I hear there’s a big wedding happening this Friday, so for my last show at this time slot, I decided to take a look at a quaint tradition that seems to be making a comeback. The subject of marriage is a perfect theme for songwriters as music has the ability to influence our mood and eat into our soul. It keeps us afloat when love is fresh, and life seems full of promise. But it can also reveal our deepest fears about a relationship, making problems seem way beyond repair. There are, of course, cynical songs about marriage but I tried to keep these to a minimum. No one likes a killjoy at an otherwise joyful time, now do we?
We launched the show with a great old Savoy recording. WEDDING BOOGIE features Little Esther and Johnny Otis with Esther as the bride, Mel Walker as the groom and Lee Graves as the preacher, and its hysterical.
That old romantic Al Green made a suggestion that a lot of you gals wait a lifetime to hear: LET’S GET MARRIED. Martha Reeves and the Vandellas celebrate getting their fella to the alter on THIRD FINGER LEFT HAND. And UK folk rock group Oysterband give a vibrant description of a wedding breakfast on BLOOD WEDDING.
If you’re after a real soul classic, then you can’t go past Freda Payne’s BAND OF GOLD. On this hit single, Freda’s guy is missing in action and she’s only got a ring to show for all her lovin’. Sweet Inspirations have a good piece of advice for Freda: WHY MARRY? They ask. Indeedy.
Ani diFranco does a gorgeous cover of Dusty Springfield’s WISHIN’ AND HOPIN’. It was used for the title sequence of the film My Best Friend’s Wedding, starring Julia Roberts and directed by Aussie filmmaker P.J.Hogan (who also directed Muriel’s Wedding).
Here’s another classic, this time in the rock genre: Nick Lowe KNEW THE BRIDE WHEN SHE USED TO ROCK N ROLL.
Rock n Roll legend Chuck Berry reckons that YOU NEVER CAN TELL. And from the soundtrack to the film, The Harder They Come, it was Toots and the Maytals with SWEET AND DANDY. Such a thrill it was to see them perform the song among their set at the Byron Bay Blues Fest this weekend.
Another of my favourites from the Blues Fest is Eli Paperboy Reed. What a voice. Here he is performing STAKE YOUR CLAIM: “Yeah, if you love me then take my name”. Oh Eli you sweet old fashioned boy you!
UK group, The Wombats released a terrific song about going to your exes’ wedding (never a good idea, I say). MY FIRST WEDDDING is from their album A Guide to Love, Loss and Desperation.
The weather here in the Northern Rivers has been erratic, to say the least, so a good weather song, and a wonderful tune about love and marriage to boot, came from Ray Charles: COME RAIN OR COME SHINE.
Dancehall and reggae artist Yellowman turned the sound up a notch with a great version of I’M GETTING MARRIED IN THE MORNING, followed closely by doo-wop group The Cadets with CHURCH BELLS MAY RING.
The 5th Dimension gave us a medley of THE WORST THAT COULD HAPPEN and WEDDING BELL BLUES. Billy Davis and Marilyn McCoo, from the group, have been happily married for over 40 years and have even written a book about what makes their marriage work. Top tip: You’ve got to like the person you’re with, not just love them, because once the first flush of love subsides you need to know that you’re in a relationship with your best friend as well as your lover. Can’t disagree with that!
You can never claim that Theme Park doesn’t have a diverse playlist. The Easybeats followed with their 60’s hit, WEDDING RING, followed by Billy Idol’s WHITE WEDDING, which was written as a disapproving commentary on his sister’s shotgun wedding. How very conservative of him. Still, the video clip is a hoot:
The lovely Amy Rigby, married by the way to punk rocker Wreckless Eric, does a great song she wrote after divorcing her first husband, called WE’RE STRONGER THAN THAT. And, the always brilliant, Lyle Lovett contributed SHE’S NO LADY, (SHE’S MY WIFE) to the list. I think this clip is from the 80’s – check out Lyle’s hair. But better still, check out his wonderful voice. Like all the best artists, he’s a one-off.
Ernie K Doe and the Blue Diamonds sing about the bane of many a good marriage: MOTHER IN LAW. Of course, I’m not speaking from personal experience! Best to move on, and there’s no better way to put some romance back into the show than with more Al Green. One of my favourites is LET’S STAY TOGETHER. Here’s a live performance from 1972:
The Temptations followed with the delightfully delusional JUST MY IMAGINATION. And then it was another fantastic performer from the Blues Fest: Irma Thomas, with a song that she included in her set: YOU CAN HAVE MY HUSBAND BUT DON’T MESS WITH MY MAN.
Over the last three years of the show, I keep returning to two of my favourite artists – Louis Armstrong and Roy Orbison. And, of course they had songs on marriage for me this week as well. Louis with WE HAVE ALL THE TIME IN THE WORLD and Roy with WEDDING DAY. But I had to close the show with a song for my husband of 23 years, sadly taken from us five years ago this week. Barry White’s very sexy YOU’RE THE FIRST, MY LAST, MY EVERYTHING is for you Graeme. Thanks for the music and the wonderful memories.
For the next 6 months, at least, you’ll find me still at BayFM, still churning out theme shows at the new time of 1-2pm on Mondays and I really hope to have your company next Monday on BayFM 99.9 or streaming at http://www.bayfm.org. As always I’ll keep putting my playlist and other info up at the blog, so keep checking in.
Next Monday’s theme will be MOTORVATIN’ MAMAS, just in time for Mothers Day. Send me your requests and suggestons. I’d love to hear from you.
Have a great week! Here’s the playlist:
Wedding Boogie - Little Esther Let's Get Married - Al Green Third Finger, Left Hand - Martha Reeves and The Vandellas Blood Wedding - Oysterband Band Of Gold - Freda Payne Why Marry? - Sweet Inspirations Wishin' And Hopin' - Ani DiFranco I Knew The Bride (When She Used To Rock And Roll) - Nick Lowe You Never Can Tell - Chuck Berry Sweet And Dandy - Toots and The Maytals Chapel Of Love - The Dixie Cups Stake Your Claim - Eli "Paperboy" Reed & The True Loves My First Wedding - The Wombats Come Rain or Come Shine - Ray Charles I'm Getting Married In The Morning - Yellowman Church Bells May Ring - The Cadets (Medley) The Worst That Could Happen, Wedding Bell Blues - 5th Dimension Wedding Ring - The Easybeats White Wedding - Billy Idol We're Stronger Than That - Amy Rigby She's No Lady - Lyle Lovett Mother-in-Law - Ernie K-Doe and the Blue Diamonds Let's Stay Together - Al Green Just My Imagination (Running Away With Me) - The Temptations (You Can Have My Husband But) Don't Mess With My Man - Irma Thomas We Have All The Time In The World - Louis Armstrong Wedding Day - Roy Orbison You're The First, The Last, My Everything - Barry White
Next week: MOTORVATIN’ MAMAS
It’s Easter, so I set myself the challenge this week of compiling a list of songs about RESURRECTION. Yes, I know I could have looked at chocolate or bunny rabbits, but hey, you know I like to shake things up a bit! The meaning and long traditions behind the concept of resurrection make it a powerful device for the songwriter. It can be used in the biblical context, or figuratively to describe some sort of rebirth or re-emergence from darkness. Music fans, of course, will be familiar with musicians coming back from the dead, but we’re not dealing with comebacks here. We’ll keep that subject for another show.
Ashton, Gardner & Dyke’s one hit wonder, RESURRECTION SHUFFLE, delivered a terrifically upbeat start to the program. Here they are on Top of the Pops in the 70s:
The prince of darkness, Nick Cave, has the perfect resurrection song in DIG, LAZARUS, DIG!! Here he is with the Bad Seeds performing live on Jools Holland (I’ll say it again, what a brilliant, brilliant show!). The year was 2008 and that’s Jack White on the sidelines looking in absolute awe of the band.
Eric Burdon wrestles with doubt on his version of Blind Willie Johnson’s SOUL OF A MAN. Melbourne group The Temper Trap, now based in the U.K have a great song called RESURRECTION on their Aria Award winning album “Condition”. Then it was Ian Hunter and Mott the Hoople with ROLL AWAY THE STONE. This clips is from Top of the Pops 1973. Scary.
With possibly the longest name on our playlist, Sufjan Stevens contributed our first zombie song on the list. Come on, zombies were a given, surely, on a show about coming back from the dear. THEY ARE ZOMBIES!! THEY ARE NEIGHBORS. THEY HAVE COME BACK FROM THE DEAD, AHHHH! is, I think, absolutely brilliant.
