A while back I did a show on ‘Covers That Are Better Than The Originals’ and I had so much fun with that. So this week it was UNLIKELY COVERS. Anything in the previous show was excluded, just to keep me on my toes. But have no fear, there were plenty more, and even quirkier versions, to choose from.
We opened the show with Peter Sellers’ hilarious version of the Beatles A HARD DAY’S NIGHT, in the style of Lawrence Olivier’s Richard 111. Thanks to Andrew for this request.
Andrew also requested the next track on our list: Hellsongs’ version of THUNDERSTRUCK. Hellsongs is an acoustic three-piece that plays what is best described as Lounge Metal. That means metal classics performed with surprisingly clear female vocals, soft guitars, an organ and two male choir-boys. They do a brilliant job of this AC/DC cover.
Stevie Wonder’s version of the Beatles classic WE CAN WORK IT OUT is a good example of what I think defines an UNLIKELEY COVER. Not only does he switch genre, he also reinterprets the emotions that underpin the track, taking it from melancholia to pure elation. So, here’s a treat: A clip from the recent 2010 Glastonbury Festival where Stevie sings both Master Blastin’ and We Can Work It Out. Enjoy.
I’LL BE MISSING YOU by P. Diddy, Faith Evans and 112, borrows the melody and arrangement of Police’s EVERY BREATH YOU TAKE to create a song that was recorded in memory of rap artist Notorious B.I.G., murdered in 1997. Thanks to Robyn for that suggestion.
Scottish alternative pop band Camera Obscura do a great version of the Abba hit SUPERTROUPER, so that had to be included. As did Nick Cave, with the very unlikely cover of Louis Armstrong’s WHAT A WONDERFUL WORLD.
Algerian musician Rachid Taha does an intriguing Arabic version of the Clash standard ROCK THE CASBAH. Check it out:
As someone who loves their Bluegrass and is a hardcore Queen fan, (what’s not to love?), Hayseed Dixie appealed with their cover of Queen’s BOHEMIAN RHAPSODY. Come on, you’ve got to get a chuckle out of this, surely:
We followed with a very gentle rendition of the Guns & Roses’ track SWEET CHILD OF MINE. It’s from Swedish singer Victoria Bergstrom, under her Taken By Trees moniker.
SWITCHED ON BACH is the name of an album by Walter (later to become Wendy) Carlos. Recorded in 1968, using the Moog synthesiser, it became the highest selling classical music recordings of its era. We played one of the best tracks from that album, SINFONIA 35. Carlos went on to make many more recordings, including scores for the Stanley Kubrick films A Clockwork Orange and The Shining.
Paul Kelly only needs his guitar, and his great voice, to create a knock-out acoustic version of the Amy Winehouse signature tune REHAB. I found this on one of the very excellent Triple J Like a Version albums.
One of my favourite films of all time is JUNO and one of the best songs on that soundtrack is Sonic Youth’s cover of The Carpenter’s SUPERSTAR. Karen would have been proud:
The phones ran hot when this next track was played: Legends Willie Nelson and Waylon Jennings gave Procol Harum’s A WHITER SHADE OF PALE a country voice. And then the totally indiosyncratic William Shatner covered Pulp’s COMMON PEOPLE.
But if you thought that was crazy, how about Ani DiFranco and Jackie Chan (yes, that’s correct, Jackie Chan the Hong Kong actor). They contributed a bizarre duet of Nat King Cole’s UNFORGETTABLE. Ani’s voice is great, but methinks that Jacki should just stick to acting (or maybe not!).
We followed with The Clash’s version of Junior Murvin’s reggae classic POLICE & THIEVES. While a punk rock group covering reggae does seem a bit unusual, Joe Strummer makes this great track his own.
Gee, it was hard choosing one of Johnny Cash’s covers. His album American IV: The Man Comes Around is particularly good for UNLIKELY COVERS. My favourite is his version of the Nine Inch Nails song HURT but I have played that before, so I thought I’d bring you his cover of Depeche Mode’s PERSONAL JESUS instead. This album is especially moving as Cash died soon after its release.
