The Royal Family have been attracting a fair bit of attention lately. Kate and Wills got married, Fergie is in detox and, according to her ex-chef, the Queen likes wholemeal toast for dessert. Riveting stuff.
All this just made me think about artists with a royal sounding name. Much more interesting, I’m sure you’ll agree. We opened the program with a track suggested by one of the Saturday Blues boys. Ken directed me to a fantastic album called The Duke Meets the Earl. It features two virtuoso blues guitarists, Duke Robillard and Ronnie Earl. The whole album is a cracker but I chose a track that’s indicative of how my week’s been going so far: LOOKIN’ FOR TROUBLE. I couldn’t find a clip of both artists performing the song together, but here’s Duke Robillard filmed at Callahan’s in November 2010:
Carol King has written a lot of great pop songs and she’s still going strong. Her 1962 hit IT MIGHT AS WELL RAIN UNTIL SEPTEMBER was originally a demo that turned out so well the record company decided to release it. Smart move.
Nat King Cole and Ella Fitzgerald do a great version of STORMY WEATHER. Ella was often referred to as “Lady Ella” and you can’t get a more royal sounding name than Nat King Cole, can you? And then it was something completely different. Princess Superstar with LIFE IS BUT A DREAM. And congrats to the Princess who this week gave birth to a baby girl! Happy Mother’s Day.
OK, he may not actually have King in his name, but we all know who we’re talking about when we refer to ‘The King’: Elvis Presley of course. BURNING LOVE went out to Faye. “Lord Almighty, I feel my temperature rising, higher higher, it’s burning through to my soul …”
Sharon Jones and the Dap Kings JUST DROPPED IN TO SEE WHAT CONDITION MY CONDITION WAS IN. Thanks Sharon. Doing fine. Considering all the trouble I’m in.
King Curtis’ MEMPHIS SOUL STEW is an ode to musicians of all kinds. Check out Jerry Jermott on bass. Amazing.
I like a bit of diversity in the playlist, so I included an indie pop group from Sweden called Acid House Kings with WOULD YOU SAY STOP? It’s from their latest album Music Sounds Better With You. What is it about the Swedes and their pop music?
My Kings of Leon pick was a great song: CALIFORNIA WAITING. Check out Caleb’s Prince Valentine hairdo on this live performance:
Another artist with a royal sounding name is Prince Rogers Nelson, better known simply as ‘Prince’ to us plebs. KISS was followed by another classic, a gorgeous piece of soul from Ben E King called STAND BY ME. Ben E King was one of the original Drifters and when he was only 9 years old he was a member of the group The Three Crowns, so there you go, another reason why he should be included as one of our artists with royal sounding names.
We went way back to 1932 with: IT DON’T MEAN A THING IF IT AIN’T GOT THAT SWING by Duke Ellington and his Orchestra with vocals by Ivie Anderson. If, like me, you love your nostalgia, then you must tune in to BayFM on Saturdays from 8am when Jill brings you a fantastic show called MUSICAL KALEIDIOSCOPE.
I went way out on a limb with my next choice: I reckon the inclusion of Jesus and Mary Chain was justified on the basis that Jesus was King of the Jews. Right? Their version of SURFIN’ USA went out to Charlotte.
Now I couldn’t do a show about musicians with royal names without including B.B.King. HAPPY BIRTHDAY BLUES went out to anyone who’s had a birthday recently, but in particular to my friend Cheryl who had a great birthday party on Saturday night (and I’m still recovering!), and David who was sick with the flu on his birthday. How unfair is that?
Our goodbye track was from a group that I consider rock royalty: Freddy Mercury and Queen with THESE ARE THE DAYS OF OUR LIVES.
Next week’s show will be on CONCERTS. It can be about attending a performance or actually being on stage. I’m thinking of songs like DAFT PUNK IS PLAYING AT MY HOUSE by LCD Soundsystem. See what you can come up with and get in touch!