What’s a show on the subject of resurrection without gospel singer Sister Rosetta Tharpe and her Easter song, CAN’T NO GRAVE HOLD MY BODY DOWN?. Sister Rosetta sings about rolling the stone away. Vic Chesnutt, on the other hand sings of leaving the stone in place. Apparently imagining himself as Jesus in his tomb, he’s also wracked by self-doubt on STAY INSIDE.
Dido and AR Rahman sing IF I RISE. It’s the beautiful theme to the film 127 Hours. Adore the film and the song.
Gil Scott-Heron is one of those performers that came back from the dead musically and aren’t we glad he did? On B MOVIE he suggests that this life is just a rehearsal of sorts and that there’s another life waiting for us when the great director in the sky calls cut. Well, I’m not sure I believe that. But who knows?
You know you’ve always got to have your sense of humour firmly intact at the Theme Park, because nothing is sacred. We had a chuckle with Spinal Tap and their 2009 release BACK FROM THE DEAD. That was followed by Nancy Sinatra and the Bond theme, YOU ONLY LIVE TWICE.
The Moody Blues gave us their ode to Timothy Leary: LEGEND OF A MIND. According to them, he’s not dead, he’s just astral travelling! But of course he is. It was the 70’s when this was recorded after all.
Single File gave us our second zombie song on the list with the very amusing ZOMBIES ATE MY NEIGHBOURS. And then it was Alison Moyet with LOVE RESURRECTION, from her 1983 album Alf. According to Alison, when it comes to love, everyone needs a little divine intervention.
Pink Floyd’s COMING BACK TO LIFE is from a live performance album they released in 2009. Then it was The Stone Roses with their anti-Christianity song I AM THE RESURRECTION. Feeling that we probably should show some impartiality on matters religious, we included Frightened Rabbit with HEAD ROLLS OFF. They seem to believe in God and an afterlife but nevertheless promote the idea that what you do while you’re alive is the most important thing. Can’t argue with that.
M. Ward gets a little help from Norah Jones on ONE LIFE AWAY where he imagines that, when you walk on peoples graves, they are “listening to the sound of the living people living their lives away”. Here’s the awesome Mark Lanegan performing on Irish TV in 2004. The track is RESURRECTION SONG. Brilliant as always.
Now it would be a serious omission if I didn’t mention this weekend’s Byron Bay Blues Fest, so as a tribute to that we closed with songs on Resurrection from two of the icons appearing at the event: First up, the marvellous Mavis Staples with WILL THE CIRCLE BE UNBROKEN, which I dedicate to my Dad who died 20 years ago this week. And finally, it was ‘born again’ Bob Dylan with IN THE GARDEN. For my Dad, here’s Mavis on the Jools Holland show:
For next week’s show I’ve been inspired by the Royal Wedding (I kid you not) and the show will be on WEDDINGS AND MARRIAGE. I think we can have some fun with this. I’ll be transforming the BayFM studio into the Chapel of Love. And it will be my last show at this time slot. After that I’ll be presenting Theme Park in a shorter and sweeter one hour format on Monday’s 1-2pm, so I hope that you tune in then.
Have a great Easter! Here’s the complete playlist:
Resurrection Shuffle – Ashton, Gardner and Dyke
Dig, Lazarus, Dig!!! – Nick Cave and The Bad Seeds
Soul Of A Man – Eric Burdon
Resurrection – The Temper Trap
Roll Away The Stone – Mott The Hoople
They Are Night Zombies!! They Are Neighbors!! They Have Come Back from the Dead!! Ahhhh!! – Sufjan Stevens
Can’t No Grave Hold My Body Down – Sister Rosetta Tharpe
Stay Inside – Vic Chesnutt
If I Rise – A.R. Rahman
B Movie – Gil Scott-Heron
Back From The Dead – Spinal Tap
You Only Live Twice – Nancy Sinatra
Legend Of A Mind – The Moody Blues
Zombies Ate My Neighbors – Single File
Love Resurrection – Alison Moyet
Coming Back To Life – Pink Floyd
I Am The Resurrection – The Stone Roses
Head Rolls Off – Frightened Rabbit
One Life Away – M. Ward
Resurrection Song – Mark Lanegan
Will The Circle Be Unbroken – Mavis Staples
In The Garden – Bob Dylan
Next week: MARRIAGE
This week’s show is for all of you who like their sleep and also for those that have trouble sleeping, for one reason or another. Thankfully I’ve never been an insomniac. I hit that pillow and I’m a gonna and if you deprive me of my sleep its not safe to be around me, let me tell you.
The Beatles song I’M ONLY SLEEPING is a classic and it’s from, possibly, my favourite album of theirs, ‘Revolver’ so that had to make the mix. As did SOMEBODY’S BEEN SLEEPING from funky soul group 100 Proof (Aged in Soul). It’s inspired by the fairytale Goldilocks and the Three Bears.
Spiderman gets a mention on The Cure’s LULLABY, the only song of theirs to make the UK top 5 (can you believe it?) but the brilliant videoclip was voted the best of the year in 1989. Well deserved too. Check it out:
Three songs about sleep deprivation followed: the Eels who portray anxiety to perfection on I NEED SOME SLEEP; Peter Wolf with SLEEPLESS from his album of the same name, released in 2002. And rounding out the triple play, Craig David who’s love life is causing him to lose sleep on INSOMNIA.
Swedish band Acid House Kings do the twee-pop thing to perfection on SLEEPING. That was followed by Bobby Lewis who delivered a real blast from the past with the 60’s recording of TOSSIN’ AND TURNIN’. Then it was The Romantics with TALKING IN YOUR SLEEP from 1989. Viewing this clip of The Romantics, I think the 80’s have a lot to answer for, when it comes to fashion and hair.
Written by Ray Davies of The Kinks, I GO TO SLEEP was originally recorded by Peggy Lee on her 1965 album Then Was Then – Now Is Now!. Davies didn’t write many songs that weren’t specifically for The Kinks, but this one was widely covered. We played the only version to have chart success – The Pretenders who took it to #7 in the UK.
Talking of Peggy Lee, we had to play her version of BLACK COFFEE. There are lots of great versions of this standard, but for me Peggy Lee does it best. Sorry k.d.
Jody Reynolds uses sleep as a metaphor for death on ENDLESS SLEEP and the iconic Hank Williams Snr knows that you can’t sleep when you have a guilty conscience, on the country classic YOUR CHEATIN HEART.
More golden oldies with Frank Sinatra’s IN THE WEE SMALL HOURS OF THE MORNING and The Four Tops with SHAKE IT, WAKE IT.
Contemporary (and Australian) singer Sarah Blasko brought us back to the present with a beautiful song on the topic of sleep: SLEEPER AWAKE. We followed that with a great suggestion from Quentin: James Kahu with SLEEP. It’s from his 2010 album ‘Through Me’. Take a look:
The nostalgia bug still had me on The Everly Brothers’ WAKE UP LITTLE SUSIE, Berna Dean’s I WALK IN MY SLEEP and Sammy Myers SLEEPING IN THE GROUND.
And it was inevitable that I would play John Lennon’s little dig at Paul McCartney on HOW DO YOU SLEEP.
REM’s DAYSLEEPER is not only perfect for our theme, with its references to Circadian rhythms and all, but even the name of the band is a sleep reference. Did you know that REM sleep, or Rapid eye movement sleep, accounts for 20–25% of total sleep time in most human adults? And that most of our memorable dreaming occurs in this stage? True.
Edwyn Collins contributred LOSING SLEEP from his album of the same name and then it was The Smiths with quite a sad song where, once again sleep serves as a metaphor for death. The song is ASLEEP.
Then it was even further back in time for the sublime Julie London and her version of TWO SLEEPY PEOPLE, followed by SLEEP from Little Willie John and ROCK ME TO SLEEP from Little Miss Cornshucks.
We closed the show with a couple of my favourites: First up it was Tom Waits, who probably knows more about late nights than I’ve had hot breakfasts. MIDNIGHT LULLABY is from his Closing Time album. Then it was the always brilliant Ian Dury & the Blockheads with WAKE UP AND MAKE LOVE TO ME. Beats sleeping every time, or so they tell me.
I’m really going out on a limb for our Easter Show. The topic is RESURRECTION. And I’m talking about dying and coming back from the grave, literally. Come on, by now you’ll know that Theme Park will go where others fear to tread! Now we’re not talking musical comebacks – that’s a whole other theme altogether! Of course there will be lots of gospel and blues and I can see some rock and punk and even some songs about zombies on the list already. What do you have for me?