Lesley Gore, (that’s right, she of IT’S MY PARTY AND I’LL CRY IF I WANT TO), gave us a great version of AD/DC’s DIRTY DEEDS DONE DIRT CHEAP. Just to prove that she can sing anything she wants to!
R & B great Billy Preston does an interesting cover of pop band Duran Duran’s GIRLS ON FILM. As do the Ramones when they do a punk version of Creedence Clearwater Revival’s HAVE YOU EVER SEEN THE RAIN?
Here’s a combination I really love: C.W. Stoneking, with another track from Triple J’s Like a Version compilation: the White Stripes SEVEN NATION ARMY. Two of my favourite artists, Stoneking and Jack White. I think what makes this so good is that Stoneking hadn’t even heard the song before it was suggested that he do a cover, so it has this incredible freshness to the interpretation. Here’s an interview and his performance live in the studio. So jealous of that presenter!
We followed that with a great pairing: Jim Morrison and The Doors with their version of Howlin Wolf’s BACK DOOR MAN and Patti Smith’s amazing cover of Prince’s WHEN DOVES CRY. Thanks again to Rob for suggesting that one.
How perfect is Sid Vicious’s punk version of MY WAY, made famous originally by Frank Sinatra? Let’s face it, he couldn’t sing, couldn’t play but gee he knew how to take the piss out of society. Miss that.
What to finish the show with? Well, a cover of Led Zeppelin’s STAIRWAY TO HEAVEN seemed an obvious choice but which version? Rolf Harris came to mind, especially after his recent appearance at Glastonbury but I’m not a big fan. Instead, the honour went to one of the best musicians in rock history, Frank Zappa.
Next week the theme is a staple of pop music: SWEETS, all those yummy sugary foods that symbolise so much about personal relationships. Let me know if you have any good suggestions. Love having your input.
For now, here’s this week’s complete playlist:
A Hard Day’s Night (Beatles cover) – Time To Remember 1965, Peter Sellers
Thunderstruck (AC/DC cover) – Hymns In The Key Of 666, Hellsongs
We Can Work It Out (Beatles) – Greatest Hits, Vol. 2, Stevie Wonder
I’ll Be Missing You (Police) – P. Diddy
Super Trouper (Abba cover) – Tears For Affairs, Camera Obscura
What a Wonderful World (Louis Armstrong cover) – B-Sides & Rarities, Nick Cave/The Bad Seeds
Rock el Casbah (Clash cover) – Arabian 2000 & 1 Nights, Rachid Taha
Bohemian Rhapsody (Queen cover) – Killer Grass, Hayseed Dixie
Sweet Child Of Mine (Guns & Roses cover) – Taken By Trees (Victoria Bergsman)
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Rehab (Amy Winehouse cover) – Like A Version Four, Paul Kelly
Superstar (Carpenters Cover) – Juno Soundtrack, Sonic Youth
A Whiter Shade of Pale (Procol Harum cover) – Always On My Mind, Willie Nelson & Waylon Jennings
Common People (Pulp) – Triple J Hottest 100: Volume 12 William Shatner/Joe Jackson
Unforgettable (Nat King Cole)- When Pigs Fly: Songs You Never Thought You’d Hear, Ani DiFranco & Jackie Chan
Police & Thieves (Junior Murvin) – The Clash, The Clash
Personal Jesus (Depeche Mode) – American IV: The Man Comes Around, Johnny Cash
Dirty Deeds Done Dirt Cheap (AC/DC cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Lesley Gore
Girls on Film (Duran Duran cover) – When Pigs Fly: Songs You Never Thought You’d Hear, Billy Preston
Have You Ever Seen the Rain (Creedence Clearwater) – The Ramones
Sinfonia 35 – Switched on Bach, Walter (Wendy) Carlos
Seven Nation Army (White Stripes cover) – Like A Version Four, C.W. Stoneking
Back Door Man (Howlin Wolf cover)- The Doors, Jim Morisson/The Doors
When Doves Cry (Prince cover) – When Doves Cry, Patti Smith
Surﬁn’ USA (Beach Boys) – The Jesus & Mary Chain
My Way (Frank Sinatra) – The Great Rock ‘N’ Roll Swindle, Sid Vicious
Stairway To Heaven (Led Zepelin Cover) – Frank Zappa
Next week: SWEETS (Yummy, yummy, yummy I’ve got love in my tummy!)
