your suggestions this week. Apologies to those whose songs didn’t make the list including Andrew whose pick of Ian Dury’s WAKE UP AND MAKE LOVE TO ME, while amusing, wasn’t what I’d call erotic. But I love having your input. And that brings me to next week’s theme, which was going to be on Winter until I remembered that I’d done that last June! So a little segue to the left and we’ll do a show on BAD WEATHER. Rain, storms, wind and even snow. So get your thinking caps on, preferably a nice little woolly beanie and let me know what you’d like to hear.
Here’s this week’s playlist:
Business Time – Flight of the Conchords
Am I The One – Beth Hart
If I’m In Luck I Might Get Picked Up – Betty Davis, Betty Davis
Foxy Lady – Experience Hendrix: The Best Of Jimi Hendrix, Jimi Hendrix
Breakfast In Bed – Anthology Disc 2, Dusty Springﬁeld
Let’s Stay Together – Tarantino Experience II, Al Green
Big Long Slidin’ Thing – Ultimate Rock N’ Roll Drinkers & Sinners, Dinah Washington
Don’t Come Too Soon – Ultimate Rock N’ Roll Drinkers & Sinners, Julia Lee And Her Boyfriends
Wicked Game – Best of Chris Isaak, Chris Isaak
Head – Dirty Mind, Prince
Samba Pa Ti – The Ultimate Collection (CD1), Santana
Twist – Black Cherry, Goldfrapp
The Sensual World – The Sensual World, Kate Bush
Get On Top – Greetings From L.A., Tim Buckley
Come On Over (Turn Me On) – Sunday At Devil Dirt, Isobel Campbell And Mark Lanegan
Criminal – Fiona Apple
Bob’s yer Uncle – The Platinum Collection [Re-Mastered], Happy Mondays
Inside My Love – Perfect Angel / Adventures In Paradise, Minnie Riperton
I Need A Man To Love – Cheap Thrills, Janis Joplin/Big Brother & The Holding Company
Stay With Me Til Dawn – Smooth Groove Masters
Let’s Get It On – Anthology (Disc 2), Marvin Gaye
I’m Hungry (and that ain’t right) – Here kitty kitty … the lost sessions, Meow Meow & Thomas M.Lauderdale
You Shook Me All Night Long – Back in Black, AC/DC
Whole Lotta Love – Early Days: The Best of Led Zeppelin, Vol. 1, Led Zeppelin
Love To Love You Baby – Donna Summer
Next week: BAD WEATHER
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time