While you’re contemplating that, check out this week’s playlist:
A Man’s Best Friend Is A Bed – Louis Jordan
I’m Only Sleeping – The Beatles
Somebody’s Been Sleeping [UK Single Edit] – 100 Proof (Aged In Soul)
Lullaby – The Cure
I Need Some Sleep – Eels
Insomnia – Craig David
Sleepless – Peter Wolf
Sleeping – Acid House Kings
Tossin’ And Turnin’ – Bobby Lewis
Talking In Your Sleep – The Romantics
I Go To Sleep – The Pretenders
Black Coffee – Peggy Lee
Your Cheatin Heart – Hank Williams Snr
Endless Sleep – Jody Reynolds
In The Wee Small Hours Of The Morning – Frank Sinatra
Shake Me, Wake Me – The Four Tops
Sleeper Awake – Sarah Blasko
Sleep – James Kahu
Wake Up Little Susie – The Everly Brothers
I Walk In My Sleep – Berna Dean
Sleeping In The Ground – Sammy Myers
How Do You Sleep? – John Lennon
Sleep Walk – Santo and Johnny
Daysleeper – R.E.M.
Losing Sleep – Edwyn Collins
Asleep – The Smiths
Two Sleepy People – Julie London
Sleep – Little Willie John
Rock Me To Sleep – Little Miss Cornshucks (Mildred Cummings)
Midnight Lullaby – Tom Waits
Wake Up And Make Love With Me – Ian Dury and The Blockheads
Next week: RESURRECTION
I’ve been away in my home town of Sydney for a couple of weeks but you can’t keep me from Byron Bay for long, so I was all fired up for this week’s show on SONGS WITH SOUND FX in them. I’ve discovered that many a song has been enhanced by a clever piece of non-musical noise and our opening song, MY BROTHER MAKES THE NOISES FOR THE TALKIES summed up the program beautifully. It’s by the very entertaining UK group, the Bonzo Dog Doo Dah Band.
Sounds of thunder accompany a song that suits the weather we’re having up here at the moment. WALKING IN THE RAIN is by the Ronettes, best known for their work with Phil Spector. With their beehive hairdos and tight skirts, they were known as the ‘bad girls’ of rock n roll. And now you know where Amy Winehouse go her ‘look’.
The sound of lapping waves welcomes in Otis Redding’ standard, SITTIN’ ON THE DOCK OF THE BAY. Redding wrote this song while living on a houseboat in Sausalito on the San Francisco Bay. It was recorded shortly before his tragic death at the age 0f 26. Released posthumously, it is his biggest hit ever.
There’s lots of playground noise on Cat Steven’s (REMEMBER THE DAYS OF) THE OLD SCHOOL YARD. And The Beatles use all kinds of carnival noises on BEING FOR THE BENEFIT OF MR. KITE.
Jazz great Charles Mingus got his band to use their instruments to sound like foghorns and other harbour sounds on the remarkable A FOGGY DAY. In complete contrast, but somehow weirdly complementary, is M.I.A.’s PAPER PLANES. She utilizes the sounds of a cash register and heavy gunshot noise on this very provocative piece of hip-hop.
There were lots of requests for MONEY by Pink Floyd. And it had to be played, if not for the very good use of various sound effects, but because, well ….. it’s Pink Floyd!
Another fantastic song with sound effects is NO TIENE BILLET from Fruko y Sus Tesos. The rifle fire that tears through this brilliant Colombian tune implies that the eruption of violence, in a very poor country especially, is almost inevitable. On NITE CLUB, by the Specials, the only aggression heard is raised voices and the clinking of glasses.
George Gershwin’s AN AMERICAN IN PARIS, written in 1928, is full of imagery gone wild. It’s a brilliant song and a brilliant film too. This was Gene Kelly’s magnum opus. His choreography was of such a standard that the Academy of Motion Picture Sciences created a special Oscar that year in recognition of his achievement. Dancing to a segment of George Gershin’s stunning music, here is Kelly’s duet with the beautiful Leslie Caron:
Michael Jackson uses sound effects to the hilt on THRILLER and the Doors gave us another perfect weather song, with its thunder and lighting sound effect: RIDERS ON A STORM.
There are some very suggestive street sounds on what happens to be one of my all time favourite songs: LOOKING FOR THE HEART OF SATURDAY NIGHT from the sublime Mr. Tom Waits. And then there’s a beautiful song that reminds me of my home town, Sydney: The Platters’ HARBOR LIGHTS.
Yep, that’s a baby gurgling throughout Stevie Wonder’s ISN’T SHE LOVELY. And as far as car sounds go, you can’t go past the highly influential electronic pioneers, Kraftwerk, with AUTOBAHN. Check this out:
Talking of road sounds, you didn’t actually think I was going to leave out LEADER OF THE PACK by the Shangri Las did you? This clip is from the television show ‘Ive Got a Secret’, recorded in 1964. The ‘bikie’ is Robert Goulet!
Dancehall queen, Lady Saw, inserts self-made creaking sounds on BED NOISE. They’re so convincing that I can hear the neighbours complaining already! Neo Ska group, The Specials, seem to put sound effects on most of their songs. This is one of their big hits: GHOST TOWN. These guys have been around for 30 years and still going strong. Here they are on Top of the Pops in 1981. Blast from the past. Love, love, love.
The Surfaris break a surfboard just to make a point on WIPEOUT. Creaking doors and other creepy sounds illustrate MONSTER MASH, by the marvellously named Boris Pickett and the Crypkickers. And crashing glass introduces Billy Joel’s YOU MAY BE RIGHT. How’s that for a trio of songs with sound effects? And just because I can, here’s a nice little clip with lots of fun horror film clips, backed up by MONSTER MASH. Do you see where Michael Jackson got his inspiration for Thriller?
Our last song went out to Des who so ably sat in for me while I was away for a few weeks. His favourite is Bob Dylan and it seems that Bob isn’t against using a sound effect either. There’s a mean sounding whistling siren on HIGHWAY 61 REVISITED.
Hopefully I won’t need to use any alarms to keep you awake during next week show on SLEEP AND INSOMNIA. Lots of great songs in this category so get your thinking caps on and send me your suggestions. But remember, we’ve done DREAMING and TIREDNESS, so the list has to be specifically about sleeping, or not.
Here’s this week’s complete playlist:
My Brother Makes The Noises For The Talkies – Bonzo Dog Doo-Dah Band
Walking In The Rain – The Ronettes
(Sittin’ On) The Dock Of The Bay – Otis Redding
(Remember The Days Of The) Old School Yard – Cat Stevens
Being For The Benefit Of Mr. Kite! – The Beatles
A Foggy Day – Charlie Mingus
Paper Planes – M.I.A.
Money – Pink Floyd
No Tiene Billete – Fruko y Sus Tesos
Nite Club – The Specials
An American In Paris – George Gershwin
Thriller – Michael Jackson
Riders on the Storm – The Doors
(Looking For) The Heart Of Saturday Night – Tom Waits
Harbor Lights – The Platters
Isn’t She Lovely – Stevie Wonder
Autobahn – Kraftwerk
Leader Of The Pack – The Shangri-Las
Bed Noise – Lady Saw
Ghost Town – The Specials
Wipe Out – The Surfaris
Monster Mash – Bobby (Boris) Pickett and the Crypt-kickers
You May Be Right – Billy Joel
Highway 61 Revisited – Bob Dylan
Next week: SLEEP AND INSOMNIA!
This week we celebrated the centenary of International Women’s Day with a show dedicated to my favourite Aussie female singers. Some are solo performers and others front bands but the thing they all have in common is that they are strong, talented and inspiring women.
We opened the show with Christine Anu’s version of I’M A WOMAN. It’s from her Intimate and Deadly album, which was recorded live at the Sydney Opera House Studio and released in November 2010. Christine is presently performing in London with the production The Sapphires, the Australian play about a singing group of four Koori women who tour Vietnam in 1968, a year after the referendum expanding the rights of Aborigines.
It’s 100 years since the first International Women’s Day event was run. Did you know that in 1911 more than one million women and men attended rallies, campaigning for women’s rights to work, vote, be trained, to hold public office and end discrimination? Yes, we’ve come a long way baby, but there’s still work to be done.
Renee Geyer knows all about what it’s like to try and make it in a man’s world. She has long been regarded as one of the finest exponents of jazz, soul & R&B in this country and her version of James Brown’s IT’S A MAN’S WORLD brought her well-deserved commercial success in 1974:
Local girls Melia and Nerida Naughton are Scarlett Affection, a multi-talented duo with lots to say about love and life in their own unique folk/pop style. Their song ROMANTIC is one of my favourites; it’s from their album Our Sweet Ambush.