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 4-6pm, Sydney time
This week at the Theme Park I’ve been totally indulgent. The theme, GOODBYE TO THE NOUGHTIES, allowed me to play a selection of my favourite tracks from the past decade.
We opened the program with M.I.A. and her breakthrough hit, PAPER PLANES, in which she samples The Clash, brags about being a so-called terrorist, and uses gunshots and a cash register as the focus of the song’s chorus. A wonderfully innovative piece of music that satirises the very real fear of terrorism that swept the globe during the Noughties.
The other interesting bit about M.I.A. is that she came to prominence in early 2004 through file sharing her singles on the Internet. Ten years ago no one was listening to music on anything other than a radio or CD player. Now it’s on your phone, your iPod, your computer and your TV. Pro Tools is no longer just for pros and with basic software, we can make our own music and share it on the World Wide Web. We can even make a video clip and put it up on YouTube. We could, theoretically, also program our own radio station. And then there’s podcasting, blogging and, not to mention Facebook and Twitter. Whew. If the Noughties stand out for one thing, it’s that technology has revolutionised the entertainment business with its peer-to-peer digital communication. Goodbye conventional notions of creativity and distribution, hello independent artist. Viva La Revolution, I say.
Outkast released their double album Speakerboxx/The Love Below in 2003 and it’s a classic example of the decade’s soul/dance/hip hop fusion. The expansive, split-personality masterwork paved the way for artists like Kanye West, Dizzee Rascal and others. In the same year The White Stripes released their attention-getting rock album Elephant. Check out SEVEN NATION ARMY:
LCD Soundsystem’s LOSING MY EDGE is a fabulous piece of satire that puts the boot into the ageing hipster who depends on an encyclopedic knowledge of cultural references to keep him or her relevant. Sound like anyone you know? Hilarious and scary, all at the same time.
Amy Winehouse’s YOU KNOW I’M NO GOOD has got that classic soul sound. Mix it up with some unfortunate self-destructive tendencies, and you have one of my favourite singer/songwriters of the decade. Just forget the tabloid sensationalism, close your eyes and listen to the Back to Black album. Heaven.
Another great singer songwriter is Lucinda Williams. WORLD WITHOUT TEARS is the kind of song she does best. It’s from her 2003 album of the same name. Seemingly tragic, the song is really a celebration of life over death. Here she is performing the song live.
And now for something completely different! Swedish group Hellsongs’s cover of AC/DC’s THUNDERSTRUCK can only be described as Lounge Metal. They’re an acoustic three-piece. Check it out. You’ll either love it or hate it. I love it:
What can you say about Tom Waites? He’s just the bomb. His Real Gone album of 2004 is almost brutal in its authenticity. The track we played, GREEN GRASS, is melancholic, bluesy, disturbing and hynotic. “Don’t say goodbye to me. Describe the sky to me. And if the sky falls, Mark my words, We’ll catch mocking birds.” Wow.
Possibly one of the Noughties best rap artists is Eminem. On one of the most original rap
tracks of the decade, STAN, he is ably assisted by another terrific artist, Dido. A great combination. The Noughties was also the decade of the mashup/bootleg. A STROKE OF GENIUS, by Freelance Hellraiser combines an instrumental edit of The Strokes track ‘Hard to Explain’ with Christina Aguilera’s pop hit ‘Genie in a Bottle’ and is probably still one of the best examples of the genre. This is where the sum is so much better than its parts. Sort of like peanut butter and chocolate ice-cream. Who thought the combination could be so good?
