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40 Years of Australian Classic Rock

TURN UP YOUR RADIO, the Master’s Apprentices 1970 declaration that they were now a rock band rather than a teeny bopper sensation, opened our Australia Day show, featuring 40 years of Australian Classic Rock. They quite rightly remind us that rock n roll started a good 15 years before this but there was no way that we were going to fit 55 years of rock into a two hour show, so 1970 seemed a fitting start. Check out this video when Glenn Wheatley was still working the bass guitar:

Daddy Cool’s EAGLE ROCK was recorded in 1971 and went onto become the best selling Australian single of the year. According to songwriter and singer, Ross Wilson, he was inspired by the popular 1920s black dance performed with the arms outstretched and the body rocking from side to side which was called the Eagle Rock. ‘Doing the eagle rock’ is also a metaphor for sexual intercourse.The accompanying promotional video  was put together quickly for $300 and shows the band in some old Melbourne haunts including the Dolphin Café in Clarendon St., South Melbourne and St. Kilda’s Aussie Burger Bar opposite Luna Park as well as live shots from the  1971 Myponga Festival held in South Australia.

In early 1972 Billy Thorpe & The Aztecs released what became their biggest hit, and Thorpe’s signature tune – MOST PEOPLE I KNOW (THINK THAT I’M CRAZY), a song now widely regarded as one of the classics of Australian rock. It was a huge hit for the Aztecs, propelled to the top of charts by the band’s triumphant appearance at the 1972 Sunbury Music Festival. Thorpe himself claimed this as a pivotal moment in the development of Australian music, thanks to the promoters’ decision to feature an all-Australian lineup, rather than relying on imported stars.

And here’s an interview with the late great Billy Thorpe at Sunbury:


After the demise of the Easybeats in 1969, Stevie Wright embarked on a successful solo career. In 1974 he released the epic EVIE, an 11-minute 3-part classic, which to this day remains the longest song ever to reach #1 on any chart in the world.

In 1975 AC/DC released the album T.N.T. with the iconic track IT’S A LONG WAY TO THE TOP (IF YOU WANNA ROCK N ROLL). Written by Angus Young, Malcolm Young and Bon Scott, its notable for combining bagpipes with hard rock, electric guitars, drums and bass. In the mid-part of the song there is a duet between the bagpipes and the electric guitar.

Two very influential Australian bands that were at their best in the mid 70’s were The Angels  and The Saints. The Saints, in particular, are considered to be one of the first and most influential punk rock  groups. By 1975,  The Saints were employing the fast tempos, raucous vocals and “buzzsaw” guitar that characterised early punk rock. With their first single, I’M STRANDED, in late 1976, they became the first punk band outside the United States to release a record, ahead of better-known punk acts like the Sex Pistols and The Clash.  According to Bob Geldof, “Rock music in the seventies was changed by three bands – the Sex Pistols, the Ramones and The Saints”.

Meanwhile Cold Chisel were about to record the song that quite frequently tops those ‘best of’ lists, so it couldn’t be left out of this playlist: KHE SANH. I’ll dedicate this one to Chisel drummer Steve Prestwich who passed away last week at the very young age of 56.

Midnight Oil and Men at Work released songs like THE POWER AND THE PASSION and DOWN UNDER, that have become Aussie anthems.  And then in 1983 The Choirboys came into their own with their first single NEVER GONNA DIE .

By 1984 INXS were breaking out internationally with songs like ORIGINAL SIN and Chrissie Amphlett and The Divinyls proved that a female lead singer could rock it out as well as the boys on songs like PLEASURE & PAIN:

In the mid 80’s Paul Kelly & The Coloured Girls released the Gossip album and proved that there was a place for consummate storytelling in Australian rock music. The hit single from the album was BEFORE TOO LONG:


Hunters & Collectors came together in the early 80’s and were a blend of pub rock and art-funk.  While they attracted a growing fan base both here and overseas, their first real recording success was with the 1989 album Ghost Nation which featured the hit single WHEN THE RIVER RUNS DRY.

The most successful Australian rock band ever, though, continued to be AC/DC. Unfortunately Bon Scott passed away in 1980 but the band bounced back and found a worthy replacement for Scott in Brian Johnson. They kept performing and releasing albums throughout the 80’s and in 1990 they released what was considered their major comeback album The Razors Edge. Here they are performing my favourite track from that album, THUNDERSTRUCK. Go Angus!

Also in the 90’s bands like The Screaming Jets and the Baby Animals were making an impact on the local scene.

Killing Heidi’s first single WEIR was released in August 1999 and reached #6 on the Aria charts (and Platinum sales) by the end of 1999. The band’s debut album Reflector was released in early 2000 and debuted at #1, quickly becoming the fastest-selling album in Australian music history. Here are Ella and Jesse Hooper performing live on TV show The Panel around that time:

Also around that time Powderfinger were emerging as a force to be reckoned with. As was Spiderbait who had a #1 hit with their terrific version of BLACK BETTY in 2004.

But the standout band of the new millenium has to be Silverchair who have received the industry’s flagship gongs, the  Aria Awards, a record 21 times as well as six APRA Awards. They’ve sold over 6 million albums. Here’s STRAIGHT LINES from the 2007 album Young Modern:


We finished the show with some hard rock:  Wolfmother performed here in Byron this week and were amazing. Their song NEW MOON RISING was released in 2009 and its still one of my faves. And the perfect finale followed:  AC/DC with HIGHWAY TO HELL. Here’s Wolfmother performing live on Jools Holland Later in October 2009.

Next week’s show has been suggested by the lovely Ros, and I can’t resist because its a goodie: SONGS ABOUT OTHER MUSICIANS. If you have any suggestions for tracks to include, leave me a message here. Meanwhile here’s the complete playlist from this week:

Turn Up Your Radio (1970) – Masters Apprentices

Eagle Rock (1971) – Daddy Cool

Most People I Know Think That I’m Crazy (1972) – Billy Thorpe and The Aztecs

Evie – Let Your Hair Hang Down, Pt. 1 (1974) – Stevie Wright

It’s A Long Way To The Top (If You Wanna Rock ‘N’ Roll) (1975) – AC/DC

(I’m) Stranded (1976) – The Saints

Am I Ever Gonna See Your Face Again (1977) – The Angels

Khe Sanh (1978) – Cold Chisel

Down Under (1981) – Men At Work

Power And The Passion (1982) – Midnight Oil 2

Never Gonna Die (1983) –  Choirboys

Original Sin (1984) – INXS

Pleasure & Pain (1985) – The Divinyls

Before Too Long – Paul Kelly and The Coloured Girls

When The River Runs Dry (1989) – Hunters and Collectors

Thunderstruck (1990) – AC/DC

Better (1991) – Screaming Jets

One Word (1992) – Baby Animals

My Happiness (2001) – Powderfinger

Weir (2000) – Killing Heidi

Black Betty (2004) – Spiderbait

Straight Lines (2007) – Silverchair

New Moon Rising (2009) – Wolfmother

Highway To Hell (1979) – AC/DC

Next week:  SONGS ABOUT OTHER MUSICIANS

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Also streaming via BayFM
Tragically also on Facebook and Twitter
Email me at: lyn.themeparkradio@gmail.com


GREAT INTRODUCTIONS

Ok, so there are intros and then they’re are great intros. What qualifies as great in my books? In this week’s playlist some songs feature opening segments that are totally independent from the rest of the track. Others just start with the main riff. Our opening song, INTRO/SWEET JANE is from Lou Reed’s live album Rock n Roll Animal, released in 1974, and it’s a terrific example of a great intro. The opening jam from guitarists Steve Hunter and Dick Wagner creates an air of anticipation for what is still to come. The quality of this video clip isn’t great but I had to include it because any chance to see Lou and the band performing in 1974 is worth the annoyance.

The Breeders, (what a brilliant name for an almost all girl band), was formed in 1988 by Kim Deal of The Pixies and Tanya Donnelly of Throwing Muses. Their most successful album Last Splash produced the hit single CANNONBALL and the outstanding part of that song’s intro is the bass line, performed by Josephine Wiggs. The music video was directed by Kim Gordon and Spike Jonze and its a doozy:

The opening salutation on Stevie Wonder’s SIR DUKE is not an introduction that blends into the song; those actual chords are never repeated. It’s a tribute to Duke Ellington and so the intro sets the tone for the piece as a whole, foreshadowing the looser, jazzier solos later in the song.

On Isaac Hayes’ brilliant funk version of the Dionne Warwick classic WALK ON BY the intro becomes a song within a song. On this clip Isaac performs live at Music Scene in 1969. OMG: Sex on a stick. But, about those girls dresses…..

The song ONE STEP BEYOND is from the Madness album of the same name. It was originally written and recorded by the Jamaican ska musician Prince Buster. The spoken line, “Don’t watch that, watch this” in the intro is from another Prince Buster song The Scorcher. Here they are at Glastonbury 2007 showing why they have such a great reputation for live performance:

One of the most recognisable intros in rock history is HOTEL CALIFORNIA from The Eagles. But when it comes to intros that get your attention and then drag you in, kicking and screaming, it has to be rock legends Led Zeppelin. IMMIGRANT SONG is famous for Robert Plant’s distinctive wailing cry at the beginning and the recurring staccato riff from Jimmy Page, John Paul Jones and, (sigh), John Bonham.

The Rolling Stones’ GIMME SHELTER starts rather timidly, with Keith Richards’ set of wavering chords, but it soon builds into a crescendo dominated by the lead guitar line. Here they are performing live in Amsterdam, 1995 with Lisa Fisher on back-up. Watch until the end and get a little bonus from Charlie Watts.

SMOKE ON THE WATER from Deep Purple is known for Ritchie Blackmore’s instantly recognisable opening riff. The lyrics of the song tell a true story: on 4 December 1971 Deep Purple had set up camp in Montreux Switzerland to record an album using a mobile recording studio at the entertainment complex that was part of the Montreux Casino. On the eve of the recording session a Frank Zappa and The Mothers of Invention concert was held in the casino’s theatre. In the middle of Don Preston’s synthesizer solo on “King Kong”, the place suddenly caught fire when somebody in the audience fired a flare gun into the rattan covered ceiling. The resulting fire destroyed the entire casino complex, along with all the Mothers’ equipment. The “smoke on the water” that became the title of the song referred to the smoke from the fire spreading over Lake Geneva from the burning casino as the members of Deep Purple watched the fire from their hotel across the lake.

It was difficult to pick from AC/DC’s repertoire of great introductions but I went with my all-time favourite, THUNDERSTRUCK. Angus Young gets the crowd going during this intro at Donnington 1991:

Derek & The Dominoes’ LAYLA has got to be one of rock’s definitive love songs. The introduction contains an overdub-heavy guitar solo, a duet of sorts between Duane Allman’s slide guitar and Eric Clapton’s bent notes.

A couple of controversial  tracks followed, both with unique introductions. FIRESTARTER, by UK band The Prodigy, caught attention because the song was deemed, by some, to be violent. The video clip, directed by Walter Stern, further fueled these claims. Shot in stark black and white, in an used part of the London Underground, some television stations refused to air the clip. Which just makes me want to show it to you, even more! I think its brilliant.

The Prodigy are a hard act to follow but I think we succeeded with the compelling and dark Massive Attack track INTERTIA CREEPS. It’s from their excellent album Mezzanine.

When The Temptations’ PAPA WAS A ROLLING STONE was released in 1972 it was 12 minutes long! Thankfully there is a shorter version that’s suitable for radio that keeps that amazing intro intact. It begins with an extended instrumental starting with a solo plucked bass guitar, backed by hi-hat cymbals. Other instruments including a blues guitar, wah-wah guitar, Wurlitzer Electric Piano, handclaps, horns and strings gradually join in.

In 1974 David Bowie became obsessed with soul music and it resulted in the album YOUNG AMERICANS, which he created with the help of the great soul singer Luther Vandross. Here’s the Thin White Duke on the Dick Cavett Show in 1974 with, amongst others, Vandross singing back-up!  Loving the shoulder pads.

The Beatles track I FEEL FINE was the first recorded song to feature guitar feedback. The story goes that, while recording, John Lennon accidentally left his guitar too close to his amp, producing the interesting whine that’s in tune with the riff’s opening note.

As an intro to our Gig Guide, I couldn’t resist playing some of  Screamin’ Jay Hawkins’ I PUT A SPELL ON YOU. The demented opening and the cabaret style act, together with a cigarette smoking skull called ‘Henry’, laid the foundation for future ‘shock rock’ performers like Dr. John.

Another iconic opener belongs to the The Small Faces tune TIN SOLDIER. Here’s some rare coverage of the band with P.P.Arnold on Belgium TV in 1968. Go the Mods!

Quentin, from BayFM’s ‘Q’s Blues & Jazz’ suggested I do a show on Roads and Streets but I’d already done that quite a while ago. (I know, even I can’t remember what themes I’ve covered most of the time!). But she planted a seed that led me to Gerry Rafferty BAKER STREET and that consequently led to this week’s theme. So thank you Q!  BAKER STREET has a stand-out opening with its prominent eight-bar saxophone hook, played by Raphael Ravenscroft.

As we headed for the close of the show, my favourite rock groups came to the fore. Pink Floyd’s MONEY had to be included for its distinctive opening of an impressive bass line and its seven-beat loop of money related sound effects.

While the Beatles may have been the first band to use feedback on a recording, the incredible Jimi Hendrix perfected the art. Again, which track to choose? FOXY LADY has always been a favourite and it does feature that almost excrutiating feedback at the beginning.

Our final track had me pushing up the sound and dancing out of the studio. Led Zeppelin seem to specialise in fantastic opening segments. A track that I absolutely adore is KASHMIR.

Next week we’ll be previewing the Mullumbimby Music Festival. Lots of great music and, I hope, an interview or two. Should be fun.

Here’s the complete playlist from this week’s show on Great Introductions:

Intro / Sweet Jane – Rock And Roll Animal, Lou Reed

Cannonball – Last Splash, The Breeders

Sir Duke – Songs In The Key Of Life [Disc 1], Stevie Wonder

Walk On By – Dead Presidents, Isaac Hayes

One Step Beyond – Total Madness: The Very Best Of Madness Madness

Hotel California – Hotel California, The Eagles

Immigrant Song – Rock 3, Led Zeppelin

Gimme Shelter – Hot Rocks, 1964-1971 [Disc 2], The Rolling Stones

Wipe Out – The Perfect Wave, The Surfaris

Smoke On The Water – Machine Head, Deep Purple

Thunderstruck – Razor’s Edge, AC/DC

Layla – Layla & Other Assorted Love Songs, Derek and The Dominos

Firestarter – Fat of the Land, The Prodigy

Inertia Creeps – Mezzanine, Massive Attack

Papa Was A Rollin’ Stone – Motown: The Classic Years [Disc 2], The Temptations

Young Americans – Young Americans [Bonus Tracks], David Bowie

I Put A Spell On You – Replay/Gold – Vol 1 No 5, Screamin’ Jay Hawkins

I Feel Fine – Beatles 1, The Beatles

Tin Soldier – The Best Sixties Album In The World Ever III-[Disc 2],  The Small Faces

Baker Street – City To City, Gerry Rafferty

Money – Pink Floyd, Pink Floyd

Foxy Lady – Experience Hendrix: The Best Of Jimi Hendrix, Jimi Hendrix

Kashmir – Physical Graffiti, Led Zeppelin

Next week:  MULLUMBIMBY MUSIC FESTIVAL PREVIEW

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
Also streaming via BayFM
Tragically also on Facebook and Twitter
Email me at: lyn.themeparkradio@gmail.com

BAD WEATHER

The weather has been in the news, more than usual of late, what with hurricanes, tornadoes and our own Lennox Head being declared a national disaster area after a mini tornado destroyed homes and caused chaos to this beautiful little coastal town. What’s a girl to do but to create a playlist around BAD WEATHER?

We opened the show with a request from Robyn: the incredibly seductive BABY ITS COLD OUTSIDE by Ray Charles and Betty Carter. The song could just as easily fitted into our Sexy Songs list for last week, but glad we held it over.

Now when it comes to songs about the weather, rain seems to be the metaphor of choice. It can describe heartache or happiness, and lots more in-between.  The Ronettes daydream about the qualities that make up the perfect boyfriend on WALKING IN THE RAIN. However, the Walker Brothers – with their remake of Frankie Valli’s THE SUN AIN’T GONNA SHINE ANYMORE – see bad weather as a symbol of loneliness. Either way, two great songs. Here’s a blast from the past for all you baby boomers, the Walker Brothers on Ready, Steady, Go in 1966:

Next it was Status Quo with RAIN from their Blue for You album, released in 1976. The track was originally intended for  the album On The Level, but at the time of the recording sessions Rick Parfitt had not completed the song and so it was held over to the band’s next release.

Shirley Manson only seems to be happy when she’s miserable in the Garbage song I’M ONLY HAPPY WHEN IT RAINS. Fitting then that we followed with the Prince of Darkness himself, Nick Cave. The song TUPELO, with its great sound effects and talk of black clouds, was also a perfect fit for a show on Bad Weather.

A great song that carries an emotional whallop is LOUISIANA 1927, a devastating account of the great Mississippi floods, which has become identified with the more recent Hurricane Katrina.  Written, and originally recorded by Randy Newman, Aaron Neville’s version is sublime. Here he is performing at the Concert for Hurricane Relief in 2008:

We followed with the great Muddy Waters and BLOW WIND BLOW and then it was Leon Russell with a cover of the Bob Dylan classic, A HARD RAINS A GONNA FALL. This track was requested by  for Judi, listening in Cairns, where they know a little bit about a rainy season. The song STORMY WEATHER is one of my favourites. Written and originally recorded in 1933,  its been covered by all the greats, but I do particularly like the Etta James version that we played this week.

The inspiration for RAIN, by the Beatles – according to Neil Aspinall, the Beatles roadie, and John Lennon – was Australia’s own weather. Apparently when they arrived here to tour, the weather was so bad that Lennon was quoted as saying that: “I’ve never seen rain as hard as that.” He went on to say that RAIN was “about people moaning about the weather all the time”. Three promotional films were made for the song. These videos, along with other Beatles videos at the time, sparked George Harrison  to say during the Beatles Anthology, “So I suppose, in a way, we invented MTV”.

The Red Hot Chilli Peppers track SNOW may not be about the kind of snow that makes cute little snowmen, but it is a great song in any case. Its from the Stadium Arcadium album. And while we’re talking of metaphor, Tom Waits has a lot to say about the weather on EMOTIONAL WEATHER REPORT. The track is featured on the album Nighthawks at the Diner, recorded in 1975.  The title was inspired by Edward Hopper’s 1942 painting Nighthawks. Here’s Tom performing the song at the Rockpalast in Koln, West Germany in 1977:

Irma Thomas is quite rightfully called “the Soul Queen of New Orleans” and she has several songs about the weather that fitted the bill, but none better, in my opinion, than ITS RAINING SO HARD. We followed with Bill Withers and AIN’T NO SUNSHINE WHEN SHE’S GONE. Neil Young was lucky enough to get some help on harmonies from the wonderful Nicolette Larsen on FOUR STRONG WINDS. Larsen, who died in 1997, had a big hit with a cover of Young’s LOTTA LOVE in 1978.

I couldn’t do a show on Bad Weather and not include AC/DC’s THUNDERSTRUCK. Rumour is that the song was inspired by Angus Young’s hair-raising experience when a plane he was on was struck by lightning. Not sure if that’s true or not.

What I do know is that Natalie Merchant and the 10,000 Maniacs “get a shiver in their bones” just thinking about the climate conditions on LIKE THE WEATHER. We  followed with Blur and THIS IS A LOW, which was inspired by, of all things,  a shipping forecast.

Back to some rock with Creedence Clearwater Revival’s HAVE YOU SEEN THE RAIN and a song for Alex in Sydney, and all the other Deep Purple fans,  STORMBRINGER.

When it comes to R&B, The Temptations just want the weather to match their mood on I WISH IT WOULD RAIN but Anne Peebles finds the weather brings back unwanted memories of a past love on I CAN’T STAND THE RAIN.

I love the infectious tone of Bob Dylan’s RAINY DAY WOMEN, which is matched by the very excellent COLD COLD FEELING from T-Bone Walker. As much as I was enjoying myself, we closed the show with The Doors and RIDERS ON THE STORM. The song was inspired by the song “Ghost Riders in the Sky: A Cowboy Legend”.  It incorporates real sound effects of thunder and rain, along with Ray Manzarek’s Fender Rhodes electric piano playing, which emulates the sound of rain. Good stuff.

The topic for next week’s show is a doozy. They say success is the best revenge, but, when it comes to musos a bitchy payback song seems to fit the bill. I thing we’ll have a lot of fun with our playlist of REVENGE SONGS, so I hope you’ll join me then. And if you have any suggestions for the playlist please get in touch. It’s always great to have your input.

Here’s this week’s playlist:

Baby, It’s Cold Outside – Soulful Christmas, Ray Charles & Betty Carter

Walking In The Rain – Phil Spector Wall of Sound Vol. 1 – The Ronettes

The Sun Ain’t Gonna Shine Anymore –  Walker Brothers

Rain – Blue For You, Status Quo

I’m Only Happy When It Rains – Garbage, Garbage

Tupelo – The Best Of Nick Cave & The Bad Seeds, Nick Cave & The Bad Seeds

Louisiana 1927 – Warm Your Heart, Aaron Neville

Blow Wind Blow – Baby Please Don’t Go, Muddy Waters

A Hard Rains A-Gonna Fall – Remember the Titans (Movie Soundtrack), Leon Russell

Frosty – Martin Scorsese Presents The Blues – A Musical Journey, Albert Collins

Stormy Weather – At Last!, Etta James

Rain – Past Masters Volume Two, The Beatles

Snow ((Hey Oh)) – Stadium Arcadium, Red Hot Chili Peppers

Emotional Weather Report – Nighthawks at the Diner, Tom Waits

It’s Raining So Hard – Irma Thomas

Ain’t no Sunshine – Bill Withers

Four Strong Winds – Comes a Time, Neil Young

Thunderstruck – The Razors Edge, ACDC

Like The Weather – MTV Unplugged, 10,000 Maniacs

This Is A Low – Parklife, Blur

Have You Ever Seen The Rain – Creedence Clearwater Revival

Stormbringer – Deepest Purple: The Very Best of Deep Purple, Deep Purple

I Wish It Would Rain – My Girl: The Very Best Of The Tempations [Disc 1], The Temptations

I Can’t Stand The Rain – I Can’t Stand The Rain, Ann Peebles

Rainy Day Women – Forrest Gump (Movie Soundtrack),  Bob Dylan

Cold Cold Feeling – The Talkin Guitar (The Best Of), T-Bone Walker

Riders on the storm – The Doors (movie soundtrack), The Doors

Next week: REVENGE SONGS

Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time

Also streaming on http://www.bayfm.org

Tragically also on Facebook: http://www.facebook.com/maccalyn


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