When it comes to Aussie rock, Suze De Marchi of The Baby Animals has to have one of the best voices out there. Here’s the band performing ONE WORD in 1991:
Another of the stars of the stage show The Sapphires, presently wowing them in London, is Casey Donovan. She was very young, only 16, when she won the Australian Idol competition a few years back, but she weathered the instant fame train and is now creating a substantial career in musical theatre. Here she is kicking off her BIG, BEAUTIFUL & SEXY tour, when she took to the stage of the famous Spiegel Tent in Adelaide SA, at the 2010 Fringe:
In China, Armenia, Russia, Vietnam, Bulgaria and many other countries International Women’s Day is an official holiday. The tradition sees men honouring their mothers, wives, girlfriends, colleagues etc. with flowers and small gifts. Gotta love that!
You’ve also gotta love Darwin singer Leah Flanagan. We played her very appropriate track, PRETTY GIRLS. And then it was pop/dance duo Madison Avenue, with Cheyne Coates on vocals. She does a great job on the wonderfully assertive WHO THE HELL ARE YOU. That girl knows how to put an outfit together too!
Deborah Conway has weathered the ups and downs of a fickle music industry and these days is finding happy harmony between family and fame. SPOKEN LIKE A MAN is from the album Half Man Half Woman.
The wonderful Christa Hughes, with her Dad Dick, blew everyone away at the last Mullumbimby Music Festival. Here they are on the ABCTV show ‘Spicks & Specks’ with a version of Memphis Slim’s BEER DRINKIN’ WOMAN. And as the clip shows, this girl could drink most of you under the table! (not sure if that’s a good thing though!)
Mama Kin sang I’M GONNA DO IT from her Beat and Holler album and then it was Tin Pan Orange with Emily Lubitz and her amazing lead vocals on THE BOTTOM OF THE LAKE.
The year 2010 was a busy one for Megan Washington and the album I Believe You, Liar. She picked up two ARIA awards – Best Female Artist and Best Breakthrough Artist, and broke records with sell out shows around the nation. Here she is with footage from her EPK, talking about her hit album I BELIEVE YOU LIAR, where she discusses the themes and style she pursues in her songwriting.
Another terrific singer/songwriter is local Byron girl Sarah McGregor. She may not be as recognised as others at the moment, but she has already produced a number of albums that I totally adore. One of my favourite songs is MORE TO LIFE.
A group which also established themselves here in Byron Bay, before knocking everyone out both in Australia and overseas is Blue King Brown with Natalie out front. This is the kind of music that gets you out of your seat and moving! And its political! Love them. And love the song COME AND CHECK YOUR HEAD.
Kasey Chambers’s song NOT PRETTY ENOUGH was released in 2001 and is from her album Barricades and Brickwalls. Chambers became the first country artist to have a #1 single and album on the charts simultaneously.
Back in 1985 the standout female artist was the iconic Ms Chrissie Amphlett of the Divinyls. Watch this video and you may understand why her aggressive, psycho-sexual persona freaked out US record label wowsers who wanted their women blonde, deferential and subservient. Yes, there’s a fine line between PLEASURE & PAIN.
A very different kind of performer, and a fantastic songwriter as well, is Little Birdy’s Katy Steele. She’s now living in New York and has gone solo, and there’s nothing but blue sky ahead for her. Here she is with Little Birdy’s HAIRDO:
Katy Noonan has a sublime voice and its demonstrated to perfection on her cover of Soundgarden’s BLACK HOLE SUN.
Here’s Vanessa Amorosi’s #1 single and neo-feminist anthem, THIS IS WHO I AM. “I don’t care if I’m fat or if you think my clothes are bad. I can go to sleep at night. I’m a good person and I’ll get by.” You go girl!
There were lots of requests for Sarah Blasko and it was difficult to choose just one song from her repertoire but I do love ALL I WANT. It’s from her album As Day Follows Night.
Two great groups with amazing female singers are The Waifs and The Audreys. The Waifs are a folk rock band from Western Australia which includes sisters Vikki Thorn (hamonica, guitar, vocals) and Donna Simpson (guitar, vocals), The Audreys line-up includes the very talented Taasha Coates on vocals (and a variety of instruments). So, it was FISHERMAN’S DAUGHTER from the Waifs and the very funny NOTHING WRONG WITH ME from The Audreys
I’m gong to be away for a couple of weeks so I thought it was fitting to include Julia & Angus Stone’s song BIG JET PLANE. Yes, I know that Angus is quite dominant on this one, but it just goes to show that men and women can collaborate and produce some very beautiful music!
I know that many of the younger generation feel that ‘all the battles have been won for women’ but us old feminists know that there is still a lot of work to be done. Yes, there are more women in the boardroom, there is greater equality and we have some impressive role models in all walks of life. But the unfortunate fact is that women are still not paid equally to that of their male counterparts, women are still not present in equal numbers in business or politics and, globally, women’s education, health and the violence against them is worse than that of men. However, great improvements have been made and today women do have real choices, so let’s celebrate the positive and, here’s an idea, let’s make every day International Women’s Day. Let’s all do our bit to ensure that the future for girls is bright, equal, safe and rewarding.
Although I won’t be here for the next two weeks, fear not as Theme Park will continue with the lovely Des in the hotseat. Who knows what fabulous themes he’ll be bringing you because I’m giving him a free hand! Could be scary!
No blogs for that period, but make sure you listen in on http://www.bayfm.org
Here’s this week’s playlist:
I’m A Woman – Christine Anu, Intimate And Deadly
It’s A Man’s Man’s World – Renée Geyer, The Ultimate Collection
Romantic – Scarlett Affection, Our Sweet Ambush
One Word – Baby Animals, Baby Animals
Big, Beautiful & Sexy – Casey Donovan, Big, Beautiful & Sexy
Pretty Girls – Leah Flanagan, Leah Flanagan Band
Who The Hell Are You – Madison Avenue
Spoken Like A Man – Deborah Conway, Half Man Half Woman
Beer Drinkin’ Woman – Dick and Christa Hughes, 21st Century Blues
I’m Gonna Do It – Mama Kin, Beat And Holler
The Bottom Of The Lake – Tinpan Orange, The Bottom Of The Lake
Down On Love – Sarah Blasko, As Day Follows Night
I Believe You Liar – Washington, I Believe You Liar
More To Life – Sarah McGregor, More To Life
Come And Check Your Head – Blue King Brown
Not Pretty Enough – Kasey Chambers, Barricades & Brickwalls
Pleasure And Pain – Divinyls, Make You Happy 1981-93
Hairdo – Little Birdy, Never Mind The Lipstick
Black Hole Sun – Katie Noonan, Time To Begin
This Is Who I Am – Vanessa Amorosi, Hazardous
All I Want – Sarah Blasko, As Day Follows Night
Fisherman’s Daughter – The Waifs,
Nothing Wrong With Me – The Audreys, Between Last Night and Us
Big Jet Plane, Angus & Julia Stone
Next 3 weeks: DES IS IN THE HOTSEAT WHILE I’M AWAY
I’m not a smoker and, in fact, I think its a pretty silly way to spend your time, but I have to admit that there are some terrific songs on the subject, both for and against. We started the program with Tex Williams and His Western Caravan with SMOKE! SMOKE! SMOKE! THAT CIGARETTE, a western swing novelty song recorded in 1947. While the line “Ive smoked all my life and I ain’t dead yet” suggests that the song is pro-smoking, the chorus includes lines like “Puff, puff, puff … smoke yourself to death”. So Tex is having a two way bet, let’s just say.
Here Tex’s song is used brilliantly to illustrate all the smoking on my favourite TV series, Mad Men. This video will have one of two results: The repetitious, perfunctory and seemingly pointless act of inhaling smoke may turn you completeley off smoking cigarettes. Or, the fact that this repetitious, perfunctory, and seemingly pointless act is carried out by such debonair, dashing human beings will make you run to your corner store and chimney down a carton before dinner. Either way, advertising works.
We couldn’t leave out references to tobacco’s more pungent partner in crime, marijuana. Before this recreational drug was criminalised in the US, there was a fertile genre known as reefer jazz, of which Ella Fitzgerald’s WHEN I GET LOW I GET HIGH is a lively example.
When it comes to Bluegrass, Jimmy Martin was known as The King. He recorded a great smoking song called I CAN’T QUIT CIGARETTES in 1966.
More currently, Hefner’s Darren Hayman gave us THE HYMN FOR THE CIGARETTES from the 1999 album The Fidelity Wars. Here the song is set against some of my favourite films including Contempt, Bad Education, Manhatten, Breathless, Coffee & Cigarettes, All About My Mother, A Bande A Part and more…
Talking Heads do a great version of TAKE ME TO THE RIVER “take my money, take my cigarettes I haven’t seen the worst of it yet…” and, of course, there’s Otis Redding, mixing caffeine with his nicotine on CIGARETTES AND COFFEE.