If you want to listen to perfect rock n roll you can’t go past Queens of the Stone Age and their track NO ONE KNOWS. Here’s why:
I was really happy to receive Roseanne Cash’s new album The List for Christmas. Lots of great tracks to choose from but, for this show, it had to be SEA OF HEARTBREAK which she sings with a little help from Bruce Springsteen. Her Dad, Johnny Cash, gave Roseanne a list of songs that he felt it was essential for her to know and she held onto that list for 35 years. Finally the time was right and she has chosen 12 songs from that original list of 100 for this great album.
Another great album is Wilco’s Yankee Hotel Foxtrot, released in 2002; my favourite track from the album is JESUS etc. Superb. Check it out:
Two of the decades most successful rock bands also made an appearance: Kings of Leon with SEX ON FIRE and Green Day with BOULEVARD OF BROKEN DREAMS. But my favourite rock band has to be Radiohead. We played a track from their 2007 album, IN RAINBOWS. Now this album is particularly interesting because it was initially released through the band’s own website as a digital download for which customers could make whatever payment that they wanted, including nothing; the site only advised, “it’s up to you”. Reportedly 1.2 million copies were sold by the first day of release. In March 2008 aniBoom, together with Radiohead’s label TBD REcords, launched the In Rainbows Animated Music Video Contest. Animators from all over the world competed. Out of over one thousand entries, Radiohead chose four grand winners. Each winner received $10,000 to complete their submission. This animation by Japanese artists Kota and Totori perfectly illustrates the track we played: 15 STEP.
The Strokes, in my mind, were one of the first great rock album of the Noughties. Nine years later I still love listening to LAST NITE and all the other tracks on the very cool Is This It album. Another ‘must include’ are Arcade Fire and the track I chose was WAKE UP from their album FUNERAL, released in 2005. They mix the playfulness of Talking Heads with the Gothic quality of The Cure but it’s a sound that is entirely their own. Actually they are just a bunch of nerds having fun. Gotta love that.
I closed the show with the most outrageous of the decade’s gender benders. Lady Ga Ga has nothing on Peaches. And who better to help her out than Bad Boy Iggy Pop. The track is KICK IT. Who said punk was dead?
Have a wonderful New Year’s Eve. Play safe and drive carefully. Here’s the complete playlist:
Next week: DUETS
Listen to Lyn McCarthy at the Theme Park on BayFM, Tuesdays 2-4pm, Sydney time.
Music has demanded that we try on sunglasses at night, start wearing purple, elevate fashion models to goddess status and, most important of all, respect the power of orange knickers. And we follow in droves, don’t we? Because most of us are ‘dedicated followers of fashion’.
We opened the show with the very fashion-forward David Bowie and the track FASHION from the 1980 album Scary Monsters (and Super Creeps) and followed with the equally style-conscious Prince with RASPBERRY BERET.
Then it was something a little obscure. I’m sure there is a point to preacher’s daughter Tori Amos’ song, THE POWER OF ORANGE KNICKERS, with it’s references to terrorist attacks, bitchy girls and little pills, but I’m afraid it escapes me. Never mind, great song nevertheless. Here she is performing live:
Amy Winehouse calls the kettle black with her critique of footballer’s wives and their F….. ME PUMPS. Gotta love a good stiletto! Here’s the official video, showing a healthy, happy Amy at her best:
Jenny Lewis & The Watson Twins rendition of RABBIT FUR COAT, a song that spells out a mother’s devotion to her wardrobe, is an extraordinary, dark tale of how one woman hangs on to her fur when everything else in her life is lost.
The Pipettes turn the tables on certain rock stars by pointing out how nice those little schoolboys look in their matching blazers in I LIKE A BOY IN UNIFORM. And as the Happy Mondays explain, it’s not what you wear but how you wear it – it’s got to be a LOOSE FIT. Check them out:
Bob Dylan got to wondering how your head feels under that LEOPARD SKIN PILL-BOX HAT. Thanks to listener Phil for reminding me about that one. And while I am it, thanks to Zoe, Kira and Lynden, as well, for all your suggestions this week. Keep them coming.