Here’s this week’s complete playlist:
Lookin For Trouble – Ronnie Earl & Duke Robillard
It Might As Well Rain Until September – Carole King
Stormy Weather – Nat King Cole & Ella Fitzgerald
Life Is But A Dream – Princess Superstar
Burning Love – Elvis Presley
Just Dropped In To See What Condition My Condition Was In – Sharon Jones & The Dap-Kings
Memphis Soul Stew – King Curtis
Would you say stop? – Acid House Kings
California Waiting – Kings of Leon
Kiss – Prince
Stand By Me – Ben E. King
It Don’t Mean A Thing If It Ain’t Got That Swing – Duke Ellington & His Orchestra Feat. Ivie Anderson
Surfin’ USA – The Jesus & Mary Chain
Happy Birthday Blues – BB King
These Are The Days Of Our Lives – Queen
Next week: SONGS ABOUT CONCERTS
Most love stories are about people who fall in love with each other. But what about the one-sided love affair? If we were rational we’d acknowledge that its simply addictive emotional masochism; the more unsuitable or unattainable the object of desire, the stronger the fascination. But when you’re madly in love with someone who doesn’t know you exist, being rational is the furthest thing from your mind. We’ve all been there. You feel like the walking wounded, the unloved one, the handicapped without the advantage of a great parking space! Charlie Brown says it best: “Nothing takes the taste out of peanut butter like UNREQUITED LOVE.”
We opened the show with THE GIRL FROM IPANEMA from one of the best bossa nova singers ever, Astrud Gilberto, performing with Joao Gilberto and Stan Getz. There really was a girl from Ipanema – a 15 year old called Heloisa Pinto who used to walk past the Rio bar frequented by the songwriters,Vinicius Morais and Antonio Jobim. The song is a sweet tribute to the totally unattainable as well as an ode to youth. This music video is from the 1964 film “Get Yourself a College Girl”:
KILLING ME SOFTLY WITH HIS SONG has been covered by many artists, most notably by Roberta Flack, whose 1973 version topped the U.S. pop singles charts and won a Grammy Award. We opted to play the equally successful 1996 version, simply called KILLING ME SOFTLY, by Hip-Hop group The Fugees with Lauryn Hill on lead vocals.
Whitney Houston’s version of I WILL ALWAYS LOVE YOU, released in 1992, became one of the best-selling singles of all time. It was written and originally recorded by Dolly Parton and her poignant and bittersweet version, with Parton’s trademark twang, was my choice this week.
I had to include Billy Bragg’s gentle, yet disturbing, song about a classroom crush, THE SATURDAY BOY, even if it was just for the line: ”I had to look in the dictionary/ To find out the meaning of unrequited.” The Violent Femmes’ upped the ante with a song about repressed lust. ADD IT UP has Gordon Gano promising himself, ‘the day after today I will stop’, but the music’s pent-up passion suggests otherwise.
When I announced this week’s theme there was lots of correspondence regarding which genre of music does ‘unrequited love’ best. Yes, I agree with BayFM’s Cowboy Sweetheart that country singers have it pretty much all sewn up, but you can’t go past a little soul music when it comes to love songs, requited or not. A couple of examples: JUST MY IMAGINATION from the Temptations and CUPID from Sam Cooke. And I didn’t forget the soulful sound of Ray Charles with YOU DON’T KNOW ME, delivering a duet with Diana Krall, from his Genius Loves Company album.
Joe Jackson is wonderfully incredulous when he asks: IS SHE REALLY GOING OUT WITH HIM? The Cars, on the other hand, are obsessed with their BEST FRIEND’S GIRL while Bowling For Soup are going nuts over the GIRL ALL THE BAD BOYS WANT. I love a band with a sense of humour. Check out the video from Bowling For Soup. By the way, the band’s name was derived from a comedy act by Steve Martin.
Now if you need convincing that country singers are the kings and queens of the lovelorn, here’s Patsy Cline with I FALL TO PIECES, from the Glenn Reeves Show, February 23, 1963.
LAYLA by the Eric Clapton’s group, Derek & The Dominos, is a tale of unrequited love inspired by Clapton’s relationship with his friend George Harrison’s then wife, Pattie Boyd Harrison. Here’s a video clip from 1984 of Eric Clapton peforming the song live with Bill Wyman on bass, Charlie Watts on drums, Jeff Beck on guitar, Stevie Winwood on piano …. have I died and gone to heaven?
A song that elevates lovelorn moping to operatic heights is Ben E King’s I WHO HAVE NOTHING and another, possibly, is Dionne Warwick’s WALK ON BY, written by Burt Bacharach and David Hal. It was recorded by Warwick in 1964 and became a landmark single for her.
A year later Donovan released his first single, CATCH THE WIND, and in 1967 The Small Faces recorded TIN SOLDIER, a song Steve Marriott wrote to his first wife Jenny. The song signalled a return to the band’s R&B roots after their previous forays into psychedelic rock and other musical experiments. P.P. Arnold can be heard singing back up vocals. Here’s some rare footage of The Small Faces with P.P. Arnold performing on Belgium television. The year was 1968. Go the Mods!
Written by the Bee Gees, IF I CAN’T HAVE YOU was given to Yvonne Elliman when the group became involved in the soundtrack for the 1977 film Saturday Night Fever. She scored a #1 hit in the US with the track.
Going a bit further back in time is the Everly Brothers version of ALL I HAVE TO DO IS DREAM. Recorded in 1958, it was recorded in just two takes and features Chet Atkins on guitar. The B side “Claudette” was the first major songwriting success for Roy Orbison. Two years later, Orbison recorded ONLY THE LONELY, his first major hit. An operatic rock ballad, it was a sound unheard of at the time, described by the New York Times as expressing “a clenchied, driven urgency.” Here’s Roy performing the song during the Black & White Night concert. No-one does it like the Big O.
From the sublime to the ridiculous: a teenager falls in love with a pin-up girl, in a picture dated 1929, in The Who’s PICTURES OF LILY and Fountains of Wayne sing about a schoolboy’s lust for his friends mother in STACEY’S MUM.
And then it was a couple of classics: FOR NO ONE from The Beatles Revolver album, written by Paul McCartney and a track from one of my all-time favourite albums, I’M WAITING FOR THE DAY from the Beach Boys Pet Sounds album.
In an effort to shake the lovelorn out of the doldrums, we closed the show with Radiohead’s masterpiece of poetic self-loathing, CREEP.
Here’s the complete playlist:
The Girl from Ipanema – Astrud Gilberto / João Gilberto / Stan Getz
Killing Me Softly – The Fugees
I Will Always Love You – Dolly Parton
Diary – Bread
The Saturday Boy – Billy Bragg
Add It Up – Violent Femmes
Cupid – Sam Cooke
Just My Imagination – The Temptations
You Don’t Know Me – Ray Charles & Diana Krall
Strange And Beautiful (I’ll Put A Spell On You) – Aqualung
Is She Really Going Out With Him – Joe Jackson
My Best Friend’s Girl – The Cars
Girl All the Bad Boys Want – Bowling For Soup
White Flag – Dido
My Eyes Adored You – Frankie Valli & the Four Seasons
I Fall To Pieces – Patsy Cline
Layla – Derek & The Dominos
I’ll Kill Her – SoKo
I Who Have Nothing – Ben E. King
Walk On By – Dionne Warwick
Catch The Wind – Donovan
Tin Soldier – The Small Faces
If I Can’t Have You – Yvonne Elliman
All I Have To Do Is Dream – The Everly Brothers
Only The Lonely – Roy Orbison
Pictures Of Lily – The Who
Stacey’s Mom – Fountains of Wayne
For No One – The Beatles
I’m Waiting For The Day – The Beach Boys
Creep – Radiohead
Next week, we’re celebrating Halloween with SCARY SONGS FOR SILLY PEOPLE (or is that SILLY SONGS FOR SCARY PEOPLE?). Suggestions welcome.
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Also streaming on http://www.bayfm.org
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