Neil Young’s ROLL ANOTHER NUMBER (FOR THE ROAD) is from his most uneven album ‘Tonight’s the Night’ on which he looks back at Woodstock through a fog of smoke, which probably explains a thing or two about the quality of the album.
Rufus Wainwright contributed his charismatic 2001 showtune, CIGARETTES AND CHOCOLATE MILK. Everything he likes is just a little bit harmful for him (know the feeling!).
Jazz legend Nina Simone has some good advice: DON’T SMOKE IN BED. She recorded her version of Willard Robison’s piece in 1958. And in 1959 a completely different style of music was being recorded by Joe and Rose Lee Maphis. Their honky tonk style of country music was also a crowd pleaser, with its old fashioned views about the role of women in society. Well it was 1959 folks. The song is DIM LIGHTS, THICK SMOKE (AND LOUD, LOUD, MUSIC).
David Bowie’s ROCK & ROLL SUICIDE is an avant garde showtune of sorts, where he references the Spanish poet Manuel Machado with the line “Time takes a cigarette…”
My pick from the multitude of reggae songs that celebrate weed is U Roy’s CHALICE IN THE PALACE because it has to be the most unusual of the bunch. Inspired by a dream, he outlines his plan to bond with the Queen over a hashpipe. Cool.
Ry Cooder proved, once again, that he must be the best slide guitarist in the world with a very nice live performance of FOOL FOR A CIGARETTE.
Canadian Hawksley Workman works a nice piece of sexual metaphor on JEALOUS OF YOUR CIGARETTE.
I had to include the Happy Mondays song LOOSE FIT, if only because it starts with someone lighting up and inhaling. Then it was a cruisy little number from Camper Van Beethoven who suggest we get high while the radio’s on. The song, GOOD GUYS & BAD GUYS, is a great example of the slacker ethos of the late 80’s.
Steve Miller reckons he’s a joker, a smoker and a midnight toker on The Steve Miller Band’s song JOKER. Brownsville Station’s SMOKIN’ IN THE BOYS ROOM took me back a few years. Remember when being a rebel was sharing a pack of Peter Stuyvesant’s behind the toilet block? Seems so distant now doesn’t it?
I love to play a little Pink Floyd now and again and HAVE A CIGAR from the album Wish You Were Here was perfect for this week’s show.
The Editors recorded a song about one of my big bugbears, SMOKERS OUTSIDE THE HOSPITAL DOORS. It drives me crazy when I go to visit someone in hospital and I see hospital workers and visitors congregating outside the hospital entrance smoking their lives away. Grrrr.
Super Furry Animals gave us a rambling, rousing slice of smoking philosophy on SMOKIN’, which we followed with REEFER MAN from Baron Lee and The Mill Blue Rhythm Band.
For all you Francophiles out there: Serge Gainsbourg and Catherine Deneuve want you to know that they’re big cigar fans. They even contend that God smokes them. I’m no theology expert, but who knows, they may be right! The song is DIEU EST UN FUMEUR DE HAVANES.
A couple of country songs on the subject of smoking: Lefty Frizzell with CIGARETTES AND COFFEE BLUES and a classic: Patsy Cline with THREE CIGARETTES IN AN ASHTRAY.
k.d. lang is a huge Patsy Cline fan and she’s covered many of her songs including THREE CIGARETTES IN AN ASHTRAY. And you’ve got to hand it to her for doing a whole album on smoking. So k.d. saw us out with a terrific song from the album Drag: MY LAST CIGARETTE.
Next week our show falls on March 8th which is International Women’s Day, so its a given that I’ll be presenting a program that features all my favourite female artists. Get in touch if you would like to request a particular song or artist. I’d love to hear from you.
Meanwhile, here’s the complete playlist from this week:
Smoke! Smoke! Smoke! (That Cigarette) – Tex Williams and His Western Caravan, Theme Time Radio Hour Volume Three [Disc 2]
When I Get Low I Get High – Ella Fitzgerald The Early Years: Part 1 (1935-1938) [Disc 1]
I Can’t Quit Cigarettes – Jimmy Martin, Smoke That Cigarette: Pleasure To Burn
The Hymn For The Cigarettes – Hefner, The Best of Hefner
Take Me To The River – Talking Heads, The Best Of
Cigarettes And Coffee – Otis Redding, The Soul Album
Roll Another Number (For The Road) – Neil Young, Tonight’s The Night
Cigarettes And Chocolate Milk – Rufus Wainwright, Dreamworks Fall
Don’t Smoke In Bed – Nina Simone, Little Girl Blue
Dim Lights, Thick Smoke (And Loud, Loud Music) – Joe and Rose Lee Maphis, Smoke That Cigarette: Pleasure To Burn
Rock & Roll Suicide – David Bowie, The Rise And Fall Of Ziggy Stardust
Chalice In The Palace (1990 Digital Remaster) – U-Roy, Dread In A Babylon
Fool For A Cigarette / Feelin’ Good – Ry Cooder
Jealous Of Your Cigarette – Hawksley Workman, (Last Night We Were) The Delicious Wolves
Richard Diamond Advertisement – Richard Diamond, Smoke That Cigarette: Pleasure To Burn
Loose Fit – Happy Mondays, The Chillout Album, Vol. 2
Good Guys & Bad Guys – Camper Van Beethoven
The Joker – The Steve Miller Band, Groovin’ 70’s
Smokin’ In The Boy’s Room – Brownsville Station, Best Of Brownsville Station
Have A Cigar – Pink Floyd, Wish You Were Here
Smokers Outside The Hospital Doors – Editors, An End Has A Start
Smokin’ – Super Furry Animals, Outspaced
Reefer Man – Baron Lee and The Mill Blue Rhythm Band
Dieu fumeur de Havana – Serge Gainsbourg/Catherine Deneuve
Cigarettes And Coffee Blues – Lefty Frizzell
Three Cigarettes In An Ashtray – Patsy Cline, The Ultimate Collection
My Last Cigarette – k.d. lang, Drag
Next week: AUSTRALIAN WOMEN SINGERS
As you will no doubt be aware, the Academy Awards are coming up and in honour of the Oscar tradition of jazzing up a long-running format with dubious gimmicks, this week’s Theme Park was dedicated to Original Songs Recorded For Film. Here at BayFm we’re always on a budget so you just have to imagine the red carpet, the paparazzi and my fabulous outfit.
J’aimee Skippon-Volke from the Byron Film Festival also paid us a visit and we had a chat about what’s screening at the festival this year. She kindly gave away some tickets to our loyal subscribers, as did the wonderful people at the Dendy Cinema who are screening most of the Oscar nominees at the moment. Thanks guys and congrats to the lucky listeners who won those.
STAYIN’ ALIVE was written and recorded by The Bee Gees in 1977 for the film ‘Saturday Night Fever’ and the album defined the Bee Gees as they ushered in the disco era. None of the songs from this best selling album were nominated for an Oscar, with the Best Original Song of 1977 going to “You Light Up My Life’ from the widely panned film of the same name. Go figure.
Another oversight by the Academy is WHEN DOVES CRY from Prince’s brilliant album ‘Purple Rain’ which supported the film of the same name. Funky, sexy and totally rockin’ the album was nothing short of revolutionary and probably far too much for the staid Academy committee to take in. Prince doesn’t like to have his music on YouTube so it was difficult to get a good video of him performing the song, but here’s an extract from a DVD called ‘Prince – The Glory Years’:
Simon & Garfunkle wrote MRS ROBINSON especially for the film ‘The Graduate’. Thanks Judi, all the way from Cairns, for suggesting that one.
The Beatles A HARD DAY’S NIGHT is so iconic that many of us forget that all eight original songs plus four instrumentals are from the Beatles first movie.
And then it was one of my guilty pleasures, TONIGHT I’M GONNA ROCK YOU TONIGHT, from ‘This is Spinal Tap’. Not nominated for an Oscar either! What was the Academy thinking!
Prior to Bob Marley, nothing did more to make reggae popular than the soundtrack to THE HARDER THEY COME. Jimmy Cliff’s title song does the work of the film in less than four minutes. Gotta be the best reggae song ever written for a movie. The year was 1972 and the Oscar for Best Original song that year went to The Morning After from ‘The Poseidon Adventure’. Jimmy was robbed!
Here’s a song that actually did win an Oscar. Another guilty pleasure, I’m afraid, but in 1987 while all else around us was synth-pop, we fell hard for the film ‘Dirty Dancing’. The song? I’VE HAD THE TIME OF MY LIFE from Bill Medley & Jennifer Warnes. Oh, stop it, you know you were waiting for this one! R.I.P. Patrick Swayze.
Ok, I’m on a roll…. Yet another song that won an Academy Award for Best Original Song, and who would have thought a rap song could pull it off? Eminem’s LOSE YOURSELF was written for his hit film 8 MILE, released in 2002.
Stevie Wonder’s I JUST CALLED TO SAY I LOVE YOU pipped two songs from the film ‘Footloose’ at the post to take out the Best Original Song in 1984. But he wasn’t the first black artist to take out the award. Back in 1971 Isaac Hayes’ soul and funk style THEME FROM SHAFT won the Oscar, making Hayes the first African American to win that honor (or any Academy Award in a non-acting category, for that matter). Check out the opening credit sequence from the film, which uses the theme so superbly. Damn right!
Danny Boyle’s amazing film ‘127 Hours’ is nominated in various categories this year, including Best Original Song and Best Film. He also directed ‘Slumdog Millionaire’ which in 2008 walked away with 8 Oscars. That year two of the songs from the film were nominated and JAI HO won the Oscar, but I prefer the song that missed out, O…SAYA by A.R. Rahman and M.I.A.
By having the actors write and perform their own songs, director Robert Altman managed to capture the sprawling heart of the ’70s Nashville music scene, the good, the bad and the just plain hokey. And while the album has its high and low points, the high points got their due: Keith Carradine’s I’M EASY won an Oscar for Best Original Song in 1975.
Zoe suggested that I play the whole album from the film INTO THE WILD. Ah yes, if only I had the time. But we definitely had to play something from this wonderful soundtrack, which was composed by Eddie Vedder of Pearl Jam fame. So, my pick was SOCIETY.
Rebecca suggested PLAYGROUND LOVE from the Virgin Suicides soundtrack. it’s by the group Air and it has to be one of the most beautiful love songs written. An Oscar? No, of course not.
In 1969 the film ‘Midnight Cowboy’ won three Academy Awards: Best Picture, Best Director and Best Adapted Screenplay. But no best song, not even a nomination. It was a strong year with Raindrops are Falling on my Head from the film Butch Cassidy and the Sundance Kid taking out the honours, but I do have a soft spot for Harry Nilsson, so we had to play EVERYBODY’S TALKIN’. Here’s the opening sequence with Jon Voight as Joe Buck. Not even a nomination, what gives?
Bruce Springsteen’s STREETS OF PHILADELPHIA from the 1993 film ‘Philadelphia’ did go on to win Best Original Song for Springsteen. So, sometimes the Academy does get it right, it seems. As it did last year with THE WEARY KIND from a film that I also adore, ‘Crazy Heart’. The song was sung by Ryan Bingham.
MEMO FROM TURNER is a song written by the Rolling Stones for Nic Roeg’s film ‘Performance’. Ry Cooder provides slide guitar on the track, which was enough reason for me to include it, despite it not even being nominated for an Oscar. The film starred Mick Jagger as a sex-crazed rock star. I think it probably should have been awarded an Oscar for type-casting, surely! Love the fact that Mick lip-syncs to himself…
Like James Brown’s Black Caesar and Marvin Gaye’s Trouble Man, Curtis Mayfield’s ‘Superfly’ album typified the blaxploitation tradition of soundtracks that eclipsed, and in this case outgrossed, their original inspirations. FREDDIE’S DEAD was my pick from this soundtrack.
It would have been remiss of me not to play at least one of the nominated songs from this year’s Academy Awards. So I went to go out on a limb and forecast that IF I RISE from ‘127 Hours’ should take the guernsey on Oscar’s night. With music by A.R. Rahman and lyrics by Dido and Rollo Armstrong, I think its the best of the bunch. Great footage from the film as well, on this clip:
We finished the show with a divine song from Louis Armstrong. WE HAVE ALL THE TIME IN THE WORLD was one of the themes for the James Bond film ‘On Her Majesty’s Secret Service’, starring George Lazenby and Dianna Rigg. Composed by John Barry, with lyrics by Hal David, Barry has been quoted as saying that this is the finest piece of music he ever wrote.
Next week the theme will be SMOKING. Don’t get me wrong, I’m not a big fan of nicotine or other smoking substances, for that matter. But gee, there are some good songs on the topic, aren’t there? So I have no shame. Smoking it is. Or maybe we should call it THANKS FOR NOT SMOKING. Put your thinking caps on and get in touch, especially if you have an anti-smoking song for our list.
While you’re pondering your choices, take a look at the playlist from this week:
Stayin’ Alive – Bee Gees, Bee Gees Greatest
When Doves Cry – Prince, Purple Rain
Mrs Robinson – Simon & Garfunkel, The Graduate
A Hard Day’s Night – The Beatles, A Hard Day’s Night
Tonight I’m Gonna Rock You Tonight – Spinal Tap, Back From the Dead
The Harder They Come – Jimmy Cliff, The Harder They Come
(I’ve Had) The Time Of My Life – Bill Medley & Jennifer Warnes, Dirty Dancing
Lose Yourself – Eminem, 8 Miles
I Just Called To Say I Love You – Stevie Wonder, The Very Best Of
Theme From Shaft – Issac Hayes, Shaft
O…Saya – A R Rahman & M.I.A., Slumdog Millionaire
I’m Easy – Keith Carradine, Nashville
Society – Eddie Vedder, Into The Wild
Playground Love – Air, Virgin Suicides
Everybody’s Talkin’ – Harry Nilsson, Midnight Cowboy
Streets of Philadelphia – Bruce Springsteen, Philadelphia
The Weary Kind – Ryan Bingham, Crazy Heart
Memo From Turner – The Rolling Stones, The Stones
Freddie’s Dead – Curtis Mayfield, Superfly
If I Rise – Dido, AR Rahman, 127 Hours
We Have All the Time In the World – Louis Armstrong, The Best of Bond
Next week: SMOKING
I’ve been on a mission to play as many songs as I can with numbers in the title. But the real challenge has been to play them in numerical sequence. Last week we successfully navigated our way from Elvis Costello’s Less Than Zero all the way to Edwin Starr’s Twenty Five Miles . So, this week we were off again, starting with our opening number, OCTOBER 26 (REVOLUTION) from The Pretty Things. This is a great track from what I consider a grossly under recognised band of the 60’s. It’s from their 1970 album Parachute.
TWENTY SEVEN STRANGERS is from The Villagers, who put out one of the best albums of last year – Becoming A Jackal. Here’s the band’s singer and songwriter, Conor J O’Brien, performing solo. Beautiful song. Perfect in its simplicity.
A band called Why? gave us our #28 song, (called exactly that, 28). Ryan Adams’ contribution was the track TWENTYNINE from the album 29 and the #30 spot was filled by Aussie band The Lucksmiths. The song, $30 is a very cute proposition: They know that they owe you $30 but how about they write you a song instead? Cheeky!
Aimee Mann thought her life would be different somehow, when she turned 31. Check out this live performance of 31 TODAY in Studio Q.
Another brilliant singer/songwirter is Ani DiFranco . Here she is performing live in 1997. The song: 32 FLAVOURS.
We don’t often play instrumental tracks but funky jazz outfit The New Mastersounds certainly livened things up with THIRTY THREE. We followed with little known, (well to me anyway), American band Promenade with 34 from their Save the Radio album. Then it was Joe Pug with a decent Bob Dylan impression on HYMN #35 and Bobby “Blue” Bland with his favourite numbers 35:22:36.
Then another excellent double : STRAIGHT IN AT 37 from The Beautiful South, now called simply South, and 38 YEARS OLD from Canadian band The Tragically Hip.
Hip Hop producer Re-animator has a great track called SYMPHONY NUMBER THIRTY-NINE on his album, evocatively titled Music to Slit Wrists. Dido has got to have one of the most beautiful voices of recent times, and she uses it to perfection on SEE YOU WHEN YOU’RE 40:
Gregory Hoskins gave us his track 41 and then it was Aussie and, Hunters & Collectors with 42 WHEELS. On 43 Mary Lou Lord justifies seeing a younger man by the fact that he’s 17, going on 43. And talking of excuses, I love any reason to go back to the 60’s so the Zombies were in with CARE OF CELL 44. Terrific band, still performing too.
An artist I’ve only just discovered, but like very much is Todd Snider . Here he is performing FORTY FIVE MILES in December 2010 in Tampa, to a very appreciative audience I might add. It’s an amateur video, but worth watching. He’s supported by Will Kimbrough.
If you’re after some good old fashioned Blues then check out Memphis Slim, Jump Jackson and Arbee Stidham. They gave us a fast version of 46TH STREET BOOGIE to fill our #46 spot. Number 47 was looking tough until I found a real cutie: Andy Kirk & His Orchestra, featuring June Richmond on vocals. She was one of the first black women to front an all white band. The song is 47th STREET JIVE.
Enough with songs named after New York streets (surely that’s another show!). A complete change of tone followed with the amazing, enduring, Suzi Quatro with 48 CRASH. I had to play this original clip from 1973, as she looks so great (still does actually). The ultimate rock chick.
Our number 49 song was for Des who presents BayFM’s Colours of Byron every Sunday morning. He’s a big Dylan fan, so DAYS OF 49 was especially for him and all the other Dylan fans. Number 50 couldn’t be anything but Simon & Garfunkle’s FIFTY WAYS TO LEAVE YOUR LOVER, which wasn’t dedicated to anyone in particular, because I don’t want to get myself in any trouble in that department! Here’s a live performance by Paul Simon with legendary drummer Steve Gadd:
Well we got all the way to #50 with time to spare. We closed the show with a #51 song that also previews next week’s show: Pink Floyd’s COME IN NUMBER 51, YOU’RE TIME IS UP from the soundtrack to the film Zabriskie Point. As one of the comments on YouTube states: it’s the film that inspired countless people to lose their virginity to Pink Floyd. (The music that is, not the actual band members). Here’s the trailer, featuring that music, with some of the worst promotional jargon I’ve ever heard!
So, next week I’ll be hosting an Oscars special. I’ll be playing lots of songs that were recorded especially for films. Some will have won Oscars, some should have but didn’t. I’d love to have your suggestions and requests. And, of course, your company 4-6pm Tuesdays on www.bayfm.org.
Here’s this week’s full playlist:
October 26 (Revolution) – The Pretty Things, Unrepentant [Disc 1]
Twenty Seven Strangers – Villagers, Becoming A Jackal
Twenty Eight – Why? Alopecia
Twentynine – Ryan Adams, 29
$30 – The Lucksmiths, Spring a Leak
31 Today – Aimee Mann, Smilers
32 Flavors – Ani DiFranco
Thirty Three – The New Mastersounds, 102% Funk
34 – Promenade, Save the Radio
Hymn 35 – Joe Pug, Nation of Heat EP
36-22-36 – Bobby “Blue” Bland, Bobby “Blue” Bland: The Anthology
Straight In At 37 – The Beautiful South, Welcome to the Beautiful South
38 Years Old – The Tragically Hip, Up to Here
Symphony Number Thirty-nine – Reanimator, Music To Slit Wrists By
See You When You’re 40 – Dido, Life For Rent
41 – Gregory Hoskins, The Beggar Heart
42 Wheels – Hunters & Collectors, Under One Roof
43 – Mary Lou Lord, Baby Blue
Care of Cell 44 – The Zombies, Odessey and Oracle
Forty Five Miles – Todd Snider, Happy to Be Here
46th Street Boogie (Fast Boogie) – Memphis Slim, Jump Jackson and Arbee Stidham
47th St Jive – Andy Kirk & His Clouds of Joy, Jukebox Hits 1936-1949
48 Crash – Suzi Quatro, Suzi Quatro: Greatest Hits
Days of 49 – Bob Dylan, Self Portrait
Fifty Ways To Leave Your Lover – Simon & Garfunkel , The Concert in Central Park
Number 51, Your Time Is Up – Pink Floyd, Zabriskie Point (Soundtrack from the Motion Picture)
Next week: SONGS RECORDED FOR FILM
I decided to be more playful than usual this week as I set out to compile a playlist of song titles that mentioned numbers. Easy-peasy, you’re thinking. Sure, but there was a condition. The songs had to be played in numerical sequence. I got to choose from pop, rock, country & jazz so it couldn’t be that hard, right? Right.
The show kicked off with LESS THAN ZERO by Elvis Costello and moved right into a beautiful track from Lamb, ZERO. Numero Uno was a piece of cake as I have already done a whole show just on the #1 so plenty to choose from there. I decided that should go with my #1 favourite artist, Roy Orbison with a song from the album, Mystery Girl, THE ONLY ONE. Another fave took over the #2 spot: Marvin Gaye and Kim Weston with IT TAKES TWO. And for #3 it was none other than the great Sarah Vaughan who, like a lot of us, only needs THREE LITTLE WORDS.
FOUR STRONG WINDS is a classic Canadian song by the legendary Canadian singer Neil Young. The perfect follow-up came from the adorable Nanci Griffith with LOVE AT THE FIVE AND DIME. Here she is performing live at the BBC:
The great reggae artist Gregory Isaacs, known as the ‘Cool Ruler’ sadly passed away late last year. His song SIX MONTHS filled the #6 spot and for #7 it had to be The White Stripes with SEVEN NATION ARMY. Such a shame that they’ve gone their separate ways.
There was only one #8 for this baby boomer: The Beatles with EIGHT DAYS A WEEK. And, for #9 Wilson Pickett with ENGINE NUMBER NINE, of course. Pure funk.
Brothers, by the Black Keys, was one of my album picks of 2010 so including TEN CENT PISTOL from that album was a no-brainer. Here they are performing live on Late Night with Jimmy Fallon. Excellent.
Cyndi Lauper features on David Byrne and Fat Boy Slim’s concept album Here Lies Love which is based on the lives of Imelda Marcos and her nanny Estrella Cumpas. The official video clip of ELEVEN DAYS is set against a Philippine movie of 1965 “Iginuhit ng Tadhana: The Ferdinand E. Marcos Story”, starring Gloria Romero and Luis Gonzalez.
I do love a bit of gospel singing, so Buddy Greene was in with TWELVE GATES TO THE CITY. Dickie Thompson is also evangelical, but not in the usual sense. He sings about THIRTEEN WOMEN and only one man in town. Now if I was a bloke I’d say he was a lucky b…..d! But being a woman, living in a small town, it sounds irritatingly familiar!
Next up, it was the genius that is Tiny Tim with all kinds of things to say about the number FOURTEEN. Not the usual Tiny Tim we’re used to hearing. I, for one, miss the ukelele I must admit. And I miss Tiny Tim who died of a heart attack in 1996 at the age of 64.
Number 15 in our playlist was another no-brainer: the almighty Radiohead with 15 STEPS. Here they are peforming live for their VH1 special:
We kept moving through the teenage years with gusto as Chuck Berry took the #16 spot with SWEET LITTLE SIXTEEN. And then Janis Ian calmed everything down with her incredibly insightful tune, AT SEVENTEEN.
The Stellas took the 18th spot with 18 from their 2008 album Cry Baby Cry. Time then for another classic: Steely Dan’s HEY NINETEEN. “Way back in 1967….”
For all the Bluegrass fans, I had to include Jimmy Martin’s 20:20 VISION and then it was a nice piece of rockabilly, suggested by Andy, Eddie Cochran’s TWENTY FLIGHT ROCK.
Rappers 50 cent and Nate Dogg have 21 QUESTIONS for their girlfriend. Not sure us girls need that much interrogation, but hey what do I know? This video has already gathered over 35million hits on You Tube! With lines like “I loves you like a fat kid likes cake”. Go figure!
Lily Allen knows how to churn out pop tunes and 22 is a good example. We followed that with the wonderful Brothers Johnson and another soul standard, STRAWBERRY LETTER 23.
Our two hours was almost up so only time for two more tunes in our attempt to get from zero to infinity. The #24 spot was filled by Bobby Bland’s TWENTY FOUR HOUR BLUES and the finale was handed to Edwin Starr’s TWENTY FIVE MILES. OMG what a voice! Brilliant. Wish I’d been at this particular concert.
We’ll continue our numerical exercise next week, starting at #26. So why not send me a message with suggestions for that list which should probably limit itself from 26-51. Let’s see how we go.
Until then, here’s this week’s full playlist:
Less Than Zero – Elvis Costello, My Aim Is True Pop
Zero – Lamb, Lamb
The Only One – Roy Orbison, Mystery Girl
It Takes Two – Marvin Gaye and Kim Weston, Ready Steady Go! The Sixties Sound Of Motown [Disc 1]
Three Little Words – Sarah Vaughan, The Mercury Jazz Story [Disc 1]
Four Strong Winds – Neil Young, Comes a Time
Love at the Five and Dime – Nanci Griffith, The Last of the True Believers
Six Months – Gregory Isaacs, Brand New Me
Seven Nation Army – The White Stripes, Elephant
Eight Days A Week – The Beatles, Beatles For Sale
Engine Number Nine – Wilson Pickett , Chronicles
Ten Cent Pistol – The Black Keys, Brothers
Eleven Days – David Byrne and Fatboy Slim, Here Lies Love
Twelve Gates To The City – Buddy Greene, A Few More Years
Thirteen Women – Dickie Thompson, Ultimate Rhythm & Soul Collection [Disc 1]
Fourteen – Tiny Tim, Girl
15 Step – Radiohead, In Rainbows
Sweet Little Sixteen – Chuck Berry, Yesterdays Gold Vol 07
At Seventeen – Janis Ian, Echoes Of The Radio [Disc 1]
18 – The Stellas, Cry Baby Cry
Hey Nineteen – Steely Dan, A Decade Of Steely Dan
20:20 Vision – Jimmy Martin
Twenty Flight Rock – Eddie Cochran, Big Artist Selection – Eddie Cochran
21 Questions – 50 Cent & Nate Dogg
22 – Lily Allen, It’s Not Me, It’s You
Strawberry Letter 23 – The Brothers Johnson, Strawberry Letter 23/The Very Best Of The Brothers Johnson
Twenty-Four Hour Blues – Bobby “Blue” Bland, Dreamer
Twenty-Five Miles – Edwin Starr
Next week: FROM NOUGHT TO WHATEVER (Part 2)
Occasionally, a songwriter writes a tune that’s essentially a letter to a musical peer or fellow composer. Sometimes that message is delivered in the form of a tribute and sometimes it’s delivered as an angry diatribe. Our playlist today features both but, like our opening track JAZZ THING from Gang Starr, most of our songs are marks of respect.
I like to include a little country music every now and again, especially if its by the great Johnny Cash. As a contribution to this week’s playlist, he sings about his country music idol on THE NIGHT HANK WILLIAMS CAME TO TOWN. Punk rockers The Ramones praise the rock artists who preceded them on DO YOU REMEMBER ROCK N ROLL RADIO. And then it was UK group Television Personalities, who are obviously Pink Floyd fans with I KNOW WHERE SYD BARRETT LIVES.
The most familiar soul hit on the airwaves during 1967 was Arthur Conley’s SWEET SOUL MUSIC on which he paid tribute to other great soulmen like Otis Redding and James Brown:
When it comes to soul, Stevie Wonder knows how much is owed to our jazz legends. SIR DUKE is his tribute to Duke Ellington, the influential jazz legend who died in 1974. He also acknowledges Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald.
In 1980 Dexy’s Midnight Runners appeared out of nowhere, with a sound all their own. Nobody else at the time would have dreamt of producing an impassioned, brass-powered tribute to neglected 1960s soul singer Geno Washington, but they did and they took GENO to #1 in the UK.
Dexy’s Midnight Runners also recorded a version of JACKIE WILSON SAID, but I’m faithful to the original by Van Morrison which had to be part of the list too.
A little more country music was up next with the gorgeous Gillian Welch singing the ELVIS PRESLEY BLUES. This was followed closely by the one and only Ian Dury with his incredible piece of hero worship, SWEET GENE VINCENT. On this video Mick Jones of the Clash joins the band, The Blockheads. And as Dury quips to Jones: “Listen, we’ve got four chords on this one Michael!” Great band, great song. How does Mick Jones get through this number without once dropping the ciggie from his mouth? Hilarious.
Ian Hunter and Mott the Hoople’s reluctant youth anthem, ALL THE YOUNG DUDES was written by David Bowie. It namechecks T-Rex and references The Beatles and The Stones. Here they are, (with Bowie on back up!), performing at the Freddie Mercury tribute at Wembley Stadium:
The wonderful Jonathan Richman never disappoints me and he delivers again for this week’s playlist. On his song VELVET UNDERGROUND he even performs a few bars of the Velvet Underground’s Sister Ray in between dispensing eloquent insights into his heroes’ dark magic. How good is that!
Bono says that U2’s song STUCK IN A MOMENT YOU CAN’T GET OUT OF is a tribute to INXS singer Michael Hutchence. According to Bono it’s the conversation he wishes had actually taken place.
John Martyn, who died at a relatively early age himself, extends a concerned hand to a fading Nick Drake on the devastatingly tender SOLID AIR.
Canadian group Barenaked Ladies recorded a hit song about mental illness that references Beach Boy BRIAN WILSON. And just in case you’re wondering, Brian Wilson does do a version during his own live shows. And why wouldn’t he? It’s a great song. Fellow Canadian Allanah Myles also had a huge hit with my favourite of all the Elvis tribute songs: BLACK VELVET.
Paul Jones and Dave Kelly honour Blues legend SONNY BOY WILLIAMSON and Neil Young references Johnny Rotten of the Sex Pistols on HEY, HEY, MY MY (Into the Black). The line ‘It’s better to burn out than to fade away’ also became infamous in modern rock after being quoted in Kurt Cobain’s suicide note.
On a cheerier note, The Saw Doctors sing I’D LOVE TO BANG THE BANGLES, which pretty much speaks for itself. If you thought that was a wild proposition, you should take a listen to Bongwater’s NICK CAVE DOLLS. But hang in for the punchline on that one. A perfect follow up to that tune is Adam Ant’s GOODIE TWO SHOES, supposedly a critique of Cliff Richards virtuous and conservative image. “Don’t drink, don’t smoke… what do you do?”
A terrific song from Dory Previn is STONE FOR BESSIE SMITH. It isn’t just about the Blues singer Bessie Smith; it’s primarily about Janis Joplin who paid for Bessie Smith’s headstone but forgot to put anything aside for her own.
Early in his career, David Bowie often wrote about artists he admired, from Lou Reed to Andy Warhol to Iggy Pop. On SONG FOR BOB DYLAN a pre-Ziggy Bowie adopted Dylan’s nasal vocal style in order to pay tribute.
Down By Law also do an excellent tribute to the best rock band in the world: I WANNA BE IN AC/DC. Me too guys, me too.
It was hard choosing a song to go out on. Yes, of course there’s American Pie and Losing My Edge and the various spats between Paul McCartney and John Lennon, but in an effort not to be too predictable I’ve chose TUNIC (Song for Karen). Sonic Youth’s Kim Gordon does a beautiful job of casting herself as the tragic Karen Carpenter reporting back from heaven.
I’ve got a marathon effort lined up for the next couple of weeks and I need your help! The playlist next week will start with a song referencing Zero or less and I’ll progressively play songs in numerical order until I run out of ideas. For example I could start with Elvis Costello’s Less Than Zero progress to Yeah yeah yeah’s Zero then Bob Marley’s One Love … you get the idea. Let’s see how far I get. If you help me we could be doing this for weeks! To make it easy to participate I’ll be posting onto the Theme Park Radio Facebook page.
But in the meantime, here’s this week’s complete playlist to peruse:
Jazz Thing – Gang Starr – Moment of Truth
The Night Hank Williams Came To Town – Johnny Cash – The Best Of Johnny Cash
Do You Remember Rock ‘N’ Roll Radio – The Ramones Shrek OST
I Know Where Syd Barrett Lives – Television Personalities And Don’t The Kids Just Love It
Sweet Soul Music – Arthur Conley – 60’s Soul
Sir Duke – Stevie Wonder – Songs In The Key Of Life [Disc 1]
Jackie Wilson Said (I’m In Heaven When You Smile) – Van Morrison
Geno – Dexys Midnight Runners – Searching For The Young Soul Rebels
Elvis Presley Blues – Gillian Welch – Time (The Revelator)
Sweet Gene Vincent – Ian Dury and The Blockheads – The Very Best Of Ian Dury And The Blockheads
Blackbird, Bye Bye – Keith Jarrett, Gary Peacock, Jack DeJohnette – Bye Bye Blackbird
All The Young Dudes – Mott The Hoople – Rock Classics 60’s & 70’s Volume 2
Velvet Underground – Jonathan Richman – I, Jonathan
Stuck In A Moment You Can’t Get Out Of – U2 – The Best Of 1990-2000 & B-Sides CD1
Solid Air – John Martyn – No Little Boy
Brian Wilson – Barenaked Ladies – Barenaked Radio: Easter Special
Sonny Boy Williamson – Paul Jones & Dave Kelly – Live In London
Black Velvet – Alannah Myles – The Very Best of Alannah Myles
Hey Hey, My My (Into The Black) – Neil Young – Rust Never Sleeps (Live)
Goodbye Pork Pie Hat – Charles Mingus – Mingus Ah Um
I’d Love To Kiss The Bangles – The Saw Doctors – Play it Again Sham
Nick Cave Dolls – Bongwater – Box of Bongwater
Goody Two Shoes – Adam Ant – Antics In The Forbidden Zone
Stone For Bessie Smith – Dory Previn – Mythical Kings And Iguanas
Song For Bob Dylan – David Bowie – Hunky Dory
(I Wanna Be In) AC/DC – Down By Law – Windwardtidesandwaywardsails
Tunic (Song For Karen) – Sonic Youth – Goo (Deluxe Edition) [Disc 1]
Next week: NOUGHT TO WHATEVER (Part 1)