Disco had its own fashion statement going on and a great example of this crazy superficial genre is Amanda Lear’s 1983 recording FASHION PACK. A Vietnamese transsexual, Amanda was born male, had a sex change, became a model and for some time was Salvador Dali’s muse. Now that’s what I call an interesting life! Here’s the video clip, in all it’s camp glory, for you to enjoy:
I love the satire in Jill Sobule’s ode to the ultimate clothes-horse, the SUPERMODEL. The song was perfectly placed in the soundtrack of one of my favourite comedies, Clueless. Also pretty funny is Minor Threat’s GOOD GUYS DON’T WEAR WHITE.
When it comes to fashion victims, there’s one stand-out anthem: It’s the Kinks with DEDICATED FOLLOWER OF FASHION. Two other classics in the playlist – The Hollies with LONG COOL WOMAN IN A BLACK DRESS and Wilson Pickett’s DEVIL WITH THE BLUE DRESS ON.
Lady GaGa summed up our topic of FASHION with her song of the same name. Of all the contemporary pop singers she stands out for her obsession with her image. She claims that: “When I’m writing music, I’m thinking about the clothes I want to wear on stage. It’s all about everything altogether — performance art, pop performance art, fashion. I want the imagery to be so strong that fans will want to eat and taste and lick every part of us.” Okaaaay. Check out this news item and you’ll get an idea of her fasion sense. Or nonsense. Whatever.
Then it was time for a blast from the past: Timmy Mallett’s ITSY BITSY TEENY WEENY YELLOW POLKA DOT BIKINI, which we partnered with PINK SHOE LACES from Connie Stevens.
Fats Waller does a good job of sprucing himself up when LULU’S BACK IN TOWN. And Big Bad Voodoo Daddy gave us the low-down on the ZOOT SUIT RIOT. The Zoot Suit, in case you didn’t know, is a suit with high-waisted, wide-legged, tight-cuffed, pegged trousers, and a long coat with wide lapels and wide padded shoulders. This style of clothing was popularized in the U.S. by African Americans, Latinos and Italian Americans during the late 1930s and 1940s. In England brightly coloured zoot suits with velvet lapels, that bore a slight resemblance to Edwardian clothing, were worn by Teddy Boys.
Next up it was a triple play dedicated to the gals that fire the frenzy for all things fashionable. Yep, three songs about models: CATWALKIN’ from Tony Tisdale, GIRLS ON FILM by Duran Duran and a cover of Kraftwerk’s MODEL by Zoot Woman.
Gwen Stefani’s ode to the HARAJUKU GIRLS of Tokyo has a special meaning as her back-up dancers are exactly that. The Harajuku District is one of the fashion capitals of the world, renowned for it’s unique and influential street fashion and it’s obviously had a lot of influence on Stafani’s own fashion label. I usually wouldn’t upload a video of a slide show but this one features Stefani’s song behind lots of pics of Harajuku fashion, so worth a look:
We all know that fashion is frivolous and silly but isn’t that what makes it so appealing, surely? In order to keep things in perspective we closed the show with a bit of satire: A tune that sums up the objectifying gaze of fashion like nothing else. Yup, it’s I’M TOO SEXY FOR MY SHIRT by Right Said Fred. Go boys:
I bet you thought I wouldn’t play that one. Nah, I have no pride or any fashion sense for that matter. But style? Well, that’s another matter.
To finish off this topic here’s something for you that I didn’t have time to mention on the show: favourite films about fashion. From my all time favourite film on the subject, a compilation of some of the best quotes from, ZOOLANDER.
If you would like to contribute your ideas for next week’s show, the topic will be: SONGS TO MAKE SANDWICHES BY. Yes I’m looking for songs about sandwiches, (has she gone completely bonkers? You may well ask!). You can include hot dogs or hamburgers. In fact, anything between bread qualifies. Or any ingredient that can go into a sandwich, like chicken or peanut butter, or honey. Come on guys, you can do it!
Here’s this week’s complete playlist: